Hoopoe – A blog by nhbs – Page 67 – The NHBS Conservation Hub

NHBS: In The Field – Bushnell CORE DS Low Glow

Bushnell CORE DS Low Glow

Bushnell trail cameras have always been popular among ecologists and researchers alike, but their famous Aggressor range of cameras has become outdated as trail camera technology has advanced. New for 2019, the Bushnell CORE range features four high specification trail cameras with the latest technology (more about the differences between the four cameras can be found here). We wanted to test one of these new cameras to see how it performed.

We tested the Bushnell CORE DS Low Glow Trail Camera (DS standing for ‘dual-sensor’). Bushnell’s dual sensor system promises better day and night photos/videos, with one sensor dedicated to each. A 30MP image size and 920×1080 HD videos also indicate sharp, high-quality footage, but this is not always the case. The best way to see the true image/ video quality is to view sample footage from the camera.

Setting Up

We set the CORE up at a badger latrine in a wood in Devon. The camera was simple to set up, and the colour viewing screen came in very handy when trying to get the best angle. Without this feature, it can be very difficult to ensure that the camera is pointing in the right direction. The screen also displays a simple and user-friendly settings menu which was easy to navigate and check. The settings we used in this instance are as follows:

Mode: Video
Video Size: 1920×1080 (30fps)
Video Length: 15 seconds (the videos below are trimmed from originals)
Interval:3 seconds
TimeStamp: On
Video Sound: On
Sensor Level: Auto
Camera Mode: 24 hrs

As we were leaving the camera in a public woodland, we secured it in place with a compatible Python cable lock. The No Glow equivalent might also be a camera to consider if you are setting a camera up on public land and you want extra security.

What we found

The Bushnell CORE caught several videos over the one evening that it was set up. These clips can be viewed in the video below. The black and white IR footage was very impressive. We found it beautifully clear and very smooth, even at 30 fps (the camera has an option of 60fps). The IR flash illuminated the subject without any wash-out whilst remaining bright enough to reveal plenty of detail. The low-light and day colour footage wasn’t as crisp but was still lovely and smooth. The fast trigger speed was especially apparent in a clip showing a herd of deer running across the river. The first deer are barely halfway across the screen before the video starts, despite the speed at which they were running.

Our Opinion

We were impressed with the Bushnell CORE DS Low Glow Trail Camera, especially with the night videos. The front-facing colour screen was a key feature that made set-up and camera positioning much easier and is something that we think can either make or break a filming session. The dual sensor is definitely worth the price difference for the night videos. The colour videos were not as crisp but the camera is still excellent quality with an outstanding trigger speed and perfectly suitable for the needs of most researchers and ecologists.

The Bushnell CORE DS Low Glow is available on the NHBS website.

To view the full range of Bushnell CORE cameras, along with other ranges of trail cameras, visit www.nhbs.com. If you have any questions on camera trapping or would like some advice on the best camera for you then please contact us via email at customer.services@nhbs.com or phone on 01803 865913.

Celebrating 30 years of British Wildlife!

With the publication of the October issue of British Wildlife, the magazine has reached 30 years in print. British Wildlife found its home here at NHBS in February 2016, but it owes its existence to founders Andrew and Anne Branson, who first brought it to press back in 1989. In our 30th anniversary issue, we were delighted to learn more from Andrew about the earliest days of the magazine.

Andrew Branson, founder of British Wildlife magazine

A shortened version of Andrew’s piece, ‘British Wildlife – how it all began’, is included below. To find out how to read the full article, see here.

Taking ‘the path less travelled’ has often been a failing of mine. In early 1988, after another week of commuting up to London as a publisher for a large multinational publishing house, I came to the conclusion that there must be a more enjoyable way to earn a living. Perhaps not such an unusual thought, but what surprised colleagues were that I then effectively headed off into the ‘undergrowth’ of rural Hampshire to set up British Wildlife Publishing, with the support of my wife, Anne. My work had allowed me to spend days in the field with some great naturalists, and through discussions with those it became obvious to me that there was a need for something different that captured the expertise of some of our best field naturalists, provided up-to-date information on the rapidly changing world of conservation and, importantly, was also a first-class read.

First published in 1989, the covers have remained largely unchanged

In the 1980s it was still the case that, by and large, people were much more blinkered in their interests. For example, birdwatchers seldom took note of other groups of animals and plants and the entomologists were generally a small, tight-knit group of specialists. I was looking for something that would break out from this bunker mentality and act as a showcase for the great work being done in British natural history.

There were, of course, numerous scattered membership magazines and journals for the various specialist societies, each promoting its own agenda, but how could you find out what was happening with wildlife around the country? Sometimes the journals reported on events years after they had happened. And remember, this was before the days of emails and social media. Communication was all about telephone calls and letters; networking was down to attending conferences and field meetings. In the end, I worked from the premise that, if it excited me and I would buy it, then others, too, would do the same.

I was also increasingly aware of the work of the Nature Conservancy Council (NCC), not only in advising the government on contentious issues but also in producing detailed research documents. At an early stage in planning the magazine, therefore, I visited this important hub of expertise in Peterborough. A good working relationship with this team was critical and I received a warm welcome from Philip Oswald, the communications boss, who introduced me to several people who became key contributors.

Bringing all this together in 1988, I decided to create a completely new magazine that would cover all aspects of wildlife and nature conservation in Great Britain and Ireland, and that, despite its broad geographical remit, it would be called ‘British Wildlife’. The watchwords of the publication were to be accuracy, independence of view and quality. The proposed contents were to include a mix of articles and news which deliberately juxtaposed information on subjects as diverse as bryophytes and birds, flies and flowers, conservation news and reserve management. Planning the potential contents was relatively straightforward, but coming up with a team of people that would put it together was another thing.

