Established in 2008, John Beaufoy Publishing (JBP) is a natural history publisher covering a range of subjects such as ornithology,insects & invertebrates, reptiles & amphibians, marine & freshwater biology, and conservation from all over the world, with a focus on South Asia, South-East Asia and tropical regions.
NHBS is pleased to announce John Beaufoy Publishing (JBP) as our Publisher of the Month for April. We have great offers on a selection of their new and bestselling books throughout the month; making this a perfect opportunity to celebrate the world’s fauna and flora by exploring their catalogue of books.
Books from JBP are written by leading experts in their fields, many notable, such as Gehan de Silva Wijeyeratne and his books on Sri Lanka’s natural history and botany. Another JBP author Bikram Grewal, of The 100 Best Birdwatching Sites in India, is a trustee of the Wildlife Preservation Society of India (WPSI) and was awarded the Lifetime Award for spreading awareness about birds and conservation in India.
JBP has an exciting programme of new titles, together with revised and updated editions of some of their most successful books. We have selected ten titles to highlight, and you can browse their full range available at nhbs here
The 100 Best Bird Watching Sites in India
Paperback| February 2020| £16.99£19.99 This fully illustrated guide describes the 100 best sites for viewing both common and rare species throughout the 26 states of the subcontinent, including the Andaman and Nicobar Islands.
Phillipps’ Field Guide to the Birds of Borneo: Sabah, Sarawak, Brunei and Kalimantan
Paperback| February 2014| £19.99£24.99
669 species superbly illustrated in 141 colour plates with more than 2,000 full colour bird images, including most of the sexual variants and immature forms of polymorphic species.
Wild Flowers of the Mediterranean
Paperback| August 2017| £13.99£16.99 A user-friendly pocket nature guide to the plant world of the Mediterranean: a region is remarkable for its great diversity of species and forms.
A Field Guide to the Birds of Mongolia
Paperback| October 2019| £24.99£29.99
Birdwatchers have long wanted a field guide to the birds of Mongolia. Featuring fantastic illustrations on 154 plates, this guide covers all 521 officially recorded species.
A Naturalist’s Guide to the Mammals of Australia
Paperback| November 2017| £11.99
This easy-to-use identification guide to the 300 mammal species most commonly seen in Australia is perfect for resident and visitor alike – part of JBP’s Naturalist’s Guides Series
The London Bird Atlas
Hardback| December 2017| £29.99£39.99
Brings together the analyses of millions of bird records and research to tell you which birds are doing well, which ones have declined or held steady, and what the changes have been in relation to previous distribution surveys.
A Naturalist’s Guide to the Butterflies & Dragonflies of Sri Lanka
Paperback| October 2018| £9.99£11.99
An excellent book for residents and visitors alike to learn about the commoner butterflies and dragonflies of Sri Lanka before progressing to more advanced technical books.
A Naturalist’s Guide to the Reptiles of India:Bangladesh, Bhutan, Nepal, Pakistan and Sri Lanka
Paperback| December 2017| £9.99£11.99
High-quality photographs from the region’s top nature photographers accompany this identification guide to the 239 reptile species most commonly seen in South Asia.
Wild Philippines:The Landscapes, Habitats and Wildlife of the Philippine Islands
Paperback| August 2019| £19.99£24.99
More than just a ‘coffee table’ book; Wild Philippines provides an authoritative and entertaining study of the wide spectrum of wildlife on the land and in the seas of this diverse country.
A Field Guide to the Birds of Malaysia & Singapore
Paperback| Due August 2020| £19.99£24.99
Due to be published in August 2020, this is a fully comprehensive field guide to the 815 bird species of Malaysia and Singapore
This spring is destined to be a different and difficult one for most of us. Some things, however, remain the same – the leaves and buds on the trees are unfurling, the flowers are blooming, and the outside world is gearing up for a new year of growth and renewal. If you’re lucky enough to have a garden, then getting the children outside each day is a great way for them to burn off some energy and to get some fresh air and vitamin D.
With this in mind we have put together ten of our favourite garden activities, most of which are suitable for children (and adults) of all ages – although supervision may be required for the younger ones.
Learn about the insects and bugs in your garden
Insects and bugs are fascinating to children of all ages. As soon as the weather warms up in spring, the garden fills with the buzzing of flies, bees and wasps, whilst the soil teems with beetles, worms and other creepy crawlies. A butterfly or sweep net is ideal for catching flying insects and those in the long grass, while a pooter can be used to pick up tinier specimens. Or simply get down on the ground with a hand lens and see what you can find. There are lots of great field guides that will help you to identify your specimens. FSC guides, such as the Woodland Name Trail and Guide to the Butterflies of Britain and Ireland provide a great starting point. Or, for a more in-depth investigation, the Guide to Garden Wildlife covers not only insects and bugs, but also birds, mammals and amphibians. It also provides suggestions for some great nature-related activities.
