As anticipated, in 2025, UK seas have had their warmest temperatures since records began. The first seven months of the year average 0.2°C higher than any year since 1980.
The observable outcome of this is the sometimes-abundant appearance of marine species that are usually found in low numbers in UK waters – Common Octopus, Bluefin Tuna, Mauve Stingers and Barrel Jellyfish have all been observed at unprecedented levels. Although likely to delight some marine naturalists, the unusually high presence of these species could be indicative of ecosystem destabilisation and the collapse of the global aquatic food web.
An eco-populist shift for the Green party
Zack Polanski has won the election to lead the Green Party in the UK. Defeating Adrian Ramsay and Ellie Chowns, two of the party’s four elected MPs, Polanski promises to actualise his vision of a green, mass membership, ‘eco-populist’ movement. The new leader aims to reverse the perceived ineffectuality of the established party approach by tactically parroting, and ideologically challenging, Nigel Farage and Reform UK.
The new leader is ‘open to’ collaboration with Jeremy Corbyn and Zara Sultana’s temporarily titled ‘Your Party’ and has directly vowed to replace Keir Starmer’s Labour.
It is unclear what the Green’s ‘eco-populist’ shift will mean for UK politics, but Polanski’s election victory represents a significant development for a splintered but variously surging political left.
Campaigners from Wild Justice and the Badger Trust have launched a legal challenge against the government’s decision to award additional badger cull permits. The controversial decision to renew licences, despite a previously promised ‘phase out’, has been met with considerable pushback from campaigners who cite the shaky evidence used to justify the culling of badgers in the UK. Rosie Wood, chairperson of the Badger Trust, says that ‘Bovine TB is overwhelmingly a cattle-to-cattle spread disease.? Follow the evidence – end the badger cull, stop this egregious attack on nature and stop misleading the public, farmers and the taxpayer.’ Look out for her commentary on the ongoing case in an upcoming issue of British Wildlife.
A setback for the global plastics treaty
The United Nations meeting marked the most recent push to actualise a global plastics treaty. Representatives of 100 nations called for an ambitious and effective treaty to curtail global plastic production but were stalled by 234 lobbyists from the oil industry who argued instead for a focus on ‘recycling’ and the continuation of unregulated plastic production. This breakdown of negotiation is the latest in a long line of failures to meet deadlines for the treaty – meaning business as usual for oil states and the accelerated detriment for ecosystems.
Nature writer Robert Macfarlane will need little introduction, having authored a string of successful books on people, landscape, and language. Billed as his most political book to date, Is a River Alive? sees Macfarlane wrestle with the titular question and examine its relevance to the nascent Rights of Nature movement.
At the heart of this book are three long, 70–100-page parts that detail visits to three river systems in Ecuador, India, and Canada. They are separated by short palate cleansers, describing brief visits to local springs close to his home in Cambridge. In the back, you will find a surprisingly thorough ten page glossary, notes, a select bibliography, a combined acknowledgements and aftermaths section detailing developments up to publication, and an index.
This dry enumeration aside, it is the quality of the writing that we are all here for, and Macfarlane is on fine form as he immerses you in the landscapes he visits. These journeys are not solo affairs, however, and in each place he is accompanied by knowledgeable local guides: some are long-term collaborators, others he has only just met. It is a motley crew that includes a mycologist, a musician, and a lawyer, as well as judges, activists, back-country experts, and his close friend Wayne Chambliss. Macfarlane has a knack for giving warm and memorable portraits of them, as well as others they meet along the way.
The political aspect of this book stems from the fact that all these river systems are under threat; from mining in Ecuador, industrial pollution in India, and the construction of hydroelectric dams in Canada. In part, the book is a reportage on the environmental harm caused by resource extraction, economic development, and heavy industry, and the slow violence it inflicts on predominantly poor and marginalised communities. In Chennai, he graphically details how this has already come to pass, while in Ecuador and Canada, it could come to pass if certain companies were to get their way. In response, Western and Indigenous activists have rallied behind the Rights of Nature movement that originated in 1972 when lawyer Christopher Stone asked whether trees should have standing. Its proponents argue that natural entities such as mountains, forests, and rivers can and should have rights—legal personhood even—and thus protection by law.
So, is a river alive? What makes this book intriguing and thought-provoking is that Macfarlane does not provide a straightforward answer (“Yes, of course rivers are alive and here is why”). Instead, he wrestles with this question in full view of the reader. Clearly, he supports the environmentalist agenda and quickly counters the claim of anthropomorphism. He refers to rivers as a “who” and not an “it”, condemning the habit of the English language to “it” all natural entities, “a mode of address that reduces them to the status of stuff” (p. 22). I like to reference the work of Eileen Crist to make the point that language shapes our reality, and Macfarlane condenses it masterfully here: “Words make worlds” (p. 22).
Macfarlane’s struggle plays out along two axes. First, how can we really speak on nature’s behalf? What does a river want? He worries that in granting rights to nature, we will simply end up with “human proxies […] ventriloquizing ‘river’ and ‘forest’ in a kind of cos-play animism” (p. 83). His close friend Wayne justifiably asks whether the whole movement is just “a disguised form of political manoeuvring” (p. 292), in which assigning personhood to natural entities merely becomes a means to an end. Second, there is a philosophical and linguistic struggle. What words can truly capture this? “The history of literature is littered with the debris of attempts to utter water” (p. 289). In searching for a “grammar of animacy” (sensu Kimmerer), he is frustrated with “language’s short reach” (p. 260) and repeatedly runs into a wall. Partially, it seems the answers cannot be verbalised but have to be bodily experienced, as his journeys show him; partially, Indigenous thinking provides him with answers.
On that latter point I have to be honest: though I am supportive of this cause, as a child of the Western, scientific tradition, Indigenous thinking does not resonate with me much, and this is entirely *my* shortcoming. Macfarlane, it seems, sympathises, struggling with it himself: “It requires unlearning, a process much harder than learning” (p. 19). That said, there are moments where he speaks to the biologist in me, such as when discussing the deep-time maps of geologist Harold Fisk that show the many past meanders of the Mississippi River snaking across the landscape, making rivers seem very much alive. Similarly, when mycologist Giuliana Furci points out the consequences of deforestation (when the cloud-forest goes, so do its rivers), you have to wonder: are these rivers a form of niche construction, or even (if you squint hard, I admit) an extended phenotype of a kind? By and large, however, even if life is a fuzzy phenomenon that lacks sharp boundaries, the scientist in me feels that the question is stretching a metaphor beyond its breaking point.