The first issues

The first issue of British Wildlife went to print in October 1989

The first issue of British Wildlife came out, after a long hot summer (one computer caught fire!), in October 1989. We printed 5,000 copies and initially sold just under 2,000, but within a few years, they had almost all been sold. In addition to the various in-depth articles, the first issue included the wildlife reports, pretty much as they are today, with, extraordinarily, still some of the same contributors: here we find the butterfly news written by Nick Bowles, moths by Paul Waring and flies by Alan Stubbs. Peter Marren, then working for the NCC as a writer, and his inimitable column ‘Twitcher in the swamp’, appeared in the fourth issue and there he has remained, with the odd holiday, right up to today. After struggling at first to find a hero to take on the herculean task of sifting through newspaper cuttings and press releases to produce ‘Conservation news’, Sue Everett came to the rescue in 1991 and has ever since been ably riding the waves of news, including, more recently, the tsunami of information that now floods the internet.

Herein lies one of British Wildlife’s great strengths: a reliable team of highly knowledgeable and talented contributors that have been with the magazine, through thick and thin, for decades. I take my hat off to them all.

Some great names and articles

Happily, many people understood what British Wildlife was trying to achieve, and we soon had articles from some of the seminal voices of the time. Derek Ratcliffe first wrote for the magazine in its second issue. This was a stinging rebuke to the government concerning the breaking-up of the NCC (BW 1: 89–91) – I can still remember the fire in his eyes as he described what was going on. Later he authored two masterful articles on ‘Upland birds and their conservation’ (BW 2: 1–12) and on the ‘Mountain flora of Britain and Ireland’ (BW 3: 10–21). Chris Mead, of the British Trust for Ornithology, was a great voice for birds and conservation, and enthusiastically backed British Wildlife from the start, contributing the birds report until his untimely death in 2003. Another important commentator on conservation was Colin Tubbs of NCC/English Nature. He took a much wider view on matters than most, and several of his contributions in the 1990s introduced a more international flavour to the magazine.

The familiar white cover first appeared in 1992, at the start of volume 4, and has remained more or less unchanged ever since.

Often, important topics were being raised in British Wildlife years, if not decades, before they became part of the general discourse of the national media. A good example of this is a superb article by Alan Rayner published in 1993 on the ‘Fundamental importance of fungi in woodlands’ (BW 4: 205–215), in which Alan explains the intricate nature of the relationship between such things as mycorrhizal fungi and woodland health. We published an article on ‘Climate change and British Wildlife’ back in 1994 (BW 5: 169–179). An early article that caused much controversy was one on woodland management, ‘Biodiversity conservation in Britain: science replacing tradition’, by Clive Hambler and Martin Speight (BW 6: 137–147). British Wildlife has always been open to occasionally ‘stirring the pot’, but this piece boiled over into a debate that reached the national newspapers. It precipitated several excellent articles in response, including from Martin Warren, who had regularly written on the conservation of butterflies from the first volume. Also gathering impetus in the early 1990s was the idea of creating ‘wilderness areas’, as opposed to using more traditional farming practices. Contributions from Tony Whitbread and Bill Jenman (‘A natural method of conserving biodiversity in Britain’, BW 7: 84–93) and a reply from Colin Tubbs (BW 7: 290–296) are an example of an early skirmish from almost a quarter of a century ago.

It was pleasing to introduce Robert Burton, with his regular column, ‘Through a naturalist’s eyes’, in 1995. Each of his columns is a wonderfully crafted piece of natural history observation. Bill Sutherland, now Miriam Rothschild Professor of Conservation Biology at the University of Cambridge, first started the ‘Habitat management news’ section back in 1992 and his renowned evidence-based approach to wildlife management was clear even then. Some of the identification articles have been illustrated by Richard Lewington’s wonderfully accurate artworks and, indeed, were occasionally a testbed for some of the field guides that we were later to publish.

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Discover British Wildlife here.

Natural History Museum, London: Publisher of the Month

The Natural History Museum opened on its current site in 1881 and now employs more than 300 scientists working in their earth and life sciences departments. The collection houses over 80 million specimens and publishes over 700 scientific papers a year with international collaborators. Books published by the Natural History Museum, London are inspired by the Museum’s pioneering scientific work and sales help support their scientific research, educational programmes and conservation programs around the world.

NHBS are pleased to announce Natural History Museum, London as our Publisher of the Month for November and December, with some great offers on iconic publishing such as Wildlife Photographer of the Year.

Wildlife Photographer of the Year

Each year the Wildlife Photographer of the Year exhibition is seen by millions of people throughout the world and Portfolio 29 displays the full collection of 100 images awarded in the 2019 competition.

We have previous portfolios that are still in print on special offer – the perfect opportunity to be inspired by the amazing photography and the fantastic flora, fauna and diverse environments that make Wildlife Photographer of the Year such an iconic event.