Install a nest box (and watch the eggs hatch from the comfort of your home)
Image by gordon.milligan
It’s never too late to install a nest box. Even in late spring you may manage to entice a breeding pair of birds in time to lay a late clutch of eggs. At the very least, you will provide a useful winter roost space and the box will be ready for the breeding birds next year. You can even equip your nest box with a tiny camera which will allow you to watch all the nesting, rearing and fledging action from the comfort of your home. Kits are available which contain everything you need to get started; choose from wired, wireless or Wi-Fi options. See our blog post on nest box cameras for more information.
Learn to identify plants
Rummage around in the wilder parts of your garden and you’re likely to find a wide range of plants that your little ones can study and try to identify. Even in the most manicured of outdoor spaces, you’re sure to find some ‘weeds’ that will provide a useful starting place. This is a great way to learn about common and Latin names and to study the different parts of flowers. The Pocket Guide to Wildflower Families will help you to identify the family to which your flower belongs, and the Collins Wild Flower Guide is a beautifully illustrated guide for those wanting a more in-depth look.
Watch (and listen to) the birds
Image by Airwolfhound
Get to know the birds in your garden by installing a feeder. During the spring there should be plenty of wild food sources for them to use, but protein-rich foods such as black sunflower seeds, mealworm and high-quality seed mixes will provide a valuable addition to their diet. (Avoid feeding fat balls and peanuts at this time of year, as they can be harmful to young birds.) If you’re not sure what kind of bird you’re looking at, the RSPB website has a greatidentifier tool which includes information on 408 species found in the UK. Once you’ve identified your bird, the website also allows you to listen to its song, helping you to further improve your identification skills.
For a fun garden game, why not play bird bingo? Simply draw a 3×3 grid on a piece of paper, and write the name of a common garden bird in each square. Put a cross in the square when you spot the bird – the winner is the first to cross off all nine squares.
Grow something pretty or edible
If you have space, now is a great time to sow some seeds. Sunflowers and sweet peas provide a great splash of colour in the summer and will provide food for birds (sunflower heads) and pollinators (sweet peas). Peas and beans are both easy to grow in a small space and are happy in pots. Strawberries and bush varieties of tomatoes can be grown in hanging baskets.
Making seed bombs is another excellent activity to do with children and, when planted in the garden, will provide much needed flowers for pollinating insects.The Wildlife Trusts have a recipe that’s simple to make, along with a list of recommended flower seeds to include.
Be a weather watcher
Image by Paper of Light
In most temperate countries (and particularly in the UK), the weather is constantly changing, making it a fascinating thing to track and record. A weather diary is a great way to do this. You can include as much information as you like, or keep it simple with just pictures for the younger children. You could even make a weather board, where the day’s weather is displayed every day. Wind speed, temperature and humidity can be easily measured using an anemometer, and rainfall with a simple rain gauge. (For more economical options, use a large yoghurt container with measurements marked on the side as a rain gauge and a piece of lightweight fabric tied to a pole to track the direction of the wind).
Clouds are also endlessly interesting – learn about the different types withWeather WizKids which has lots of information and explains how they are formed, why they look the way they do and how we can use them to predict the weather. Why not also investigate some of the old-wives tales pertaining to the weather? For example, is it really true that ‘swallows high, staying dry; swallows low, wet will blow’, or ‘Red sky at night, shepherds’ delight, red sky in the morning, shepherds’ warning’?
Make a pond
Image by Alex Thomson
Recent surveys have shown that some amphibians, such as frogs, are now more common in garden ponds than they are in the wild. When planted with a variety of submerged and emergent plants, a pond will provide a complex environment with a variety of micro-habitats, and is also an attractive feature for the garden. Even in a small space it’s easy to use a bucket or other container to create a small aquatic environment which will provide valuable habitat for amphibians, insects and lots of other species. Take a look at theWildlife Trusts website for a step-by-step guide to making a garden pond (including a handy list of suitable aquatic plants) orthis RSPB page for advice on making a mini pond from an old washing-up bowl. Always ensure that younger children are supervised around water.
Weave with nature
Weaving with natural materials is a fun activity and a great choice for several reasons: it is cheap to do and the results, while temporarily beautiful, can be composted, making it the ultimate in sustainable art. To begin, make a simple frame from four twigs, held together at the corners with a small amount of natural twine. Wind more twine from side to side around the frame leaving gaps between each winding, and then repeat in the other direction. Collect a wide selection of leaves, twigs, weeds, flowers, feathers and grass and weave into your frame in a pattern of your choice. For the best results, try and include as many different colours and textures as possible. Hang your masterpiece inside or in the garden to enjoy until the colours fade, and then throw it on the compost heap or in your garden waste bin.