So, I ask again, is a river alive? Better perhaps to ask, I think: Does it matter? Given how entwined life is with water and how dependent human societies are on rivers, the question seems moot to me. For most people, this is ultimately about environmental protection, in which case, whether or not a river has vital signs is irrelevant. However, if personhood is what it takes, given existing legal frameworks, then, sure, why not? A second concern I have is that of enforcement. All these lofty declarations risk being yet more paper parks if they do not have the force of the law behind them. Though Macfarlane does not explicitly raise this point, both his main text and his aftermaths give examples where judges have successfully invoked the Rights of Nature to halt or prevent companies from extracting natural resources. A final concern, as was so clearly argued in The Irresponsible Pursuit of Paradise, is that protective measures risk merely displacing resource extraction to somewhere else with less oversight. As long as there is demand for resources and money on the table, companies will continue extracting value from nature. This deeper cause is not dealt with here, though expecting Macfarlane to imagine the end of capitalism, pretty please, would be a tad unrealistic of me. That is a thorny, multifaceted problem if ever there was one.
Is a River Alive? is an intriguing and thought-provoking piece of nature writing that refuses to give easy answers. I imagine that this is not what Macfarlane’s readers are after anyway, and, if so, they will be amply served by the spectacle of a master wordsmith grappling with a weighty question.
The PippyG is a low-cost, static, passive bat detector made by Apodemus. The construction consists of a Raspberry Pi board with an additional ultrasonic microphone. The unit was designed to open baseline monitoring of bats to landowners, researchers, and the wider public, aiming to be as accessible as possible. Requiring only the device, a micro-SD card, and either a USB-B battery pack or 3 AA batteries. Analysis is easy with the PippyG as recordings are formatted ready for the BTO pipeline, a free online platform for auto-analysis of ultrasonic bat calls, providing species ID, and even behavioural tags for each call (see table below).
Currently, there is no official waterproofing option. However, this leaves the option for experimentation open. A few makers have very kindly created freely available 3D print designs if you have access to a printer, otherwise, I have heard of people trying various options, from leaving them out as is to using a plastic takeaway box with a microphone-sized hole drilled in.
Unfortunately, I do not have access to a garden or any land to demo the PippyG; instead, I had to settle for the alleyway, which my flat backs onto. A Good test for urban environments where most of us (and some bat species) spend a large proportion of our time. I opted for a setup using a battery pack and a long USB-B cable, which I attached to the PippyG and used as an anchor to hang out of my window.
Choosing the settings is simple and easy using the Pipistrelle app available on both the Google Play Store and the App Store. I decided to test for 2 hours from 22:00 till 12:00, with the trigger setting at 72 (considered low, but I was wary of the rabble emanating from the pub garden next door). Once I decided on the appropriate settings, I held the speaker of my phone to the mic and “chirped”.
The concept of chirping was a new one to me, but it’s simple and fantastic. Rather than connecting directly to the device using Bluetooth to establish your desired settings, the “chirp” encodes the settings into sound waves that the Pippy G picks up using its built-in mic.
The device flashed, indicating it was ready and the “chirp” has been successful. Time to hang it out of the window and wait.
The following day I excitedly transferred the data from the PippyG onto my computer, ready to upload to the BTO pipeline.
And the results are in…
One species of bat, A Common Pipistrelle, most likely emerged from my upstairs neighbour’s roof. Looking at the results, it was in a feeding frenzy with 56 echolocation calls recorded in 2 hours. Interestingly, even though the device was set to record at the ultrasonic level, it still picked up a few bird calls, most likely the seagulls that like to occupy the rooftops on either side of the alleyway.
In the future, I would love to put it to the test with a longer deployment in a less urban environment with the hope of catching more of the 18 bat species the UK has to offer.
NHBS was proud to support Roland Arnison and his 2025 Call of the Loon Expedition, providing him with monitoring equipment including trail cameras and audio recorders. Roland’s mission to document Scotland’s seabirds and explore innovative, low-impact survey methods aligns strongly with NHBS’ commitment to advancing field research and conservation. With so many seabird populations in sharp decline, we were pleased to contribute to this important work, which explores new ways to monitor and protect seabirds and could benefit future conservation projects.
We have really enjoyed following Roland’s progress and seeing some of the incredible photos and recordings he has captured, and we hope you will too.
I have spent the last two summers kayaking around the Hebrides in Scotland, on the hunt for seabirds. The heart of this solo expedition is my self-appointed mission to record the calls of all of Scotland’s seabird species. This has gone well and after kayaking 700 miles, visiting countless seabird colonies on remote islands, I have captured sound recordings of 25 of the 30 species on my list, including the bird after which the Call of the Loon expedition is named: the Great Northern Diver Gavia immer, aka the Loon.
The solo sea kayaking has been adventurous, challenging, and at times at little too perilous. In 2024, my kayak floated away from the shore (due to a momentary lapse of concentration!). My attempts to recover it by swimming in the cold waters off the Isle of Coll resulted in hypothermia, exhaustion, the intervention of the Coastguard- and no kayak. My precious kayak was later found off south Skye and I was reunited with it and able to continue the expedition. In 2025, the expedition took me to the Outer Hebrides and I grabbed the opportunity to paddle out to St Kilda, that magnificent compact rocky archipelago in the Atlantic with the tallest seacliffs in Britain, some 40 miles off the west coast of North Uist. St Kilda is a haven for seabirds, a World Heritage Site, managed by National Trust for Scotland and an obvious destination for me on my seabird expedition. But it did involve a memorable 14 hour, 60km epic solo paddle to get there.
The Call of the Loon expedition has a particular relevance due to the ecological state of Britain’s seabirds. Most of our seabirds have seen significant declines in the last 20 years, due to climate change, overfishing, and the impact of invasive predator species amongst other factors. Of the 25 seabird species that regularly breed in Scotland, 21 are on the Red or Amber lists of Birds of Conservation Concern. In Scotland, over twenty years, puffin populations have dropped by 32%, Arctic Skua numbers fell by 66% and the rare Leach’s Storm Petrel is now classed as ‘critically endangered’ in the UK, with its Scottish population crashing by almost 80%. The bird flu epidemic in recent years has also hit some species such as Gannets and Great Skuas very hard.
