Author interview with Alice Bell: Our Biggest Experiment

In Our Biggest Experiment, Alice Bell takes us back to explore the earliest signs and causes of climate change in the eighteenth and nineteenth centuries, to the advancing realisation that global warming was a significant problem in the 1950s and right up to today, where we have seen the growth of the environmental movement, climate scepticism and political responses like the UN climate talks.

 

Dr Alice Bell is a journalist and historian of science. Alice was a lecturer in science communication at Imperial College for several years, and was also a key contributor to the International Council for Science’s blog on climate policy in the run-up to the UN Paris talks. Alice has kindly agreed to answer some of our questions below.

1) ‘Our Biggest Experiment’ book reads like an epic story with so many interesting scientists and interwoven narratives. Was it always your intention to write this as an historical story, rather than a data and statistics driven text?

Totally. There are already loads of brilliant books explaining the science of climate change. I wanted to offer something a bit different.

When I started seriously reading up on climate change a little over a decade ago, I read through all the papers and briefings on the science and, crucial as all this info was, I kept finding myself asking questions about where the data came from – who commissioned it, why, when, how did they feel about that? This is partly because my undergrad degree is in history of science and I usually respond to science with questions about the people behind it, but it was also because I felt like I needed this history to really understand the climate crisis. As I read further and found answers to my questions. I learnt whole new sides to the climate crisis, deep back-stories and fascinating characters. I found it gave me a new perspective on the issue, and even lifted my spirits in places. I figured these were stories worth sharing, hence the book.

The numbers are vital to understanding climate change – indeed, chunks of my book are about how we came to start counting things like temperature and CO2 – but they’re only part of the story. If we really want to understand the climate crisis, we’re going to have to look around and behind the numbers too.

2) In the book you cover a number of different scientific disciplines and discoveries, which was your favourite area to research and why?

Science-wise, my favourite is probably the ways in which people started to unravel knowledge about past climates through cores of sea mud and ice. I loved reading the autobiography of Danish meteorologist Willi Dansgaard and his trips in the 1950s and 1960s to the Arctic, hunting bubbles of air trapped deep in ancient ice, taking them home for analysis. His study of cores from a US Army centre in the Arctic, Camp Century, took our understanding of atmospheric carbon dioxide back 100,000 years, helping scientists in the 1970s establish that the climate change we were living through was very much something they dubbed “global warming”, not cooling. I find paleoclimatology so wondrous, the ways people can piece together a history of the planet chasing markers through ice, mud, coral and tree rings.

It was also really interesting to learn more about the way scientists have contributed to the oil industry. From Yale chemist Benjamin Silliman Jr’s report on Pennsylvanian ‘rock oil’ back in 1855 (which arguably launched the American oil industry) diversifying into geology, engineering, oceanography and, when it suited them, atmospheric physics. Sometimes fossil fuel companies and their defenders get painted as “anti-science”. In truth they run on science, and always have done (they are just highly strategic about which bits of it they use).

3) I found it really interesting to learn about Eunice Foote and her role in discovering the greenhouse effect, especially since her contribution was overlooked or simply forgotten for so many years. Do you have a favourite character you discovered whilst writing this book?

It has to be Ida Tarbell, the journalist who brought down Rockafeller and the oil industry, over a hundred years ago.

Tarbell was born the same decade as the oil industry (the 1850s) in the same state (Pennsylvania). She saw the boom and bust of its early years, including the steady, steely growth of Rockefeller’s Standard Oil. She started off as a teacher, but moved to Paris in her mid 30s to write a biography of a female French revolutionary she thought had been overlooked, Madame Roland. She shared an apartment there with other women writers, hanging out with Louis Pasteur, Emile Zola and an Egyptian prince. While in Paris, she started writing for McClure’s Magazine, a literary and political monthly, first in pages previously filled by children’s author Frances Hodgson Burnett and later, once she’d moved back to New York, taking up an editorial post.

Tarbell apparently convinced the magazine’s owner, Samuel Sidney McClure, to run an exposé on Rockefeller and Standard Oil during a mudbath at a spa in Italy. Her father pleaded with her to pick any other topic for a story on monopolies than Standard Oil – he’d worked in the oil industry and knew you couldn’t win against Rockefeller. At a party in DC hosted by Alexander Graham Bell, one of Rockefeller’s bankers took her aside to say similar, adding a threat to the finances of the mag for good measure. She curtly replied this made no difference to her – she was a journalist, not the owner. Via Mark Twain, Tarbell bagged an introduction to one of the Standard Oil directors, Henry H. Rogers, who remembered her father and was surprisingly candid. Tarbell sleuthed her way to more and soon had enough to go public.

It was published as a series, starting in Nov 1902 and was immediately explosive. The publicity, in turn, brought her new stories, and the series ended up running for two years, published as a book in 1904, followed the following year with a biography of Rockefeller. The reporting influenced the 1904 election, and at one point Roosevelt found himself promising to return $100k in campaign contributions from Standard Oil directors. Then, in 1906, the company was told it had three years to divide itself up into smaller entities. The largest of these new smaller entities was Standard Oil of New Jersey, which we today know as Exxon. The New York arm we now know as Mobil, the Californian one became Chevron.

4) Your background is very well rooted in science communication – do you have any key tips for communicating climate change and inspiring change?

Anyone who says they know how to communicate climate change is selling magic beans. Climate is such a big, complex issue, a lot of the best advice goes out the window, or at least general sci comms advice isn’t enough. There are some basic good tips that apply to most comms work – think about the audiences you want to talk to, go to where they are already (e.g. don’t expect to talk to people who don’t like science at the Science Museum), and most of all, listen to them. But that’ll only get you so far. At Possible – the climate charity I co-run – we spend a lot of time pouring over any research we can get our hands on, so we can be as evidence-based as possible. There isn’t nearly enough research on climate comms, projects like the Centre for Climate Change and Social Transformations at Cardiff Uni is brilliant, but we need way more research funding on this issue. Something else we’re big on at Possible is finding ways to involve people in climate action – you can spend ages polishing your messages, but it’s all too easy for them to simply wash over people if there isn’t a way for them to get involved.

5) I felt a sense of positivity running through this book, reading about the scientific discoveries made over the years and the amazing technology mankind has developed. Do you find it easy to find courage amongst the bad news, and what makes you feel positive about the future of the climate crisis at the moment?

I’m really lucky to work at a climate action charity, it’s very different from reading data on sea ice melt day in day out. So when all the stories of climate impacts start to feel a bit much, I look to my colleagues taking positive, practical action and it helps me remember that there is still so much we can do. As the ever-articulate NASA climate scientist Kate Marvel puts it, ‘Climate change isn’t a cliff we fall off, but a slope we slide down.’ That slope is getting very steep, but we haven’t fallen off yet. There’s still so much of the world we can save.

There were times writing the book when I felt pretty down. There was a week last summer where it was just blisteringly, stiflingly, oppressively hot in London. London’s horrible when it gets too hot anyway, but that extra knowledge that climate change is contributing to the heat, and hurting people in other countries so much more, makes it all the harder. I was trying to finish the first draft of my book and re-reading all these papers from the 1960s or 1970s musing that “if” we didn’t do anything, the climate could get nasty after the year 2000. It made me so angry about all those lost years of delay and inaction. But at the same time, writing the book helped me find strength too, especially the stories of scientist’s research. Because climate change isn’t obvious. You need science to see it. We could, all too easily, be sitting around thinking ‘the weather’s a bit weird today. Again.’ We at least have this warning, and that’s something quite powerful in itself, even if we haven’t been fast enough to take that warning.

6) Do you have any further projects or books in the pipeline you can tell us about?