Eat some weeds
Did you know that lots of the weeds in your garden are actually edible? And what’s more, many contain higher amounts of trace elements like iron than their supermarket equivalents such as spinach and kale. Nettles are extremely common, very easy to identify, and can be made into a tasty soup (don’t worry, they lose their sting as soon as they are cooked). Similarly, dandelion leaves, fat hen, hairy bittercress and chickweed are prevalent in most gardens and can be used as salad greens. Children will love knowing that they have picked some of their meal for free, and that they are eating the garden weeds. If you’re unsure about what you’re picking, there are lots of helpful guides and images on the internet. Or you can invest in a book such as Food for Free, Foraging, or the compact and economical FSC’s Guide to Foraging.
Draw from nature
Image from the Biodiversity Heritage Library
Sketching from nature was once a vital part of the naturalist’s skill set. Accurate drawings of specimens, alive or dead, played a vital part in classifying and sharing information about new species. Although this process has largely been replaced by photography, the act of putting pencil to paper and studying a specimen closely enough to draw it accurately can provide an excellent opportunity to study its structure and finer details. Flowers, plants and feathers are ideal starting points as they won’t fly or scuttle away; but insects, birds and other animals can also be fun to try. Keep notes of when and where your drawings were made and, over time, they can form the basis of a wonderful nature journal.
During these troubling times, we hope you can find inspiration in nature and we wish you all the best of health.
Reptiles play an important role in the functioning of ecosystems, whether as predators controlling prey populations, or as a source of prey for both birds and mammals. There are eleven species of reptile in the UK, of which six are native. All are protected under UK legislation, with the extremely rare Smooth Snake and Sand Lizard protected by additional EU legislation.
At this time of year, reptiles are emerging from hibernation and ecologists are beginning to prepare for the survey season. They are generally active between March and October and surveys are carried out in April, May and September when the reptiles are at their most visible. In the main summer months (June – August) reptiles tend to bask less and are unlikely to use any artificial refugia, meaning that surveys are less effective during this time .
The most common survey methods for reptiles include searching for basking animals on banks, piles of wood and on the edges of woodland, or laying out artificial refuges such as corrugated sheets, carpet tiles or roofing felt, which are bedded down well into the vegetation.
A wide range of reptile survey equipment is available to buy on the NHBS website. For any advice, please contact our Wildlife Equipment Specialist team who would be happy to help.
Corrugated reptile refugia are often used in reptile surveys as they absorb heat and provide shelter from predators, making them an ideal basking spot, especially for Slow Worms or Smooth Snakes. The refugia available from NHBS are made from corrugated roofing material (bitumen soaked organic fibres) which is lightweight and waterproof. The material is free from asbestos, non-toxic and is both waterproof and long lasting. The sheets are 2.6mm thick and measure either 500mm x 500mm or 500mm x 1000mm, both with a corrugation depth of 40mm.
As with the corrugated refugia above, felt squares also create favourable conditions beneath them for reptiles and are commonly used for surveys, as they are light and will roll up for transport. These tiles are made from bitumen felt and are available in two sizes: 50 x 50cm or 100 x 50cm.
A snake hook is useful for catching and managing snakes for inspection or translocation. There are two snake hooks available, both made from aluminium which is both strong and lightweight. The standard snake hook comes in two sizes: 100cm or 130cm and has a wooden handle. The telescopic snake hook can be extended from 95cm to a total length of 140cm and the end of the handle has a comfortable rubber grip.
Snake tongs are also useful for handling snakes for inspection or translocation. There are two lengths of tongs available: 91cm or 120cm. They are made from an anodized aluminum shaft with a pistol grip handle to provide a lightweight yet strong tool enabling maximum holding pressure with minimal risk to the handler or the snake.
HexArmor’s patented Venom Defender range utilises layers of hexagonal armour plating to provide excellent protection against biting snakes such as adders while retaining some flexibility. While no equipment can be considered entirely bite proof and there is no substitute for safe practice, the additional safety afforded has made this brand the industry leader among professionals who work with venomous reptiles. Arm guards are available to assist with reptile handling, while leg guards are useful for anybody who works in areas with biting or venomous animals.
Native reptile species in the UK range on average from 5 to 100g. Pesola scales are universally acclaimed precision scales which are reliable and durable. The Light-Line range features a transparent tube for panoramic reading and a long, clear double display with coloured marker ring. They are adjusted by hand with a guaranteed accuracy of +/- 0.3% the precision spring is made of corrosion-free, fatigue-resistant alloy, and the scales are impervious to humidity.
Please note that many reptiles in the UK are protected by law. Any reptile survey work should be undertaken by a trained professional. Different levels of licence are required for different survey and mitigation methods. For more information, please visit: https://www.gov.uk/guidance/reptiles-protection-surveys-and-licences
If you have any queries you can contact our Wildlife Equipment Specialist team on 01803 865913 or via email at customer.services@nhbs.com.