The Call of the Loon expedition has broader research aims beyond the quest to record the sounds of seabirds. One, disarmingly simple, research question I have been trying to answer is: is it possible to carry out transect surveys of seabirds from the cockpit of a sea kayak while paddling along coastlines and across the open sea? So far, my practical trials have shown some successes, recording both digitally (on a tablet or phone in Aquapac waterproof cases) and through use of waterproof notebooks. More specific research aims include using remote recording equipment to identify the presence of particular seabird species or to reveal certain behaviours, while minimising disturbance of the birds. The Song Meter Micro 2 remote audio recorder has been an essential piece of equipment, allowing me to capture recordings of seabird calls that I would not otherwise have been able to achieve, and providing evidence of the presence of nocturnal seabirds – notably European Storm Petrel Hydrobates pelagicus and Leach’s Storm Petrel Hydrobates leucorhous. Like many seabird species, these petrels spend most of their time at sea, only visiting land for the summer breeding season. In Britain, they only nest on remote rocky islands, far from humans (and rats). They only come and go from their crevice or burrow nests on dark nights, as a predator avoidance tactic. So, you can appreciate that these seabirds are not easy to find. Leach’s petrel is especially rare in Britain, only a handful of known colonies nest on offshore islands off the Outer Hebrides, with around 90% of them on St Kilda. The use of a sea kayak to reach their remote colonies and the deployment of the Song Meter Micro 2 have been powerful tools to find and record their calls.
A Browning Recon Force Elite HP5 trail camera has also been useful. I have used this remote camera to record images of puffins as they visit their burrow nests. The initial idea was to capture photos of Puffins carrying fish in their beaks to feed to their puffling chicks. These photos can be used to identify the type and quantities of fish that puffins are catching, as researched by National Trust for Scotland’s ‘Puffarazi’ citizen science project: https://www.nts.org.uk/stories/seabirds-camera-action But use of the camera trap outside a puffin burrow also revealed simpler data: how often the puffins visit their nests and at which times of day.
Browning Recon Force Elite HP5
Experimenting with the Song Meter Micro 2 and Browning Elite has opened up new possibilities in potential applications in seabird research, and I am currently developing a plan for a future seabird research expedition using remote recording devices. Anyone interested in collaborating with me on this can contact me on roland@shearwater.me.uk
NHBS has been a very supportive partner in the Call of the Loon expedition, through supplying the research equipment and their technical advice and I would like to thank them hugely for their support.
The Call of the Loon expedition is also supported by Sea Kayaking UK, Celtic Paddles, Sennheiser, Whetman Equipment, Reed Chillcheater, Aquapac and the European Nature Trust.
Autumn 2023 saw the exciting return of beavers to England’s capital city, with the release of five animals in an 8ha enclosure at Paradise Fields, Ealing. Here, Dr Abhilesh Dhawanjewar, Technology Lead for the Ealing Beaver Project, shares an account of this community rewilding project, from its conception and achievements so far to hopes for the future of the Ealing beavers.
Bringing the Beaver Back to Ealing: A Community-Led Rewilding Success Story
Eurasian Beavers (Castor fiber), Europe’s largest rodent are incredible creatures with an amazing ability to transform their surroundings, lending them the well-deserved title of ‘ecosystem engineers’. Occupying vast regions across Europe and northern Asia for over 12 million years, they have shaped our waterways and wetland habitats, creating rich and resilient ecosystems supporting a wide diversity of plants and animals. Commercial demand for their fur, meat and castoreum led to relentless hunting and persecution of the beavers, driving them to extinction in the UK 400 years ago. The species narrowly avoided the same fate across Europe, its survival hinging on justeight relict populations that totalled a mere 1200 individuals. Their absence from the UK has coincided with a 90% reduction in Britain’s native wetlands in the last century and increased flood and drought risks. Having realised their ecological benefits, beaver reintroductions across Europe have helped to restore habitats and boost biodiversity.Reintroduction projects in the UK gaining momentum lately.
Beaver at Paradise Fields by Abhilesh Dhawanjewar
The Road to Ealing
As the UK government refined its reintroduction strategy, free-living beavers were already on London’s doorstep, with populations expanding in Kent and Oxfordshire. Anticipating their natural return, the London Beaver Working Group was formed in 2021 to proactively manage their arrival. After consultations and site visits, Paradise Fields in Ealing was chosen as an ideal location for a trial reintroduction. The site was already targeted for expensive flood mitigation engineering works, and beavers presented a natural, cost-effective alternative. After a license was granted in January 2023, the project gained momentum, fuelled by enthusiastic local volunteer groups and vital seed funding from Ealing Council and the Mayor of London. Thanks to the collaborative efforts of Ealing Wildlife Group, Citizen Zoo, Friends of Horsenden and Ealing Council with additional support from Beaver Trust, the Ealing Beaver Project was born with three key objectives:
Bring back the Beaver: Reintroduce beavers for their intrinsic value in nature
Mitigate urban flooding: Learn to manage beavers in the urban context and harness their water-engineering skills
Boost Biodiversity: Restore wetland habitat and encourage a richer diversity of flora and fauna
Public Engagement: Foster greater public understanding and coexistence with beavers in an urban setting
What sets the Ealing Beaver Project apart from other similar initiatives is its community-driven and inclusive approach to urban rewilding. While most beaver reintroduction projects in the UK are tucked away in the remote countryside or on vast private estates with paid access and closing times, the Ealing Beaver Project is one of the first fully accessible enclosed beaver reintroduction sites in the UK, offering a rare opportunity for the public to observe and engage with beavers in a city environment. At the same time, it allows local communities to directly benefit from the ecological improvements that beavers bring, such as improved biodiversity, better water management, and revitalised natural spaces.
Progress so far
A family of five Eurasian beavers was introduced to Paradise Fields in Greenford, Ealing on 11th October 2023 and since then, the Ealing Beaver Project has become a flagship example of urban rewilding in London. Within days of their arrival, the beavers had already started shaping their new home, building dams, creating new waterways and pools and kickstarting the transformation of the site into a thriving wetland. To date, they have constructed seven dams across the site, holding more water on the landscape and minimising the flooding downstream during high rainfall events. Their activities have also opened up the overshaded tree canopy, creating a mosaic of habitats supporting greater biodiversity.
Beaver swimming in the lagoon by Caroline Farrow
Early results from monitoring and ecological surveys are promising: water quality sampling has shown a reduction in nutrient levels such as phosphates and nitrates, as well as total dissolved solids including pollutants and road runoff particulates, in water leaving the site compared to that entering it. Since the beavers’ arrival, the return of several species has also been recorded at Paradise Fields. Invertebrate populations have increased, especially water quality sensitive species such as freshwater shrimp, diving beetles and caddisfly larvae, which in turn has attracted two new species of bats and four new species of birds, early signs of a flourishing, interconnected system. The biodiversity benefits also extend to amphibians with an explosion in Common Frog spawning on site, thanks to the beavers’ ecosystem engineering activities.