Browse all Wildlife Photography of the Year portfolios

Bestsellers

As well as Wildlife Photographer of the Year portfolios, Natural History Museum, London publish a variety of natural history titles and we have included our top five titles below:

The Secret Life of Flies

Paperback | April 2018| £7.99 ~~£9.99~~
Combining a deep knowledge and love of flies with a wonderful knack for storytelling, we peer – amazed and captivated – into the secret life of flies

Moths: Their Biology, Diversity and Evolution

Paperback| October 2019 | £11.99 ~~£14.99~~
An accessible introduction to the stunning diversity, life habits and evolution of moths

The Handbook of Bird Families

Paperback| Oct 2017| £15.99 ~~£19.99~~
Discover all the key facts about the orders and families of birds found around the world with this ultimate handbook

Encyclopedia of Dinosaurs: The Theropods

Hardback| June 2019| £22.99 ~~£29.99~~
Packed with fabulous illustrations, this book is a great introduction to these fearsome dinosaurs.

Trees of Britain and Ireland

Hardback| June 2011| £16.99 ~~£19.99~~
A celebration of the trees of Britain and Ireland including the history of their development, man’s relationship with them, and portraits of all the major native species.

Forthcoming from Natural History Museum, London

Natural History Museum, London, have more publications due in 2020, most notably: The Inside Out of Flies a guide to the anatomy of flies and the science behind their unique adaptations, from the same author of the bestselling The Secret Lives of Flies.

Browse all Natural History Museum, London titles, old, new and forthcoming here

Devon Greater Horseshoe Bat Project Q&A

Recently we spoke to Helen Parr from the Devon Greater Horseshoe Bat Project about the wonderful work that is done in our local area for this rare species. Helen Parr also details the importance of conserving the Greater Horseshoe Bat, how we all can help ensure its survival and shares her hopes for the future.

For those who haven’t heard of the Devon Greater Horseshoe Bat project before, can you summarise what it is?

Our project works with local communities to secure a future for Greater Horseshoe Bats in Devon, their northern European stronghold. It is a partnership project of 18 organisations led by Devon Wildlife Trust and is supported by the National Lottery Heritage Fund, as well as other funders. The priority areas for the bat team are 11 maternity roosts around the county.

The countryside near the breeding roosts must provide everything that the bats need to survive and raise healthy young for the next generation. Their favoured foods are moths and beetles so they need good foraging and hunting grounds such as hedges, orchards, meadows, woodland edges and streams. Sadly we have lost 50% of our hedgerows and 98% of wildflower meadows in recent decades, so there is lots to be done! Working with landowners and farmers is a vital part of what we do.

2. What role do you play in the Devon Greater Horseshoe Bat project?

I’m the Community Engagement Officer on the project. Raising awareness and getting people involved is crucial so that when our project ends in autumn 2020, all the great work currently being done to help the bats will continue into the future.

My work with schools is one way to do this – children can work towards a series of Bat Buddy awards. They are always fascinated to learn about the Greater Horseshoe Bat; as a rare animal living on their doorstep, it has local relevance to them and they can make a practical difference at home or in their school grounds. Some of the children may be inspired to become our future conservationists!

I also support people in towns and villages in their efforts to become accredited as a ‘Bat Friendly Community’. For example, after some training and buying of bat detectors, local volunteers have arranged bat walks to introduce people to the world of bats.

Managing our website www.devonbatproject.org along with social media allows us to spread the message to a wider audience, and during the summer months, there are plenty of events such as bat walks to introduce people to the magical world of bats.

3. What’s your favourite thing about the Greater Horseshoe Bat?

Greater Horseshoe Bat, Credit: Mike Symes

I do love their funny horseshoe-shaped noses, it’s where they get their name from. They use these amazing looking noses for their echolocation – emitting sounds to find their way around in the dark and catch their prey. It’s an amazing technique honed over millions of years of evolution! People are always surprised and intrigued when they see images of this bat and hear their echolocating sounds.

4. Can you tell us why the project focuses on the Greater Horseshoe Bat in particular?

Greater Horseshoe Bats are an important indicator of great habitats; if they are present in an area you know that the surrounding habitats will be good, not just for bats but other wildlife too. However, their numbers have gone down by 90% in the last 100 years, and they remain under threat from habitat loss and declining insect numbers. Therefore if we can improve things for Greater Horseshoes, over time the whole biodiversity of an area will increase.

5. There are many ways to survey bats, what techniques and technology do you use for the project?

Devon Bat Survey is our Citizen Science project involving hundreds of volunteers each year – we use 20 SM4 Bat detectors for this to get as wide a coverage as we can across the county. People borrow the equipment for 3 nights; as well as collecting valuable data on Greater Horseshoe, all other bats are recorded too. Once the data has been returned and run through specialist software, reports are produced. Anabat Express detectors are also used to survey the land of some of the farmers we work with.

We have placed an infrared camera in one of the roosts – this is fascinating to watch during the breeding season. On bat walks, we use the Magenta 5 handheld detectors so people can hear the bats, along with the Echo Meter Touch detector so we can record and identify what we find.

6. How is the data that is collected used?

The data is sent to Devon Biodiversity Records Centre. From there it can be used by local authorities, conservation bodies, developers and communities to enable them to make informed decisions that might impact on bats. In addition, we have had a University student use the data to undertake habitat modelling to better understand landscape use by Greater Horseshoe Bats.

7. At this year’s National Bat Conference, there was talk of potentially using trail cameras to survey the emergence of bats from their roosts. If the right technology exists, do you think the Devon Greater Horseshoe Bat project could make use of it?

As we are in the final year of our project, we won’t have the time or funding to take advantage of this, but I think trail cameras sound like a great idea for any future projects like ours. Advances in technology will always be useful in bat conservation. As the Echo Meter Touch or similar technology becomes more affordable in future, I often imagine how amazing it would be to see everyone using their smartphones to gather and upload bat data – the ultimate citizen science project!

