Little Toller Books: Publisher of the Month for July

Little Toller Books  are celebrating their tenth anniversary this year, and we are delighted to make them our Publisher of the Month for July. In 2009 Adrian and Gracie Cooper began re-publishing some of the great ‘lost’ works of rural writing – like The South Country By Edward Thomas and Four Hedges by Clare Leighton, with introductions by contemporary writers and beautiful new jackets.  Thus,  the backbone of Little Toller’s publishing – Nature Classics was conceived.

 

Little Toller publish new writers too; such as Peter Marren’s recently published comprehensive guide to the names of our butterflies and moths –Emperors, Admirals and Chimney Sweepers; and Landfill by Tim Dee (who recently took the time to answer some questions for the NHBS blog, an ode to gulls, which has been recently long-listed for the  Wainwright Golden Beer Book Prize 2019

Little Toller remains ambitious; following on from The Ancient Woods of the Helford River, a second posthumous title from Oliver Rackham – The Woods of South East Wales will be published later this year.  Also forthcoming, and due in August is Living with Trees, a practical book about how we can live better with trees and allow them to enhance our landscapes. Little Toller Books have also recently secured the publishing rights for teenage naturalist Dara McAnulty’s book Diary Of A Young Naturalist.

Ten years of nature writing

With Emperors, Admirals and Chimney Sweepers; and Landfill stealing the show recently, we have selected five other stand-out books from across their ten years of publishing:

Orison for a Curlew
Paperback| July 2017| £6.99 £7.99
A story of the struggles of conservation and a homage to the Slender-Billed Curlew, a bird that may never be seen again.

 

Arboreal: A Collection of New Woodland Writing
Hardback| Oct 2017| £16.99 £19.99
An anthology exploring the relationship between trees, woods and people.

 

The South Country
Paperback| June 2009| £7.99 £9.99
Edward Thomas’s lyrical, passionate, and sometimes political writing merges natural history with folk culture in The South Country.

 

The Ash Tree
Paperback| Nov 2016| £7.99 £9.99
Oliver Rackham’s call for a radical shift in our attitude to trees – there is no more urgent message for our times.

 

Cornerstones Subterranean Writings
Hardback| April 2018| £12.99 £15.99
Some of the UK’s leading landscape and nature writers consider the depth of their relationships with the ground beneath their feet.

 

All price promotion valid until July 31st 2019

Author interview: Simon Barnes

When writer Simon Barnes heard a Cetti’s Warbler sing out at a house viewing, he knew immediately that he had found his new home. Their new garden backed onto an area of marshy land which he and his wife purchased and began to manage it as a conservation area, working with the Wildlife Trust to ensure it became as appealing as possible to all species.

On the Marsh is his account of a year spent surrounded by wildlife. Part memoir, part nature guide, this is a vivid and beautifully written account of the wonders that can sometimes be found on our doorsteps, and how nature can transform us all.

We asked Simon a few questions about the inspiration behind writing his new book and his hopes and ambitions for the wildlife of Britain.

 

1. Can you tell us a little about your background and how you got interested in the natural world?

 

I received David Attenborough’s Zoo Quest for a Dragon as a junior school prize, the Natural History Museum every Saturday and the trees of Streatham Common to climb. After education and four years on local papers I ran away to Asia, when I worked as a gonzo journalist and re-found my taste for wildness.

I returned home and started writing about sport and wildlife, with columns in The Times on both subjects; I was chief sports writer for 12 years. I have written a number of books on wildlife, including the Bad Birdwatcher trilogy.

2. What was your inspiration to write a more auto-biographical work than your previous books?

I suppose it was the marsh itself. I wanted to write, not just about the few acres of Norfolk marshland we are lucky enough to own, but also about living with the place: sharing it: being a part of it.

I started writing with that idea in mind: and at once, my younger son Eddie made an entrance. I hadn’t really planned that, but he and I spend a lot of time out there, so it had to happen, I suppose. He’s just turned 18 and has Down’s syndrome. I started off wanting to write about vulnerable places: I ended up writing about vulnerable people as well.

3. Do you believe intervention in the form of land management is important to keep places like the marsh just as they are?

In land-management, doing nothing is a powerful form of action. Mostly I have left the marsh do what it wanted, but I have made sure the dikes are kept cleared and some trees have been cut down. I now manage an adjoining few acres rented from the parish: I am trying to keep this place open with the help of a local grazier. Nice contrast.

What’s natural? What’s unnatural? What’s imposed? Sterile questions: what matters is life.

4. The Barn Owl is often described in your book; would you say that it was the totem species on the marsh, or would you give that accolade to something else?

