During lockdown and social isolation, many of us appreciated how important nature is to our happiness and wellbeing. It also gave us an opportunity to connect with local wildlife and develop or brush up on our identification and field skills.
While a good field guide is invaluable for this, there are also a huge number of really useful online resources available to help with identifying wild plants and animals. In this article we have listed a few of our favourites, covering plants, butterflies and moths, amphibians, birds, mammals and invertebrates.
We have also included links to ongoing citizen science projects for each; if you’re regularly taking note of the species you find then why not contribute this information to an organisation that can use the data to monitor biodiversity and inform conservation decisions.
At the end of the article you will find a couple of apps that can be used to record, identify and share your general wildlife findings.
Makaques UK/Irish Flora Key – A new interactive key to the flora of the British Isles, this in-depth database includes information on 3221 native and introduced species.
Citizen Science Projects
BSBI New Year Plant Hunt – Start the year with a plant hunt, and help the BSBI to study how our wild and naturalised plants are responding to changes in autumn and winter weather patterns.
National Plant Monitoring Scheme – This habitat-based plant monitoring scheme provides robust and much-needed data on changes in our wild plants and their habitats.
UK Butterflies Identification – Includes an extensive database of butterfly photographs, including those of immature life stages.
Butterfly Conservation’s Identify a Moth – Search the database using criteria such as location, size, colour and markings or search using an A-Z list of species names.
UKMoths – A comprehensive database of 2261 moth species found in the British Isles.
National Moth Recording Scheme – Covering over 900 species of macro-moth, this scheme hopes to benefit nature conservation, public understanding and ecological research.
Big Butterfly Count – this annual, UK-wide survey aims to assess the health of our environment simply by counting the amount and type of butterflies (and some day-flying moths) we see.
AMPHIBIANS and Reptiles
Identification
ARG UK Identification Guides – Download a helpful range of ID guides covering amphibians and reptiles, including guides to eggs and larvae to improve your field skills.
Amphibian and Reptile Record Pool – The Record Pool allows users to submit UK herpetofauna sightings and makes the data available, locally and nationally, for conservation purposes.
BIRDS
Identification
RSPB Identify a Bird – This bird identifier lists 406 species of UK birds and allows you to search the database using a combination of physical and behavioural characteristics.
Xeno-canto – A comprehensive database of bird sounds from all over the world.
Chirp! Bird Songs UK & Europe – This app will help you to identify and learn bird songs. (Available for iPad and iPhone only).
Citizen Science Projects
RSPB Big Garden Birdwatch – Take part in the world’s largest wildlife survey and help the RSPB to find out how our garden birds are doing. Takes place annually in January.
BTO Volunteer Surveys – On this webpage you will find a list of current BTO surveys, schemes and projects, available to suit a wide range of field skills and expertise.
MAMMALS (including bats and cetaceans)
Identification
Mammal Society Species Hub – Find out more about the UK’s 90 species of mammal, including bats and cetaceans.
PTES Water Vole Monitoring Programme – Survey a regular site or report a one-off sighting of a water vole and help protect the UK’s fastest declining mammal.
Buglife Surveys – Get involved in one of Buglife’s projects, including surveying for the Northern February red stonefly and recording invasive species found in pot plants.
UK Glow Worm Survey – Submit your glow worm sightings using this online form.
PTES Great Stag Hunt – Help guide future conservation action for stag beetles by recording your sightings.
Riverfly Partnership Projects – Find out more about all of the Riverfly Partnership’s ongoing monitoring projects. Options are available for a range of skill and experience levels.
Apps
iSpot – Created in collaboration with the Open University and the OpenScience Laboratory, iSpot is a community-based app that allows you to record and share your wildlife sightings and get feedback from other users regarding any identification queries that you might have.
iRecord – This app enables you to get involved with biological recording by contributing your species sightings along with GPS acquired coordinates, descriptions and other information. Data is then made available to National Recording Schemes, Local Record Centres and Vice County Recorders (VCRs) to help with nature conservation, planning, research and education.
iNaturalist – This site and its two apps (iNaturalist and Seek) helps you identify the plants and animals around you, while also connecting you with a community of naturalists, citizen scientists and biologists to help map and share observations of biodiversity across the world.
CIEEM’s summer conference this year discussed the urgent need to address the interlinked climate emergency and biodiversity crisis for the sake of the planet, the species and habitats it supports and for future generations. Due to lockdown and social distancing restrictions, the conference took place online, with speakers and participants attending from their homes via Zoom.
Wildlife Equipment Administrator Claire Graham attended the conference and has summarised her experience of the event and the talks below.
Logging into Zoom to take part in my first online conference, I couldn’t help but wonder if this is going to be the future of large events for a while… But, given the topic of the CIEEM conference ‘Climate and Biodiversity Crises: Professional Approaches and Practical Actions’, maybe there are positives to this! Certainly, creating a way to hold important conferences, without the need for everyone to have to travel (often long distances by plane or car) has its upsides.
So, with everyone speaking and listening from home, the day began with an introduction from Max Wade, the president of CIEEM. Following a quick mention of the unusual circumstances being dealt with by everyone this year and a reference to the growing importance of issues such as climate change and biodiversity loss, it was time for the first talk.
Diana Pound from Dialogue Matters opened with the keynote presentation: ‘Seize this Moment and Get Fresh Momentum’. She took us straight into a positive and inspiring talk, encouraging people to shift from an attitude of fear and doubt to one of optimism and hope. Diana asked us to highlight strengths instead of problems in conversations and dialogue, as a more effective way of motivating people to change, rather than focusing on everything that is being done wrong. Diana stated that the world is starting to wake up and a recent survey showed that 97% of those surveyed thought climate change was serious and 70% thought it was very serious. It also showed that 77% of people believe we should make as many lifestyle changes to stop climate change as we are doing to stop Covid-19. Overall, we were reminded to remain hopeful and be inspired to action; a quick poll demonstrated the power of this.
This led us into the next talk by John Box (from the CIEEM Action 2030 group) which discussed the actions that CIEEM are taking to deal with the interlinked climate emergency and biodiversity crisis. He provided lots of advice about offsetting carbon emissions and explained that CIEEM aim to achieve net zero carbon emissions in all its activities by 2030. John also emphasised the importance of environmental organisations sharing knowledge and building relationships.
Penny Anderson (a member of the Action 2030 group and Ecological Restoration and Habitat Creation SIG) followed with a talk about ‘Habitats and Carbon, Storage and Sequestration’. She explained that, to meet the latest 2050 net zero target, the Committee on Climate Change have recommended tree planting, peatland restoration and green infrastructure. Penny explained that around half of emissions from human activity are absorbed by land and oceans and the rest in the atmosphere. Surprisingly, there is globally 3-5 times more carbon in soils than in vegetation and 2-3 times more than in the atmosphere. All semi-natural habitats hold more carbon than arable or improved grassland and these types of habitats are also better for biodiversity. Therefore, we need to concentrate on diversity within habitats and not just think about trees; there is a simultaneous need to protect remaining habitats and minimise losses in soil while also undertaking habitat creation or restoration.
The next talk was by Ben McCarthy, the Head of Nature Conservation and Restoration Ecology with the National Trust. He explained the role the National Trust are going to play in the climate change and biodiversity crises, as well as the challenges they face as the largest land-owning NGO in Europe. Ben explained the organisations plan to repurpose farmland and create 20,000ha of new woodland and 25,000ha of new priority habitat, including restoring peatlands – a big challenge, but one they are determined to achieve! The National Trust recognise the significance of their land which is home to 44% of UK species including 737 that are threatened with extinction. Half of their properties have priority habitats that are highly sensitive.