8. How can readers get involved with the Devon Greater Horseshoe Bat project?

Look out for Devon Bat Survey which starts again in April 2020
Do some bat friendly gardening – even the smallest garden can be a home for insects – great food for bats
If you have a piece of land (large or small) you could use our Management Guides to improve it for bats
Keep an eye on our website for any events with us or our partners –especially September 2020 which will be our busiest month of events ever with around 30 events for our final Bat Festival.

9. What trends are being suggested by the project – how is the Greater Horseshoe Bat doing?

It’s too early to say as a lot more detailed analysis will need to be done, and the measures put in place by towns, villages and individual landowners will take time to show an effect. The Devon Bat Survey will not really show population changes but can indicate changes in distribution. Work being undertaken by the Bat Conservation Trust will allow us to see the changes over time of the work that we have done. However the general consensus is that populations are stabilising and starting to increase, but I don’t think we can be complacent as the loss of one maternity roost could have a dramatic effect on the population numbers.

10. What is being done to support the population in the future?

Throughout the project, the team has aimed to spread the word about these amazing little creatures and to encourage good habitat management for bats. We hope that once the project comes to an end that the people who share their spaces with these bats will care for them in the future, with a realisation that all species will benefit from actions to improve biodiversity across Devon, including humans!

Autumn Hedgehog thoughts

The noise that a hedgehog makes when crunching dried cat food is surprisingly loud… and when you have two or three sharing the same plate, as I sometimes do, they produce quite a din! Such a din in fact that I can hear their munching and squabbling from my bedroom window – even with the windows shut. But what a satisfying racket! It is a real privilege and a delight to have hedgehogs using your garden. By feeding them and making your garden hedgehog friendly you can take comfort in the knowledge that you are doing your bit to help these beleaguered animals.

In the 1950s, there were possibly as many as 30 million hedgehogs living in the UK, but today there could be as few as 522,000 – that’s a reduction of 97%. Suggestions as to why the population of these enchanting animals has taken such a nose dive include: the intensification of agriculture and the loss of hedgerows (which are important wildlife corridors), the alarming decline of the invertebrates on which hedgehogs feed (almost certainly due to the use of pesticides) and another, perhaps surprising factor, is predation by badgers. It turns out that wherever badgers thrive hedgehogs struggle, especially in areas where there is limited cover. Moreover, we are sadly all too familiar with the sight of squashed hedgehogs on our roads and it is thought that many thousands meet their end in this way each year. Although hedgehogs are very urbanised, their road safety skills remain poor!

Hedgehogs are also struggling with the current trends of homeowners who are turning their gardens into “garden rooms”. By covering our gardens in decking, patio, artificial lawn or tarmac we are reducing their wildlife value including foraging opportunities for the hedgehog. The erection of impenetrable garden fencing only adds to the problem because it does not permit egress from garden to garden. Hedgehogs may roam about 2km and visit up to 20 gardens every night to seek out food sources. Although surveys suggest that urban hedgehogs might actually be doing better than their rural cousins – these current gardening fashions are not doing anything to promote their cause. Our most popular mammal favours an untidy garden with fences full of holes.

So, what can we do to help the hedgehog? As I write this blog we are marching through autumn, but hedgehogs are still out and about, trying to put on weight for hibernation. November 5^th is approaching and this is a dangerous time for hedgehogs as they often seek shelter within bonfire piles, so please check for hedgehogs before setting yours alight.

You and your garden can become hedgehog friendly by just providing some or all of the following:

Make sure that hedgehogs can gain access in and out of the garden. Holes in fences only need to be 13cm square and they will soon be found and used on a regular basis. If you want to neaten off the hole, then consider the Eco Hedgehog Hole Fence Plate which is made from 100% recycled plastic and available at NHBS.
Include compost heaps and overgrown areas in your garden as these are a great source of invertebrate prey
Do not use slug pellets and pesticides in your garden.
Provide a water source for hedgehogs such as a pond with a gently sloping edge, or a simple bowl
Hedgehog House
Provide areas where hedgehogs can spend the daylight hours, hibernate and even produce their young. This can be a simple wood or leaf pile, or if you prefer you could purchase a hedgehog house or shelter of which there is a large range of choices within our catalogue and on the website
Make hedgehogs safe; as well as checking your bonfire piles, be careful with the use of lawn mowers and strimmers and make sure that netting cannot cause entanglement – for example, the bottom edge of fruit netting can be raised from ground level.

Of course, hedgehogs also appreciate some help in food sourcing and are quick to make use of our generosity. Feeding becomes particularly important in periods of pro-longed dry weather (such as we had this year) when soft-bodied invertebrates like slugs, snails and earthworms are less likely to be at large. It is also important to put out food towards the end of summer and beginning of Autumn when late born hoglets need all the help they can get in putting on enough fat to sustain them through the winter months. It is worth remembering that a hedgehog needs to weigh about 600g at the start of the hibernation period in order to survive until the following Spring.

Feed hedgehogs on wet or dry cat food and this can be supplemented with items like sunflower seeds, nuts and live or dried mealworms (Please feed these in moderation to ensure a balanced diet). There are also proprietary brands of hedgehog food available which provide a good balance of the nutrients that they need. But never put out bread and milk! Hedgehogs are intolerant to lactose and bread doesn’t provide the nutrition they need.

Put the food out in a bowl or saucer in the same place every night and hedgehogs will soon learn where it is located. Of course, this food may also be found by neighbourhood cats and foxes, so you could try to protect the food by placing it within a shelter.