 

I am slightly surprised by this question, because so far as I am concerned, the marsh harriers steal the show. Marsh harriers: extinct as breeding birds in this country in the 19th century, making a comeback after WW1, then reduced in 1971 to a single pair – and now they skydance and hunt and food-pass over our bit of marsh: the powered flight just above stalling speed, the long glide with the wings held in that dihedral, and above all, the sense of ownership… because the marsh harriers own the marsh. I have the immense privilege of looking on.

5. While observing the marsh, was there one surprising fact or discovery that you didn’t previously know that you’d like to tell us about?

I was given a moth-trap for my birthday. I am pretty ignorant about moths, but on the first day I used it, the first moth I found was the moth on the cover of my moth ID book: an Elephant hawk moth, big enough to count as an honorary bird. So I read it up: and apparently it’s common. Well, maybe so: not commonly seen. It was a classic through-the-wardrobe moment.

6. What are your hopes for the future of such special and bio-diverse places?

My hope for the future is that they have one. I have long given up optimism, because I’m not daft, but pessimism is no way to live. Will we win the battle? Or will we lose? Such questions no longer matter. What matters is fighting on the right side.

7. Do you have any new projects in the pipeline that you’d like to tell us about?

 

 

I’m working on a big fat book called A History of the World in 100 Animals. It’s about the interface between human and non-human species: starting with Lion (we humans were originally a prey species), moving on to domestic cat (did we take them into our home because they purr?) and then to Gorilla (did you know there were just 46 years between King Kong terrorising New York and David Attenborough romping with Gorillas in Rwanda? That’s revisionism for you…). After that, Galapagos Mockingbird, American Bison, Oriental Rat Flea… you get the idea.

On the Marsh: A Year Surrounded by Wildness and Wet
Hardback | June 2019| £13.99 £16.99

How the rewilding of eight acres of Norfolk marshland inspired a family and brought nature even closer to home.

 

All prices correct at the time of publication.

Author Interview – Stephen Rutt

In this moving and lyrical account, Stephen Rutt travels to the farthest corners of the UK to explore the part seabirds have played in our story and what they continue to mean to Britain today. From Storm Petrels on Mousa to gulls in Newcastle and gannets in Orkney, The Seafarers takes readers into breath-taking landscapes, sights, smells and sounds, bringing these vibrant birds and their habitats to life.

To get to know Stephen Rutt and his new book, we asked him a few questions on his inspiration, advice and some interesting facts he’s discovered on his journey while writing The Seafarers.

  1. Can you tell us a little about your background and how you got interested in seabirds?

I’ve been birding since I was 14. I grew up with two dominant interests: birds and books. Circumstances funnelled me towards studying literature and after university I was unhappily living in London with a job I didn’t enjoy. When I was 22 I saw an opportunity to get out, by volunteering at the bird observatory on North Ronaldsay, the northernmost of the Orkney islands. I was expecting to fall in love with migratory birds, but found myself in one of the slowest, least-exciting springs for them. That focused my attention instead on the unfamiliar terns, the tysties (black guillemots) and fulmars. I fell in love with seabirds there. The Seafarers is my love letter to them.

2. If anyone wanted to observe or study seabirds themselves, what would be your advice to getting started.

Britain is brilliant for seabirds. Even if you can’t get to the coastline, there are kittiwakes – a proper sea-going gull – nesting in Newcastle city centre, and terns migrating overland. If you can get to the coast then there will be a colony of something not too far away, whether it is terns or fulmars or gannets or auks. Find a place and a species that suits you and spend some time watching – it’s a heady, hypnotic, fun thing to do. Some books will help. The Collins Bird Guide is a great field guide to help you work out what you’re looking at, particularly with the tricky common/Arctic tern, and a book like Shearwaters by R. M. Lockley will guide you through the thought processes and the joy of observation. If anyone reads The Seafarers and is inspired to go birding or seek out a seabird, I will consider it a success.

3. Seabirds face many threats to their survival; in your opinion, what is the number one threat they face?

Climate change. Plastic pollution is an obvious and alarming threat, but I fear it is easy to be distracted by a problem that’s much more visible, emotionally involving, and straightforward for individuals to have an effect on. Global warming threatens everything: not just the birds but the eco-systems they live in. It is not an original thing to say, but it is the number one threat with which we live. Problems are amplified by apathy. I wrote the book to bring the sight, the sound, and the smell of the species and landscape to the reader. I want people to fall in love with seabirds like I did.

4. Each chapter tends to focus on a different seabird; are you able to say which bird had the most profound effect on you?