Continuing on the subject of peatland restoration, the next talk was by Clifton Bain from the IUCN Peatland Project Programme. His talk on ‘The Peatland Code: Business Funding and Environmental Assessment’ discussed the importance of peatlands and their many benefits and gave an overview of the Peatland Code. The Peatland Code is a voluntary certification standard that helps to gain funding for peatland restoration projects by giving assurance to buyers; they fund the projects in exchange for climate benefits and mitigation. He compared the ecosystem services in healthy vs damaged peatland and discussed how damaged peatlands emit carbon rather than acting as a carbon sink. He also mentioned the loss of unique biodiversity that comes with damaged peatlands.
After lunch we jumped back into the next talk with Richard White from NatureBureau with his fascinating talk ‘Blue Carbon – The Sea, the Coast, and the Climate Crises’. Richard discussed ocean warming and acidification, sea level rise, shifting species distribution and methods of mitigation. He reviewed the role that ocean and coastal ecosystems have in the carbon cycle and the link between protecting and restoring marine biodiversity and mitigating our carbon emissions. Seagrass beds and saltmarshes act as globally significant carbon stores but only 21% of these habitats are currently protected by our Marine Protected Areas (MPAs). There is a need to work to protect these habitats and support restoration projects.
Richard Lindsay from East London University continued with more information about the importance of peatlands with his talk ‘Peatland Restoration and Carbon: Sphagnum, Carbon and Timescales’. He advised that, despite many peatlands and blanket bogs being damaged and emitting carbon, restoration projects can sometimes be challenged as successful carbon mitigation due to them being thought of as slow-growing systems. However, Richard discussed the use of adding Sphagnum to peat restorations due to it being a significant carbon sink and advised that it can be grown rapidly in optimum conditions.
The next talk was David Holland from Salix on ‘Soft Engineering Approaches to River, Wetland & Swale Projects’. He talked about the high carbon cost and negative ecological impacts of traditional hard engineering techniques and discussed low carbon solutions that can be used instead. Using natural materials and processes, rather than materials such as concrete, rock or metal, generates less waste, needs less future maintenance and improves the water quality and habitat, as well as providing vegetation that will continue to absorb carbon and benefit the environment.
The closing talk of the day was by Lee Dudley, Head of Environmental Carbon with the Woodland Trust and focused on ‘Carbon and Woodland Creation’. He explained that the Woodland Trust aim to conserve, restore and re-establish trees; their vision is a UK that is rich in native woods and trees for wildlife and people. The fact that woodland creation is now being recognised as a cost-effective method of climate change mitigation enables the potential for more woodland creation projects. Lee also discussed the importance of matching the right species to the right sites for the best outcomes and reminded us that it is not just about trees, but about the whole environment.
The day was wrapped up with a quick conclusion from David Parker from CIEEM. He thanked the speakers for all their extremely important and interesting talks and with that the event was over. My first experience of an online conference was positive all round; the talks were fantastic, and everyone enjoyed them from the comfort of their own homes with few technical difficulties. Hopefully the next conference can be attended in person but, if not, this experience has demonstrated there are definitely ways to keep talking and learning about these important issues.
In 2018 , while still running a taxi business, an opportunity arose to purchase a few acres of local woodland on the edge of Dartmoor in Devon. Completed within a matter of weeks, Steve and Tamara Davey became proud custodians of their very own woodland!
When they discovered an impressive range of wildlife on their woodland site, they decided that the management of the area would be based on the continued provision of habitat for certain species, including seven recorded bat species, the visiting Nightjar and Woodcock.
We caught up with Steve to ask him about how they are supporting nature through their project Woodland Wildlife.
Can you tell me a little about your backgrounds.
Both Tamara and myself had childhood holidays in the Scottish Highlands as children, and there is no better place to develop an affinity with nature. It’s a place that holds a permanent residency within our hearts, those childhood memories imprinted on our futures. Mine were on the West Coast of Scotland opposite the Isle Of Skye. We used to stay in these old caravans that leaked and were powered by calor gas. The smell of the matches and gas appliances echoes those memories for me. The area was only a few miles up the coast from where Gavin Maxwell wrote his best-selling book Ring of Bright Water. As a family we spent a lot of time down at Sandaig ( in the book it was Camusfearna), Gavin’s books were really the only ones I read due to my interest in nature and love for Scotland. Above his hearth he had inscribed in Latin the words “non fatuum huc persecutus ignem” meaning, “it is no will o the wisp that I have followed here.” This phrase is very apt and resonates with our Woodland Wildlife project.
Aside from Scotland both Tamara’s and my childhoods involved getting out in nature with family walks, especially on Dartmoor. Also, similar to the book and film Kes, aged twelve I had a female kestrel to look after. My father converted the garden shed, and I remember rushing home from school every day. We looked after a tawny owl for a while too. Myself and our son also volunteered at a local bird of prey centre – these memories, and the knowledge you gain from an early age all lie dormant until the right opportunity presents itself later in life.
What motivated you to embark on the Woodland Wildlife project?
From the Spring of 2018 we made regular trips to the woodland because we couldn’t keep away and used to come up with loads of excuses to the selling agent on why we were visiting so often. We completed the purchase at the end of the summer. During the first twelve months we were staggered by the volume and diversity of the wildlife within our little plot and it was this that spurred us into creating Woodland Wildlife. I couldn’t believe that the domain woodlandwildlife.co.uk was available so I snapped it up. I then asked the web company that had recently rebuilt my taxi website to work on a website for Woodland Wildlife. They came up with the current logo which I really liked however the squirrel was grey and so I asked them to change it to red as that signified hope to me! At that point the future focus was more on the development of guided visits. In August last year we set up the Facebook page and that is seeing a steady increase of followers. We post on there most days and this time of year we may be posting up to eight times in one day, purely because of the observations – we are always finding new species to photograph. Through the winter months the posts are more project focused as that is the time of the year when most of the manual work is done.
What has been the biggest challenge in returning the woodland back to nature?
The nature was already there, nothing has needed returning as far as we are aware. But with small sized plots sensitive management is vital, for instance; if you don’t manage that important grassy ride, over time succession will take hold and that habitat (in our case) would be overrun with bramble and bracken, therefore the grasses would die off and displacement of species will happen. Our grassy rides are alive with insect life and as far as we are concerned these areas are a priority within our plot. When you see how small an area our grassy rides are and you see how many species they are supporting such as: leaf hoppers, beetles, bees, hoverflies, moths, grasshoppers, crickets, butterflies you can then understand how vitally important these small areas are. I would say our biggest challenge is still ahead of us. In 2012 the main plot was clear felled and in 2013 the holding company planted over 2000 young sitka spruce trees. These are now over eight years old and growing rapidly in amongst the birch, sweet chestnut, beech and a few other species. Being on an easterly facing slope (after all it is Devon) we are giving careful consideration to future extraction of timber and to what extent the damage would be. We are mindful not to ruin everything that we have done over the years. so the plan will be (in conjunction with the Forestry Commission) to convert over to native woodland. We will still retain some sitka for the goldcrests and siskins, but these will be in the area towards the top of the plot, whereby future extraction damage will be minimal.
Sitka are awful trees to work on as they are very prickly to handle. Even though they are only young it’s incredibly hard work felling them and dragging them around to produce dead hedging. Our adjoining plot is a mature stand of Douglas fir of 3.5 acres and that has recently been thinned. The remaining stems will grow on for a further 5 to 10 years, with the extra light they will grow in girth and not height. We have tagged a random 30 stems and will monitor their growth rate annually. This is one commercial aspect to our project, we plan to nurture a healthy self seeded understory within this stand and re plant where necessary in the future when it’s felled.
Was there a particular plant or animal that you wished to see return to the woodland?