Perhaps the most promising sign that the beavers have truly settled into their home came in the summer of 2024, when at least two new kits were born. This historical moment marked the first record of breeding beavers in urban London in centuries. While beavers went extinct in the UK 400 years ago, they likely vanished from London’s waterways even earlier. The fact that beavers were commonplace in London is preserved in the legacy they left in names like the Beverly Brook, a small river in Southwest London whose name is thought to derive from “beaver stream”. It’s the ultimate validation that the urban habitat at Paradise Fields is a suitable habitat, and that beavers and people can successfully coexist in a bustling urban landscape.
Paradise Fields by Cathy Gilman
On the community engagement front, interpretative signage has been installed on the site to help visitors learn more about beaver adaptations and ecology and visitors are encouraged to log their wildlife sightings on platforms like iNaturalist, further promoting citizen science data collection. The hugely popular Guided Walks and Beaver Safaris led by members of the Ealing Beaver Project team have welcomed hundreds of visitors, offering a first-hand look at this rewilding success story. In a borough-wide naming competition, primary school pupils chose names for four of the resident beavers: “Willow” and “Woody” for the original pair introduced in 2023, and “Chompy” and “Chewbacca (Chewy)” for the kits born in 2024.
The Ealing Beaver Project leadership team also shared their urban rewilding model at the international BeaverCon conference in Colorado, and participated in knowledge exchange panel discussions and workshops. The story of the project has also been beautifully documented in the award-winning short film “Beavers in Paradise” by filmmaker Matt Brierley and commissioned by Consano Earth, which premiered to an international audience for the first time at BeaverCon. Drawing from insights gained from the conference, a pond levelling device was recently installed on-site to demonstrate how water levels can be proactively managed. The project has recently attracted significant support, including a recent grant from the HS2 Community and Environment Fund, which will be vital for enhancing public education and engagement for years to come.
One of the many dams built by the beavers on site by Abhilesh Dhawanjewar
What’s Next for the Ealing Beavers?
The project’s remarkable success has provided a powerful validation of the urban rewilding approach. As it moves towards the halfway point of its five-year license, the key priorities are
The continued monitoring of this evolving landscape.
Documenting the water quality and biodiversity improvements in the area.
Helping to design mitigation strategies that balance beaver activity with the needs of local communities and neighbouring infrastructure.
Public engagement lies at the heart of the project and this will only deepen in the years to come. The revitalisation of this urban green space, right next to a busy retail park, has fundamentally improved how visitors interact with nature. The fully publicly accessible site serves as a vital outdoor classroom, where visitors can witness the dynamism of a beaver engineered landscape first-hand. Fuelled by the recent support, plans are underway to expand educational programs for local schools and the public, demonstrating how people and wildlife can live alongside and benefit from each other in our cities.
The project team is exploring options to trap the eldest daughter, born in 2022 and introduced to Paradise Fields in 2023 for translocation to other suitable beaver projects, helping support the national effort to restore this keystone species. With the recent announcement from the UK government regarding licensing the wild release of beavers, the team is also exploring how this pilot could inform the reintroduction of free-living beavers in Greater London. While Paradise Fields remains an enclosed trial, the project has contributed valuable insights into coexistence, site suitability, and the infrastructural tweaks needed to support beavers in England in the long-term. The hope is that future generations of kits from the Paradise Fields family will be able to roam freely, improving the health of England’s river systems and wetlands.
Perhaps the most anticipated next step is one that the beavers’ meticulous activities have been preparing the site for all along: the reintroduction of water voles. Water voles are Britain’s fastest declining mammal, having lost 90% of their population since the 1970s, due to habitat degradation and fragmentation along with overshading of riparian habitat. Restoring habitats and improving our aquatic ecosystems are a necessary step towards supporting water vole populations and with the beavers’ help, we can improve the health of our wetlands making them more resilient and providing valuable habitat for other vulnerable species.
The Ealing Beaver Project is a testament to the conviction and power of community-led conservation, the profound effectiveness of nature-based solutions to urban problems and the inspiring possibility of welcoming wildlife back into our cities for the benefit of both people and nature.
In a first for Europe’s largest conservation charity, the RSPB (Royal Society for the Protection of Birds) is bringing the spectacle of the natural world to the big screen. Coming to London’s Troxy on 6th September, ‘A Night of Nature’ will blend cinema with the immediacy of a concert, thanks to live music synched to stunning footage of natural habitats and species, performed by string quartet Vesper and multi-million selling vocal group G4.
Ahead of the event, NHBS colleague Laura had a chat with Emma Marsh, the Executive Director for Digital Technology and Communications for the RSPB. In our interview, Emma shared details about this one-off live event, including its importance, what it represents and what she hopes people will take home and remember long after the concert is over. She also offered insights on her role, as well as the priorities and challenges for the charity.
Firstly, can you tell us a little bit about yourself and your role at the RSPB?
I was brought up on a farm in the Midlands (of England, UK) where my dad was a farm worker. I spent my childhood days exploring the fields, hedges and trees. I remember such a sense of freedom and the abundance of nature. That all changed as I grew older. Agricultural practices intensified and I watched the depletion of wildlife in front of me. That feeling of loss stayed with me and has driven my passion for conservation ever since.
My route into a conservation career was definitely not ‘standard’. My parents wanted me to be the first member of our extended family to go to university and a degree in International Relations, including the international politics of the environment, was my next step. I then navigated a route through the public sector, the commercial world in technology and finally landed in charity. I spent ten years in the waste and recycling sector, focusing on delivering behaviour change around food waste, which led to where I wanted and needed to be – in nature conservation and the incredible RSPB.
Emma Marsh
I joined RSPB in early 2016 as the Director for the Midlands, overseeing our network of landscapes, reserves, fundraising and comms, moving to be Director for the whole of England in 2019. In late 2022 I was able to bring together all of the experience I’d gained over the years, from Technology, to campaigning, to conservation, becoming the Executive Director for Digital Technology and Communications, sitting on the Executive Board.
Every day is different. One day I can be immersed in helping my team gear up our technology and media to deliver big events (such as Big Garden Bird Watch), the next pivoting and scaling up our comms and campaigning to unexpected legislative threats to nature, to speaking on the Radio 4 Today programme or R5Live about the incredible successes our teams have had with bringing threatened species like the Crane back from the brink of extinction. Another day I’ll be deeply immersed in developing the RSPBs strategy and reporting impact against it, the next working with Trustees, and when I’m really lucky it will be spent at one of our incredible 200+ nature reserves, seeing the spectacular conservation delivery and engagement that our teams do so well. It’s such a varied, dynamic and interesting role leading and working with some brilliant people – I’m incredibly lucky.
The RSPB has been around since 1889, and over the years it has developed and grown significantly. What would you say are its current priorities for nature, and where do you see the organisation going?