Fulmars. I had been travelling the best part of 24 hours by public transport (two trains, four buses), when I finally got the ferry across to St Margaret’s Hope on the Orkney archipelago. It was blowing a gale and I was worried about the flight to North Ronaldsay being cancelled, stranding me in an unfamiliar place. I stood on the deck anyway, clinging to the handrail, fulmars carving up the breeze, turning it into their plaything. Their ability at flying elegantly in the strongest winds is exceptional. The wind continued for my first few days on North Ronaldsay. Fulmars were everywhere. At times they were close enough that it felt like I could reach out and touch them (though obviously I didn’t!). That was glorious. They were my welcome committee and they made the transition feel like absolutely the right thing to do.

5. While writing your book and observing seabirds; was there one surprising fact or discovery that you didn’t know previously that you’d like to tell us about?

I learned so much while researching the book, both how astonishing seabirds are and the distressing effects we are having on them. But let’s be optimistic! One of my favourite discoveries was in relation to the Arctic tern that were GPS tagged on Northumberland’s Farne Islands. It took the birds just a month to migrate to the sea off the coast of South Africa’s Cape of Good Hope. It took them just a month to return from there in spring, as well. The speed and the distance they are capable of is just incredible.

6. What are your hopes for the future of seabirds?

That they have one – which is depressing but true. Beyond that, I hope that we can take their conservation seriously, and that they can thrive as we continue into the Anthropocene, and a future of plastic pollution and global warming.

7. Do you have any new projects in the pipeline that you’d like to tell us about?

I do! I have just finished my second book. It’s about geese, winter, and the twin pull of Scotland and East Anglia and should be published this autumn by Elliott & Thompson. In the meantime, I’m looking forward to going birding again.

The Searfarers: A Journey Among Birds
Hardback | May 2019| £14.99
Takes readers into breath-taking landscapes, sights, smells and sounds, bringing these vibrant birds and their habitats to life.

 

 

You can discover more about the lives of seabirds, shorebirds and wildfowl by browsing our complete selection.

Royal Botanic Gardens, Kew: Publisher of the Month for June

 

NHBS are pleased to announce Royal Botanic Gardens, Kew as our Publisher of the Month for June 2019.

Kew have been publishing important scientific texts for nearly 260 years, the first notable publications being John Hill’s catalogue of trees and shrubs at Kew.  With the arrival of William Jackson Hooker as Kew’s first director, and his successor and son Joseph Dalton Hooker in the 1800s, the publishing output of Kew soared as it became a scientific institution.

Their book publishing is inspired by Kew’s scientific work and collections and is aimed at engaging new audiences as well as plant lovers and professionals.

Just Published

Kew have just published: Field Guide to the Orchids of Europe and the Mediterranean. A comprehensive and beautiful photographic guide to the orchids of the region. Written by leading experts, who between them have decades of orchid field and research experience.

Paperback | May 2018| £24.99 £29.99

 

Bestsellers

We have many of Kew’s bestselling books on promotion during June.

Wild Plants of Southern Spain: A Guide to the Native Plants of Andalucia
Hardback | May 2017| £23.99 £29.99
An essential guide for anyone wanting to understand more about the flowers of this region.

 

Plants of the World: An Illustrated Encyclopedia of Vascular Plants
Hardback| Oct 2017| £57.79 £71.99
The first comprehensive book to cover every vascular plant family in the world.

 

Field Guide to the Wild Flowers of the Western Mediterranean
Hardback| March 2016| £31.99 £39.99
Covering over 2,500 plants, this easy to use guide focuses on the most common and conspicuous species that occur in the area.

The Kew Plant Glossary: An Illustrated Dictionary of Plant Identification Terms
Hardback| June 2016| £14.99 £17.99
This plant glossary includes all descriptive terms used in floras, plant field guides and monographs.

 

Wild Flowers of the High Weald
Paperback| April 2018| £11.99 £14.99
An Area of Outstanding Natural Beauty running across West Sussex, East Sussex and Kent. Within it are many varied habitats, from lowland heath to meadows and woodlands.

Ophrys: The Bee Orchids of Europe
Paperback| July 2007| £29.99 £39.99
An insight of what a radically different energy future may look like and how we can prepare for it.

Forthcoming from Kew

Royal Botanic Gardens, Kew have more publications due in 2019, notably: The Extraordinary Story of the Apple, Field Guide to the Plants of the Falkland Islands and Field Guide to the Wild Flowers of the Eastern Mediterranean.

Browse all our books from Royal Botanic Gardens, Kew.

Kew’s  mission is to unlock the potential of plants and fungi, through the power of scientific discovery and research. 