Providing a nest box for birds is one of the easiest ways that you can help wildlife in your garden or compensate for lost nesting sites as a result of development. Adding a nest box camera gives you a unique insight into the fascinating processes of nest building, egg laying, incubation and chick rearing. The IP Nest Box Camera is the ideal camera to use if you wish to live stream footage from the camera on to a PC, smartphone, tablet or to a website. The high definition camera provides 1920 x 1080p colour footage during the day and black and white footage at night and the high quality video makes it perfect for enthusiasts and researchers alike. We decided to test the IP Nest Box Camera to examine how easy it was to set up and use.
IP Nest Box Camera
The small camera plugs directly into your router or network switch via a 20m Cat6 ethernet cable with waterproof connector. Following setup on your PC or via an app on your mobile device, live streaming can begin. We tested only PC viewing and recording. If viewing on a PC, most camera access software will allow both motion detection and scheduled recording.
Before you install the camera in the nest box it is a good idea to wire it all up and check everything is working. We followed the Green Feathers Quick Start Guide instructions to connect the Cat6 cable between the camera and the PoE injector and between the injector and the router / switch, and then connected the injector to a power supply using the supplied adapter. We downloaded three camera access software programs to trial, Gamut CMS5, iSpy (both as recommended by Green Feathers) and Anycam.iO.
IP Nest Box Camera Setup
We installed the camera in our Camera Ready Nest Box and found that the easiest way of installing the camera into the box lid was to attach the camera bracket to the lid first and then to attach the camera to its bracket afterwards. It is best to have the camera pointing directly downwards and not angled.
After the box was installed in position, we connected everything up and downloaded software to connect to the camera. We have tried three software programs, all of which are free to download, although additional features may require payment.
The camera was really easy to connect up and access across the network. The main software we used to configure the camera was the Gamut CMS5 software and we followed the supplier instructions for how to add an HD IP camera to the Gamut software. There are many configuration options and we updated the time and date on the camera and added it to the software without any problems
We discovered a difficulty with the Gamut software, however, in that you cannot record to a subdirectory, you either need to record to an empty storage device that is mounted on its own drive or a partitioned and empty C:/ drive. For this reason we also tried the iSpy software, following the supplier instructions for how to configure an HD IP camera to record to a Windows PC. This was a very easy process and we managed to get the software to record with motion detection with no difficulties.
We also tested recording on the Anycam.iO software, which was very easy to install and set up. Recording and taking snapshots images are easy but you have to pay extra to get the motion detection function.
The Anycam.iO software was by far the easiest to use, with a really simple interface and really good resolution images and video. It is immediately obvious how to take a snapshot photo and how to record manually and if you pay the extra for the motion detection it is really easy to configure. One thing we did find is that you have to be careful with the ‘Archive’ setting on the Recording menu because it limits how much footage it will store unless it is set to ‘Unlimited’.
The images below were all taken with the Anycam.iO software and you can see the quality of the colour and resolution.
The iSpy software had many more configuration options than the Anycam.iO software but the recorded footage seemed not to be as high quality. The interface would suit a more professional user as there are many more settings that can be altered.
Our Opinion
We highly recommend purchasing the IP Nest Box Camera if you have the facility to connect a camera directly into a network. The footage is really high quality, with excellent resolution still images, and the camera provides a reliable continuous live stream. There are a number of different software options to suit a range of users and the camera can be used to capture still images and video with motion detection. We are hoping that our blue tit visitors begin bringing in nesting material soon and we can post updates on nest building. The IP Nest Box Camera is available to buy from the NHBS website. For any advice on purchasing this or other nest box cameras, please do not hesitate to contact our team of Wildlife Equipment Specialists on 01803 865913 or equipment@nhbs.com.
Natural roosting sites for bats are in decline due to changes in building standards and countryside management practices. Installing a bat box is a simple and affordable way of providing much needed roost space for a variety of species and now is the ideal time to install one, before bats fully emerge from hibernation. However, placing your bat boxes in the correct location and at the correct height is essential to encourage bats to occupy them. With this in mind, we have put together some answers to the most frequently asked questions about bat boxes – covering where and when to put up your boxes, cleaning and maintenance, and the legalities of checking whether they are occupied.
Which bat box should I purchase?
Bat boxes can be placed in trees, on walls and on or in the brickwork of buildings. To help you choose the most suitable bat box based on where you want to locate it, take a look at our three-part series designed to help you make the right choice:
Bat boxes can be installed at any time of year, but they are more likely to be used during their first summer if they are put up before the bats emerge from hibernation in the spring. If you are installing bat boxes as part of an exclusion project from a building, it is best to erect the boxes four to six weeks before the exclusion.
Schwegler 1FF Bat Boxes
Where should I hang my bat box?
All bat boxes should be positioned at a height of 3-6 metres (the higher the better) in an open, sunny position (6-8 hours of direct sunlight, or in a location where it receives the morning sun if this is not possible). Try to install the bat box where it will not be disturbed by bright lights at night such as porch or security lights.