Emily Williamson, Etta Lemon and Eliza Phillips started the RSPB in the late 19th century, and the campaign they ran to ban the plumage trade (which was putting 60 bird species at risk of extinction) took three decades before it bore fruition. The tenacity and determination they demonstrated, when societal norms were stacked against them, was inspirational. When they started their campaign, women didn’t even have the vote, but they were convinced they could put an end to the trade, and they did. For me this determination and tenacity runs through the RSPB to this day. They used every tool at their disposal, just as we do today, campaigning with the public to drive awareness and support, engaging with politicians to drive legislative change and using science to gain credibility.
Our world-leading research allows us to take a bird’s eye view of the overarching problems facing nature and then pinpoint solutions that make a real difference. The world around us and the threats to birds and wildlife has changed significantly since the RSPB was created and so we have had to constantly evolve and change. Today we’re the UK’s largest nature conservation charity, with nearly 1.2 million members. We manage more than 200 nature reserves across all four countries of the UK, covering an area the size of 250,000 football pitches, making us the UK’s 5th largest landowner. Across those landscapes over 18,700 different species have been recorded. 85% of our workforce are volunteers, spending 1 million hours acting for nature every year. And we now have over 130 local groups spread right across the UK, connecting people and progressing conservation projects. We want to grow the number of people engaging with us as members, supporters, donors, volunteers, all taking action so that we can achieve a shared world where wildlife, wild places and all people thrive together. To do that we need to protect and restore habitats and landscapes, save species, help end the nature crisis, and inspire others to do the same. That’s a big ask but if anyone can do it, we can.
In particular in the UK our priorities are around demonstrating the art of the possible in terms of conservation on our nature reserves, and influencing nature-positive management at scale through partnerships in our Priority Landscapes; Internationally working with and through the BirdLife International partnership to deliver significant positive conservation impacts around the world; working to reduce the harmful impacts of selected fisheries around the world and marine development in the UK; getting the most important places protected through strengthened policy, and tackling threats to priority species; working tirelessly to secure the future of threatened species; working in partnership with the farming community across the UK, providing evidence-based advice to farmers, Governments and businesses, demonstrating good practice and developing and promoting policy frameworks that would enable a fair transition to nature-friendly farming; advocating for new income streams for nature so more can be invested in species and habitat recovery; and continuing to engage and empower more, and more diverse, people to take meaningful action alongside us to achieve all this. Ultimately, just like back in 1889, we think and act big. We deliver conservation you can see from space.
The Night of Nature concert seems like a new and exciting direction for RSPB engagement events. What inspired you to branch out?
Whilst Night of Nature is a bit of a first of its kind event for the RSPB, we nonetheless have a rich history of collaborating with voices from across the arts in order to bring nature to ever wider audiences. Back in 2022 we worked with international choreographer Sadeck Waff and agency 89up to create a ‘human murmuration’– a choreographed performance inspired by the stunning display birds put on as they flock together in a dance-like movement, emphasising the importance of working together to create impact. The murmuration was shown at COP15 where the Global Biodiversity Framework was agreed at the 11th hour. One of our current conservation milestones is the 50th anniversary of the re-introduction of White-tailed Eagles to the UK. To celebrate this achievement, we’ve partnered with acclaimed musician and sound artist Alice Boyd, who has just released a new track ‘Return of the White-Tailed Eagle’ (now streaming here) in tribute to the species. Alice also features – alongside RSPB ambassadors Dave Sexton and Nadeem Perera – in a forthcoming RSPB short film, ‘Return’, which documents the decades of conservation work by RSPB and our partners to bring the species back from the brink of extinction. ‘Return’ will release on August 29, with the trailer now streaming here.
We know just how important the voices of the creative community are to articulating the stories that drive our conservation work, and we’re thrilled to develop this relationship even further with Night of Nature.
Can you tell us a bit about the concert and what people can look forward to?
Night of Nature will blend live music with a cinematic celebration of nature. Stunning footage of the incredible species and habitats that we’re working to safeguard will be showcased on the Troxy’s big screen, synched to performances from #1-charting vocal group G4 and the Vesper string quartet. The evening will be hosted by RSPB Ambassador, actor/director Samuel West.
Think of this as a red-carpet experience—without the red-carpet price tag. With tickets starting at just £28, guests can enjoy an unforgettable show, mingle with our team, and even pose for a photo on the red carpet. It’s excitement, and entertainment—all within reach.
You have some exciting names attached to this event, how did they come to be involved?
G4 was a natural choice for Night of Nature. With their stunning harmonies and emotive performances, they bring a powerful sense of atmosphere to every stage they grace. But beyond the music, what really drew us to G4 was their genuine appreciation for the natural world. That really matters to us.
As a group that tours extensively across the UK and Ireland, G4 have had the chance to experience some of the country’s most breathtaking landscapes—from the dramatic coastlines of Scotland to the peaceful beaches of Devon, the wild beauty of Ireland, and the rolling hills of Yorkshire. Along the way, they make a point of pausing to soak in the scenery and observe the wildlife around them—often sharing these moments and photos with their fans on social media. It’s a window into the quieter, more reflective side of life on tour, and a reminder of how closely nature and creativity are intertwined.
With families of their own, the band feel a deepening responsibility to protect these places—not just for today, but for the generations that follow. When invited to take part in Night of Nature, they were immediately drawn to the idea of using music to celebrate the beauty of our world and support the vital work of the RSPB. For G4, this event is more than a performance—it’s a chance to help inspire others to cherish and protect the natural world.
Samuel West is an actor (currently playing Siegfried Farnon in All Creatures Great and Small on Channel 5) and director, and a keen birder for nearly twenty years. Speaking about his connection to RSPB and its work, Samuel says; “Until birds get their act together and organise their own pressure groups, I suppose we’ll just have to do it for them. With nature under unprecedented attack, the RSPB shows those in power what a huge and vocal nature lobby can do to change things. Our two young daughters love nature, and watching birds in particular. But the world they’ll inherit is in trouble. Half of all bird species worldwide are in decline. Biodiversity isn’t just a nice thing to have, it’s essential for the survival of humanity and the planet.”
Accessibility and connection to nature appear to be key inspirations for this event. What are you hoping to achieve with the Night of Nature concert?
In essence, Night of Nature is our way of saying a very heartfelt ‘thank you’ to all our members and supporters for their backing, without which we wouldn’t be able to deliver the vital work needed to protect and maintain the stunning array of species and habitats you’ll experience up on the Troxy’s big screen.
But we also know that we need more people to join us in taking action for nature. So we hope this also inspires even more people to come along and be a part of something bigger. Whatever you do – big or small – matters. It all joins up to create real and lasting change. Furthermore, research also demonstrates that connection to nature is in turn good for our own mental & physical well-being. Good for people and good for nature.