All price offers are valid until 30th June 2019.

Author interview: Peter Marren

Written with Peter Marren’s usual wit and insight, Emperors, Admirals & Chimney Sweepers takes you on a journey back to a time before the arts and science were divided. When entomologists were also poets and painters, and when a gift for vivid language went hand-in-hand with a deep pre-Darwinian fascination for the emerging natural world.

Peter took the time to answer some of our questions about his new book and the origin of butterfly and moth names.

Tell us a little about your background and how you got interested in the etymology of species names?

I’m a natural history writer (in the sense that I’ve written a lot about natural history) with a background in nature conservation in Britain. I’ve loved butterflies and moths since boyhood, and I suppose I must have realised even then that many of them have unusual names. What the hell was an eggar? Or a lutestring? Probably like most people I didn’t think too much about it – weren’t names just labels? – until, out of curiosity, I went into the name of the Red Admiral, Vanessa atalanta, and discovered a real Vanessa and a real Atalanta. And then I realised that even Latin names weren’t randomly chosen but had a particular resonance with that particular species. Names hid a whole new world of allusion, poetry and wordplay. I discovered that those who named our Lepidoptera, in English and Latin, were equally educated in the arts and the sciences. They knew their myths, and they knew about colours and designs, and they were completely fascinated. I feel a strange empathy with that vanished world.

What was the original inspiration behind Emperors, Admirals & Chimney Sweepers?

It started as a kind of sequel to my book Rainbow Dust, about how and why butterflies and moths inspire people. Names were confined to a single chapter in that book, but there was so much more to say, not only about the names themselves but the social ambience that spawned them: the world of Georgian London with its clubs and field excursions, its gorgeous illustrated books and the sense that nature was all the more wonderful for being 1) divinely inspired and 2) almost completely unknown.

The lightbulb moment came when I thought of dealing with names not as an entomologist might do, by families and related groups, but by themes: species named after animals, birds, moods, occupations, jewels and so on, all laid out alphabetically. I loved the fact that certain fine moths were named after weddings, focussing on bridal underwear worn in eighteenth century Sweden!

Emperor, Admiral and Chimney Sweeper are, of course, names of a butterfly and two moths.

If you could name a new species of moth or butterfly, how would you go about it?

Well, it ain’t a blank slate. There are written rules for scientific names and unwritten ones for common names. I’d love to call it Marren’s Glory but it would not be approved. I’d have to stick with the established vocabulary. So if it resembled, say, a wainscot moth, it would continue to be called that, distinguished by whatever word best caught its character. Overlooked Wainscot? Lenitive Wainscot? Look-alike Wainscot?  

What would be your advice for any budding entomologist out there?

There’s more to the natural world than pure science. Keep your eyes, and your mind, open. And enjoy yourself. And don’t say, “Oh that’s a Lenitive Wainscot, a Schedule 7 species graded as Least Concern in the latest IUCN Red List.” Just the name will do.

What is your most memorable butterfly or moth name, and why?

There are lots, but let’s go with the poor little Narrow-bordered Bee Hawk-moth, whose Latin name, tityus, commemorates the most hideous giant in all mythology. The giant’s poor mum exploded at his birth and when full grown his body covered nine acres. What do they have in common? Well, the old name for hawk-moths was Sphinx, and the Sphinx was a monster. Ergo (Linnaeus thought), hawk-moths should be given monstrous names. And the bee hawk accidentally got the worst of them because of its place on the list, wedged between two other appalling creatures.

I quite like Zygaena, the name of the burnet moths which they share with the hammerhead shark. For reasons too convoluted to go into here (but it’s in the book).

Any new books/projects in the pipeline?

I will have to find another project for it’s in the DNA. I suspect it will involve nature and childhood. Trouble is, others are on to it.

Other works by Peter Marren

Peter writes frequently in as ‘Twitcher’ in the British Wildlife column ‘Twitcher in the Swamp’ and has had a string of successful publications including Chasing the Ghost (now in paperback), Rainbow Dust and the first volume in the British Wildlife Collection series. Click here for more books by Peter Marren.

Author Interview – Heather Buttivant

Sometimes the most extraordinary nature stories and scientific revelations lie in plain sight. So familiar that unique stories of survival are overlooked. Rock Pool is an eye-opening, enchanting journey into the miniature worlds of rock pools with a new author who will change the way you view even the most ordinary creatures – from crabs to barnacles, blennies to anemones – forever.

Educator and award-winning blogger, Heather Buttivant kindly took some time out of her rock pooling schedule to answer our questions about her new book.