Yes, the nightjar, they are in the area this season which is great, last summer they were on our plot and we regularly saw two of them. Having your own woodland is one thing but having nightjar in your woodland is a priceless dream. We spent many summer evenings there watching them, calling them in with a recording of their call (yes that works). On a couple of occasions early in the nightjar season, June I think, they landed in front of us on a tubex shelter, attracted to anything white due to the males having white markings on their wing and tails. Our sleepy dogs got their attention and flew in to check us out. The video is on the website, it’s not brilliant as it was recorded on my phone, but a wonderful experience nonetheless. We observed them through to the end of July and on each occasion the sightings consisted of a brief checking us out and churring away like they do. A truly amazing bird that due to its nocturnal habits has not been an easy species to study. They like young plantations up to approximately ten years of age as after that the canopy has closed in. They also like birch and sweet chestnut, both of which we have in abundance. We are coppicing the sweet chestnut which will give a more diverse structure to the woodland and also has many benefits to other wildlife as well as giving longevity to the tree itself. The nightjars arrive in May and have normally disappeared by the end of August and sometimes into September. Once the young have fledged they will migrate. Our thinning works of the Douglas fir overran into May and we are certain that that level of disturbance (the sound and vibration of over 200 mature fir being felled) made them look elsewhere for a suitable nest site for this season. High hopes for next year!
In what ways can you draw an income from the project and how do you ensure that those ways are sustainable?
Part of the plot is mature Douglas fir, so over the years there will be an income from the felling of those but there also comes obligation and costs to re-plant. This area is 3.5 acres and we are hoping that at least 20% of that area will self-seed and will therefore not need re-planting. After 14 years of running a taxi company we have decided to pass it on to someone else as we want to concentrate on our woodland which will also involve craft sales. We plan to sell at an occasional local market, selling wooden products such as pendants, necklaces, key rings, hand made cards, Christmas decorations and fairy houses. All of the wood used will be from the bi product of our habitat work and therefore very sustainable. We are not skilled wood turners, I would describe our woody crafts as rustic. We also hope to offer guided visits for small groups of people who either want to immerse themselves into an incredibly diverse 8 acre plot of woodland that doesn’t have any public access( that’s called forest bathing nowadays), or groups and individuals that would like to visit to look at our management practises, it could also be for specialist groups to study bats, birds, butterflies etc. Although the craft sales will be necessary we do hope that the tours can be a success too as we will have great pleasure in sharing this unique place in South Devon.
What would you say has been the project’s biggest success story so far?
This has to be the three small wildlife ponds created in the spring of last year. Our philosophy has always been that our work creates a biodiversity gain. The ponds are a totally new feature to the wood and therefore a totally new habitat with the nearest water course being in the bottom of the valley.
The ponds are host to pond skaters, diving beetles, water boatmen, frogs, toads and a few species of dragonfly. The mosquito larvae they produce is a food source for the seven recorded species of bats that we have there. The frogspawn and toadspawn this year was amazing. This is boosting the sites biodiversity and that feels great. The Devon Wildlife Trust’s, Batworks Grant, helped with the costs of the ponds which was very welcome indeed, because so far we have funded all the costs ourselves. The top pond was also designed with a very shallow gradient at one end so that any feeding nightjar can swoop in and get a drink on the wing.
The other success is our plantings, since Nov 2018 we have planted over 400 additional trees, shrubs and hedging. From scots pine to broad leaved privet, all-in-all over 20 new species have been planted. The hedging area consists of field maple, hazel, dog rose, dog wood, crab apple, blackthorn and hawthorn, and is growing well, albeit slowly. Once mature this will provide an incredible food source and habitat for many species. We also sought advice from a consultant ecologist on behalf of Butterfly Conservation, they recommended planting broad leaved privet, wild privet and alder buckthorn all of which will provide a valuable food source for many species of butterflies, insects and moths. The alder buckthorn being the food plant for the brimstone butterfly caterpillar.
Can you offer any advice to anybody wanting to undertake a similar project?
There is a misconception that when you purchase some woodland in the UK that you are legally bound to manage your plot, but this is not the case. Currently you can do as much or as little as you want, there are legalities regarding volume of timber that you are allowed to cut down, and rightly so. Personally speaking I think there should be some sort of stewardship course involved with any woodland purchase, but generally speaking people who buy woodland do have the environments best interests at heart. Neither myself nor Tamara are formally qualified in land management or woodland management, but what we do have in bucket loads is the passion, and when it is your passion you absorb information like a sponge. If you are interested in purchasing some woodland please make sure you do a lot of reading up first, SWOG ( small woodland owners group) is a great resource. Think about things like how far are you willing to travel to get to your woodland, our journey takes 25 minutes but I know of some owners who live a couple of hours away and then that restricts those little journeys when you just want to go there for an hour or two. Think about public access and rights of way, access, species of trees on site, how neglected the woodland is because that may dictate how much physical work maybe required. I know owners that have a couple of acres of plantation and therefore their management work is negligible. Think about orientation, diversity and age of species and the potential value of the timber there. Getting a flat site is not easy and virtually impossible in Devon, some come with streams etc. You would need to appoint a solicitor as the conveyancing is similar to house buying but much more straight forward.
We would say to anyone interested in purchasing some woodland to definitely do it, it is an amazing thing to do, yes we can buy fancy cars and gadgets and go on expensive holidays but owning your own little piece of nature is a priceless thing to do. It’s more like guardianship than ownership, but you will have a lot of control over the future of that plot.
Love nature, it will never fail you.
Do you have any long-term plans for the future of Woodland Wildlife?
Well where do we start here? If money was no object we would like to deer fence large parts of our woodland to allow natural regeneration to occur unhindered. But money is an object so we will improvise and mitigate the grazing as much as possible. Luckily we are not overrun with roe deer but there are a few around. The damage they do to new growth is staggering.
Over time we would like to see part of our main plot restored back to its natural former state which was wooded heath. Around 1800 the wider woodland was mapped as a Down which would correspond with our small patches of heather and large amounts of gorse and bracken. Dry lowland heathland is a scarce habitat these days and we would like to re-nature that habitat along with keeping the coppiced sweet chestnut, birch and beech. The plan will be for the main plot to remain an open woodland with pockets of heath and grassy rides. We will keep some sitka on the higher parts of the plot.
This winter will involve widening the lower part of the North to South ride which is quite overgrown, creating a ride that will traverse the contours from the West to East ride. This will involve the felling of a lot more young sitka but it will kick start the project of connecting up some of our micro habitats. We are keen to provide a suitable site for the migrating nightjar and the wintering woodcock and this will involve a lot of physical work. Any major works such as this needs careful consideration for the future resilience of the woodland. All of our plantings have been carefully selected with the future in mind for example, the scots pine (although slow growing) is a fantastic tree that supports a large amount of wildlife plus once established will cope well with periods of dry weather. We have also planted some juniper and these trees will also cope admirably in dryer conditions and therefore the challenges of climate change. The naturalised species such as birch, beech, gorse, heather, bramble and bracken will naturally cope with dryer summers.
With regards to Woodland Wildlife as a business, we hope that the occasional small group or individual will continue to visit to experience this magnificent site. We aim to continue with the craft sales into the future. We aim to continue to document our species and our works. The emphasis will be on small groups as we are keen to prevent compaction of soils.
To find out more about Steve and Tamara’s fascinating project you can follow them on facebook and visit their website
Further Reading on managing woodlands for wildlife and people.
Managing Your Woodland for Wildlife
By: David Blakesley, Peter Buckley and Tharada Blakesley
Paperback| May 2016| £12.99
From conserving deadwood to putting up bat boxes: this book will appeal to small woodland owners wishing to improve woodland for wildlife.
Woodland Creation for Wildlife and People in a Changing Climate: Principles and Practice
By: David Blakesley and Peter Buckley
Paperback | July 2010| £5.99£24.95
This book presents a comprehensive and richly-illustrated guide to the principles and practice of woodland creation for wildlife and people.
A Journey in Landscape Restoration: Carrifran Wildwood and Beyond
Edited by: Philip Ashmole and Myrtle Ashmole
Paperback | June 2020| £16.99£18.99
An inspirational account of the rewilding of Carrifran Wildwood, showing what can happen when locals take charge of landscape restoration.
The Wood: The Life and Times of Cockshutt Wood
By: John Lewis-Stempel
Paperback | March 2019| £9.99
A lyrical diary of four years spent managing three and half acres of mixed woodland in south west Herefordshire.