The most common location to hang a bat box is on a tree using a strong nail that is at least 85 mm in length. It is important to use aluminium nails, as these will not damage a chainsaw (or chainsaw user) should they be left in the tree when it is felled. For more details on how to hang your bat box to a tree, wall or fence, please read our blog on where to hang and how to maintain your nest box, which, although mainly focused on bird boxes, is equally relevant for bat boxes.
How do I check whether the box is occupied?
Many bat boxes have an opening at the bottom and do not require any maintenance as the droppings will simply fall out of this space. If cleaning is required it is essential that you ensure that the box is not occupied before carrying out any maintenance. Once bats have inhabited a roost site they may only be disturbed by licensed bat workers. If you are unsure whether your bat box is occupied the best way to check for box occupancy is to observe the box at dusk (15 minutes after sunset for around 30 minutes) to watch for any bats leaving. Additionally, you can look under and nearby the box for guano (bat droppings). If there are bats present, wait until later in the season and then check again. It’s also a good opportunity to use a bat detector to identify the bats in your box – take a look at our guide on bat detecting for beginners.
Large Multi Chamber Bat Box
How do I maintain my bat box?
The best time to clean the majority of bat boxes (those suitable for summer roosts) is during the autumn or winter. Once you have ensured the bat box is not occupied you can open the box and clean out any droppings. Whilst you are cleaning the bat box it is a good idea to look for any damage, as this may mean it is unlikely to be used. The most likely damage will be broken seams around the roof, because the constant heating and cooling during the day can warp the wood slightly. To repair this, we would recommend using a roof sealant.
Head over to the NHBS website to browse our full range of bat boxes. If you have any other questions or would like further advice, please get in touch with our team of Wildlife Equipment Specialists (email: equipment@nhbs.com or phone +44 (0)1803 865913).
To celebrate International Women’s Day we have put together a selection of incredible nature and science writing books from some brilliant female writers.
In Tamed, Dr. Alice Roberts uncovers the amazing deep history of ten familiar species with incredible wild pasts: dogs, apples and wheat; cattle; potatoes and chickens; rice, maize, and horses – and, finally, humans. Alice Roberts not only reveals how becoming part of our world changed these animals and plants but shows how they became our allies, essential to the survival and success of our own species – and to our future.
In Poached, science journalist Rachel Nuwer takes us on a harrowing journey to the frontlines of the illegal wildlife trade, exploring the forces currently driving demand for animals and their parts – such as the widespread abuses of Chinese medicine and the links with drug trafficking and international crime cartels – and introduces us to the individuals battling to save them: the scientists and activists who believe it is not too late to stop the impending extinctions.
Helen Scales tells the story of the seashell, showing how these simple objects have been sculpted by fundamental rules of mathematics and evolution, how they gave us colour, gems, food and money, and how they are prompting new medicines and teaching scientists how our brains work. Seashells offer an accessible way to reconnect people with nature, helping to heal the rift between ourselves and the undersea world.
Destined to be a classic of nature writing, H is for Hawk is a record of a spiritual journey – an unflinchingly honest account of Macdonald’s struggle with grief during the difficult process of the hawk’s taming and her own untaming. At the same time, it’s a kaleidoscopic biography of the brilliant and troubled novelist T. H. White, best known for The Once and Future King. It’s a book about memory, nature and nation, and how it might be possible to try to reconcile death with life and love.
Professor Helen Roy’s research focuses on the effects of environmental change on insect populations and communities. This illustrated field guide covers all 47 species of ladybird occurring in Britain and Ireland in a handy and easy-to-use format. Twenty-six species are colourful and conspicuous and easily recognised as ladybirds; the remaining species are more challenging, but the clear illustrations and up-to-date text in Field Guide to the Ladybirds of Britain and Ireland will help to break down the identification barriers.
CRISPR is a breakthrough discovery in genetic modification that is causing a revolution. It is an invention that allows us to rewrite the genetic code that shapes and controls all living beings with astonishing accuracy and ease. Jennifer Doudna is the co-inventor of this technology and a scientist of worldwide renown. Writing with fellow researcher Samuel Sternberg, here she provides the definitive account of her discovery, explaining how this wondrous invention works and what it is capable of.
Marianne Taylor has written prolifically on the natural world. This lavishly illustrated handbook offers in-depth profiles of 300 megabats and microbats and detailed summaries of all the species identified to date. An endlessly fascinating guide with an introduction exploring their natural history and unique adaptations to life on the wing. Bats includes close-up images of these animals’ delicate, intricate and sometimes grotesque forms and faces, each shaped by evolution to meet the demands of an extraordinarily specialized life.