  1. Your passion for the marine environment shines throughout Rock Pool, where did your passion stem from?

Like most children growing up by the sea, I liked to pick up seashells, but for me it became an obsession. Back then I couldn’t name everything, but the variety of shapes and textures and the vibrant colours fascinated me. The longer I looked into rock pools, the further I was reeled in. It’s a passion I have no intention of out-growing: no matter how much I know, there is always more to learn.

 

  1. What was the original inspiration behind your book?

It has always seemed a shame to me that there is so little nature writing available about our incredible intertidal wildlife. When I created a website as part of my MA in professional writing with Falmouth University, I struggled to imagine why anyone would be interested in my ideas for a novel, but the thought of opening up the little-known world of the rock pools filled me with excitement. My Cornish Rock Pools site took off faster than I expected and when the site won the BBC Wildlife Magazine Blog of the Year Award, it came to the attention of the lovely people at September Publishing and this was the perfect opportunity to bring my love for nature writing and for seashore together as a book.

  1. You’ve selected a fascinating range of marine creatures; how did you choose them from such a biodiverse environment?

My identification guides to the seashore contain thousands of species, so narrowing this down to just 24 animals felt like a near-impossible task. Most of the animals I’ve selected can be found all around the UK and Ireland and together they tell an incredible story of survival. I have aimed to convey the experience of animals living in different zones of the shore and in the range of different environments from mud-flats to seagrass beds. Some of the creatures, like barnacles and limpets, are familiar yet have remarkable abilities that are unimaginable to us land-dwellers. Others, like corals, sharks and cephalopods, are animals that most people assume can only be seen by divers but with luck and perseverance they may be seen by rock poolers too.

  1. Rock Pool is full of exciting encounters you have had at the seashore, but which was your most surprising?

I find something new almost every time I visit the shore, but one day, whilst dangling my feet in a pool, with all my attention focused on a tiny sea slug in a petri dish on the rock beside me, I noticed movement in the water. When I glanced down I realised that a substantial lobster was inching towards my toes! I nearly dropped my camera. ‘Bob’, as I now know him, has become quite a legend in our family and his location is a secret that is closely guarded by all those who have met him.

  1. Do you have any tips for a successful rock pooling session?

My top tip is to join a rock pooling event where you can learn and explore with the experts. This is a great way to see amazing animals and to find out how to keep yourself and the wildlife safe on the shore. The key to spotting creatures is to slow right down and take the time to look closely at the small things. Most rock pool animals are masters at hiding in plain sight. A single rock may be densely packed with keel worms, sea squirts, sponges and crustaceans, but at a quick glance you’d think there was nothing there. Always check the tide times first and leave everything as you found it – gently replacing stones the right way up.

  1. Finally, do you plan to write any more books in the future?

Our rock pools are so incredibly diverse that I might never run out of material for more books. However, I’m also passionate about the importance of giving people, especially children, better opportunities to connect with the natural world. We protect and care about the things that we love, so it’s vital that we all feel that we are a part of the ecosystems on which we depend. Perhaps that will be my next writing project?

A limited number of signed copies are available at NHBS, order now to avoid disappointment!

If you’re feeling inspired to go out rock-pooling, we have created a selection of essential books and equipment to help you get started!

Pelagic: Publisher of the Month for May

Pelagic was founded in 2010 to fill the publishing gap in practical books available on ecology and conservation. They publish books for scientists, conservationists, ecologists, wildlife enthusiasts – anyone with a passion for understanding and exploring the natural world. Their books cover ecological survey and evolutionary biology to natural history dictionaries and environmental statistics. With a prodigious amount of recent publishing, it is our great pleasure to announce Pelagic as our Publisher of the Month for May 2019.

New books for 2019

 

 

 

 

Pelagic have already published a plethora of great titles for 2019, from a call to action to halt biodiversity with Rebirding: Rewilding Britain and its Birds to recording the wildlife in woods with the Woodland Survey Handbook. This follows on from very strong publishing in 2018 with Bat Roosts in Trees continuing to be one of our bestsellers since it’s publication last October.

Pelagic and bat books

 

 

 

 

With two eagerly awaited bat titles:  Is That a Bat? and The Barbastelle Bat Conservation Handbook in preparation and a wealth of bat survey and monitoring books already published, Pelagic are the go-to publisher for Chiroptera.

Other Pelagic books

Pelagic have – in a very short space of time – carved out a niche for themselves in wildlife publishing.  A selection of their publishing is divided into series which are continually added to – these include:

Conservation Handbooks: bridging the gap between scientific theory and practical conservation implementation.