All prices correct at the time of this article’s publication.
Woodland Flowers: Colourful Past, Uncertain Future is the eighth instalment of the popular British Wildlife Collection. In this insightful and original account, Keith Kirby explores the woodland plants of Britain living in the shade of their bigger relatives. They add so much to woodland’s biodiversity and beauty and tell us stories about the history of woodland, its past management, and how that has changed – not always for the better.
Author, Keith Kirby has taken the time to sign limited copies of Woodland Flower and has answered our questions about the book, and the flowers that enhance our woodlands.
Could you tell us a little about your background?
I grew up in a village in Essex and spent much of my childhood playing in the fields, along the riverbank and in small woods behind our house. I was interested in natural history but not really a serious naturalist. Sometime in my teens I decided I wanted to be a forester and ended up doing a degree in Agricultural and Forest Sciences in Oxford. That introduced me to ‘ecology’ and led to a doctoral study of the growth of brambles in Wytham Woods. From there I spent a couple of years doing woodland and general habitat surveys before getting a permanent post in 1979 with the Nature Conservancy Council as a woodland ecologist. I stayed in that post (NCC became English Nature, became Natural England) through to 2012, then retired back to Oxford and picked up my plant research interests in Wytham Woods again.
Where did the motivation for this book come from? Are woodland flowers a subject that you have been wanting to write about for some time?
Much of my work with NCC and its successor bodies involved considering the woodland ground flora: we used them as one indicator of the value of sites, as guides to what was changing in terms of woodland management and the woodland environment more generally; some species such as bramble and bracken could also be a problem when we were trying to get regeneration. There was not then the time to pull the different strands together, so when I was back in Oxford I thought I should give it a go.
Have you noticed any unusual changes within woodland flora this Spring following the lockdown? Has it helped or hindered?
I would not really expect to see a direct effect of lockdown on the plants: often their growth is determined by reserves laid down the previous year and a few months is not very long when you consider that many woodland plants – not just the trees – can live for several decades. There could be indirect effects, for example if less disturbance in woods means that deer produce more fawns, so more hungry mouths to nibble away at the flora in future.
Although adaptable, woodlands are clearly not invincible. What do you think is the greatest threat to woodland ecosystems?
In the longer-term (25-50 yrs) climate change. The micro-climate at ground level in a wood has not changed as much as out in the open because of the sheltering effect of the tree layer, but it will do eventually and this will lead to a re-assortment of which species can thrive in different parts of the country.
In the medium term (10-25 years) I suspect that we are going to see more and more evidence of change from the build-up of nitrogen in forest soils from the emissions from cars, modern farming etc. I am picking up signs that this is happening in Wytham.
The immediate threat – and it affects our ability to deal with the medium and longer-term issues as well – comes from the impact of high numbers of deer in the countryside. They limit tree regeneration and make woodland management more difficult as well having direct effects on the ground flora species themselves. At Wytham we saw during the eighties and nineties a complete shift from a flora of herbs and bramble to grass-dominated cover. That is being reversed – we are fortunate in being able to manage the deer population there – but in many other woods deer numbers are too high. This means for example that it will be difficult to get the regeneration of species such as oak, beech or hazel that will be needed over the next few years to fill the gaps in the canopy left as Ash Dieback progresses.
What single policy change would you like to see to help counter this threat?
Through history trees and woods (and hence the woodland flora) have survived best where they are valued by society: so we need to encourage greater use of wood as a material in buildings, as fuel, as a feedstock for industry; as well as promoting woodland as places for recreation, to help with water management, for carbon sequestration, and as a source of inspiration.
As you note in the book, there’s currently a lot of interest in rewilding. What role do you think rewilding can play in the future of UK woodlands?
From the answer to the previous question it will be obvious that I want to see a lot of woods being managed to provide the materials that society needs; moreover many of our woodland plants can thrive under such conditions – if management is done carefully – as they have done for centuries. Rewilding though also has a great role to play in future conservation alongside actively managed woods (as long as we can get away from the endless debates about the meaning of the term itself). Rewilding leads to different types of woodland structures and composition, a different set of dynamics in the landscape, some of which may be analogous to what may have existed 6,000 years ago, but other combinations will be completely new. New mixtures of woodland plants (and animals) will come to be associated with rewilded treescapes that will also be a response to the changed environmental conditions. Exactly what will emerge unpredictable and there will be interesting challenges ahead for land managers, regulators and conservation advisers – we are not in the UK going to be able to be completely ‘hands-off’ even in the wildest of rewilding.
Rewilding is however one of the reasons why I am cautiously optimistic we can yet pass on a reasonable legacy of woodland flowers.
Now that the book is finished, and after a well-earned rest, are there any plans or works-in-progress that you can tell us about?
My first priority has been to try to catch up on writing-up the results from long-term studies of the flora in Wytham Woods and The Warburg Reserve near Henley. Also once the country has opened up a bit more after Covid-19 I plan to spend time to spend some more time with the wood beneath the trees; so I have been drawing up a list of woods across the country that I want to go and visit again.
Woodland Flowers, published by Bloomsbury is out now. We have a very limited amount of signed stock, available while stocks last.
Woodland Flowers: Colourful Past, Uncertain Future
By: Keith J Kirby
Hardback | August 2020| £29.99£34.99
In this insightful and original account, Keith Kirby explores the woodland plants of Britain.
Seaweeds, or marine macroalgae, are plant-like organisms that live in coastal areas, usually attached to rocks or other substrates. They are divided into three taxonomic groups: brown, red and green. Broadly speaking, species fall into the group that most closely matches their colour. However, the groups also differ in more complex structural and biochemical features, such as their photosynthetic pigments and cell structure. While green and red seaweeds are classified in the Kingdom Plantae, which also includes all of the world’s land plants, brown seaweeds belong to the Kingdom Chromista and are more related to algae, diatoms and protozoans.
British and Irish seas are home to more than 600 species of seaweed; this is more than 6% of the known species globally. They are incredibly important ecologically and provide both food and shelter for numerous other creatures. In fact, one of the great pleasures of studying seaweeds is the many other species that you find along the way.
If you find yourself enjoying your seaweed studies, why not contribute to the Natural History Museum’s Big Seaweed Search. It only takes around an hour and will provide valuable data that can be used to research the effects of environmental change on our seashore communities.
When and where to find seaweed
Seaweed is present all year round. At low tide, more of the shore will be exposed which means that you are likely to find a greater range of species. This is also the only time that you are likely to spot a glimpse of those seaweeds that thrive in the lower intertidal zone. Sheltered shores tend to provide a better location for many species, as most cannot survive the battering of the waves in more exposed locations. However, there are a few species that are specially adapted to live on exposed shores so it’s always worth a look there. Similarly, as most species require a firm substrate to anchor to, rocky shores will be home to more seaweeds than sandy or muddy ones.
Ten common species to look for
Brown seaweeds:
Bladder wrack (Fucus vesiculosus)
ID notes: An olive-brown seaweed that has branching fronds with smooth edges. Paired air-filled bladders run along the length of the fronds on either side of the central rib. 15-100cm in length. The number of bladders present is related to the exposure of the shore; in very exposed places this species may grow without any bladders and will also be much reduced in length.
Distribution: Found on rocky shores between the high and low water line.
Knotted wrack (Ascophylum nodosum)
Also known as: Egg wrack
ID notes: This yellow-brown seaweed has long fronds reaching up to two metres in length. Single large air bladders appear at regular intervals along its length.
Distribution: Found on the mid-shore on sheltered rocky coasts. Knotted wrack is very long-lived (up to 15 years) in comparison to other algae; this allows it to become dominant on many sheltered coastlines. When the tide goes out it often forms huge piles.
Spiral wrack (Fucus spiralis)
Also known as: Twisted wrack
ID notes: Spiral wrack is generally a pale olive-brown and grows up to 40cm. As the name would suggest, fronds are generally (although not always) twisted and have smooth edges and a distinct central rib. When mature, fronds have yellowish, paired swollen tips; these are the reproductive structures.