Stephen Moss is a naturalist, broadcaster, television producer and author. He is the original producer of the BAFTA award-winning series Springwatch and has worked with David Attenborough, Chris Packham, Alan Titchmarsh, and other leading naturalists. Passionate about communicating the wonders of nature, he also lectures in Nature and Travel Writing at Bath Spa University. Originally from London, he lives with his family on the Somerset Levels and is President of the Somerset Wildlife Trust.
In The Accidental Countryside: Hidden Havens for Britain’s Wildlife, Stephen writes about the secret places, that are often overlooked when it comes to protecting habitats and wildlife. Stephen has given his time to sign copies and answer our questions about these vital habitats in our hidden corners.
What inspired you to write about the ‘hidden havens’ for Britain’s Wildlife?
I’ve always been fascinated by these forgotten and secret places, that are often overlooked when it comes to protecting habitats and wildlife. As I say in the book, I first got my passion for the natural world by visiting the gravel pits near my suburban home; today I live near the Avalon Marshes in Somerset, another post-industrial habitat, created from disused peat diggings. During my career at the BBC Natural History Unit, I often filmed at these edgeland locations, as they harbour such a range of interesting wildlife, and are often more accessible to people than classic nature reserves in the countryside.
Of all the places you visited, which habitat surprised you the most regarding its biodiversity?
That’s a tricky one, as I think they all surprised me in some way or another. The Avalon Marshes is probably the most packed with wildlife – three species of egrets, marsh harriers, bitterns and the famous starling murmurations on winter evenings – but I also loved the Montiaghs (in rural Northern Ireland, where peat was dug by hand), Parc Slip in South Wales (a former open-cast coal mine) and best of all, Canvey Wick in Essex, Britain’s first brownfield nature reserve, and a paradise for invertebrates including rare dragonflies and damselflies.
Avalon Marshes
Your book features exceptional and inspirational people that have found ways to make the most unlikely places wildlife friendly. Is it possible to highlight just one project that has succeeded against the odds?
Again, the Avalon Marshes stands out: once the peat had been removed, we were left with an ugly, scarred and wildlife-free landscape, which it was suggested could be used as a landfill site for Bristol’s domestic waste. Thanks to a local campaign, they were instead turned into nature reserves; thirty years later this is one of the best places for wildlife in the whole of the UK. Others include Canvey Wick, which again could have fallen to the developers; the roadside verges of Blandford Forum in Dorset, which are now awash with wildflowers and butterflies each summer; and the RSPB’s Window on Wildlife at Belfast Docks, home to breeding Arctic Terns.
A Murmuration of Starlings
Is there one habitat that you think hasn’t reached its wildlife friendly potential?
That’s easy! The rest of the ‘official’ countryside – the 70% of the UK that is used for farming. Of course we need to produce food, but not at the expense of wildlife, which is what is happening on the vast majority of farms at the moment. Some visionary farmers are working with conservationists to buck the trend – for instance, the Marlborough Downs Nature Improvement Project in Wiltshire – but most are simply fulfilling the consumer and supermarkets’ demands for cheap food, whatever the cost to the environment.
You have been writing for many years and unfortunately, wildlife has suffered a substantial decline over the last few decades. Has your recent experience writing The Accidental Countryside left you more optimistic or more pessimistic regarding the future of wildlife in the UK?
I’d love to live in a country where the sites I feature in The Accidental Countryside are not important because the wider countryside has been transformed into a haven for wildlife. But I’m not holding my breath, despite the things we hear from the government. Now, more than ever, we need to understand that a healthy, wildlife-filled environment is not some ‘bolt-on extra’ to our lives, but essential – to the health and well-being of nature, of ourselves, and of course for the planet as a whole. So I have to be optimistic: there is no other choice!
Are there any books or projects that you are currently working on that you can tell us about?
Yes, I am just about to deliver the third in my series of ‘Bird Biographies’ for Square Peg (Part of Penguin Random House). Following bestselling books on the Robin and the Wren, I am now writing about that classic sign of spring and summer, the Swallow. I am a late convert to Swallows – only since I moved from London to rural Somerset in middle age have I grown to appreciate this classic bird of the British countryside. Writing this book, I have also grown to appreciate that the swallow is, as the writer Collingwood Ingram once noted, “beyond doubt the best known, and certainly the best loved, species in the world.”
Cambridge University Press (CUP) published its first book in 1534, making it the world’s oldest publisher. Since then it has been at the forefront of scientific research, publishing ground-breaking works such as: Newton’s Principia Mathematica and Noam Chomsky’s Language and Mind.
NHBS is pleased to announce Cambridge University Press as our Publisher of the Month for March. We are offering up to 40% discount on a selection of their new and bestselling books throughout the month; making this a perfect opportunity to explore their vibrant publishing history.
Just Published and Forthcoming Highlight
From accessible books on climate change, works on barn owl ecology and textbooks on the fascinating subject of mycology, there are plenty of forthcoming books for the beginning of 2020 to augment their recent bestsellers in conservation, ecology and natural history.