It is great fun to put out a trail camera positioned near the food source so that you can obtain images and videos of your garden visitors – this is how I discovered that at least three visited my garden!

As winter sets in be on the lookout for hedgehogs that are out and about in daylight. An animal that is showing this unusual behaviour is likely to be a late autumn born youngster and probably starving. These animals need help and should be taken in and fed. It is best to contact your local wildlife hospital or rehabilitation centre for advice in this situation.

Hedgehogs are fantastic little mammals whose ancestors first appeared on this planet at least 52 million years ago. By giving some thought to the ones in your garden you can take comfort in the fact that you are contributing to their continued survival. It is very rewarding to have hedgehogs in your garden and certainly worthwhile putting up with their noisy nocturnal snacking.

Author Interview: Adele Brand, The Hidden World of the Fox

In The Hidden World of the Fox, Adele Brand shows us how this familiar yet enigmatic animal has thrived in ancient wildwood and adapted to life in the supermarket car parks and busy railway stations of our towns and cities.

Ecologist and author, Adele Brand has devoted much of her life to studying foxes and has a wealth of knowledge and first-hand experience to share about these often misunderstood animals.

1. Can you tell us a little about your background and how you got interested in foxes?

The Surrey countryside is an education of its own. I grew up there, learning that the hills I loved were home to more than people. Foxes have always been around me: loping across roads at dusk, hunting for voles near the local horses, and every glimpse into their lives cemented my interest. Their vivid personalities, their incredible adaptability in coping with nearly any habitat, the complexity of their social lives – foxes always provide rich study material. I am now an ecologist who has worked with mammals from Mexican jaguars to Surrey dormice, but I continue to monitor my local foxes and the landscape in which they live.

2. People often have polar-opposite opinions of foxes: why do you think foxes evoke such an emotional response?

Foxes touch human emotions. Of all our wild mammals, they are the easiest to get to know as recognisable individuals, and observing the ups and downs of their lives builds strong empathy. Many people who feed and watch garden foxes give them names and feel that they are an important part of their lives. On the other hand, some people have a strong ideological view that foxes (and sometimes wildlife in general) simply doesn’t belong near civilisation. When foxes behave in ways which would be reprehensible in a human – killing multiple chickens, scattering rubbish, etc. – they are often judged as they are indeed human. In my experience, a person’s attitude towards the fox is likely to reflect their general beliefs about nature; someone who has experienced damage but considers wildlife of intrinsic worth is actually likely to be more tolerant than a person who dislikes them on principle but has never experienced harm.

3. If anybody wanted to observe foxes, how would they go about it and what equipment, if any, would they need?

To see a fox, to an extent you need to think like a fox: the voles, blackberries and rabbits that it seeks are particularly abundant in woodland edges and rough grassland. Foxes are very much creatures of edge habitats so scanning these places – plus hedgerows – with powerful binoculars (I use 10 x 50) is a good start. While foxes can be active at any hour, they are most frequently crepuscular, so dawn and dusk are good times. Fields that are intensively grazed or have heavy recreational pressure are less promising sites. I would also recommend a good tracking book because being able to identify fox footprints, fur and scat will greatly increase understanding of how they are using the landscape. Additionally, it is worthwhile to keep alert even in unconventional places for wildlife watching. I have often seen rural foxes while travelling by train, for example.

4. Do foxes pose any ‘real’ danger to humans and pets?

There is an undercurrent of concern about foxes posing a risk to people. It is worth remembering that they are smaller than they can appear at a distance and in general have no interest in approaching us. A fox that sits down and watches is not ‘bold’ or ‘brazen’; it is assessing the situation and will bolt for a gap under the fence if it feels threatened. That said, trying to ‘tame’ them with hand-feeding or encouraging them indoors can lead to problematic encounters. I would always encourage people to enjoy watching their local foxes, but also to keep them wild.

Pets are a mixed issue. Clearly, rabbits, guinea pigs and chickens need to be kept in secure pens. Cats and foxes typically ignore each other, but kittens and very elderly cats are more vulnerable to everything in the outside world.

5. Despite the best efforts of humans, foxes are survivors; however, do you think their future is secure?

Interesting question. The conservation status of red foxes globally is secure, but with caveats. Foxes have become extinct in South Korea due to poaching and habitat loss, while in the USA, the Sierra Nevada subspecies is critically endangered. There is some evidence that the British population is declining, although they remain widespread. They have survived the industrialisation of farming, but they are not unaffected by it. A rural landscape that has thick, species-rich hedgerows, wildlife margins in arable fields, and less fragmentation from development would benefit foxes along with many much rarer species.

6.While writing your book and observing foxes; was there one surprising fact or discovery that you didn’t know previously?

The unlikely relationship between foxes and Mediterranean hackberry: seeds from this plant germinate earlier and are much more likely to survive if they pass through the intestinal tract of a fox and are excreted in its droppings.

Do you have any new projects in the pipeline that you’d like to tell us about?

At the moment, I’m continuing to study how foxes are affected by the changing land uses in the Surrey Hills. I’m particularly interested in how the intensity of grazing from livestock and horses changes their habitat use.

The Hidden World of the Fox
Hardback, Oct 2019, £9.99 ~~£12.99~~

Adele Brand shines a light on one of Britain’s most familiar yet enigmatic animals, showing us how the astonishing senses, intelligence and behaviour that allowed foxes to thrive in the ancient wildwood now help them survive in our cities and towns.

Browse all our books covering Foxes, Wolves, Dogs and other Canids

Johns Hopkins University Press: Publisher of the Month

Founded 1878, Johns Hopkins University Press (JHUP) is the oldest continuously running university press in the United States.