It’s our hope that Night of Nature galvanises even more of us to join the fight against biodiversity loss and work to tackle the climate crisis, as we strive towards a shared world, where wildlife, wild places and people all thrive alongside each other.
“Make Ecocide An International Crime Now” sign on the tarmac at a rally against climate change – Ivan Radic,Flickr
Progress towards the recognition of ecocide as an international crime
A motion (motion 061), supported by the Wildlife trusts among other environmental groups, invites IUCN members to support the recognition of ecocide as an international crime. Supporters, including wildlife trusts CEO Craig Bennett, argue that recognition would ensure that no actor can cause severe, widespread or long-term harm to nature without facing criminal consequences. Proponents have argued for decades (including a notable 10-year campaign led by barrister and green ambassador Polly Higgins) that international recognition of ecocide as a crime is essential if we are to collectively mitigate global environmental crises and protect nature. The motion will be considered at the next IUCN World Conservation Congress, set to take place in Abu Dhabi, UAE, in October.
Restrictions on the use of lead ammunition in Britain
Almost all shotgun pellets and bullets containing lead are to be banned in the UK under restrictions which will be phased in between 2025- 2028. The persistence of the usage of lead in shooting has led to the death of an estimated 100,000 waterfowl each year, alongside countless other grit-eating birds, raptors and scavengers. The new restrictions have been welcomed by environmental groups and are consequent to a decades long campaign. The story up to this point was covered in British Wildlife Volume 36.4.
Image from Gulf Oil Spill Bird Treatment in Louisiana provided by International Bird Rescue Research Center. Photo by Brian Epstein via IBRRC, Flickr
The global impact of chronic oiling
The Guardian and Watershed Investigations have revealed damning statistics which underly a lack of understanding of the extent of oil spills in global seas. Extensive research, through the analysis of hundreds of thousands of satellite images over a five-year period shows that only 474 of more than 90,000 oil slicks from ships were reported to authorities between 2014 and 2019. The figures suggest that the extent of anthropogenic oil pollution has been grossly underestimated.
Lost jellyfish rediscovered
A species of stalked jellyfish, Depastrum cyathiforme, that had not been seen anywhere globally for more than 40 years and had never captured on camera has reemerged in the Outer Hebrides.
Naturalist, Neil Roberts, took the first photographs of the thistle shaped jellyfish in 2023. Its rediscovery, revealed by British Wildlife magazine, has been confirmed by a follow-up search that successfully located another individual. Marine naturalists have called for further exploration to establish whether populations exist outside of South Uist, around wider Britain and mainland Europe.
NHBS colleague Leon recently attended the general meeting of the European Botanical and Horticultural Libraries Group, or EBHL for short, which this year took place in Paris from May 14th to 17th. This annual conference brought together librarians and archivists from academic libraries and herbaria for several days of talks and behind-the-scenes tours at four outstanding locations in Paris. We have attended previous meetings in Brussels and London, and this continues to be a valuable occasion to meet some of our key customers from across Europe and the USA in person. The overarching theme of this year’s meeting was “Plant Sources;” branching out into three topic areas overthree consecutive days.
A view of the Jardin des Plantes and part of the Paris Natural History Museum.
Day 1
The first day took place just outside the Paris Natural History Museum and its botanical gardens and discussed new tools for botanical and horticultural documentation. This included approaches to preserving the illustrations in the herbarium of Bonpland and Humboldt, how bibliographic metadata reflects historical developments in taxonomy, and an introduction to World Flora Online, a global resource for botanical information. After lunch, delegates were splitinto several groups and taken around the special collections section of the Central Library, which featured a collection of remarkable historical wax models of fruit and fungi that were used in teaching. We were also amazed to see the museum’s restorators at work in the basement’s book and paper restoration workshop, surrounded by a collection of vintage hand tools and presses. The craft and skill on display here were, frankly, astonishing. The day was completed by a trip around the botany library and its enormous herbarium storing dried plant specimens, including some remarkable collections of original herbaria and exsiccata from Humboldt and other historical collectors.
Some of the historical herbaria and exsiccata in the collections of the museum’s botanical library.
Day 2
The location of the second day of the conference, the Institut de France.
On Wednesday, the conference continued at the Institut de France in the heart of Paris, right next to the Seine, and discussed private herbaria. A series of talks introduced us to some remarkable historical figures, including Benjamin Delessert, the Girardin family, and the tragically short-lived Auguste Pervillé, who died aged 33. Details of their lives and the impact they have had on the history of botany are ongoing areas of research. After a brief tour of the stunning library of the Institut de France, we were expected back at the Natural History Museum for a guided tour of its famed Jardin des Plantes. After this, I had the opportunity for a quick visit to the museum’s comparative zoology and palaeontology galleries, which have been high on my bucket list for Paris. The group reconvened in the evening at a rather unique venue, the moored barge “L’Eau et les Rêves” that doubles up as a floating café and Paris’s only botanical bookstore.
One of the libraries inside the Institut de France, normally only accessibly on appointment.The mind-boggling collection of vertebrate skeletons in the museum’s Gallery of Comparative Zoology.
Day 3
Given the meeting’s theme for the third day, “Understanding French Horticulture”, we were originally supposed to convene at the Société Nationale d’Horticulture de France (SNHF) but, due to ongoing building and restoration works, were instead hosted at the Ácademied’Agriculture. After being greeted by a bust of none other than Louis Pasteur, we listened to presentations from visiting scholars on, amongst others, SNHF’s historical bulletins and what they reveal about how horticulture grew and developed in France, the remarkable early-20th century autochrome and film collection of the Albert Kahn gardens (subject of the book Natures Vivantes), and the botanical iconography that can be found in the Decorative Arts Library. The latter was avisually rich talk on how botany has influenced ornaments used in print and sculpture.
One of the beautiful libraries in the French Senate.
In the afternoon, we were allowed access to several libraries inside the French Senate and taken on a tour of the adjacent gardens, the famed Jardin du Luxembourg. In the evening, we went back to the academy for a remarkable presentation of the book Les Raisins de Redouté, which reproduces historical paintings of grapes and grapevines. After having gone missing for over a century, this collection of 83 paintings on vellum was rediscovered in the academy’s archives in 2018 and reproduced in this handsome, large-format book while the originals, valued at some 6 million euros, have been stored in safer environs.
Day 4
The final day of the EBHL conference entailed a visit to Versailles, specifically to the Potager du Roi, the King’s vegetable garden, and the library of the adjacent École Nationale Supérieure de Paysage. This working garden used to supply food to the courtiers at Versailles at a time when year-round availability of fresh fruit and vegetables was still largely unheard of. The garden is in the process of being restored and has a long and storied history. In the library, the archivists treated us to numerous original maps from their collections that show plans of this and other gardens in Paris.