Save 40% on classic Cambridge University Press books in our backlist bargains sale, as well as some recent bestsellers on price offers until March 31st.
Habitat Suitability and Distribution Models: with Applications in R
Paperback| September 2017| £35.99£39.99 Introduces the key stages of niche-based habitat suitability model building, evaluation, and prediction required for understanding and predicting future patterns of species and biodiversity
Rewilding
Paperback| January 2019| £34.49£37.99 The latest addition to theEcological Reviews Series, Rewilding discusses, analyses and summarizes the conservation concept of rewilding.
Wood Ant Ecology and Conservation
Hardback| July 2016| £37.99£62.99 Get a great deal on this study of The Wood Ant – a keystone species in woodland ecosystems.
Cambridge University Press is a contributing publisher to the Gratis Book Scheme.
One of the most rewarding CUP-NHBS collaborations has been in the form of the Gratis Books Scheme. Since 1999, with support and assistance from the British Ecological Society, this scheme has been sending free copies of books to conservationists in developing countries who would otherwise be unable to obtain them.
Mike Potts’ career as a wildlife cameraman took him to many of the world’s most spectacular locations and involved filming with Sir David Attenborough.
What made you pursue a career as a wildlife cameraman? From an early age I developed an interest in natural history and photography, particularly of birds. I was fortunate in being able to turn a passionate hobby into a profession from early beginnings with the RSPB Film Unit.
How did you manage a work-life balance when your work took you far away for significantly long periods?
My wife, although working herself, was able to run things at home in my absence.
Mike signing copies of his new book
Today, there is GPS and the internet: 30 years ago that technology wasn’t as advanced. What difficulties did that present and how were they overcome? (I’m trying not to say, did you ever get ‘lost’?)
In the early years of my career, before mobile phones, we would often be out of contact for many days, or weeks, when out in the field camping. On some trips, we did have the use of the early satellite phones, so at least there was some contact. Having a local biologist that was familiar with the terrain was essential, otherwise getting lost was a real possibility. It did happen in Australia when I was lost on my own in a tropical forest for several hours, quite scary!
Walruses at Round Island, Alaska
Was there one exceptional location you filmed in that stood out from all the rest?
Alaska particularly has many special memories. I spent over a year there working on three 50 minute programmes. If I had to choose one location, it would be the McNeil River in SE Alaska; here brown bears gather in summer to feed on salmon moving upriver to spawn. Sometimes, over 50 bears can be seen in the river, and standing shoulder to shoulder use various different techniques to capture the fish that are so essential to put on fat for their winter hibernation.
What does ‘Untangling the Knot’ in the title of your book refer to?
Some years ago I worked on a film called ‘Untangling the Knot’, which was about the bird, the Red Knot. It has a long migration from its wintering grounds in South America to breeding grounds in the high Arctic of Canada. So ‘Untangling the Knot’ was the story of the feeding habits, complex migration routes, and remote breeding areas of these great travellers.
If someone was inspired to pursue a career filming wildlife, what advice would you give them to get started?
When I started my filming career in 1978 everything was shot on film, which was expensive, as was the equipment to shoot it with. The only way to prove your ability was to shoot a sequence and try to get it seen by wildlife producers at the BBC Natural History Unit or the RSPB film Unit. There were not any wildlife film courses back then. Now there are many more people interested in becoming wildlife cameramen, so the competition is great. What advice would I give? One advantage now with the proliferation of video cameras at low cost is that it is possible to go out and shoot a sequence at no great expense. Choose a subject that you have good knowledge of and try to shoot it differently from what has been done before, then get it seen by someone within the business. If you have access to a scarce or unusual subject, even better, especially if it is on your doorstep (always check licence requirements). You can of course try and get a placement on a ‘wildlife film making’ course but that doesn’t mean a job at the end of it. Virtually all cameramen are freelance, so work is never guaranteed. Good luck.
Can you recall any one moment or experience in your career that encapsulates all that being a wildlife cameraman involved?
I think the most rewarding experience was filming Birds of Paradise in New Guinea. Sitting in my tiny mosquito-filled hide in the pitch-black, 150 feet off the ground, I wondered quite what I was doing there. Then as the dawn began to break and the chorus of tropical birds started I knew why. Shortly afterwards as the first Greater Birds of Paradise appeared the excitement was overpowering. Several males with their golden plumes were bouncing around just 60 feet in front of me, courting the growing number of females nearby. This made all the 3.00 am starts, the long walks through the forest and the exhausting tree climbing worthwhile.
What are your current plans and are there any future projects you can tell us about?
I am now retired from filming, and although I have been trying to get a film off the ground on the Albatross, it is difficult to get the substantial funding for these projects. For the last 2 years I have been writing the book and having exhibitions of my photographic work.
Mike has spent more than 30 years as a wildlife cameraman. A highlight of that career was filming the Birds of Paradise and Bowerbirds with David Attenborough.
