This is part one of a two-part series that will look into different ways of filming wildlife in your back garden. In this part, we will take a look at trail cameras and what to look out for when buying one.
The variety of trail cameras on offer can be overwhelming, here are a few key things to look out for:
Type of LEDs
In order to capture videos or images in the dark, camera traps use infrared LEDs to illuminate the subject with little to no visible light used. There are two main types of LED flash systems that trail cameras use. These are No Glow and Low Glow. No Glow LEDs produce very little visible light and so are almost completely undetectable by the subject. Low Glow LEDs produce a faint red glow and so are not completely invisible, which can sometimes alert animals such as deer and foxes. However, they do have the benefit of being able to illuminate better over a longer distance.
Trigger Speed
Trigger speed is the time taken for the camera to take a photo once it has detected movement. If you are aiming to capture a fast-moving subject, then a quicker trigger speed (below 0.3 seconds) will enable you to achieve these photos before your subject has moved out of frame.
Recovery Time
Recovery time is the time taken for the camera to process an image and become ready to take a second photo. If you want to capture multiple images of a subject as it comes into view of your camera, then a shorter recovery time will allow for this.
Hybrid Mode
Hybrid mode allows the camera to take videos and photos simultaneously. A camera with this capability may be useful if you want to get as much footage as possible of anything that falls into frame of the camera. If you are more interested in capturing only photographs or only videos, this mode may not be an important feature.
Resolution and Interpolation
The quality of the images and videos that your trail camera can take will depend on its resolution. Most cameras have settings that can alter the resolution either, decreasing it through compression, or increasing it through interpolation. Compression is useful if you want to deploy your camera for a long time and memory card capacity may become an issue, whereas interpolation can produce a larger image by adding pixels. The best way to compare the quality of images between cameras is to look at sample photos and videos. The displayed megapixel value is often resolution as a result of interpolation. The true resolution of the image sensor can usually be found in the specifications as the true sensor resolution.
Screen
Many trail cameras come with built-in viewing screens allowing you to view your photos and videos in the field. This is particularly useful if you want to take a few test shots to check the positioning of the camera.
Our Suggestions
If you’re looking for a good entry-level camera, then take a look at the Browning Strike Force Full HD. It takes high quality images and videos for a very affordable price.
LED type: Low Glow
Trigger speed: 0.135-0.7s
Recovery time: 0.5s
Hybrid: No
Resolution: 22MP
Viewing Screen: Small screen showing text only
For the next step up, the mid-range Browning Dark Ops HD Pro X is one of our most popular trail cameras. With No Glow LEDs and a impressively quick trigger speed, this is a great all-round option.
LED type: No Glow
Trigger speed: 0.22s
Recovery time: 0.6s
Hybrid: No
Resolution: 20MP
Viewing Screen: 3.8cm colour screen
If the hybrid mode is an important feature for your work, a Bushnell Core DS No Glow may be the one for you. Dual sensors target day and night in order to provide the best quality images, no matter the light conditions.
LED type: No Glow
Trigger speed: 0.2s
Recovery time: 0.7s
Hybrid: Yes
Resolution: 30MP
Viewing Screen: 5.08cm colour screen
If the subject of your trail camera photos or videos is particularly fast, it may be worth taking a look at the Browning Spec Ops Elite HP5 whose adjustable trigger speed starts from 0.1 seconds is one of the fastest on the market.
LED type: No Glow
Trigger speed: 0.1-0.7s
Recovery time: 0.5s
Hybrid: No
Resolution: 24MP
Viewing Screen: 5cm colour screen
Accessories
There are a selection of accessories that you may want pair with your camera to get the best out of your camera-trapping experience.
If you are worried about leaving an expensive piece of kit outside and unattended, then you may want to invest in a Python Lock. This cable lock will fit most trail cameras and and will give you piece of mind that your camera is secured in place. Here you can watch how to set up this lock with your own trail camera. You also may be interested in a security case that is compatible with your trail camera. These cases house your camera and secure with a padlock, which helps prevent vandalism and theft.
SD Cards
All cameras need a memory card to store your photos and videos on. Make sure to check what SD card capacity your camera needs, this is usually found in the specifications section. Browse our selection of SD cards to order alongside your camera so that you can get snapping as soon as possible.
Power Options
Most cameras are powered by batteries. We recommend you use Lithium Ion batteries with your trail camera to ensure maximum trigger speeds and longer battery life. Make sure to check how many batteries your camera needs. Some trail cameras are also compatible with solar panels which will allow you to extend the battery life of your camera. This is especially useful if you want to leave your camera outside for extended periods of time.
Starter Bundles
If you are looking to buy a trail camera and want to make sure you will be able to get out and start capturing as soon as it arrives, then you may want to take a look at our starter bundle options. These bundles come with a memory card and batteries that are right for your camera to ensure you have everything you need to get started.
To see more trail cameras available, take a look at our range here.