 

Naturalists’ Handbooks: information, covering biology, practical notes on identifying, in the field or in the laboratory, with plates of individual species and line drawings of many of the key identification characteristics.

Data in the Wild: data collection and analysis for for ecologists, includes books on camera trapping, CCTV and remote sensing.

 

Synopses of Conservation Evidence: The aim of the project is to make scientific evidence more accessible, in turn making practical wildlife and environmental conservation more evidence-based. 

In addition to series collections, Pelagic publish many stand-alone books for practical ecologists, such as Habitat Management for Invertebrates and for travelling ornithologists, there’s the recent Where to Watch Guides ensuring you get the most from your wildlife travels.

You can browse all Pelagic publications here.

 

Author Interview: Kate Bradbury

 

If you want to attract more bees, birds, frogs and hedgehogs into your garden, look no further than Wildlife Gardening for Everyone and Everything. Award-winning author and journalist, Kate Bradbury offers tips on feeding your neighbourhood wildlife and explains how you can create the perfect habitats for species you’d like to welcome into your garden.

Kate kindly took some time out to answer our wildlife gardening questions, to help us get our gardens wildlife-friendly for summer!

(c) Sarah Cuttle

Can you tell us a little about your background and how you got interested in the natural world?

I grew up in a house with half an acre of garden out the back. I spend my early years out there, grubbing around in the soil looking for worms, watching the birds. I started gardening from a very young age and the natural world has always been a part of that, for me.

What interests you about gardening for wildlife?

I’ve always been a softie and I’ve always championed the underdog. I love garden wildlife but I’m also passionate about looking after it, and can see the potential our gardens have for saving so many species. Wildlife gardening is all about the power of the individual. There are so many things going on in the world we might feel powerless to change, but simply by planting flowers and caterpillar foodplants we can make a difference for local wildlife species.

I get particularly excited if I find a slow worm in the garden. What animal gives you the most pleasure if you see it visiting, or making a home in your garden?

I couldn’t pick just one! In my new garden I’m desperate to see a toad. They’re so rarely seen these days – I’d be honoured if they found their way to my garden. I’m lucky enough to have hedgehogs so I love seeing them. And a grass snake would be pretty special!

If you could pick just a single thing or activity anyone could implement in their garden that would benefit wildlife, what would it be?

Grow a few native plants. Just one native tree can support hundreds of different species – providing flowers for pollinators, leaves for caterpillars and then seeds or fruit for birds in autumn. Not to mention shelter! Non-natives have a great role in gardens – especially for pollinating insects. But it’s the natives that attract the leaf munchers – the caterpillars, leaf miners, things that need leaves to breed. And, being at the bottom of the foodchain, these are hugely important to anything from hedgehogs to frogs, toads, newts, birds and bats.

What can cause the greatest harm or damage to wildlife living in, or wanting to live in your garden?

Erecting new fences and walls. If wildlife can’t get in to your garden, you’re closing off feeding and breeding habitat to them and potentially blocking off more gardens, too. Make sure wildlife can access your garden and chat with your neighbours so they know this too. Hedgehogs need just a four inch gap beneath or cut into a fence.

If your outdoor space is very small, what are the best ways to make even a tiny outdoor space a home to wildlife?

Grow a mix of nectar- and pollen-rich plants for pollinators, plus native plants for caterpillars. In a small garden you might have room for only one tree – try a Silver Birch or standard Hawthorn, which are great for wildlife. In courtyard gardens and balconies grow forget-me-not, primroses and foxgloves. These provide nectar and pollen for pollinators but also leaves for caterpillars to eat.

Do you have any new projects in the pipeline that you’d like to tell us about?

I’ve got an exciting project coming up that I can’t talk about yet – you’ll have to wait and see!

Kate Bradbury has authored many popular gardening books and the wonderful The Bumblebee Flies AnywaySee below for a list of her books available at NHBS.

Wildlife Gardening: For Everyone and Everything  £14.99

With handy charts tailored to the needs of every size and style of garden, this easy-to-use book also includes practical projects such as making bee hotels or creating wildlife ponds, compost corners and wildflower meadows, as well as fact files for the UK’s most common garden species.

 

The Bumblebee Flies Anyway: A Year of Gardening and (Wild)Life From £9.99

Finding herself in a new home in Brighton, Kate Bradbury sets about transforming her decked, barren backyard into a beautiful wildlife garden. She documents the unbuttoning of the earth and the rebirth of the garden, the rewilding of a tiny urban space.

The Wildlife Gardener £16.99

The Wildlife Gardener is a book which helps you to create wildlife habitats in your very own garden, and is very handily split into sections on shelter, food and water.