I have started mulling over an idea for another book, but honestly I’m not sure I have time. I’ve got too many exciting projects at Possible. My colleague Neil has some amazing work brewing on community hedge planting which has to be put on hold with the pandemic, but I’m so excited to get dug in (literally!) in the next planting season. Then another team member, Emma, has a really fun citizen science app we’re hoping to launch soon (if we can sort the bugs). Then there’s our solar railways work, projects listening to communities about what they think about projects to curb traffic in towns which sprung up during lockdown, and of course the big UN climate talks in Glasgow in November. One thing about climate campaigning is there’s always more to do! It doesn’t get boring.

 

Our Biggest Experiment: A History of the Climate Crisis
By: Alice Bell
Hardback | June 2021| £16.99 £19.99

 

All prices correct at the time of this article’s publication.

 

Author Interview with Jon Dunn: The Glitter in the Green

Jon Dunn is a natural history writer, photographer and wildlife tour leader. He is the author of the fantastic Orchid Summer among other books, and his writing and photographs have been featured in Britain’s Mammals and numerous wildlife magazines and journals.

In his latest book, The Glitter in the Green, Jon documents his expeditions from the farthest reaches of Alaska to the tip of South America in Tierra del Fuego in search of hummingbirds. Weaving history and travel writing together, the book describes the special place hummingbirds have in both mythology and culture, all while addressing not only how hummingbirds have suffered in the past, but the threats they face today. Jon kindly agreed to answer some of our questions below.

When and how did you first discover hummingbirds and what is it that draws you to them?

I’ve got the Natural History Museum in London to thank for planting the seed that was to grow, over the years, into a full-blown hummingbird habit. I was a young kid in the 1980s, taken to London by my mother for a day doing the usual tourist things – she wisely saved a visit to NHM London until later in the day, as she knew once I was in there I wouldn’t want to leave.

Amongst the many exhibits one in particular caught me by surprise – a large glass cabinet filled with hummingbird taxidermy. I know, that’s a bit bleak by the standards of today, but back then all I had eyes for were the shapes, forms and colours of the birds. They were so very different to the birds I was used to seeing in the Somerset countryside around our home. After that, every now and again I’d see footage of hummingbirds on wildlife documentaries, and began to appreciate further just how remarkable they were – what Tim Dee described as ‘strange birds: not quite birds or somehow more than birds, birds 2.0, perhaps’.

As a naturalist and a storyteller, I’m a bit like a bowerbird, drawn to colour. Hummingbirds really have it all going on – their biology is one superlative after another; their plumage is jewel-like; they’re found throughout the Americas in almost every conceivable habitat; and they’ve fascinated mankind from our earliest recorded encounters with them – there’s a rich vein of stories to dig into. 

Were there any particular encounters that stood out for you during your research?

Seeing my first Marvellous Spatuletail caught me by surprise. They’re renowned for their plumage and rarity alike, so I was prepared to feel that cocktail of joy and relief familiar to any birder who’s just caught up with a keenly anticipated species. The reality though far exceeded that – the delicacy of the bird compared to the many other hummingbird species swirling around the clearing in question, those preposterous tail feathers, the culmination of waiting decades to see one… I found that a bird could be literally as well as metaphorically jaw-dropping.

There were plenty of other moments that I’ll hold in my heart, and they don’t all involve the iconic, rare species. One such was watching Golden-tailed Sapphires, a hummingbird that looks as if it’s been dipped in rainbows, feeding in a clearing in the immediate aftermath of a heavy rain shower. As the sun broke through the dripping vegetation and steaming air we were suddenly surrounded by myriad small rainbows through which the birds were flying. That moment was ephemeral, over almost as soon as it began, but it’s etched in my memory forever. 

Hummingbirds have long been venerated and romanticised in art and in your book you talk about the emotive response that hummingbirds elicit in people. Why do you think that this is?

I found myself asking myself that very question as my journey into their world unfolded… Hummingbirds certainly seem to touch something deep inside us. They featured in the mythology of the Aztecs; inspired the most dramatic of all of the immense geoglyphs carved into the desert floor by the Nazca; appear in renowned art and literature; and, to this day, are singled out for particular love by those whose gardens they frequent, people who would not necessarily identify themselves as birders.

I think it’s their character as much as their beauty that has always called to us – many species are confiding, and are happy to feed in close proximity to us. Over millennia we’ve given many animals ample cause to be shy of us – and indeed, down the years we’ve slaughtered hummingbirds in their millions for their feathers, whether they were to feature in Aztec status symbols, Catholic icons or on 19th century hats. Yet despite this, hummingbirds remain unphased by our presence. Perhaps there’s something subconsciously reassuring about that.    

In order to see some species, your expeditions took you to some very remote places. Did this present any challenges?

Inevitably there were some logistical challenges to contend with, not least having to reacquaint myself with horse-riding after a decades-long and deliberate avoidance of it! There were a couple of close encounters with large predators that were, in hindsight, more alarming than they felt at the time – as a naturalist, I was thrilled to get (very) close views of a puma… But perhaps the most challenging moment of all was landing in Bolivia at the very moment the country was taking to the streets to protest the outcome of a recent presidential election. There was an incident at a roadblock manned by armed men that was genuinely scary, with an outcome that hung in the balance for a terrifying instant, and could easily have ended badly.

Hummingbirds face many threats to their existence, including habitat loss, climate-change, deforestation, as you talk about in your book. Post-research, do you feel any optimism for these magnificent creatures?

This is a really difficult question. On the one hand, I learned of examples of conservation where hummingbirds – amongst other species, of course – were the beneficiaries of excellent conservation work at a local level. On the other hand, when you start to take a pragmatic long view of our impact to date on the habitats the birds rely upon across the Americas, it’s hard to remain upbeat. We’ve destroyed so much already, especially in the past century – and with a growing global population, the pressures of economic development are only going to intensify human activity and its impacts.    

I sometimes think there’s almost too much optimism expressed when talking about conservation challenges anywhere in the world – a narrative that suggests “if we only care enough, the [insert iconic species name here] can be saved”. And to a degree, that’s good – we’ve got to have hope, as the alternative is too dreadful to countenance – but given our impact to date, and in an uncertain future where the effects of climate change are still unfolding and will continue for many decades to come, to name just the biggest of the mounting pressures on the natural world, I’m not sure that I do feel terribly optimistic, least of all for those hummingbird species that have very localized populations, or depend upon very specific habitats. They’re undeniably vulnerable. But like Fox Mulder, I want to believe…   

 Do you have any plans for further books?

I do indeed… Having delved into the worlds of two of my personal favourites, terrestrial orchids and hummingbirds, in the last two books, the book I’m currently writing will have a wider focus – exploring the evolving relationship between humanity and the natural world. It’ll be a deep dive into a world of obsession, joy, exploitation and wonder – a place where the truth is stranger than fiction. 

 

The Glitter in the Green
By: Jon Dunn
Hardback | June 2021

 

All prices correct at the time of this article’s publication.

 

Author Interview with Penny Metal: Insectinside

As recently featured on BBC’s Springwatch, Insectinside is a fantastic book featuring hundreds of species of insect that have all been found in Warwick Gardens in Peckham by author, Penny Metal.

With Penny’s incredible photographs and often humorous social commentary, Insectinside is an inspiring look at the diversity you can find just beyond your doorstep, as well as the vital importance of our natural spaces.

Can you tell us about your background and how you came to write this book?

I have a background in graphic design and often work in the area of nature conservation. This means I get to see what projects are happening etc. I work from home and decided to spend my lunch breaks in my local park photographing and surveying insects. I learned about the insects, watched them and counted the sheer number of species, and realised that no one else had actually surveyed a small urban park extensively. The book came about as I wanted to show people what was living in the bushes and to put Peckham on the entomological map!

Insectinside is written from the unique perspective of the insects that dwell in Peckham Park. What inspired you to write this way, rather than in a more traditional prose?