Distribution: Found high on the rocky shore, just below the high-water mark.
Serrated wrack (Fucus serratus)
Also known as: Toothed wrack or saw wrack
ID notes: This brown seaweed forms branched fronds 50 to 80cm in length. Edges are serrated.
Distribution: Found on sheltered and semi-exposed rocky shores just above the low water mark. Fucus serratus is often the dominant algal species found at this point on the shoreline.
Oarweed (Laminaria digitata)
ID notes: Oarweed has dark brown-green fronds that are up to two metres in length and split into long finger-like blades. Attaches to the rock with a claw-like holdfast which allows it to survive in rough subtidal conditions.
Distribution: Grows in dense beds in the lower intertidal and shallow subtidal zones (at a depth of up to 20m). Often all that can be seen of this species are the tops of the fronds during low tide.
Sugar kelp (Saccharina latissimi)
Also known as: Sea belt
ID notes: Forms long undivided blades that are yellow-brown in colour and have ruffled sides. Grows up to five metres in length.
Distribution: Found on the lower shore and in deep rock pools. Mostly on sheltered shores and can be found up to a depth of 30m.
Green seaweeds:
Sea lettuce (Ulva lactua)
ID notes: Sheet-like light green seaweed which grows up to 25cm in length and 30cm in width. Very delicate and almost translucent; almost like floppy lettuce leaves.
Distribution: Found attached to rocks or floating in rock pools.
Gutweed (Ulva intestinalis)
Also known as: Grass kelp
ID notes: As the Latin name would suggest, gutweed resembles the intestines of mammals and consists of inflated hollow fronds which have bubbles of air trapped along them. Bright green and grows up to 40cm in length.
Distribution: Occurs in a wide range of intertidal habitats including rockpools and on sand or mud. Can also be found growing on shells or other seaweeds.
Red seaweeds:
Carrageen (Chondrus crispus)
Also known as: Irish moss
ID notes: Dark reddish-purple branching seaweed which appears iridescent when submerged. Turns green with exposure to bright sunlight.
Distribution: Rocky shores and estuaries, on rocks and in pools in the lower intertidal and upper subtidal zones.
Purple laver (Porphyra umbilicalis)
ID notes: Forms fronds of variable shape which are thin and membranous. Olive to purple-brown in colour and up to two metres in length.
Distribution: Found in the mid to upper shore, generally on mussel-covered rocks. Common on exposed coastlines.
This photographic guide aims to demystify seaweed identification for the non-specialist. Over 235 species are described in detail, with colour photographs, information on habitat, distribution and confusion species.
Curious About Nature provides a passionate voice in support of fieldwork and its role in ecological research. Comprising a series of chapters written by forty diverse contributors, this inspiring book hopes to encourage both new and seasoned ecologists to pursue outdoor learning and research as often and fully as possible.
Tim Burt (who edited the book alongside Des Thompson), recently took the time to answer some of our questions.
Firstly, could you tell us a little bit about your backgrounds and how you came to be collaborating on this book.
We have both been involved with the Field Studies Council since 2006 when Des joined the Board of Trustees (I have been a trustee since 1982), but we had worked together before then, for example, a conference on the future of the British uplands held in Durham in 1999.
What are your first memories of fieldwork?
As I note in my essay in Curious about Nature, I came under the spell of an inspirational teacher at secondary school, Jim Hanwell. My first memory of fieldwork is being sent to measure the width of the main road outside the school gate to compare with the width of the red line printed on the OS map. Not something that would be done these days given health and safety concerns, but nevertheless I was hooked! Jim’s main influence was in physical geography, geomorphology especially, with many field trips to the Mendips and even an expedition to Spain and Portugal.
Some of the most well-known and respected scientists in history have had an incredibly varied range of interests and passions. Take Darwin, for example, who not only studied plants and animals, but also geology, anthropology, taxidermy and medicine. Do you think that, in modern times, we no longer celebrate or respect the ‘generally curious’ and instead expect people to be much more specialist in their areas of expertise?
Specialist research is inevitable in these very competitive days; departments compete via research assessment rankings and individuals must build their CVs to gain promotion. But in my experience, the best academics retain a breadth of interest; in physical geography this invariably combines fieldwork with other skills back at the department.
You currently hold the positions of President (Tim) and Chairman (Des) of the Field Studies Council and, as such, must both feel passionate about the education of field skills. With increases in health and safety concerns alongside reduced funding for outdoor activities, have you observed a change in child and youth education over the past decades in terms of the amount of fieldwork that takes place?
Health and safety concerns can (and must) be sorted out; it is continued funding that puts field trips at risk. The value of outdoor education is important for all sorts of reasons, not just academic knowledge and understanding. There is a real threat at the moment, with next year’s focus on getting schoolchildren back in the classroom. Senior administrators must be convinced of the value of investing in fieldwork, otherwise it is an easy cost to cut. But at what eventual “cost”?
At NHBS we sell a lot of equipment that is purposely designed to limit the amount of time that researchers and naturalists have to spend in the field – such as motion-activated trail cameras. While these are the preferred choice for many researchers, do you think that there benefits to traditional, observational fieldwork that cannot be replicated by collecting data remotely?
Field equipment has always been necessary, even in the days of clockwork mechanisms and pen-and-ink chart recorders. Today’s digital equipment expands the possibilities, not limits them. But it is still vital to be out in the field, curious about what is happening and what you can see – this is how new ideas are generated. There is no substitute for standing on a hillside, thinking about the landscape in front of you, especially if you happen to be somewhere very different to England like the badlands of southern Utah!
Do you have a favourite fieldwork pioneer (included in the book or not) whose story you find particularly inspiring?
People always think of Charles Darwin as a biologist, but he was equally a geologist on the Beagle, and his geological observations during his circumnavigation of the globe remain fascinating to read, for example, his thoughts about the formation of coral reefs and atolls. He was very much a follower of Charles Lyell in his appreciation of the dynamic nature of the Earth’s surface.
Finally – what are you each working on currently? And do you have plans for further books?
We do have plans for a further book together, an elaboration of Curious about Nature, with a working title In the footsteps of Gilbert White. For my part, I have been drafting chapters for Durham weather and climate since 1841, to be published by OUP. Last year I co-authored a book (with Stephen Burt, no relation) about the weather records at the Radcliffe Observatory in Oxford, so the new book is complementary to that, with much the same structure, but clearly a different regional focus. I ran the Oxford weather station for 10 years and have been in charge of the Durham station since 2000.
Curious About Nature is edited by Tim Burt and Des Thompson and is published by Cambridge University Press. It is available from nhbs.com in paperback and hardback.
Bumblebees are familiar, much-loved animals in Britain. Together with ants and wasps, these winged insects are in the order Hymenoptera. The Latin name Bombus, meaning to buzz or boom, is wholly appropriate for bumblebees, who are frequently heard before they are seen.
Keeping an eye on brambles and purple flowering plants – both of which are particularly popular with bees – can be very productive when out on an insect hunt or daily stroll. At first glance, bumblebees may all look very similar, but take a closer look and a range of colours and stripe patterns can be spotted.
There are 24 species of bumblebee found in Britain. Seven of these are particularly widespread so are aptly named the ‘Big 7’ by the Bumblebee Conservation Trust. Due to this prevalence, these seven species are a great place to start when learning to identify bees.
The colouration of the different species is the easiest way to identify bumblebees; particularly the colour of the tail and the number and colour of stripes. In our guide we have sorted the seven species by tail colour (or overall colour for the common carder) so that easily confused species can be directly compared.
Bumblebees with white or buff tails
White-tailed bumblebee – Bombus lucorum
Tail: As expected from the name, this bumblebee has a pure white tail.
Banding: Two bands of bright yellow, often described as lemon-yellow.
Other: Males of this species can be identified by the presence of additional yellow hairs on their faces.