NHBS are pleased to announce Johns Hopkins University Press as our Publisher of the Month for October. We are offering 20% discount on all their UK distributed books throughout the month; making this a perfect opportunity to explore their vibrant publishing history, recent works and some excellent forthcoming books for wildlife management and conservation, mammalogy, paleontology and evolution, ichthyology, herpetology and more.

Just Published and Forthcoming

The Rise of Reptiles: 320 Million Years of Evolution 247093 Tunas and Billfishes of the World 247149 International Wildlife Management Conservation: Challenges in a Changing World 246734

With new titles due in the Wildlife Management and Conservation series and Johns Hopkins Rise of.. series, just published, there is plenty of new publishing for the end of 2019 to augment their recent bestsellers in conservation, ecology and natural history.

Bestsellers from Johns Hopkins University Press

Mammalogy: Techniques Lab Manual
Paperback| Dec 2018| £23.50 ~~£29.50~~
Ideal for any mammalogy or wildlife biology course, this clear and practical guide aids students by getting them outside to study mammals in their natural environments.

Ospreys: The Revival of a Global Raptor
Hardback| April 2019| £23.50 ~~£29.50~~
Celebrates the recent recovery of the species’; chronicles their spectacular long-distance migrations, and unveils their vital role in bringing life to coastal habitat.

Ornithology: Foundation, Analysis, and Application
Hardback |Oct 2019| £64.50 ~~£81.50~~
Provides a solid modern foundation for understanding the life and development of birds.

Freshwater Mollusks of the World: A Distribution Atlas
Hardback| April 2019 | £73.50 ~~£92.50~~
The only comprehensive summary of systematic and biodiversity information on freshwater mollusk families throughout the world

Snakes of Central and Western Africa
Hardback| July 2019| £49.99 ~~£62.99~~
Temporarily unavailable: due back in stock November 2019

Browse all Johns Hopkins University Press Books

Johns Hopkins University Press is part of a great tradition of American university presses, such as: Yale, Chicago and Princeton whom seek to disseminate their work to a wider audience.

Daniel Coit Gilman, the first ever president of Johns Hopkins University Press puts their publishing ethos well in this quote; “It is one of the noblest duties of a university to advance knowledge and to diffuse it not merely among those who can attend the daily lectures but far and wide”.

Marjorie Blamey

Marjorie Blamey 1918 – 2019

We recently received the sad news that the prolific and talented botanical artist, Marjorie Blamey had died, aged 101.

Author and naturalist Peter Marren, looks back her achievements and her invaluable contribution to botany.

Marjorie Blamey, who died in September, aged 101, will be well-known to many as the artist of distinguished botanical field guides. Her paintings of wild flowers, trees and ferns are not only scientifically accurate but a joy to see in their fresh colours and lifelike arrangements. Her main aim, she once said, was to make plants look alive, and she achieved it by painting freshly gathered specimens, not, as many botanical artists did, by trying to breathe life into pressed ones.

Locating and painting around 2,000 different species for each field guide was quite a task. Marjorie and her husband Philip used to tour Europe in a motorised caravan, getting up at dawn to begin painting specimens gathered the previous afternoon, kept fresh in boxes lined with damp paper (at home she used the fridge or even the bath). In her prime she could get through a dozen watercolour paintings by lunch. Few botanical artists have worked so fast, and yet maintained such consistent quality.

Her big break was the Collins Guide to Wild Flowers of Britain and Northern Europe (1974) – known as ‘Fitter and Blamey’ – which was translated into many European languages and sold a million copies. It was followed by field guides to alpine flowers and Mediterranean flowers, vital identification guides to green tours ever since, and the large-format Illustrated Flora of Britain and Northern Europe (1989) which she wrote with her friend and mentor Christopher Grey-Wilson, and considered her best work. Her last field guide was the ambitious Wild Flowers of Britain and Ireland (2003) – or ‘Fitter, Fitter and Blamey’ – whose 4,000-odd colour illustrations she completed at the age of 85 (adding yet more paintings to the revised edition ten years later).

Despite her extraordinary output, Marjorie came to botanical painting surprisingly late. Although she had shown obvious talent in her youth – where she also became an accomplished actress, photographer and, after the outbreak of the Second World War, nurse and ambulance driver – she had largely given up painting to run a dairy farm in Cornwall with her husband, by whom she had four children. She was in her 40s when she began to paint local wild flowers. A friend persuaded her to exhibit, and one thing led to another: a book of magnolias, followed by the first of her field guides.

Marjorie Blamey was modest about her talent. She seems to have loved the life of botanical travel, working all hours to complete her assignments. When you consider that the latest Collins Flower Guide took four artists a number of years to complete, and it took Keble Martin a whole lifetime to finish The Concise British Flora, her total of around 12,000 flower paintings for five major field guides, plus other work, begun in her 50s and ending in her 90s, is a record that will, I suspect, never be exceeded.

Marjorie Blamey 1918 – 2019

Peter Marren, 26th September 2019

Wembury BioBlitz 2019- Interview with Nicholas Helm

A BioBlitz is an intense period of biological survey of all the living creatures in a specific area, bringing together volunteers, scientists and naturalists to discover as many species as possible in a precise time frame. This year is the 10^th anniversary of the UKs first marine and coastal BioBlitz and it returns to the first location- Wembury Bay. This year’s event is being organised in partnership with the Devon Wildlife Trust, the Marine Biological Association of the UK and the South Devon AONB.