I wanted to try a different way of presenting information that would ‘hook’ people and short stories were the way to go. A lot of people don’t like insects and comparing their lives to ours not only elevates them, it gives the reader another perspective on how wonderful they are, and you can add a bit of humour alongside topics which are happening at the time (gentrification, Brexit etc). I find them fun to write, and am often inspired by how an insect looks or acts and what is going on in the news and try and link the two together. It is a good way to introduce some of the lesser known insects. My strategy appears to have worked!

Do you have any favourite species that you would like to tell us about?

I am a big fan of wasps, especially parasitic wasps. My favourite is the Gasteruption jaculator and watching her squeeze herself into the tiniest beetle holes where the scissor bees nest to lay her eggs is a sight to behold.

Recreational places like parks might not always be considered for their conservation potential. What can you tell us about the significance of parkland in the UK?

I think parks have been overlooked as areas of conservation. They can be large places and they have to work hard – recreation, dog spaces, playgrounds, sports spaces, neat formal areas for aesthetics etc, lighting, and usually open 24 hours – but there is no reason why we can’t include habitats for our wildlife. A simple solution would be to leave areas un-mowed to grow wild. In the parks of my local area in London, large swathes of grasses and flowers have been left to mature and people have been really receptive to it. I think we are finally moving away from the Victorian ideal of neat and tidy!

With an ever-growing population in the UK, parklands are becoming increasingly busier. What do you think we need to do to protect our natural spaces?

Tell people to stop destroying them, and to take their rubbish home! Luckily there is more awareness now about the importance of our natural spaces, though there is a way to go yet to get everyone on board. Personally, I would like for our natural spaces to be so integrated into our lives that we can drop names like ‘nature reserve’ and just appreciate nature for what it is.

The book has a great many beautiful insect photographs, taken by yourself. Do you have any advice for aspiring macro-photographers?

Keep a sharp eye and a steady hand! Watch them to see how they move – for instance dragonflies tend to return to their perch a couple of times before they fly away for good.  And a sunny day with clouds is the best time to photograph flying insects as they stop and have a rest when the sun is hidden.

Insectinside
By: Penny Metal
Paperback | Due in stock soon |  £19.99

 

All prices correct at the time of this article’s publication.

 

 

 

 

 

 

 

Author interview with Elsa Panciroli: Beasts Before Us

Elsa Panciroli is a palaeontologist who studies the evolution and ecology of extinct animals – particularly mammals from the time of dinosaurs. She is a researcher based at the University of Oxford and an associate researcher at the National Museum of Scotland. A keen science communicator, she has contributed to The Guardian, Palaeontology Online and Biological Sciences Review, and co-hosts the Palaeocast podcast. Beasts Before Us is her first book and tells the amazing story of early mammal evolution, taking the reader back well before the dinosaurs even rose to prominence. Leading up to publication, we reached out to Elsa and asked her some questions.

Elsa Panciroli on the Isle of Skye

You write that you started your palaeontology career interested in dinosaurs and Ice Age megafauna. What turned you on to the path of our mammal ancestors?

Like so many things in life, it was serendipity. During my masters degree the renowned mammal palaeontologist, Prof Christine Janis, moved back to the UK from the US. I’d recently read her paper on giant extinct kangaroos and I was excited to meet her and learn more. It turned out she was offering a project studying mammal ankle bones, so although there were dinosaur projects available, I jumped at the chance to work with Christine. I learned so much from her, she was (and still is) a brilliant mentor. I soon realised what a lot of questions were still to be answered about extinct mammals. Afterwards, I did my PhD on little-known Jurassic mammals from Scotland, and started exploring their even more ancient past – I just couldn’t believe what I discovered! That’s why I wanted to write the book, to share what I had learned.

Given that we are so biased to mammals where, for example, conservation is concerned, why do you think that there has been so little mainstream interest in early mammal evolution? Your book shows that there is a fascinating story playing out before dinosaurs even evolved. Do the dinosaurs in that sense enjoy the advantage of incumbency in our imagination? Or do the details of mammal evolution not easily lend themselves to telling a captivating story?

I disagree that mammal evolution doesn’t lend itself to story-telling, but the many authors who’ve tackled the subject up to now focused on recent evolution and assumed everything before then wasn’t relevant. I wrote Beasts Before Us because our ancient relatives are incredible! I was quite shocked by this whole plethora of animals that not only predate the dinosaurs, but were incredibly successful, bizarre and exciting. They were the first to evolve iconic features we are fascinated by today, like large body size, sabre-teeth and gnarly horns. It’s just the icing on the cake that they are actually related to us. I wanted to show people the history of mammals isn’t a story of waiting in the wings for the dinosaurs to disappear, but of the stunning success our lineage (synapsids) over the last 350 million years, including before dinosaurs even existed.

I think there are a few different reasons why early mammal evolution doesn’t get the same love as dinosaurs. Dinosaurs are kind of otherworldly – in fact you might argue they are almost mythical – so naturally this makes them extremely compelling. As a result, people forget to look beyond them at what else has happened in evolutionary history. The media don’t help, because they overly focus on dinosaurs and always plaster them centre stage. Dinosaurs have become a touchstone for ancient, and other discoveries are always placed in relation to them. There is a lot of dino-noise to get through if you want to tell the stories of other animal groups!

An important theme in your book is that evolution is not a march of progress but a process of adaptation to current circumstances. It seems that our early ancestors thoroughly explored the space of possibilities and pioneered both behaviours (e.g. digging underground burrows) and morphology (e.g. sabre-toothed therapsids) that would later evolve again independently through convergent evolution. Are there examples of morphological adaptations or suspected behaviours in early mammals that have not reoccurred in more recent mammal evolution?

That’s a really interesting question! As we make new fossil discoveries, it’s increasingly apparent that there is very little happening on Earth today that hasn’t been done multiple times before by other animals. Of the top of my head, I can’t think of anything they – or other animals – did in the past that hasn’t reappeared again, nature is just like that. If anyone can think of something they can always tweet me about it!

I thought one very interesting idea you mention concerns the adaptive radiation of therians, i.e. the group that gave rise to both marsupials and the placental mammals to which we belong. They remained a species-poor group until after the dinosaurs went extinct, and it is traditionally thought it was competition from the dinosaurs that held them back. Instead, here, and in the Current Biology paper that just been published (congratulations, by the way), you argue that it was competition from other mammaliaform groups that held back the therians. Can you give us the elevator pitch in support of this idea?

Part of the problem is that the fossil record can be very misleading, and we can’t easily separate cause and effect. People saw that mammals became larger when non-bird dinosaurs disappeared, and so they drew a causal line between the two. To tackle this issue more robustly, my co-authors and I compiled big datasets of the changes taking place in the skeletons and teeth of mammals from the time of dinosaurs, and just afterwards. Our results showed that in the earlier-branching groups of mammals the number of changes taking place in their bodies continued to rise – in other words, they were still splitting into new groups and evolving new specialisations. But for the therian mammals (which include the ancestors and relatives of all modern mammals except platypuses and echidna), the number of changes was pretty flat in the time of dinosaurs. That is, until the disappearance of the earlier mammal groups – some of which didn’t become extinct until after the non-bird dinosaurs. Crucially, it wasn’t until these later extinctions that we really see therians diversifying more widely, therefore showing that it was competition with the other mammals that had been preventing them from diversifying prior to that point.

You mention Clashach quarry in Scotland as a site of great scientific interest due to its record of fossil footprints. I often shudder to think how many body and trace fossils are destroyed forever during mining and construction activities. Do you generally find commercial operators willing or interested to cease or move activities when fossils are found? Or would most rather just quietly ignore them to prevent costly delays?