Would you like some more advice on which trail camera or nest box camera is most suitable for you? Contact us on +44 (0)1803 865913 or email customer.services@nhbs.com .
In his latest book, 
shapes, forms and colours of the birds. They were so very different to the birds I was used to seeing in the Somerset countryside around our home. After that, every now and again I’d see footage of hummingbirds on wildlife documentaries, and began to appreciate further just how remarkable they were – what Tim Dee described as ‘strange birds: not quite birds or somehow more than birds, birds 2.0, perhaps’.
There were plenty of other moments that I’ll hold in my heart, and they don’t all involve the iconic, rare species. One such was watching Golden-tailed Sapphires, a hummingbird that looks as if it’s been dipped in rainbows, feeding in a clearing in the immediate aftermath of a heavy rain shower. As the sun broke through the dripping vegetation and steaming air we were suddenly surrounded by myriad small rainbows through which the birds were flying. That moment was ephemeral, over almost as soon as it began, but it’s etched in my memory forever. 
I found myself asking myself that very question as my journey into their world unfolded… Hummingbirds certainly seem to touch something deep inside us. They featured in the mythology of the Aztecs; inspired the most dramatic of all of the immense geoglyphs carved into the desert floor by the Nazca; appear in renowned art and literature; and, to this day, are singled out for particular love by those whose gardens they frequent, people who would not necessarily identify themselves as birders.
Inevitably there were some logistical challenges to contend with, not least having to reacquaint myself with horse-riding after a decades-long and deliberate avoidance of it! There were a couple of close encounters with large predators that were, in hindsight, more alarming than they felt at the time – as a naturalist, I was thrilled to get (very) close views of a puma… But perhaps the most challenging moment of all was landing in Bolivia at the very moment the country was taking to the streets to protest the outcome of a recent presidential election. There was an incident at a roadblock manned by armed men that was genuinely scary, with an outcome that hung in the balance for a terrifying instant, and could easily have ended badly.
I sometimes think there’s almost too much optimism expressed when talking about conservation challenges anywhere in the world – a narrative that suggests “if we only care enough, the [insert iconic species name here] can be saved”. And to a degree, that’s good – we’ve got to have hope, as the alternative is too dreadful to countenance – but given our impact to date, and in an uncertain future where the effects of climate change are still unfolding and will continue for many decades to come, to name just the biggest of the mounting pressures on the natural world, I’m not sure that I do feel terribly optimistic, least of all for those hummingbird species that have very localized populations, or depend upon very specific habitats. They’re undeniably vulnerable. But like Fox Mulder, 
As recently featured on 
photographing and surveying insects. I learned about the insects, watched them and counted the sheer number of species, and realised that no one else had actually surveyed a small urban park extensively. The book came about as I wanted to show people what was living in the bushes and to put Peckham on the entomological map!
and usually open 24 hours – but there is no reason why we can’t include habitats for our wildlife. A simple solution would be to leave areas un-mowed to grow wild. In the parks of my local area in London, large swathes of grasses and flowers have been left to mature and people have been really receptive to it. I think we are finally moving away from the Victorian ideal of neat and tidy!
For nearly thirty years now I have been going to stay in a small house at the head of a bay on the west coast of Scotland. It is somewhere my wife’s family have been going for generations and now our children and grandchildren love it too. It has everything you might long for from a place like that: cliffs, woods, waterfalls, a dark beach made of basalt sands, a lighthouse, a ruined castle, stories, beauty, birds, fish; but one thing it did not have because of the geology, was a rockpool. For years I have dreamed of making one – a place of stillness set in the tide, and this book is the story of how I made three of them in different parts of the bay; one dug in with a pickaxe; one made by damming a narrow exit to the sea from a hollow so that the dam held the pool behind it; and one by making a circular wall low down in the intertidal.
And so that provided the model – see what was there and look carefully at it. Of course, books like mine are entirely parasitic on the work of many generations of biologists and that too turned out to be the pattern. Watch the sand hoppers and then read about them. Read about them and see how much of what I read I could find on the shore. With prawns, winkles, shore crabs, anemones, limpets, sea-stars, urchins and barnacles, I simply oscillated between the pools and my books: what was there? What had people discovered about them? How did they interact? What were the principles governing their presence or absence? And with all of that came the repeated and slightly sobering realisation that unless I knew to look for something it was very difficult to see it was there. Mysteriously, we are often blind to what is in front of our eyes.
stages, can recognise the movements and timings of the tides. That sea anemones can identify other sea anemones that are not their relations and effectively destroy them. That prawns have an imagination – that might sound like too much, but it has been shown that they can remember past pain and project it into present and future anxieties. Anxiety is different from fear; it is a fear of what might be there. In other words a prawn can think beyond its present reality.
garden whose walls are dissolved twice a day, an enclosure that becomes part of the general world with every high tide. That ambiguity is what entranced me, the sense of its being a micro-ocean, a micro-arcadia, a micro-laboratory in which all kinds of intimacies and precision in natural beings can be witnessed an inch beneath your nose.