 

We have also made a collection of our favourite wildlife gardening books and equipment to get your garden a wildlife haven.

Author interview with Benedict Macdonald, Rebirding: Restoring Britain’s Wildlife

Did you know that 94% of Britain isn’t built upon, that Snowdonia is larger and emptier than the Maasai Mara National Reserve, or that Scotland’s deer estates alone cover an area twice the size of Yellowstone National Park?  Britain has all the empty space it needs for an epic wildlife recovery.  So what’s stopping it from happening in our country – and how can we turn things around? 

 

Rebirding: Rewilding Britain and its Birds is a bold roadmap to reverse the decline of bird populations in Britain, suggesting we need to restore ecosystems, rather than modify farmland.

Author, Benedict Macdonald offered his valuable time to answer our questions about his important new contribution to the discussion of rewilding.

Rebirding Author: Benedict McDonald

What inspired you to become so passionate about restoring natural ecosystems?

In 2014, I began writing Rebirding in the certain knowledge that conservation in this country is failing, the birdsong around us is dying out every year, yet we have all the resources, skill and wildlife lobby to turn things around. I hope that in its small way, Rebirding will do for the UK what Sir David Attenborough’s Our Planet is beginning to do for worldwide conservation – to make people realise that nature is essential, profitable and saveable, even now – and that we have all the resources and skill to do so.

Tell us a little about your background and how you became interested in the natural world?

I never remember the moment of first being fascinated by nature, but I do remember that by the time I was five, I would make weekend visits to Berkeley Castle Butterfly Farm and was entranced by watching the butterflies drinking salts from my fingertips, and I began a collection of ones passed to me by the lady running it – after they had died.  Then early trips to the Welsh coast, and Norfolk, transformed that interest into a lifelong love of birds as well.  From there, their plight has drawn me into understanding and studying ecosystems and a far wider understanding of protecting nature.  Since then, my love of the natural world, both as a naturalist and a TV director, has now taken me to over forty countries.

At 14, I first remember telling someone at a dinner party that I wanted to work in wildlife television. Since graduating from university, I’ve been lucky to work on a range of programmes such as Springwatch, The One Show and The Hunt for the BBC.  Last week, aged 31, I attended the premiere of Sir David Attenborough’s Our Planet for Netflix, launching in the Natural History Museum in London. This is the largest conservation series ever made. I work as the researcher and a field director for the Jungles and Grasslands episodes, directing a number of sequences including desert-nesting Socotra cormorants, the secret life of the Alcon Blue butterfly, and the remarkable lives of the world’s only tool-using Orangutans.

In your opinion, what is the most detrimental practice to the wildlife of Britain?

We are often sold the untruth that what happens to British land is necessary for food production. This is almost entirely untrue.  Only the profitable arable farms of the south, and east of our island, provide a bounty of food for our children.  Dairy lawns and sheep farms in fact create tiny volumes of our daily diet relative to the land area they use. For example, 88% of Wales grows lamb, an optional food resource. 

Of the epic wastage, however, the grouse moor is the ultimate. Eight percent of Britain’s land is burned for the creation of 0.0008% of its jobs and a contribution of just 0.005% to our GDP.  For hundreds of years, thousands of beautiful wild animals have been removed, just so that Red Grouse can be turned into living clay pigeons and killed in their thousands once a year.  Even hunters from other countries find this wasteful and disgusting.  This area covers an area twice the size of Yellowstone National Park – blocking jobs and wildlife alike on an epic scale. Hunting estates in Finland or Sweden, by contrast, juggle the ambition of hunters to shoot a few animals with ecosystems of immense beauty and variety.

Wildlife and commerce are often presented as being in conflict, do you think this is a fair assessment, or can land stewardship that favours biodiversity over profit be of economic benefit?

This is surely the greatest imaginary conflict of our time, successful insinuated, perhaps, by the damaging economies that prevent nature from reaching its full economic potential in our country.  In truth, wildlife IS commerce.  Nature IS money. 

Every year, even without a single charismatic megafauna such as Bison, Elk or Lynx running wild in our country, without a ‘Yellowstone’ or ‘Maasai Mara’, the English adult population make just over 3 billion visits to the natural environment each year, spending £21 billion as they do so. In Scotland, nature-based tourism is estimated to produce £1.4 billion per year, along with 39,000 FTE jobs. 

In contrast, the current models of upland farming demand money from us to survive, but they do not reciprocate jobs, income or natural capital – this is life on benefits and there is no future for young people in it.  In contrast, wherever nature is allowed to flourish, it’s capital potential is wondrous.  In 2009, the RSPB’s lovely but very small reserves brought £66 million to local economies, and created 1,872 FTE jobs. This is more than all of England’s grouse moors, but in just a fraction of their land area.