Buff-tailed bumblebee – Bombus terrestris
Tail: Named for the orangey beige, or “buff” tail of their queen. Males and workers of this species have white tails and so are very challenging to distinguish from the white-tailed bumblebee. In some males, a thin band of yellow/buff can be seen at the top of the tail, which is absent in the white-tailed species.
Banding: Has two bands of yellow, similar to the white-tailed species. The bands on a buff-tailed bumblebee are often more of an orange-yellow than seen on the white-tailed bumblebee – although these can fade later in the season.
Garden bumblebee – Bombus hortorum
Tail: Bright white tail that tends to go further up the body than the lucorum species.
Banding: Has three stripes of yellow unlike the other species with white tails. Although, this can sometimes appear as one band around the “collar” and another wider one around the “waist”/midriff.
Other: The garden bumblebee has an incredibly long tongue, the longest of any of our species in the UK. At up to 2cm, its tongue is the same length as its entire body. This impressive adaptation allows these bees to reach the nectar in deep flowers such as foxgloves.
Tree bumblebee – Bombus hypnorum
Tail: White.
Banding: The tree bumblebee has an entirely ginger-brown thorax, with a black abdomen. This colouration makes it the most distinct of the pale tailed bumblebee species.
Other: Unlike the other six species, these bees like to nest in trees and are commonly found in bird nest boxes. The tree bumblebee is a fairly new addition to the UK, with the first individuals recorded in 2001.
Bumblebees with red tails
Red-tailed bumblebee – Bombus lapidarius
Tail: Very bright red or dark orange tail that is difficult to miss.
Banding: Unique in that the females have no banding, they are just jet black other than the tail. The smaller males, however, have two slim yellow bands and yellow facial hairs.
Early bumblebee – Bombus pratorum
Tail: Has an orange-red tail. However it is generally smaller and less bright than in the lapidarius species.
Banding: The early bumblebee has two yellow stripes on males and females.
Other: Smaller and fluffier in appearance than the lapidarius species.
Bumblebees with ginger bodies
Common carder bee – Bombus pascuorum
The common carder is similar in colour to the tree bumblebee – orangey brown. However, with this species the colour continues across its entire body and tail. Some individuals have darker bands across their abdomens, especially later in the season as the orange begins to fade
Other: There are two other species of carder bee in the UK that are orange all over, however, the common carder is the most often seen across Britain.
Find out more
If this guide has piqued your curiosity in bumblebees we recommend the following products so that you too can get outside, identifying species and learning more about these important pollinators…
This lightweight fold-out guide shows a variety of bee species, including the ones mentioned above and will provide a useful reminder of their identification features when out in the field. Also includes additional information such as UK distribution.
Field Guide to the Bees of Great Britain and Ireland #245313
The ultimate guide – this book provides a comprehensive introduction to the ecology of bees and details of all 275 species found in Great Britain and Ireland.
This Bumblebee Conservation Trust book fills that gap by introducing these charismatic species to a wider audience. Written by Trust staff, it covers bumblebee biology and also has an essential identification guide to all UK bumblebee species, packed with over 250 colour photographs
Bumblebees of Europe and Neighbouring Regions #255136
This guide is the third volume in a series on Hymenoptera of Europe. After a short introduction to this order of insects, the book provides a wealth of information on the bumblebees of Europe, northern Africa, the Caucasus and the Middle East, covering the most recent scientific advances.
This moth trap is the first to be designed by and built at NHBS. It is built on the Skinner trap principle of a bulb suspended above a box, with sloping flaps descending from two sides to funnel moths into the body of the trap. The trap is very lightweight and portable and has been tested and approved by Butterfly Conservation. One unique feature of this trap is that it is clad entirely in white nylon material which amplifies the light level emitted from the single 20W blacklight bulb included in the kit. The trap electrics are supported by a stainless steel frame that is attached to the container walls, and the trap comes with a 4.5m power lead with a standard UK plug. When fully assembled the trap measures approximately 30cm wide x 30cm deep x 50cm tall and weighs around 2kg; much lighter than the typical solid plastic assemblies of other Skinner traps.
How we tested
I placed the trap in my small town centre garden for two nights in early July, checking first for favourable conditions (namely little to no chance of rain). Cloud cover can be good for moth catching, especially around a full moon. Moth species vary widely in their activity, some arriving at traps during dusk (such as crepuscular or day flyers) and some arriving well into the night. As such I put the trap out at around 9:30pm on both occasions while the day was fading and when the wind was low. I also made sure I wasn’t running the trap on two consecutive nights as I don’t have space to disperse trapped moths widely in the morning and I didn’t want to trap the same individuals two nights in a row. The trap was left on through the night in the corner of my garden, tucked out of view of my immediate neighbours, where it would also utilise the white walls of my house to maximise the light and landing space.
What we found
On both nights I found lots of moths inside the trap, as well as some specimens resting on the outside walls due to the white nylon coating; they remained there quite peacefully to ID. I also found that it was worth looking around the trap in the morning, as many species are attracted by the light and will land on nearby walls and foliage. The catch and retention rate seemed good for the conditions and I found this trap simple to run and fun to explore in the morning! The species found are listed below.
The NHBS moth trap is both lightweight and sturdy and is a breeze to set up. Simply attach the base to the walls of the trap using the Velcro strips, ensuring all of the velcro fixings are on the outside of the trap. Put some empty egg boxes inside the trap to give visiting moths some good nooks to safely rest in once inside (though some will just hang on the walls). Then slot the metal frames onto the lid of the box and rest the funnel slopes on them. The electrics slot into corresponding holes on either side of the metal frame. When disassembling the trap, always check around the framework for any hidden moths.
This is a great trap: competitively priced, bright, compact and neat and comes with a handy carry bag. It’s a perfect starting place if you’re just embarking on moth trapping for the first time and also great if you are travelling or plan to try trapping in a few places, as it really does pack down nicely.
The NHBS Moth Trap is available through the NHBS website.
To view our full range of moth traps, visit www.nhbs.com. If you have any questions on moth trapping or would like some advice on the trap for you then please contact us via email at customer.services@nhbs.com or phone on 01803 865913.
In our latest Q&A we talk to Andrew Duff, keen naturalist and author of the new book Beetles of Britain and Ireland Volume 3, which joins a monumental 4-volume identification guide to to the adult Coleoptera of the Republic of Ireland, the United Kingdom of Great Britain & Northern Ireland, and the British Crown Dependency of the Isle of Man. By bringing together reliable modern keys and using the latest taxonomic arrangement and nomenclature, it is hoped that budding coleopterists will more quickly learn how to identify beetles and gain added confidence in their identifications.
Andrew has taken his time to answer our questions about his book and about the fascinating world of beetles.
Aside from the most conspicuous species, beetles seldom seem to attract as much attention as some other insect orders. What is it that has drawn you to study this group?
My initial attraction to beetles was by coming across some of the larger and more colourful species, as you might expect. The first occasion was in about the late 1970s. I was out birdwatching with my oldest and best friend, the Ruislip naturalist Mike Grigson, when he found a species of dor beetle. These are large black beetles, often found wandering in the open on heaths and moors. They have the most striking metallic blue undersides. Picking one up, Mike said to me: “beetles are really beautiful ”, and I can still picture him saying it. The next occasion was when I was assistant warden at the Asham Wood reserve on the Mendip Hills in Somerset, in the summer of 1982. The warden, Jim Kemp, was an expert mycologist with a side interest in beetles. One day we were on the reserve and he pointed out a black-and-yellow longhorn beetle sat on an umbel. I thought it was very exotic-looking, every bit as worthy of a naturalist’s attention as butterflies and orchids! So I resolved to find out more about the beetles found in Asham Wood. Bristol Reference Library had a copy of Norman Joy’s Practical Handbook of British Beetles and it was obvious that I needed to buy it. Once I had my own copy of ‘Joy’, there was no stopping me. I started finding beetles and was able to identify most of them. The more you study beetles, the more you realise that all of them have their own special kind of beauty, and this is what ultimately led me to become a coleopterist. That, and the intellectual challenge of identifying small brown beetles, are what continue to inspire me.