Although you’re right that fossils are destroyed during extraction, we can’t forget that most fossils wouldn’t have been discovered in the first place if it wasn’t for quarrying and mining! The ties between extractive industries and palaeontology are really important, but they also form part of the colonialist history of the discipline, which we must acknowledge. The attitude of extraction companies varies from place to place, but many are really keen to support scientific study as much as they can. For example I know several have welcomed info sheets and talks from experts on how to recognise fossils, so that the workers know what to look out for. They’ll often put aside potential fossil finds so that they can be examined and studied. It’s hard to find a balance between industry and conservation, but for the most part quarry workers are just as excited about fossils as everyone else!

In your book, you broach the sensitive issue of decolonisation, acknowledging the often dark and unsavoury history of our scientific disciplines. Beyond words, what actions do you think are necessary to get to terms with our past? For example, is the repatriation of museum specimens always the preferred option?

Decolonising science and museum collections is a complex subject, and I’m not an expert, but the first step for all of us is to listen: we need to hear about, understand, and explore the legacy of colonialism and empire on our lives, not dismiss it. Repatriation of objects is appropriate in some cases, but there are many other things that need to happen as well. For example many objects are completely separated from their context – where they came from, the circumstances of their collection, and who collected them. We need to ask ourselves what the purpose of collections actually is now, who they are for? The scientific system itself was built in such a way that it biases who carries out research, how we carry it out, how it’s published, and who benefits. It’s going to take time and thought to rebuild it to be more equitable.

I was very impressed with the visual language you use throughout this book and read that you have a keen interest in science communication. I am a regular listener of the Palaeocast podcast that you co-host, but beyond that, what other platforms and outlets do you contribute to?

I have to admit I don’t keep a regular online presence at the moment, except for my twitter feed! I used to blog, but as I’ve ended up writing more articles (I wrote for The Guardian for a while, and some other freelance work) I’ve had less time. However, when possible I place content on my YouTube channel, particularly short videos explaining new research, or talking about fossils. I’ve also done some readings of Beasts Before Us, if you want a wee taster!

Beasts Before Us is your first book. Now that it has been published, is it time to turn your attention back to research, or was the experience rewarding enough that we can look forward to more books in the future?

I’ve actually been carrying out my research alongside writing, which has been pretty exhausting! It’ll be nice to devote more attention just to the research for a while. Having said that, I do have a second book lined up, and many more ideas in the queue, so you can definitely expect more in the future!

 

Beasts Before Us: The Untold Story of Mammal Origins and Evolution
By: Elsa Panciroli

 

All prices correct at the time of this article’s publication.

Author Interview with Adam Nicolson: The Sea Is Not Made of Water

From the author of The Seabird’s Cry, Adam Nicolson’s new book The Sea Is Not Made of Water offers a glimpse into the intricacies and minutiae of the intertidal zone. Blending ecology and human history, poetry and prose, Adam takes us on a fascinating journey to the shore.

Adam is a journalist and prize-winning author of books on history, landscape and nature – among many other accolades, he won the 2018 Wainwright Prize for Nature Writing. He has also made several television and radio series on a variety of subjects.

First of all, we loved The Seabird’s Cry and were very excited to learn of The Sea Is Not Made of Water about intertidal zones. Could you tell us about what drew you to this habitat and the inspiration behind your book?

For nearly thirty years now I have been going to stay in a small house at the head of a bay on the west coast of Scotland. It is somewhere my wife’s family have been going for generations and now our children and grandchildren love it too. It has everything you might long for from a place like that: cliffs, woods, waterfalls, a dark beach made of basalt sands, a lighthouse, a ruined castle, stories, beauty, birds, fish; but one thing it did not have because of the geology, was a rockpool. For years I have dreamed of making one – a place of stillness set in the tide, and this book is the story of how I made three of them in different parts of the bay; one dug in with a pickaxe; one made by damming a narrow exit to the sea from a hollow so that the dam held the pool behind it; and one by making a circular wall low down in the intertidal.

The foreshore belongs here to the Scottish crown, and so I got permission to do this first and then set about making the pools – wanting them to be cups of what I learned to call bio-receptivity – beginning with quite literally a rock-pool, an empty planetary space, and then waiting to see what the sea would deliver to them. An enlargement of the habitat. A tiny gesture to counteract the lack of accommodation we are all making for the natural world. In a way, no more than making sandcastles, but sandcastles that would invite their inhabitants in and would last more than a single tide.

Shorelines and rock pools are incredibly biodiverse environments; how did you decide which species to write about?

It was not about rarities. I thought for a while I should call the book ‘All the Usual Beauty’. And anyway the species selected themselves. I began at the top of the beach at the spring equinox, although there was not a hint of spring, when I started poking around in the seaweeds thrown up there by the winter storms. Nothing else seemed to be alive on this frozen March day, but lift away the lid of weed and quite literally the sandhoppers sprang into life around me. Again and again they went though their routine: leap, wriggle, play dead, leap, wriggle, play dead. Almost toy-like in their repetitions.

And so that provided the model – see what was there and look carefully at it. Of course, books like mine are entirely parasitic on the work of many generations of biologists and that too turned out to be the pattern. Watch the sand hoppers and then read about them. Read about them and see how much of what I read I could find on the shore. With prawns, winkles, shore crabs, anemones, limpets, sea-stars, urchins and barnacles, I simply oscillated between the pools and my books: what was there? What had people discovered about them? How did they interact? What were the principles governing their presence or absence? And with all of that came the repeated and slightly sobering realisation that unless I knew to look for something it was very difficult to see it was there. Mysteriously, we are often blind to what is in front of our eyes.

Did you discover anything particularly interesting that you were previously unaware of during your research?

So much! I never knew that sandhoppers could inherit from their parents an understanding of where the sea was and how to get there. That winkles can tell if a crab has been in their pool. That crabs, even in the tiniest of larval stages, can recognise the movements and timings of the tides. That sea anemones can identify other sea anemones that are not their relations and effectively destroy them. That prawns have an imagination – that might sound like too much, but it has been shown that they can remember past pain and project it into present and future anxieties. Anxiety is different from fear; it is a fear of what might be there. In other words a prawn can think beyond its present reality.

Some of my most treasured childhood memories involve investigating Dorset shorelines and delighting in the incredible variety of species I would find there. What do you think it is about the shoreline that people connect with so strongly?

I think maybe the shore is so alluring because it is both so strange and so easily to hand. It is a revelation of another world a yard or two away from our own. The temptation is to think of the pool as a natural garden, but it is a very odd and very wild garden. Looking perhaps as settled and delicate as a painting but in fact a theatre and cockpit of competition and rivalry. And garden whose walls are dissolved twice a day, an enclosure that becomes part of the general world with every high tide. That ambiguity is what entranced me, the sense of its being a micro-ocean, a micro-arcadia, a micro-laboratory in which all kinds of intimacies and precision in natural beings can be witnessed an inch beneath your nose.

Although adaptable, rocky shore inhabitants are not invincible, what do you think is the biggest threat to the rocky shore ecosystem and are some species more at risk than others?

Sea-level rise should not cause the inhabitants of rocky shores too many problems. They will climb the rocks in time with the water. But other anthropogenic effects are quite likely to be catastrophic. Animals that depend on their shell for protection are living in an increasingly hostile world. Everywhere in the North Atlantic outside Europe, as the Dutch evolutionary biologist Geerat J. Vermeij has written, an increase in shell thickness has been taken as a response ‘to the spread of the introduced European green crab (Carcinus maenas), but these changes may also have resulted from an overall increase in the abundance of native shell-crushing crabs (Cancer spp.) and lobsters (Homarus americanus) as the predators (including cod) of these crustaceans were overfished’.