Right now, however, we are just seeing snapshots of how nature can power and rekindle communities. In Rebirding we often look to other countries to see how true ecosystems could transform economies on a far greater scale.   The final myth that we kick into touch is that Britain is short of space, 94% of our country is not built upon. Most of this area does not create essential food supplies – and is jobs-poor.

Is there one single practise or cultural shift that would be of most benefit to restoring natural ecosystems?

The Forestry Commission is the largest single land manager in Britain.  It now needs to split its forests in two – rewilding key estates like the New Forest and the Forest of Dean: cutting down the spruce and replanting with native trees, then, crucially, leaving large native animals such as Beavers, Elk, cattle and horses to become the foresters.  Economies in these forests would be driven through ecotourism revenues and perhaps some hunting.  Elsewhere, timber forests would remain.  It is hard to think of one single decision that could effect a greater transformation on British land than a decision to return Britain’s once world-class oak-lands to our nation.  Another, however, would be if Scotland’s deer estates, which again cover an area twice the size of Yellowstone, could be incentivised to rewild and regrow their trees.  Hunting could remain – but in this regrowing wilderness would be the potential for Elk, Lynx, Wildcats and a huge expansion in woodland species like Capercaillie. 

Are you optimistic for the future of Britain’s wildlife?

Yes – but only if our conservationists act with the same pragmatism and determination as those who have prevented land reform for decades.  In my closing chapter, I’ve argued that whilst farming unions behave with absolute conviction and coherence, our nature charities often simply say that a few more Skylarks would be nice.  Only if we can unlock the economic arguments of nature, and harness the millions of voices effectively, will we see large areas rewilded in our country.  It is the social and economic transformation that nature provides that needs to be realised – but for that, you need space, and power over land.  At that moment, things will change. In my lifetime, I genuinely believe that after many fierce battles, we will see Dalmatian Pelicans flying over Somerset, and huge areas of Scotland, Wales and upland England slowly returned to a wilder state.  But without absolute conviction this is possible, it will never come to pass.

Benedict Macdonald’s book is out now as part of our Spring Promotion

To discover further reading on the past, present and future of the British countryside, browse our collection.

BSBI: Publisher of the Month for April

 

 

 

 

With Spring finally upon us, NHBS are delighted to announce the Botanical Society of Britain & Ireland (BSBI) as our Publisher of the Month for April.

BSBI: Origins and Aims

The BSBI has a long and illustrious history as a publisher of books and periodicals aimed at both professional and amateur botanists. Tracing its origins back to 1836, the society was founded as the Botanical Society of London; from its earliest days, the BSBI has welcomed and supported everyone who wants to know more about the British and Irish flora. The society’s training, outreach and research  programmes continue to support botanists at all skill levels.

BSBI Publications

 

 

 

 

The BSBI publishes a range of botanical books; their BSBI handbooks have become standard botanical field guides, containing identification keys, detailed plant descriptions and useful line drawings, together with information on habitat and distribution. They also publish important stand-alone titles, such as Hybrid Flora of the British Isles and Threatened Plants in Britain and Ireland.

The BSBI have been instrumental in helping to publish John Poland’s critically acclaimed The Vegetative Key to the British Flora and most recently, after years of work, The Field Key to Winter Twigs – both vital reference for field botanists.

Forthcoming Publications: BSBI Atlas 2020

The first atlas of the British and Irish flora was published in 1962. It pioneered the use of ‘dot-maps’ aligned to the OS grid which influence  the hundreds of natural history grid-based atlases that followed.  Work has already started on a third atlas; Atlas 2020  will be published after fieldwork has been completed in 2019. You can find out more, or even get involved by visiting their website.

 

You can browse all the BSBI publications here

Find out more about BSBI

The BSBI is passionate about the flora of Britain and Ireland and encourages everybody to become involved.  If you are a novice and want to get started in botany, their get started page is definitely worth a visit.  And if you want to put your botanical knowledge to use, opportunities for volunteers can be found here.

BSBI’s blog often features interviews with authors such as Kevin Walker, author of Threatened Plants in Britain and Ireland and John Poland (The Field Key to Winter Twigs).

British & Irish Botany Journal

British & Irish Botany is a new online journal from the BSBI. The journal aims to provide a new forum for publishing papers and articles relating to the vascular plants and charophytes of Britain and Ireland.

British and Irish Botany will welcome contributions in a number of formats and you can find out more about this forum here.