One of the organisers, Nicholas Helm has taken time to speak with us about this year’s event.

The BioBlitz has taken place in different locations across Devon and Cornwall, UK for the last 10 years, what makes this BioBlitz different to other years?

The first BioBlitz we ran in 2009 was at Wembury and was the first public, marine BioBlitz in the UK. Since then we have run one or more events each year for 10 years, several of which have partnered with Devon Wildlife Trust. Returning to Wembury 10 years on allows us to observe what has changed in that time as well as providing a great opportunity to celebrate the milestone. It also coincides with the 25^thanniversary of Wembury Marine Centre, which provides a fantastic backdrop to the event.

Can you tell us about Wembury Bay and what makes it a great location to explore?

Wembury Bay is a unique and special place. Due to its aspect and location, the shore is home to many southern species, not found anywhere else in the UK outside of Cornwall. The Bay incudes a whole host of habitats, from sand and seagrass in the mouth of the Yealm Estuary to the diverse rocky reefs stretching from Wembury Point – where they are exposed at low water – down to deeper, subtidal ledges beyond the Mewstone. These ledges are home to corals and a huge diversity of fish. The area provides nursery areas for sharks and feeding grounds for basking sharks, sea birds and marine mammals. As well as a diverse marine environment, the bay is fringed by fascinating and biologically diverse woodlands and coastal heathlands, home to rare birds, insects, reptiles and mammals, making it perfect for an event of this kind!

What’s your favourite animal you’ve ever found at Wembury Bay?

Personally, my favourite animals in the bay are the giant gobies (Gobius cobitus) which is a large goby, protected under the Wildlife and Countryside Act and not found anywhere in the UK outside of Cornwall. It is common in the upper shore pools of Wembury and is always an exciting find. The other star is the ‘St Pirran’s crab’ – a colourful hermit crab thought to have disappeared from the area in the 1960s but making a return in the last few years and now fairly common. Again, Wembury is the only site in the UK outside of Cornwall where this species has been recorded. I also love finding the stalked jellyfish and colourful nudibranchs that can be found in abundance in pools and under rocks if you know where to look!

This year, the BioBlitz is returning to Wembury after 10 years. How do you think the types of creatures found this year will compare to the first Wembury BioBlitz?

I expect we will observe a lot of changes, in particular there are likely to be a number of new introduced species and several species which have extended their range into the area as a result of climate change. We will also hopefully record the St Pirran’s crab (Clibanarius erythropus) which, in 2009 was not found in the area.

What happens to the data that volunteers, scientists and naturalists will collect at Wembury BioBlitz 2019?

All the data collected will be archived in DASSH (the national data archive for marine and coastal species and habitats) and made publicly available through the National Biodiversity Network Atlas. It will also be taken and held by Devon Local Records Centre and summarised in a final event report, which will be freely available online.

How can readers get involved with the activities available at Wembury BioBlitz 2019?

There are lots of ways to get involved, as a volunteer, species recorder or as a participant in the many activities we have scheduled throughout the event. Visit www.mba.ac.uk/bioblitz for more information.

NHBS BioBlitz Essentials List

Handbook of the Mammals of the World, an interview with the series creators

The final volume in the Handbook of the Mammals of the World series will be published in October 2019.

The first volume was published over a decade ago and Volume 9: Bats completes this hugely important reference series to the mammals of the world.

We asked publishers Josep del Hoyo and Albert Martinez to share their thoughts about the conception, production and fruition of this and the earlier Handbook of the Birds of the World series.

1. What inspired you to embark on the Handbook of the Mammals of the World series?
JOSEP: Well, in this case, our inspiration was very clearly the series’ predecessor: the Handbook of the Birds of the World (HBW). When we started on the Handbook of the Mammals of the World (HMW), we had already published 12 volumes of HBW and the results were encouraging, both in terms of enthusiastic reviews and commercial success. So, we thought it would be worthwhile to try to produce a sort of “sister series” covering all the mammals of the world. We saw it as natural that there should be a Handbook to properly treat all the animals forming part of the same Class to which we, as humans, belong. We were aware that while the number of professionals dedicated to mammals were high, that the number of amateur people interested in the group would be much lower than the equivalent public in birdwatching, so the series would be commercially riskier. But we were convinced of the project’s importance for science and conservation, so we decided to look for some support to make it happen.
We were extremely fortunate to find this support in the form of two Chief Editors for the series that were essential for its success. On one hand, celebrated primatologist Russ Mittermeier joined the project, bringing his own knowledge to the series, as well as achieving important funding, most notably from Conservation International, to get the project off its feet. Russ also enlisted the involvement of IUCN, International Union for Conservation of Nature, further emphasising the importance of conservation in the series, and drawing from the expertise of many of the IUCN Species Survival Commission (SSC) Specialist Groups.
On the other hand, Don Wilson, at the time Chairman of the Department of Vertebrate Zoology and Curator of the Division of Mammals at the National Museum of Natural History of the Smithsonian Institution, generously volunteered his time and effort to help the project, and this continued throughout the series in many different facets. For example, Don’s help was especially useful for finding and contacting the specialists to author the chapters, as well as for providing a strong taxonomic base with his book Wilson & Reeder (2005), Mammal Species of the World. A Taxonomic and Geographic Reference (3rd ed).
We are very grateful to both Russ and Don, and to the other Chief Editors and external supporters who made the project possible.

2. Volume 1 was Carnivores, a very charismatic order of mammals; when this was published in 2009, did you already know how many volumes the series would contain, and in what order they would be published?