The destruction of the cod and the collapse of their position as an apex predator in the Atlantic has made it a sea of claws. That hugely increased claw count, and competition between the clawed animals, has risen to the point where the shell-dwellers are feeling the pressure and have responded as shell-dwellers and shell-wearers must: by thickening their defences and toughening their lives.

But modern life has provided them with another hurdle: the acidification of the world ocean. One-third of all the carbon dioxide that has been emitted since the beginning of the Industrial Revolution has been absorbed by seawater, turning it acid. Making shells and skeletons, drawing calcium carbonate from the water, is more difficult in an acid sea. All kinds of ripple effects will spread out from that: more crabs, fewer winkles, denser algae and a disruption of the entire coastal ecosystem.

The effect is more than purely chemical. When sea-fish are exposed to acid water, their senses of smell and hearing are both disrupted. Young fish find it more difficult to learn, become less frightened by danger and are even attracted to the smell of predators. The same now seems to be true of shellfish. Acid water is distorting the minds of animals in the entire ecosystem.

Do you have any further projects or books in the pipeline?

I do! I am writing a long piece on English chalk-streams and also slowly researching a book about the birds in the wood at home. And I would love to write something one day about the mammals of the Scottish sea. Otters, seals, whales and dolphins. One day!

The Sea Is Not Made of Water
By: Adam Nicolson
Hardback | Due June 2021 | £16.99 £19.99

 

All prices correct at the time of this article’s publication.

Author Interview with Sarah Gibson: Swifts and Us

Whirling swifts overhead are evocative of early summer, and their arrival to the UK brings joy to many. In Swifts and Us, Sarah Gibson explores what is currently known about swifts and their ancestry, while also addressing some of the contributing factors to their huge decline over the last few decades. She meets key experts and researchers as well as many determined individuals, all advocating for change to ensure the swifts’ survival.

Sarah Gibson is Press Officer for Shropshire Wildlife Trust, as well as Editor of the members’ magazine. She also regularly writes nature columns for her local magazines and newspapers. Sarah has kindly agreed to answer some of our questions below.

Firstly, could you tell us about where the motivation for your book came from?

I’d become passionate about swifts since moving into a town from the country.  Then I had a long period of illness and would be exhausted after the briefest of conversations and couldn’t even walk up my street – I was so slow I would be overtaken by very old people on Zimmer frames. It seemed as though I’d hit 97 five decades prematurely.

Then I got better and decided it was time to do something new with my life – alongside my now part-time job at Shropshire Wildlife Trust. I knew I could string words together, so decided to research and write a book about swifts to try and inspire others to love and take action for them too.

During your research, did you discover anything especially interesting that you were previously unaware of about swifts?

That hummingbirds are the swift’s closest relatives! Fossil evidence from 52 million years ago found in Wyoming, USA, revealed a bird that is the forerunner of both. The characteristic common feature is a super-strong, stout humerus bone, that would enable the swift to endure and flourish in perpetual flight and the hummingbird to flap its wings 50 times per second as it hovers over flowers collecting nectar. Their shared ancestry seems less surprising when you think about the intense aerial demands of both birds. 

Your book features exceptional and inspirational people that have fought to ensure nest spots are protected and accessible for returning swifts. Do you have any particular highlights or success stories that you’d like to talk about here?

Photograph by Laurent Godel

The Crescent Art Centre in Belfast is a cross-community cultural hub, bringing people together from all backgrounds.  It also has a thriving colony of swifts and when major renovation work began 12 years ago, the architects and builders worked with a local swift champion to ensure that access to the original nesting holes was retained and additional holes provided by integrating nest bricks into the walls. This is a great example of how renovation doesn’t have to lead to ruin for swifts.  It can be achieved, if thoughtfully carried out. This swift colony is now a living emblem of the arts centre and its aspirations – uniting people across boundaries. 

What role can citizen science play in surveying and monitoring swifts?

Photograph by Ulrich Tigges

Local surveys to identify swift breeding sites are very valuable. Knowledge of swift colonies can at times make it possible to work with building owners when renovation works are planned, so that nesting holes can be retained. When the data is fed through to local biological records centres, the presence of swifts in particular areas will be flagged up to planners who will sometimes, but not always make it a condition for development that nest bricks should be integrated into buildings.

The RSPB’s SwiftMapper is a useful tool and you can find out about surveying with local swift groups from Action for Swifts or Swift Conservation.

Habitat destruction, climate change and a stark reduction in their food supply are just a few factors contributing to the decline of swifts over the past 20 years – the odds appear completely stacked against them. Post-research for your book, do you feel any optimism for the future of these incredible birds?

Photograph by Piotr Szczypa

Contemplating the global crisis in nature can lead to despair. Our inability to prevent the destruction of wild habitats and the wild creatures that depend on it strikes deep into our souls, but worrying about the future cripples our ability to act, so I try to live in the present. It is what we do now that will shape the future and we need all of our energy to bring better times.

Climate change is inextricably linked to the degradation of nature. At last, there seems to be a glimmer of awakening at a political level to the fact that nurturing nature is essential for all our sakes. The campaign for 30% of land and sea to be protected by 2030 across the world brings hope but it needs a radical reset of values to be achieved.  All of us though, can do something to help bring it to reality. 

Do you have any current projects or plans for further books that you’d like to tell us about?

I’ve just been down to my local cemetery where there’s a project to turn the unmarked graves area into a wildflower meadow.  The yellow rattle seed we sowed last August is coming up, along with cowslips and violets.  It will be a living memorial for those buried beneath and will attract bees and other pollinators.  I’m also keeping an eye on the eaves of a medieval building managed by the town council. Restoration work on the timbers last autumn included six bespoke swift nest boxes – fingers crossed! 

There will be another book but I haven’t written it yet.  It will explore the connectedness of people with nature but I can’t reveal more just now.

 

Swifts and Us
By: Sarah Gibson
Hardback | Published May 2021 | £16.99

We have a very limited number of bookplates signed by Sarah, available while stocks last.

All prices correct at the time of this article’s publication.

Author Interview with David Stroud: International Treaties in Nature Conservation: A UK Perspective

To the casual observer, global summits and the resolutions they produce can seem frustratingly ineffective – repeating cycles of targets set, missed and reset, with no obvious progress. Yet despite the apparent inertia, when used to good effect these processes can be powerful tools for positive change. International Treaties in Nature Conservation: A UK Perspective provides a unique insight into the inner mechanisms of international treaties – their history, development, successes and failures – from those who have spent their lives working with them.

All of the authors involved in this book bring a huge wealth of expertise from their past and current positions within both statutory and non-government nature conservation organisations and academia. One of the authors, David Stroud, kindly agreed to answer a few of our questions.

International treaties are directly responsible for some of the greatest environmental success stories in modern history. But despite their importance, their role in nature conservation is not one many of us are familiar with. How important do you think it is that the mechanisms of these treaties are more widely understood?

It’s hugely important. Not only do these treaties establish some of the most important conservation objectives, but they provide a means of learning from other experience. Typically, international treaties set a broad goal – such as ‘the wise use of wetlands’ in the case of the Ramsar Convention – but are much less prescriptive as to exactly how this will be delivered nationally. Accordingly, there is much to learn from the broad diversity of other national conservation experience in implementing treaty obligations. Such comparative experiences make these treaties fascinating and their study valuable.

They also provide important drivers of national conservation policy. Thus, for example, it was the obligation under the African-Eurasian Waterbird Agreement to phase out the use of lead gunshot in wetlands by 2000 that created the policy incentive resulting in legislation across the UK to that effect from 1999.

There has been a great deal of uncertainty surrounding the departure of the UK from the European Union, and what this means for conservation. In terms of environmental protection and influence during the development of international treaties, what are the implications of leaving the EU?