We recently became aware of a fantastic series of manuals that give readers instructions on how to clean, prepare, and articulate animal skeletons. We caught up with the author, Lee Post, a self-professed bone man, to ask him more about these guides and his work.
Hello Lee, thanks for the opportunity to ask you some questions. How does one become a bone builder? Was this always something you were interested in or did you fall into this more or less by accident?
As a child, growing up, I was a classic nature nerd. My room looked more like a Victorian curio cabinet than some place someone might actually sleep. Anything related to the animal kingdom was something I was interested in collecting. The ultimate treasures were bones and skulls. But I had never thought about articulating anything myself. My passion for articulating skeletons grew out of a move to a small town in Alaska that had a very progressive little natural history museum. I had a part-time job in the winter and volunteered the rest of my time at this museum. I was given an opportunity to research and articulate a 17 foot Stejnegers Beaked Whale the staff had collected and cleaned. That was my first winter project. My research into how to articulate that skeleton came to a lot of dead ends and some questionable advice. I could find nothing in print on building whale skeletons. With a background in bicycle mechanics and carpentry, and a lot of suggestions from local craftsmen and women, I got that skeleton together, and from then on I never stopped working with bones. Collecting, cleaning, building, illustrating, curating. It was being in the right place at the right time under the right circumstances. In other words, a total accident.
What made you decide to write manuals on constructing and articulating skeletons?
For years I’d been cleaning and articulating a skeleton or two each year. This led to a 3-year Pratt Museum, Homer High School collaborative project, in which I worked at the school with all kinds of interested students. We articulated a 41 foot long sperm whale in the school, and the
following year students worked on about a dozen other skeleton projects, ranging from sea otters to a moose, to porpoises, to a porcupine. The exhibited work they did in their school was open to the public over the following couple of summers. Teachers and educators from lots of places that saw those exhibits wanted to know how they could do similar projects with their students. I had kept a notebook on almost every skeleton I worked on and from those made some crude, hand-lettered, illustrated manuals on how to prepare and build animal skeletons. My day job was working in a bookstore, and there were no books in print on working with bones. This was 20 years ago. Later, an intersection of those hand-printed, photocopied notes, and me, and a talented lady (now my wife) who knew how to do desktop publishing, resulted in the birth of the Bone Building Books about 15 years ago.
Who buys these guides? Do you find that they are used by museum curators, or mostly by individual naturalists? And what has the feedback been?
The manuals were originally written for teachers and students who wanted to do a museum quality skeleton on a limited budget, with materials they
should be able to find even in a small town. Over the years, the manuals have been enlarged and corrected and improved each time I have worked on that type of skeleton. I’m always trying different materials and testing new techniques. Today they are used by everyone from teachers to museum workers, to home hobbyists to University projects with students. The other group of people who were getting these were bone collectors and zoo archaeologists who really just wanted to look at the pictures. They had no interest in the articles or in building a skeleton. And the manuals didn’t even have a centerfold. The feedback has been very enthusiastic. For many hobbyists and home naturalists who have wanted to get accurate information on how to prepare the bones and build the skeletons, these have been their bibles. When people get stuck, they often e-mail me. That’s often a clue I didn’t explain something well enough, and the next revision will try to remedy that.
What advice do you have for aspiring bone builders?
Don’t plan on doing this for a career. You would likely starve. But if this is your interest and passion, there is enough information out there these days that you should definitely pursue that interest. There are no skeleton police. There are no university degrees in this. Many of the best skeleton articulations of land mammals are being done by home hobbyists. You too could be doing that.
Many of my favorite projects have been done with groups of interns and docents in museums and marine-life centers. On occasion, the paid staff have joined in, but usually, the staff has too much other work to be able to take the time off to do much hands-on work building a large skeleton. My favorite projects are when I have an enthusiastic group of volunteers and an organization with someone who wants to organize a large skeleton build project. Then, I get to teach and be the foreman and boss around the volunteers, who get the thrill of working with real bones and being part of a team that builds a world-class skeleton.
Are there any particularly challenging skeletons you worked on, or any particular animal skeletons you would still love to tackle?
I’m still sorting out sea turtle skeletons. They have very unusual bones. I’ll be trying to figure out a crocodile skeleton soon. I’m always interested in working on new marine mammal species. They are the animals I have the most experience with.
You have now written nine guides to specific animals and animal groups, plus a general reference book, the Bone Builder’s Notebook. Are there plans to write any more guides?
I’m doing a lot of illustration work on bird bones. I can imagine these might
one day get compiled into some type of identification guide to bird bones. I’m also getting more and more requests for information on articulating reptiles. I live in Alaska, and there is a serious lack of reptiles in my area. However, I’ll be working on some large reptiles in Mexico in the near future, and I never know when I’ll get so inspired that I might try to write something useful on how those bones fit together.
You can discover the complete selection of Bone Building Books on the NHBS website