The meeting was a great opportunity to catch up with existing customers and hear what their institutes are up to. We are looking forward to the next meeting and would like to thank the organizers of this year’s conference, in particular Florence Tessier, Sabrina Castandet-Le Bris, Mégane Pulby, and Audrey Lumière.
NHBS welcomes opportunities to develop closer ties with the professional and amateur organisations that we count amongst our customers, whether through attendance or sponsorship. Do not hesitate to reach out to us.
Course attendees learning small mammal survey techniques at the Field Studies Council’s Preston Montford activity centre
In the lead-up to this year’s National Mammal Week (21st-27th April), NHBS was kindly invited by the Mammal Society a preview of their new Mammal Identification and Ecology residential training course.
The Mammal Society is an active charity and learned society dedicated to the study and conservation of all British mammals. Founded in 1954, the organisation plays a crucial role in promoting research, education, and advocacy for mammal conservation. The Mammal Society works closely with scientists, policymakers, and the public to gather data, inform policy, and raise awareness about the importance of preserving Britain’s mammals species. The society’s efforts are vital in addressing the challenges faced by mammals, including habitat loss, climate change, and human activities.
Course attendees surveying habitat at the Field Studies Council’s Preston Montford activity centre
A golden ticket
I was fortunate enough to receive the golden ticket to this enriching experience – a preview of a new immersive, hands-on training course focused on British mammals. Heading to Field Studies Council (FSC) Preston Montford activity centre, I was looking forward to engaging with ecologists, conservationists, and enthusiasts, all united by their passion for conserving UK mammal populations. I was also excited to gain insights into the equipment and methods used for monitoring mammals and to enhance my own identification skills.
The training course aimed to introduce participants to the skills needed for mammal identification and help us familiarise ourselves with various monitoring methods. These skills are crucial for accurately tracking population trends, population movements, and the factors influencing changes in conservation status. With one in four mammal species threatened with extinction in Britain, gathering detailed data is more important than ever.
The FSC’s centre, surrounded by fields, woodland, ponds, and the nearby River Wye, provided an ideal backdrop for a mix of fieldwork and classroom-based learning. With the added presence of an evening bar, this was a most appropriate venue where course participants could exchange their thoughts and evaluations.
Diving into mammal identification
The course kicked off on Friday evening with a hands-on session preparing Longworth Small Mammal Traps. We strategically placed 40 traps in an area of mixed habitat (the more traps you put out the better the chances of success). We added hay to each trap and baited them with seeds and blowfly pupae to attract rodents and shrews. The next morning, our efforts were rewarded with the capture of a Wood Mouse and a Common Shrew. It was fascinating to learn about the shrew’s high metabolic rate and the importance of providing food in the traps.
Longworth Small Mammal Traps ready for deployment (left) and a mix of hay, seeds and blowfly larvae (right).A Wood Mouse (left) and a Common Shrew (right) from the Longworth traps.
Additional monitoring methods included audio recording equipment, a Mammal Footprint Tunnel, and an improvised close-focus camera trap. The overnight footage from the camera revealed some curious Rabbits, adding to the excitement of our findings.
Footprint tunnel (left) and a trail camera tunnel (right) left out to survey mammals.
Classroom insights and field adventures
Saturday was packed with classroom sessions in a room that had been kitted out with mammal skins, skulls, nests, owl pellets, droppings and publications. The morning session was devoted to gaining a deeper understanding of small mammals and their ecological roles. The afternoon session focused on herbivores, teaching us how to identify the six species of deer in the UK and recognise signs of Wild Boar presence, such as uprooted turf.
A highlight of the day was the field session, where we searched for signs of mammal activity. From tunnels through grass and soil to footprints, droppings and gnawed hazelnuts, the landscape was teeming with evidence of our furry neighbours. The evening session on carnivores was equally engaging, with discussions on the UK’s mustelids, the elusive Wildcat, and the controversies surrounding mammal persecution and reintroduction.
The evening concluded with a session on bats, followed by a thrilling field trip with bat detectors and thermal imaging monoculars.
Dan dissecting owl pellets to assess the contents.
Sunday morning saw us checking the results from our field monitoring equipment. The most challenging part for me was the classroom session on tracks and signs, where I struggled with a footprint quiz. Dissecting owl pellets was a unique experience, revealing the remains a Field Vole and a Common Shrew in the pellet I looked at.
Owl pellets (left) and exposed Field Vole skull, bones and fur (right).
The final session covered sea mammals, such as dolphins, whales and seals after which a weekend of comprehensive learning was rounded off with a course evaluation.
Post-event musings
The Mammal Society’s training course was an invaluable experience, combining hands-on fieldwork with insightful classroom sessions. I returned with a deeper understanding of the diversity and complexity of the UK’s mammals, as well as the importance of ongoing conservation efforts. Equally, I gained a refreshed appreciation for the profound knowledge and dedication of the members of the Mammal Society. I also learned about some handy wildlife recording apps, such as the Mammal Society’s own Mammal Mapper, and iRecord for all biological recording. Whether you’re a seasoned ecologist or a curious enthusiast, you’re sure to return from this training enlightened and motivated.
The 15th volume in the insightful British Wildlife Collection is this timely and illuminating journey into the wild lives of Urban Plants. In this book, Trevor Dines explores the floral species that pioneer our pavements and walls, break ground in our towns and cities and strive to connect corridors for pollinating invertebrates through our built-up landscapes. Trevor also looks to the future and the potential impacts of invasive species, herbicides and climate change, as well as the concept of urban rewilding.
Trevor Dines, a farmer’s son from Hampshire, co-authored the New Atlas of the British and Irish Flora, mapping every native and naturalised plant in these islands. A campaigner for better management of road verges and lawns and the creation of wildflower meadows, he appears regularly on the Radio 4 Today programme, BBC Breakfast and Countryfile. Trevor also presented Channel 4’s Wild Things and wrote the accompanying book The Wild Things: Guide to the Changing Plant Life of the British Isles.
We recently had the pleasure of asking Trevor more about why and how he came to write Urban Plants
Firstly, can you tell us a little about yourself and how you came to write the 15th volume in the renowned British Wildlife Collection?