Lots of issues here! As we explain, there are also serious risks to standards of environmental protection, especially the removal of strong compliance mechanisms that hold government to the environmental obligations it has assumed, and for which proposed domestic replacements look far from sufficient and have yet to be introduced. That said, some aspects of EU policy, most notably the Common Agricultural Policy, have driven significant harm to nature and to natural systems, and here the promise (as yet unrealised) of a new domestic approach which confines the payment of public money to the delivery of public goods, could mark a significant improvement in the state of nature in the farmed environment.

But there is also a risk that there may be an appetite to replace well-established processes and priorities, developed in partnership with EU states, with unique UK approaches, without reference to their efficacy. Whilst there is always room for improvement, including of existing EU processes, it is important that any such improvements build on existing systems and lessons learnt, and avoid causing delays and disruption that would take time we do not have, given the urgency of the environmental challenges we face.

Many aspects of environmental protection are inherently international in nature, with neither species, habitats nor many of the factors which drive their decline respecting national boundaries. As such there is a clear and ongoing imperative for international cooperation and alignment. The UK, outside of the EU, could take this opportunity to drive up ambition, but risks having less influence on environmental policy development, and becoming increasingly remote from wider thinking and ideas both within the EU and beyond, unless UK governments take pro-active steps to rebuild lines of communication and forums for engagement.

Chapter 8 ‘The impact of UK actions on an international scale’ goes into detail about the UK’s contributions to nature conservation beyond its borders, whether these be, for example, monetary, scientific research, or the role of UK non-governmental organisations (NGOs). In your opinion, do you think the UK is doing enough?

The UK is doing a lot, but by no means enough. Formal financial inputs to international treaties (which we estimate as £2,001,000 in 2019/20) are frankly trivial compared to either the size of the UK government budget in the same year (£842,000,000,000) or indeed the immensity of the issues to be addressed. Whilst both climate change and biodiversity loss have been recognised as ‘crises’ or ‘emergencies’, yet to date, it is hard to see responses from the UK, let alone the wider international community reflecting this, or being much more than complacent ‘business as usual’. And these will have no realistic chance of success.

Following on from the previous question, this book highlights the role and importance of NGOs (and a number of the authors themselves have been or are currently involved with NGOs). Do you think NGOs should have more involvement in environmental policy, both within the UK and on a global scale?

NGOs have a critical role to play in international conservation, both representing ‘civil society’ and also – in many cases – holding considerable technical expertise and knowledge, essential to the effective conservation delivery. Yet the dynamic of relations with governments is interesting! NGOs are not uninterested parties being driven by their own organisational priorities, responsive to their memberships, and typically having developed country perspectives. Their interests can sometimes be limited to a single species (witness the many NGOs concerned with charismatic megafauna such as lions and elephants). In contrast, and especially in democracies, governments have wider responsibilities such as the need to maintain economies, create infrastructure, or alleviate poverty.

The role of NGOs in pushing governments to deliver strong outcomes for the environment is critical and they have a key role, working with government, in practical implementation ‘on the ground’. In the UK, there are typically good relationships between government and NGOs, yet we outline considerable scope for improvement. However, within the UK governments, there can be an attitude that sees environmental NGOs as the problem rather than an essential part of the solution. Which is unnecessary and regrettable.

This book delves into the history of international instruments (such as Agreements, Conventions and legislation), and it is pointed out that fewer new treaties have been made since the early 2000s. Why do you think this is the case?

There are probably two issues at work here. An international landscape of ever proliferating treaties may not be particularly efficient means of engaging the attention of governments. Indeed, one would hope that at some point we see treaties retired following fulfilment of their objectives. Unfortunately, the state of the world is such that we seem far from this eventuality.

It is possible that we already have treaties covering all the relevant issues. However, whilst the ‘big stuff’ (climate change, migratory species, wetlands, trading endangered species) is indeed covered, there are certainly other ‘gaps’ – for example effective regulatory systems for sustainable harvesting of marine resources (to replace the very many completely ineffective fisheries treaties).

Additionally there seems to be an ever-growing culture of legal risk aversion within governments. This, and a retreat to more nationalistic political outlooks in many countries, is not supportive of new treaty-building.

In November, the UK will host the next UN climate change conference COP26 in Glasgow. What do you envisage, or hope, will be the outcome of the conference?

Hoping and envisaging are two very different things! I’ll stick to hoping for now…

It’s human nature to defer difficult decisions: why do today what one can put off till tomorrow? This is especially the case for governments faced with decisions that have difficult political consequences. Essentially the challenge at COP 26 will be to deliver on the aspiration agreed in Paris to hold the global temperature increase to less than 1.5 oC above pre-industrial levels. Unlike the quota-based approach of the earlier Kyoto Protocol, the Paris Agreement aims to build to necessary levels of global emissions reductions from bottom-up – through collective ‘Nationally Determined Contributions’ (NDC). After years of deferral of the difficult issue of how to do this, now is finally the time to deliver. Already, there is much diplomatic peer pressure – led especially by UK and USA – to encourage ambitious NDCs. But whether we get to levels that will deliver the Paris Agreement objective remains to be seen. It’s critical that we do as time is running out!

But even if those pledges are made, it will be essential for UK to work with, and support developing countries in particular, in their transition to zero carbon futures – given all the societal issues and political stresses that will arise.

International treaties are sometimes criticised for being ineffective, and this book describes some of their flaws. How valuable have treaties been in nature conservation?

Well, for those involved in any human endeavour, it’s always easy to see how things could be improved, or work better, and international treaties are no different. But despite imperfections, these treaties are critically important in shaping how we do conservation – in particular in establishing collective long-term objectives – goals that stretch beyond the short-termism of national politics.

Yet whilst the legal treaties specify those things that need to be done to deliver their objectives, as important in the long-term is the community of practitioners that gather around a treaty, regularly meeting and working together in order to drive forward its implementation. This includes counter-part government officials in the signatory governments, relevant NGOs, interested academics, and representatives of different but related treaties. All bring something to the table, and it is through their collective support for, say wetland conservation in the case of the Ramsar Convention, that is so important.

This is the first title from NHBS’s new publishing imprint, Biodiversity Press.

International Treaties in Nature Conservation:
A UK Perspective

By: David A Stroud et al.
Paperback | May 2021 | £19.99

 

All prices correct at the time of this article’s publication.

Author Interview with James Lowen: Much Ado About Mothing

James Lowen is an award-winning writer whose work is regularly featured in The Telegraph, BBC Wildlife and Nature’s Home, among other publications. He is also an editor, lecturer, consultant and keen photographer.

From hiking up mountains, to checking his garden moth-trap with his daughter, Much Ado About Mothing is a wonderfully written, engaging account of James’ travels in search of Britain’s rarest and most remarkable moths. James has kindly agreed to answer some of our questions about his latest book below.

Could you tell us a little bit about your background and how you came to write Much Ado About Mothing?

I’m a Norfolk-based naturalist and author who has written 12 books, all broadly sitting in the nexus of wildlife, travel and conservation. Two of those books: A Summer of British Wildlife and 52 European Wildlife Weekends, won Travel Guidebook of the Year awards, which was most pleasing and inspired me to both attempt some longer-form writing (Much Ado About Mothing is fundamentally a travel narrative – an exploration of Britain) and take on a more ‘challenging’ topic. And what could be more challenging than championing the very animals (moths) that the general public purports to hate? 

I could readily understand where so many people were coming from in harbouring disdain for moths. For decades, I was also virulently anti-moth, (pre)judging them as uninteresting and usually irritating little brown jobs that remained invisible yet destroyed my suits. However, when a friend showed me a Poplar Hawk-moth, I remember the date precisely: 7 July 2012, my world changed forever.  Wrapped in silver and grizzled with iron filings, this sweetly furry being opened my eyes, brought me to my senses and revolutionised the way that I engage with nature. Over time, I came to appreciate that moths provided a huge variety of incredibly rich tales about ecology and evolution, camouflage and conservation. The more I learned, the more I felt that moths were unduly maligned. So I set out to champion these underdogs through telling their stories in this new book, aiming to challenge people’s preconceptions, correct common misunderstandings and reboot our collective attitudes. 