ALBERT: We proposed Carnivores as an exploratory volume to study the viability of the project as we felt that it could be one of the volumes with the greatest interest for the readers.
When the first volume was published and once it was proven that the series was viable, we agreed shortly after with the Chief Editors, Don Wilson and Russ Mittermeier, on the total number of volumes in the series—eight—and their order. In the first preparatory meetings it was quickly decided not to follow a strictly phylogenetic sequence, and so, for instance, walruses, seals, and sea lions were treated along with the rest of sea mammals and not in the Carnivores volume.
The most important departure from the original plan was the need to split rodents into two volumes: Volume 6 and Volumes 7, in order to maintain the level of detail that had characterised the previous volumes. This decision was made after direct consultation with HMW subscribers (of 1840 respondents, 92% favoured two volumes). So, the series was extended from eight to nine volumes.

3. Could you provide a rough idea about how much hard work goes into publishing a single volume in the series?
ALBERT: The work is immense and summary numbers for the series are impressive (c.8000 pages, 443 colour plates, 5300 photos, 6400 range maps, 10,000s of references), as is the number of the people involved: 312 authors of texts, 10 artists, and more than a thousand photographers from all over the World.
The editing process for a single volume lasts between one-and-half and two years, it begins with the commission of the different families to the authors of texts and the plates to the artists. The in-house editing phase has lasted about a year in the last volumes. The first three volumes appeared with a cadence of two years, but from HMW4 on we have managed to publish a volume per year without fail.

4. Is there a certain family or order of mammals you are particularly fascinated by?
ALBERT: It is difficult to choose, but maybe Carnivores, Hoofed Mammals, or Primates. Also Marsupials as they are really exotic and give us a very clear idea of the big conservation threats that face island species or species with reduced ranges. Looking at the distribution maps you become very aware of the high number of species with tiny distributions and those that only survive thanks to strict conservation measures.

5. What challenges did you face along the road to completion of this series?
ALBERT: During the 11 years of editing the HMW series (2009–2019) and with so many people involved, we have faced all kinds of difficulties with authors, artists, and editors (illnesses, accidents… and even Brexit at the end!). Especially complicated has been the instability in the taxonomy with habitual last-minute changes in the final stages of the editing process (e.g. new species described, rearrangements in the sequence of the species due to improvements in the knowledge of phylogenies, etc), which have forced us to completely redo already laid-out families many times. Despite such challenges, I want to highlight the impressive enthusiasm and dedication which all the participants have shown for this project.
It is very rewarding to see the commitment and effort that many experts have put into the project, having themselves seen in the HMW series an important achievement in their field of work. The selfless collaboration that we have received from a multitude of specialists not directly involved in the project has helped us in many ways, like providing material to allow the artists to draw rare species.

6. What do you hope will be the legacy of the Handbook of the Birds of the World and the Handbook of the Mammals of the World series?
JOSEP: Since we finished the HBW series some years ago (2013), we now have a better perspective on what this legacy may be. We have some indications that show that HBW, which covered all the birds of the world for the first time ever, represents a “before and after” in knowledge and interest in birds. It is true that before HBW there was a good deal of interest in birds in parts of the world like Europe, North America, Australia or South Africa, but in many other parts of the world, including in Tropical Regions with the richest biodiversity, there was a clear lack of even the most basic information. So we think the existence of the series has helped a bit to balance this situation, and has been an influence so that now many more people are interested not only in birds of their own country, region or local patch, but also at the global level, which we are convinced is good, eventually, for conservation.
With the HMW series, which we are just finishing now, we think similar effects will appear. While with birds the interest across the families was more or less regular, mammals have an added complication that some groups receive much more attention than others. So we think that the volumes dedicated to groups like rodents and, especially, the last one dedicated to bats, will be important for bringing together the knowledge that was much more disperse and less accessible, in a single, comprehensive treatment. This will also show where there are still gaps in the knowledge to encourage further study.

7. How do you feel about the imminent fruition of over ten years of publishing the Handbook of the Mammals of the World series – do you have any new projects in the pipeline that you can tell us about?
JOSEP: Well, we have several big projects that we are studying carefully, but we are also aware that the number of people interested in other groups of biodiversity is many times smaller than those interested in birds and even in mammals. But a number of good possibilities do exist, particularly if there is an awareness that such coverage gives a push to the knowledge and conservation of the group.

Meanwhile, we are still very busy with birds and mammals. For birds we published the HBW and BirdLife International Illustrated Checklist of the Birds of the World in two volumes and we are already working on the equivalent illustrated checklist for the mammals. Also, given the important patrimony we hold of the illustrations of all the birds of the world, we have started the Lynx and BirdLife International Field Guides Collection, which is producing good results, and we hope we can pursue a similar line with mammals. In this way, the two Handbook series can help us create field guides to countries for which they are none, thus, raising awareness and knowledge, which in turn can lead to greater local conservation.

HWM, Volume 9: Bats and the complete Volumes 1 to 9 are available at a special pre-publication price until the end of September

Handbook of the Mammals of the World, Volume 9: Bats
Oct 2019 *124.99 ~~£144.99~~
The final volume in this monumental series profiles the world’s bat fauna.

*Pre-publication price applies to orders until 30th September 2019

Handbook of the Mammals of the World, Volumes 1 to 9
Oct 2019 *999.00 ~~£1250.00~~
The whole set for under £1,000: this offer is available for a limited time only..

*Pre-publication price applies to orders until 30th September 2019

Browse all volumes in the Handbook of the Mammals of the World series

Browse all volumes in the Handbook of the Birds of the World series