What motivated you to write and publish Beetles of Britain and Ireland?
Joy’s Practical Handbook of British Beetles was the standard beetle identification guide for at least two generations of British coleopterists, ever since its publication in 1932. Joy’s book provided concise keys to every British beetle in a handy two-volume set, one volume of text and one of line drawings. The trouble with this idea is that the keys were oversimplified and misleading because of all the detail that wasn’t included. By the 1980s ‘Joy’ was already long past its ‘best before date’. Talk started about somebody producing a successor set of volumes and the late Peter Skidmore made a start—after his death I was fortunate to obtain his draft keys and drawings, and in particular have made much use of his drawings in my book. Peter Hodge and Richard Jones then published New British Beetles: species not in Joy’s practical handbook (BENHS, 1995). This was a fantastic achievement because it brought together in one place a list of the species not included in ‘Joy’, as well as notice of recent changes in nomenclature and of some errors in his keys. But it was still only a stop-gap measure.
By around 2008 still nothing had been produced by anyone else. I reckoned it might be achievable and began to discuss with other coleopterists the idea of writing a new series of volumes. The turning point was a discussion with Mark Telfer at a BENHS Annual Exhibition in London. My main concern was over the use of previously published drawings in scientific papers, but Mark reassured me that provided the drawings were properly credited and that the book was clearly an original work in its text and design then it should not fall foul of any copyright issues. By 2010 I’d already made a start on Beetles of Britain and Ireland and in the summer of that year took early retirement so that I could work on it more or less full time. My own professional background is as a technical author in the world of IT and from the 1980s onwards I’d had extensive experience of what used to be grandly called desktop publishing, what we would now call simply word processing! I’d decided to go down the self-publishing route so that I could ensure the production values matched what I thought coleopterists would want: a book which was laid out clearly and would stand up to a lot of wear. It’s really for others to judge whether my volumes meet the needs and expectations of most coleopterists, but so far I’ve been pleasantly surprised at how well they’ve been received.
How did production of this book compare to the previous volumes in the series? Was it difficult to bring together information on so many families exhibiting such a diversity of life histories?
As this is the third volume to have been completed I’d already learnt a lot about the best way to collate all of the material and summarise it, while trying to make as few mistakes as possible. The previous two volumes (vols. 1 and 4) were written in a rather erratic fashion, so that at any one time some sections would be more or less complete while others would not even have been started. This time I was determined to be more disciplined by starting with the first family, completing a draft which included the family introduction, keys to genera and species, and all of the line art illustrations, before going on the next family and doing the same again. In a way, having many families was an advantage because it meant I could use a ‘divide-and-rule’ strategy by breaking down a fauna of 1088 species into 69 smaller chunks. The fact that there are so many families in this volume didn’t generate any special problems, indeed families with only a few species like the stag beetles, glow-worms and net-winged beetles are relatively straightforward to document. But some of the family introductions were a challenge, insofar as some families are poorly defined taxonomically and hard to characterise in a way which would be accessible to amateur coleopterists. For example the darkling beetles (Tenebrionidae) exhibit a bewildering diversity which makes it well nigh impossible to say why a particular species is or is not assigned to this family. I made extensive use of the two-volume American Beetles (Arnett et al., 2002), which contains succinct summaries of nearly all of our beetle families, and this made my job a lot easier. But at the end of the day, the family diagnoses are not as important as the keys to genera and species. Most coleopterists won’t be coming to a particular family chapter as a result of methodically working through the key to families in volume 1. I imagine that in most cases people start by comparing their beetle with the colour plates, getting a shrewd idea as to what family it belongs to, and then going straight to the keys to genera and species. Picture-matching will always have its place in natural history, and I hope that Udo Schmidt’s 473 colour photos in this volume will be put to good use.
This volume covers some of our most familiar beetles – the ladybirds and chafers, for example. What advice would you give to anyone seeking to extend their interest beyond these well-known families to the more ‘obscure’ groups?
I would say that it largely depends on what kind of naturalist you are. What I mean by this is that there are two main ways of studying beetles, and you have to decide which path is right for you. On the one hand, many naturalists take photographs of beetles and by using the Internet or an expert validation service such as iRecord (www.brc.ac.uk/irecord/) they can usually achieve reliable identifications, at least to genus level, for medium-sized and large beetles. Some spectacular finds of beetles new to Britain have been found by general naturalists posting their images on the Internet, a very recent example being the flower-visiting chafer Valgus hemipterus, first posted to iRecord in April 2019 and already given the full works treatment in my volume 3. The problems start as soon as you try to identify smaller and more obscure beetles, because most of them are simply not identifiable from photographs. It’s not their small size and lack of bright colour patterns as such, so much as the need to view the underside, or the fore legs from a particular angle, or the head from the front, or the body orthogonally from directly above to ascertain the precise shape, which makes field photography impractical as a way to identify small beetles. So what you need to do is to go down the second path and start a beetle collection. This enables you to examine your specimen with a bright light source under a good stereomicroscope, turn it over to examine the underside, stretch out its legs to look for the pattern of teeth and spines, straighten it to measure its length and width, and if you’re feeling brave dissect out the genitalia which often provide the only definitive way to arrive at a species identification. Many naturalists balk at the thought of collecting beetles, but I would argue that the scientific value of having a comprehensive species list for a site outweighs any squeamishness I might feel about taking an insect’s life. In any case, my guilt is assuaged by the fact that insects are being eaten in their trillions every day, everywhere, by all manner of insectivorous animals and plants, so that the additional negative effect of my collection on beetle populations is vanishingly small.
Could you tell us a little about the process of compiling keys for the identification of the more challenging species? Were you able to draw upon the existing literature, or did you have to create them from scratch?
Some of the genera treated in this volume have been giving problems for coleopterists ever since the scientific study of beetles began. These are genera with a number of very similar, small and plain species that appear to have few distinguishing features. Nine genera in particular stand out for me as being conventionally ‘difficult’: Contacyphon, Dryops, Cryptophagus, Atomaria, Epuraea, Carpophilus, Meligethes, Corticaria and Mordellistena. It was always going to be a challenge for me to provide workable keys to these ‘nightmare nine’ genera, but I was keen to give it a go. It helps that I take a perverse interest in very difficult identification challenges, so I was motivated to come up with keys which would work. Fortunately I was able to pull together information from a variety of different sources until I had draft keys which could be put out for testing. The testing went through a number of iterations and by reworking the keys—for example adding my own illustrations, simplfying or reorganising couplets, or adding new couplets to account for ambiguous characters—they were gradually improved until I was happy with them. A second source of difficulty concerned the aphodiine group of dung beetles. The formerly very specious genus Aphodius was recently broken up into 27 smaller genera, and our leading dung beetle expert, Darren Mann, recommended to me that we should adopt the new taxonomy. This meant that I needed to construct a completely new key to genera, and that took a great deal of time and effort searching for characters. Incidentally I’d like to pay special thanks to Steve Lane and Mark Telfer for their advice and help with these difficult genera; I owe them both a great deal for their encouragement and support. The keys to challenging genera in this volume will certainly not be the last word on the subject, but I believe they are an improvement on previous keys.
When gathering information on habitat and biology of the various families, did you notice any glaring omissions? Are there any families that could particularly benefit from further study?
Some of the families treated in this volume are well understood, in terms of their identification, ecology and distribution in Britain and Ireland. The scarab beetle family-group, jewel beetles, click beetle family-group, glow-worms, soldier beetles, ladybirds, oil beetles and cardinal beetles are all popular groups and have been reasonably well studied, while the ladybirds have received a huge amount of attention! But that accounts for just 13 of the 69 families treated in volume 3, and the remaining 56 families are in general much less well known. Modern identification keys in English already existed for some of the other families but for most the information is very basic. I would say that the biggest gap in our understanding concerns the synanthropic and stored-product beetles. Not only do amateur coleopterists rarely come across these species, but the information that has been gathered (mostly by food hygiene inspectors) has not been made publicly available. In a few cases it’s not even clear which country a species has been found in, and all we know is that it has been found at some time, somewhere in Britain. I would like to think that this group will one day be much better documented.