I really enjoyed reading about you and your daughter’s shared excitement when visiting your moth-trap. How do you think we can best encourage environmental awareness in young people on a broader scale?

First up, my daughter and I came to believe that moths provided surprisingly good ambassadors for natural beauty. This is by dint of their unexpected accessibility (there are probably hundreds of species living covertly around your garden), their unanticipated beauty (many moths ‘out-colour’ our butterflies!) and their welcome placidity (unlike most flighty insects, moths typically sit peaceably, thereby allowing prolonged perusal). To a certain extent, I think the same virtues, when converted into principles, apply to encouraging environmental awareness in youngsters, because there’s no substitute for first-hand experience. Let’s increasingly make wildlife accessible through urban nature reserves: Carlton Marshes on the outskirts of Lowestoft is a good recent example. Let’s showcase the beauty of animals and plants, running events that draw people’s attention to experiences that they would likely otherwise miss. And let’s put particular effort into helping people see non-skittish creatures: a close-up encounter with a ladybird is more likely to achieve a lasting impression than a distant view of a flying bird. 

Your book is filled with extraordinary and surprising facts about moths. Do you have any particular facts or discoveries that you’d like to share with us here?

Gosh, there are so many amazing factual nuggets that it’s hard to pick just a few. For a start, I love moths’ tales of mimicry (clearwings disguise themselves as wasps), camouflage (some moths conceal themselves as desiccated leaves, twigs and even bird poo) and migratory prowess (tiny, fragile creatures flying a thousand-plus miles). There’s wackiness too: china-mark moths, whose caterpillars live underwater; Sandhill Rustic, whose adults can swim underwater; Scarce Silver-lines, which sings from oak trees; various moths that are engaged in an evolutionary arms race with bats; Indian Meal Moth and Wax Moth, whose caterpillars can digest polyethylene and polypropylene (perhaps conceivably hinting at a solution to the global plastics problem?); and even one New World moth whose cells have proved critical for producing the Novavax COVID vaccine.

In terms of personal discoveries, dedicating a year to moths provided a rich vein of opportunities to try and push the boundaries of knowledge, particularly where this helped conservation organisations. Two finds particularly stand out. Helping out on a Lincolnshire Wildlife Trust survey, we came across the first adult female Marsh Moth seen in Britain since 1948; in the intervening seventy years, only males of this quixotic species had been seen! Then, within a mile of my Norwich home, I contrived to track down a new site for one of our most threatened and poorly understood moths, Marsh Carpet. As far as I am aware, the three we caught were the only adults seen anywhere in Britain that year and more than anyone had caught in a single night for years. Even better, this set in train a relationship between Butterfly Conservation and the land manager (Environment Agency), which should help protect the moth here. Both discoveries speak volumes about both how much we have to learn about these wonderful animals and how readily even inexperienced and distinctly amateur moth-ers can make tangible contributions to conservation.

Which aspect of documenting the moths did you find the most challenging?

In a year-long quest to see rare and remarkable moths across the whole of Britain, failure constantly whispers its name. It only takes one thing to go wrong, from bad weather, early flight season or late emergence to inept choice of survey sites and elusive species, for the entire pursuit to fail. With relatively inflexible dates to boot, we really were reliant on everything going right on every trip, which is a high-risk strategy when, for example, driving eleven hours to Scotland’s Ardnamurchan Peninsula to look for a particular sun-loving, day-flying moth. I guess the other thing to emphasise is that whereas moth-trapping in your garden makes for gloriously lazy wildlife-watching, simply flick the switch and let the insects come to you, surveying moths in remote places is contrastingly hard work. After a long drive, often on the back of little sleep, you need to lug heavy generators and a fleet of moth traps up steep slopes or across difficult terrain. And then you need to stay alert all night to make sure you don’t miss anything. I didn’t get much sleep that year…  

You mention in your book that climate change is fluctuating in its effect on moths, with some species thriving in the warmer temperatures, while others are under much more pressure. Having finished your book, do you feel hopeful for the future of lepidoptera?

Yes and no. Britain’s moth ‘balance sheet’ is pretty complicated, as a recent report by Butterfly Conservation shows. Since 1900, we’ve gained nearly 140 new colonists, but perhaps fifty species have gone extinct. Others seem likely to follow: roughly one in eight of our larger moths are nationally threatened or near threatened. Four times as many species are enduring long-term declines as long-term increases and that includes previously very common and widespread ‘generalist’ moths such as Garden Tiger and Garden Dart. Most worryingly of all, one-third fewer moths are flying today than fifty years ago.

On balance, that’s a gloomy picture. But there’s hope too. Among several environmental organisations, Butterfly Conservation is doing ever more to save moths, from an initiative to connect populations of Barberry Carpet to intrepid endeavours to safeguard the UK’s only site for New Forest Burnet. This is underpinned by surging engagement with moths among folk interested in nature. During the first COVID lockdown, retailers sold out of moth traps such was the demand for the kit. In 2020, nearly 75% more people submitted records of moths to Devon’s county recorder than the previous year. There’s definitely a growing wave on enthusiasm and passion for moths, and that’s got to be a very good thing. 

Do you have any other projects in the pipeline?

Much Ado About Mothing is a book about people as well as place and moths. One of the things I learned during my travels is that many people are deterred from entering the world of moths by the difficulty of identifying them, ‘all the moths look the same’ was a regular refrain. Some brilliant field guides to moths exist, but there seemed to be a demand to complement them with a book that helped newcomers to the hobby easily put a name to our commoner species. The result is my next book,  Britain’s Moths: A Gateway Guide, which came out in September 2021. It aims to be a ‘gateway’ to both the enchanting world of moths and to those more detailed field guides. I hope it inspires more and more people to discover these amazing animals – and then fall for them, just as I have done.


Much Ado About Mothing
By: James Lowen
Paperback

Seabirds, and a Short History of Illustrated Bird Guides

Seabirds by Peter Harrison, Martin Perrow and Hans Larsson represents the latest in a long history of exquisitely illustrated bird identification guides. An update of the original 1983 publication of Harrison’s, it covers all 437 known species of seabird, from seaducks and grebes to cormorants and pelicans. The publication of this beautiful and comprehensive book has prompted us to take a look at some of the history surrounding illustrated bird guides over the past century.


Title page of the History of the Birds of Europe

At the end of the 19th century, there existed only a few professional bird illustrators. These were usually employed by wealthy patrons, drawing and painting species as requested for private collections and portfolios, with subjects chosen to reflect their patron’s specific ornithological interests. By the turn of the 20th century there were a small number of illustrated bird guides available commercially, such as H.E. Dresser’s A History of the Birds of Europe, published in nine parts between 1871 and 1896. However, these were extremely expensive to purchase due to high production times and costs.

One of the first widely available bird books, The Observer’s Book of British Birds, was published in 1937. Illustrated by Archibald Thorburn, who was eager to embrace the new age of print, the book included plates that showed species in a natural setting and was incredibly popular with a post-war audience. This was closely followed by The Handbook of British Birds by H.F. & G. Witherby (1938-1941) which consisted of five volumes illustrated in colour. These were later combined into a single volume: The Popular Handbook of Birds (1962). At this time, most illustrations were based on museum specimens, as fieldwork was limited by poor optics and the cost of travel, and very few photographs of live specimens were available. Because of this, images, although technically accurate, often missed details of ‘jizz’ and other useful field characteristics as well as seasonal differences in plumage.

Tunnicliffe’s ‘What To Look For In…’ series was popular with both adults and children during the post-war years.