I was incredibly lucky to grow up on two farms -one in Wiltshire and another in Hampshire -where I developed a deep passion for wild plants. I’d spend hours searching dad’s fields for rare arable flowers like Venus’s-looking-glass and Rough Poppy, as well as orchids on the chalk downland. After leaving Bangor University with a PhD in plant architecture, I worked for the Botanical Society of Britain and Ireland, co-authoring the New Atlas of the British and Irish Flora (2002). This is when I really got to know our flora, travelling the length and breadth of the country meeting plants and the network of incredibly talented plant recorders that are so happy to share their knowledge. For 20 years I then worked for Plantlife – the plant conservation charity – in particular championing the creation of wildflower meadows, the better management of road verges, and changing attitudes towards lawns through the invention of No Mow May.
During this time, I also presented a Channel 4 TV series (Wild Things) that showed how and why plants are changing their distributions around Britain and Ireland. This led to more work in the communications side of things at Plantlife, something I’ve always had a passion for because it’s such an important element of conservation. This was an exciting time, with appearances on BBC Countryfile, BBC Breakfast and Gardeners’ World, as well as many local radio and newspaper interviews and writing articles for magazines. Katy Roper, Commissioning Editor at Bloomsbury Wildlife, became aware of my work through an item I’d written about the spread of Oxford Ragwort and invited me to consider writing a book on urban plants for the series. I was, of course, thrilled at the prospect, and threw myself into the project in 2022 when I became a freelance botanist.
Flowers in a Conwy street by Trevor Dines
My favourite excerpt from the book was hearing about the newly established population of Lesser Tongue-orchids thriving on the roof of a large city bank. Do you have a favourite, but possibly less well-known, urban botanical enclave you can share with us?
I particularly enjoy finding mundane or even rather grotty places with completely unexpected plants. Between a footbridge and the railway into my local town, Conwy, for example, there’s a thin sliver of fallow waste ground that’s home to a very bizarre mix of plants. Alongside the usual suspects like Buddleja and Oxford Ragwort, bright pink Pyramidal Orchid and Zigzag Clover push up between clumps of Pampas Grass, an increasingly invasive garden escape from South America. And, for the last few years, Iris reticulata × histrioides ‘George’ has also flowered here, the only place in Britain where it’s known to be established outside gardens. Tantalisingly, all these plants are unreachable behind a metal fence, adding another level of challenge for the urban botanist.
There has been a sad decline in the number of higher education courses offering botany as an option. However, with the news of the natural history GCSE coming this year, how would you integrate uUrban botany into the course as a way to encourage future botanists?
Urban botany is unique in being accessible to everyone, everywhere. You don’t need to travel to a nature reserve, a woodland, a meadow or other special place to engage with it – it’s quite literally right there on your doorstep. This makes it an ideal subject for the new GCSE, and there are lots of opportunities. Students could look at the phenology of flowering through the year, counting the number of flowers in a given area from the first Dandelions and Groundsel of the year to Herb-Robert and Red Dead-nettle at Easter, and finally Red Valerian and Purple Toadflax before the end of term. Or they could study local walls, seeing how the vegetation varies according to building materials and the direction the wall faces. Or they could look at the impact of footfall on pavements, with fewer plants in areas having most pedestrian traffic. The important thing is that urban plants are fascinating because every species has a story to tell; I love the reaction from kids when you tell them that germinating seeds of Shepherd’s-purse actually kill nematodes to help them survive. It helps bring their environment alive (unless you’re a nematode!).
Iris reticulata x histrioides ‘George’ by Wendy McCarthy
Rewilding is a hot topic in conservation and biodiversity, and No Mow May is a growing campaign many partake in. Can we ‘rewild’ our immediate environment with this changing mindset to benefit urban plants and biodiversity?
I’m glad you’ve put ‘rewild’ in quotes, as it’s become such a diluted phrase – it now seems to cover any conservation action, from planting wildflowers in a window box to reintroducing beavers. Rewilding in its original form (the reintroduction of charismatic mammals to kick-start natural processes) is very difficult to do in urban areas because habitats are so fragmented and anthropogenic pressures are so high. As engaging as they are, I’m afraid beavers can’t do much to improve the diversity of life in the built environment.
But for many people, rewilding simply means reining back on the intensity of management (or even abandoning management at all) and just letting things grow, seed and recover. And in this case, yes, it’s what the urban environment desperately needs. As the creator of the No Mow May campaign, it’s fantastic to see how this approach has captured people’s imaginations and encouraged us to put the mower away, hopefully not just for May but the whole of summer. The results can be spectacular, with orchids appearing on lawns and mini-meadows with carpets of White Clover, Selfheal, Bird’s-foot-trefoil and buttercups.
Urban biodiversity is all about the tension between our desire for control – an environment kept ‘neat and tidy’ through the use of herbicides, mowing and strimming – and our desire for something wilder. We are, I think, still exploring this relationship, trying to become more comfortable with ‘messier’ streets. Many towns and cities are relaxing their use of herbicides and allowing more vegetation to grow, but then often face a backlash from the neat-and-tidy brigade. Hopefully, as is the case in much of Europe, we’ll become more relaxed in the future and begin to embrace more flowers on our streets in the future.
You discuss how the successional stages of our urban landscape provide a unique opportunity for plants from around the world, which is a win for cosmopolitan biodiversity. What can we learn as individuals from the resilience of this vast array of plant life?
I think botanists inherently appreciate that diversity is not just a good thing, but the very foundation of resilience. Each species has its own suite of unique characteristics that help it survive – be it tolerance of drought or pollution, the ability to set seed within just a few weeks, or a particularly successful method of dispersal – and building communities of plants with these different traits helps them survive the intense stresses of the urban environment. We humans are just the same; we are all different, we all have different skills and talents, and we all bring something unique to the party. And if we come together and draw strength from our diversity, we’re much more likely to cope with the everyday stresses of urban life.
Finally, what’s taking up your time at the moment? Are there any other projects you’re working on that we can hear about?
I’m currently working for the Species Recovery Trust, a small but brilliant charity that’s dedicated to the long-term survival and recovery of a suite of highly threatened species. Alongside traditional conservation subjects like Field Gentian and Forked Spleenwort, I’ve just started working on Welsh Groundsel (Senecio cambrensis) – a hybrid between Oxford Ragwort and Common Groundsel. This unique endemic species is only found in north Wales where it grows along pavement edges, roadside hedgerows and on waste ground, usually in urban settings. Unfortunately, it’s fallen victim to the neat-and-tidy brigade, having been lost from dozens of sites due to herbicides and strimming. It’s now only known from five places and is on the brink of extinction, so we have a lot of work to do to bring it back. But I relish this sort of challenge and hopefully we can recover some lost populations in the next few years.
Welsh Groundsel plant beside Chirk Council Office by Trevor Dines
Urban Plants by Trevor Dines is volume 15 of the British Wildlife Collection published by Bloomsbury in Hardback and is available from nhbs here.