A particular favourite of mine are the silken fungus beetles (Cryptophagidae). This family contains two of the ‘nightmare nine’ genera: Cryptophagus with 35 species and Atomaria with 44 species. I’ve tried hard to produce workable new keys for these two genera, but their identification is never going to be easy and it will be necessary to validate records for a long time to come. But I hope that at least this family will begin to benefit from a greater level of interest, on the back of my new keys.
There will be one more volume to come before this monumental series is complete – are you able to provide an estimation as to when that will come to fruition?
Volume 2 covers just one huge family: the rove beetles (Staphylinidae). This has been left until last for two good reasons. Firstly, the subfamily Aleocharinae, and in particular the hundreds of species in the tribe Athetini, are so poorly understood that it’s just not clear where the generic limits are drawn. This means I will have my work cut out trying to construct a new key to Aleocharinae genera. Preferably the key won’t involve dissecting out the mouthparts and examining them under a compound microscope, as we are expected to do now! Secondly, it has to be admitted that rove beetles are not the most exciting to look at. As publisher as well as lead author of my series of volumes it was always going to be difficult to sell a book which didn’t contain a lot of colourful plates. My plan all along, then, was to leave the rove beetles until last, in the hope that people would buy the book in order to complete their set! Volume 2 has already been started, and Udo has been working hard on the colour plates, but there is still a mountain to climb to complete the Athetini keys and illustrations to my satisfaction. My best estimate currently is that it will be published no later than 2024. Once that is done, and if I still have my wits about me, I suppose I’ll have to think about revised editions of the earlier volumes!
Beetles of Britain and Ireland: Volume 3 Geotrupidae to Scraptiidae
By: Andrew G.Duff
Hardback | Due July 2020| £109.00
For many naturalists, some of the most exciting encounters with wildlife as a child were around the edge of a pond, with a net in hand and a sampling tray filled with murky water. It is an excellent activity for children of all ages and is a great way to introduce them to a wide range of plants, insects and amphibians. It offers the opportunity to learn about food chains and food webs as well as discovering some of the amazing insect transformations during their lifecycles. For school groups, a pond dipping trip will satisfy many of the criteria for learning about life processes and living things, and it can also be used to provide inspiration for art, maths or English projects. Younger children will enjoy drawing or painting pictures of the creatures they find, as well as writing stories about their experiences.
Don’t forget that pond dipping isn’t just for children. For adults feeling out of touch with nature, it is an ideal way to reconnect. Ponds, pools and small lakes are also an integral part of our ecosystems and surveying the plant and animal diversity within them is an important way of assessing their health. If you are interested in volunteering as a pond surveyor, take a look at the Freshwater Habitats Trust website for more information.
What you need:
• White tray – Rummage through your recycling bin for an old ice cream tub or place a sheet of white paper in the bottom of a baking tin. Our heavy-duty sampling trays come in three sizes and are sturdy enough to be carried full of water.
• Net – For younger children a small aquarium net is ideal. For adults and older children, a larger pond net will allow you to reach further into the pond.
• Collecting pots – Although it’s perfectly fine to observe your catch directly in the tray, individual pots, particularly those with a magnifying lid, are helpful for looking more closely at individual specimens.
• Field guide – A guide to freshwater animals will help you to identify the species that you find in your pond. You’ll find a few of our favourites at the bottom of this post.
When and where to go:
May to August are the best months for pond dipping as this is when most creatures will be active and breeding. Any body of still water is suitable for studying, but make sure that you have permission to access the area and that the bank of the pond provides safe access to the water. Ponds with a variety of vegetation and open water are likely to support a high diversity of species.
What to do:
Half fill a tray or bucket with water from the pond and set aside. Do the same with your collecting pots and/or magnifying pots (if using).
Use a net to dip into the pond. Sweeping in a figure of eight will ensure that you retain the catch. Areas around the edge of the pond, especially near vegetation, tend to be the most productive. Take care not to scoop up mud from the bottom of the pond, as this will clog up your net and make it difficult to see what you have caught.
Gently turn the net inside out into the tray. Once everything has settled, you should be able to view a fascinating selection of pond-dwelling creatures. A pipette can be used to transfer individual specimens to a magnifying pot for a closer look.
When you have finished, make sure to return all water and inhabitants to the pond. Trays, pots and nets should be rinsed and dried thoroughly before storage.
Pond dipping equipment and books:
At NHBS we stock both individual and class-sized pond dipping kits. These contain nets, trays, pots, magnifier and pipettes, as well as the excellent (and waterproof!) Freshwater Name Trail which will help you to identify the key animals found in UK ponds. Or why not choose from our top 10 list of equipment and books for pond dipping:
1. Pond Net Made at our workshop in Devon, the Pond Net is a high quality, lightweight net with a removable bag for cleaning. The bag is made from woven 1mm mesh which is ideal for pond life. Also available in a telescopic version.
2. FSC Wildlife Pack: Ponds Find out the names of the insects, plants and birds that you see with this wildlife pack. Features three of the FSC’s popular fold-out charts: Dragonflies and Damselflies, Freshwater Name Trail (classic pond dipping guide) and Commoner Water Plants (from lilypads to water mint). Also includes a card-sized magnifier.
3. Heavy-duty Sampling Trays These strong white trays are ideal for pond dipping as they are robust and stable enough to be carried when full of water. Available in three sizes.
4. Bug Pots (Set of 10) This set of ten Bug Pots is perfect for pond dipping, as well as general nature studies. Each pot has a 2.5x magnifying lid and a measurement grid of 5mm squares on the base. They are ideal for storing and observing specimens.
5. Freshwater Life: Britain and Northern Europe
A beautifully illustrated guide to the wide variety of species found in rivers, streams, lakes and ponds in Britain and Europe. Freshwater Life describes and illustrates over 900 species of plant and animal visible with the naked eye. An easy-to-use key guides the user quickly to the correct species without using complex terminology.
6. Economy Telescopic Pond Net With an aluminium telescopic handle and knotless fine mesh net bag, this pond net will not harm specimens and is guaranteed not to run if holed. Not suitable for heavy-duty use.
7. Ponds and Small Lakes: Microorganisms and Freshwater Ecology
Suitable for adults and older children, this book introduces some of the less familiar and microscopic species found in ponds such as diatoms, desmids and rotifers. Along with excellent photographs, the book provides useful identification keys so that readers can identify, explore and study this microscopic world.
8. Pipettes Small pipettes are extremely handy for sorting through and picking up tiny creatures found when pond dipping. They can also be used to transfer samples to microscope slides to look at the microscopic specimens found.
9. 125ml Collecting Pots These sampling containers are made from see-through rigid polystyrene and have secure screw-on lids. They are recommended for liquids and so are ideal for keeping specimens when pond dipping or rock pooling. Available either singly or in packs of 10, 30 or 100.
10. Bloomsbury Concise Pond Wildlife Guide
This concise guide is packed with information on more than 190 species of animal and plant that inhabit ponds, pools and small lakes in northern Europe. Among the fascinating animals featured are freshwater sponges, hydras, water bears, worms, leeches, water snails, dragonflies and damselflies, frogs and toads, bats, fish, birds, water voles and otter.
Creating your own pond:
During the lockdown imposed by Covid-19, the UK and many other countries have seen a rapid growth of interest in nature, especially found in gardens. It is widely considered that the best way to encourage and benefit wildlife in your garden is by adding a pond. There are many books to help in this process, such as Making Wildlife Ponds, The Wildlife Pond Book, or The Pond Book by Pond Conservation.