The years and decades following the second world war saw a growing interest in birds in Britain, helped considerably by the RSPB which encouraged the creation of bird art and viewed it as a useful tool for inspiring public interest. At this time, Charles Tunnicliffe’s two albums: Bird Portraits and Wild Birds of Britain, alongside his four What To Look For In Spring/Summer/Autumn/Winter books were incredibly popular with both children and adults. Unusually for the time, Tunnicliffe only worked from real-life specimens which gave his illustrations a rare lifelike vibrancy. (Tunnicliffe is also well known for his illustrations of country life and the original wood engravings included in Tarka the Otter).

The late 1940s and 50s saw the publication of the first ‘modern’ field guides, in which much more attention was paid to identifying characteristsics, behavioural details and notes on confusion species. Of these, the Collins Pocket Guide to British Birds, illustrated by Richard Richardson and the Collins Field Guide, illustrated by American artist Roger Tory Peterson, were by far the most popular. While the Pocket Guide grouped birds by size and similarity, with no regard for taxonomic relatedness, Peterson’s book arranged birds taxonomically, a difference that split readers in their preference for each style.

Volume VIII of the ambition Birds of the Western Palearctic

The 1960s saw a huge ecological awakening in Britain, and an increased interest in the natural world. Popular bird art at this time also experienced a boom with the arrival on the scene of talented artists such as Basil Ede and Robert Gilmore, the latter of who was instrumental in forming the Society of Wildlife Artists (SWLA) in 1964. The decades following were a wonderful period for illustrated bird guides and a number of key publishers now found that it was financially viable to produce these in much higher numbers and successfully market them to the general public. Notable publications from the 1970s include the Hamlyn Guide to the Birds of Britain and Europe, The Collins Pocket Guide to Birds of Britain and Europe and the extremely ambitious Handbook of the Birds of Europe, the Middle East and North Africa, The Birds of the Western Palearctic.

The 1980s were notable for the arrival of the first modern family monographs, beginning with Seabirds in 1983, beautifully illustrated by Peter Harrison. Unlike general field guides, these focused exclusively on a single family of birds, and were incredibly popular. Seabirds was closely followed by Shorebirds, illustrated by Peter Hayman, and Wildfowl, illustrated by Hilary Burn. However, the most ambitious and well-known example of this format is the Handbook of the Birds of the World which stands at 16 volumes, published by Lynx over a period of 20 years.

Collins Bird Guide

Still, expectations continued to rise and the quest for the perfect field guide continued, until the Collins Bird Guide finally appeared in 1999. Renowned globally for the quality of the artwork – which is considered to be exceptional, both aesthetically and as an identification aid – this book has remained the stalwart companion for huge numbers of birders over the past two decades. The third edition, due to be published this year, features expanded text and additional colour illustrations.

More recently, a number of ambitious, large-format illustrated bird guides have been published. All the Birds of the World, published by Lynx in 2020, features more than 20,800 illustrations, covering 11,524 species. Collins Birds of the World, published a year later in 2021, is the complete collection of the Collins Field Guides’ incredibly detailed, accurate and beautiful bird paintings, brought together in one comprehensive volume. The all-encompassing guide featured 10,711 species, including 301 full-colour plates.

Seabirds is a wonderful continuation of the rich history of illustrated bird guides and is a shining example of a book which is both invaluable as an identification guide, and treasured as a work of art.


HarperCollins: Publisher of the Month

Originally founded in 1819 as Williams Collins & Sons, today HarperCollins is one of the world’s foremost publishers, with an extensive catalogue covering both fiction and non-fiction. Producers of the justly famous New Naturalist series, and the familiar Collins Classic Field Guides, there can be few people interested in wildlife who do not have a few of HarperCollins’ natural history titles somewhere on their bookshelves.

Working with a range of authors from the bestselling and prize-winning to the brilliant debut, HarperCollins has forged a reputation for publishing books that investigate, challenge, and push forward the thinking of the day.

New Naturalist Series

Established in 1945, the iconic New Naturalist series is arguably the most influential natural history series in the world with first editions highly collectable and much sought after. Covering a wide range of subjects and appealing to both professionals and naturalists alike, the series are consistent bestsellers for NHBS.

June 2021 sees the arrival of the latest volume in the series, Ecology and Natural History, with Peak District to follow in October and Trees in November.

 

 

Nature Writing and Popular Science

Recent publishing has included some fantastic additions to HarperCollins repertoire of nature writing, including Roy Dennis’ Restoring the Wild, which draws on his life’s work as a field ornithologist and expert in species reintroduction. Read our Q&A with Roy Dennis.

Sarah Gibson’s Swifts and Us and Mary Colwell’s latest book exploring our past, present and future relationship with predators in Britain Beak, Tooth and Claw. Read our Q&A with Mary Colwell.

Due in June from the author of The Seabird’s CryWinner of the 2018 Wainwright Prize for Nature Writing, the highly anticipated The Sea Is Not Made of Water. In addition, from the author of Extraordinary Insects, we look forward to Tapestries of Life, also due to be published in June.


Collins Field Guides

HarperCollins are famous for the distinctive black jackets on their Collins Classic Field Guides. These are consistently popular with naturalists and ecologists throughout Britain. In fact, the Collins Bird Guide is our all-time bestselling book here at NHBS! Covering Europe and the UK’s flora and fauna, these field guides set the benchmark for quality descriptions, illustrations and distribution maps.

In addition to the Classic Field Guides, Collins have a comprehensive range of field guides spanning several series, including: Collins Pocket Guides, Collins Complete Guides and Collins Field Guides.

Due in September is Collins Birds of the World – an exciting and all-encompassing new field guide comprising of 25,000 illustrations of 10,000 species on 280 colour plates.

 

 

 

Browse a selection of highlights below

 

Orchard: A Year in England’s Eden
By: Benedict Macdonald and Nicholas Gates
Paperback | June 2021| £7.99 £9.99

A brilliantly written and informative insight into the ecological niche traditional orchards can provide and the benefit they can have for the larger ecosystems around them.

 

Metazoa: Animal Minds and the Birth of Consciousness 
By: Peter Godfrey-Smith
Paperback | July 2021| £9.99

Combining vivid animal encounters with philosophy and biology, Metazoa reveals the impossibility of separating the evolution of our minds from the evolution of animals themselves.

 

Extraordinary Insects: Weird. Wonderful. Indispensable. The Ones Who Run Our World
By: Anne Sverdrup-Thygeson
Paperback | April 2020| £7.99 £9.99

A journey into the weird, wonderful and truly astonishing lives of the small but mighty creatures who keep the world turning.

 

Farming and Birds
By: Ian Newton
Paperback | July 2017| £29.99 £34.99
Hardback | July 2017| £52.99 £64.99

Ian Newton discusses the changes that have occurred in British agriculture over the past seventy years, and the effects they have had on bird populations.

 

Collins Complete Guide to British Insects: A photographic guide to every common species
By: Michael Chinery
Paperback | April 2009| £13.99 £16.99

A photographic field guide to all the common and some unusual species of insects across Britain that the keen amateur naturalist is likely to spot.

 

Freshwater Life of Britain and Northern Europe
By: Malcolm Greenhalgh
Paperback | March 2007| £16.99 £19.99

A beautifully illustrated guide to the wide variety of species found in rivers, streams, lakes and ponds in Britain and Europe.

 

 

Collins Tree Guide: The Most Complete Field Guide to the Trees of Britain and Europe
By: Owen Johnson
Paperback | April 2006| £15.99 £18.99

Part of the Collins Classic Field Guides series, the Collins Tree Guide is a definitive guide to the trees of Britain and non-Mediterranean Europe.

 

Browse all HarperCollins books at NHBS 

 

All prices correct at the time of this article’s publication.