Elle Mason, Author at Hoopoe

Greenery: An interview with Tim Dee

Tim Dee is a naturalist, radio producer, and author of Fourfields, The Running Sky and Landfill. His latest book, Greenery, is a poetic hymn to spring time, a masterpiece of nature writing that is deeply informed and profoundly beautiful.

Between the winter and the summer solstice in Europe, spring moves north at about the speed of swallow flight. That is also close to human walking pace. In the light of these happy coincidences, Greenery recounts how Tim Dee travels with the season and its migratory birds, out of Africa from their wintering quarters in South Africa, through their staging places in Chad and Ethiopia, across the colossal and incomprehensible Sahara, and on into Europe. Tim Dee has answered questions about this remarkable journey.

For those who don’t know, you have published three other major titles on green spaces and birds- Landfill, The Running Sky, and Four Fields. Following from these, how did the idea to travel with spring and its migratory birds come about? And how does Greenery differ from your previous books?

My last book was Landfill, a sort of junkyard travel-guide to the gulls that now thrive on our waste and in the middle of our towns and cities. Inevitably it was dirty and messy and botched: modern nature is like that. It has to find ways and means to live alongside us – we who are the most-botched species of all. I admire the gulls and I was fascinated by the gullers – watchers of gulls – who spend time in wretched places like landfill sites in order to connect with their quarry, but afterwards I needed some fresher air to live in and some wilder life to watch, and so the spring, which has always been my favoured season, appealed, and most especially some witnessing of the movement of passage migrant birds that make the European spring for birdwatchers. When I discovered that spring moves north through Europe at somewhere between the speed a swallows flies at and the speed we might walk at (about 4 km an hour), I knew that I had to try to follow the birds and the season for as long and as far as I could. So, I start with barn swallows in the European midwinter in midsummer South Africa and I end with the same species, who knows perhaps even the same individuals, in midsummer arctic Norway. Who wouldn’t want to have as much spring as possible?

By travelling north you poetically write about the birds that come and go; from observing redstarts in Lake Lagano, Ethiopia, to enjoying the dawn chorus in a reedbed in Somerset. What can be learned from birds in migration, and how is migration changing for them?

Studying and thinking about migration tugs at our notions of home. Migratory animals carry their homes with them. Yet, when I first saw barn swallows in South Africa I couldn’t see them as anything but away from their home. In fact, of course, they were perfectly at home: they were meant to be there and able to be fully alive there. Ever since migration has been observed, birdwatchers have ceaselessly wondered where the birds have come from, where they are going, how they know where to go and how they know how to live at the other end of the world. Migration has always intrigued – Homer makes poetry from it, Aristotle discusses it, the Bible and the Koran make parables for life from it. Nowadays we know more and more of its facts – know for example that a migrant redstart may literally return to the same tree in sub-Saharan Africa in its wintertime just as it flies to the same oak in a wooded coombe in Exmoor every spring of its life; but we also begin to understand (and face up to) how much our activities are tugging at the world’s time and making migration and a bird’s swapping of one tree for another harder and harder. This is what phenological mismatch is all about: the unseasonal time that our activities are creating.

You explore time and movement in this book. In a very fast-paced world, where few have the time to slow down and connect to the seasons, how has journeying with spring changed you? Was there anything specific you were looking for and anything you found?

To try to have more spring has been my mantra, to go looking for signs of new life even before a calendar year has ended, like a mistle thrush singing in November and thereby meaning therefore to have spring again, or rooks visiting their old nests each day from the autumn onwards with a literal view to their future; and to travel when possible both south from Britain to Mediterranean Europe where spring arrives earlier and then north towards the Arctic Europe where spring lasts longer. Hearing a pied flycatcher still singing in northern Norway when the same species are silent in their British breeding woods feels like a life-bonus, feels like more of life, which can only be good. We are only given one springtime in our own lives but the return of the season and the cyclical round or rondure of the natural year is a marvellous tonic and corrective to the linearity of our one-direction journey. Again, who would say no to that – to a bit of time travel and season stretch in order to stay with the season of becoming and of re-energy. Greenery is an anagram of re-energy: I was thrilled to discover that.

Landfill — Pied flycatcher, Ficedula hypoleuca, single male singing on branch, Powys, Wales, April 2012

When most people think of spring they think of new life, new beginnings, however you eloquently write “spring means more to me with every year that passes and takes me deeper into my own autumn.” Could you elaborate more on this, what does springtime mean to you?

There’s that lyric to a song: you don’t know what you’ve got ‘til its gone…. And I think as we get older the morning of life, the world’s morning as D H Lawrence called spring, feels more and more poignant and uplifting. We are headed only one way but, hey presto, here are new shoots, and green beginnings once more, and then a chiffchaff, fetching an echo out of a wood, as Gilbert White noticed them doing in Eighteenth Century Selborne in Hampshire. My eyesight has got worse, my hearing is half-baffled, I move increasingly with a wobble, but the injection of new birds from the south, the heavenly racket of their song, and seeing them at home in their new places is a forever tonic, like an effervescing vitamin C tablet, or a pick-me-up, or a fillip – life is worth living among those that are living it most, and spring visiting birds are the most alive – active, mobile, purposeful, committed – things that I know.

As you explore life and death, love and grief through springtime, is there anything in particular you would like for people to take away from this book?

I think we all spend a lot of time ignoring time, shut away from the weather, heating our lives, conditioning our air, eating strawberries out of season, yet I know that we all, almost all of us at least, notice the spring, want it, anticipate it, lift our faces to the first splash of sun after grey skies, talk about snowdrops, look out for the first swifts, and so on… We are reminded of spring by spring itself coming around, it schools us in life and growth, in beginnings and becomings; and in my book I just want to underline that reminder and encourage us all to take in what can be taken in, and to keep in step with the passing of time and so live happily in time and on time too. Look at the birds that do that so well; I have done that and it has helped me live.

Tim Dee has been a birdwatcher for most of his life and written about them for twenty years. As well as Greenery, he is the author of Landfill, The Running Sky and Four Fields and is the editor of Ground Works.

Greenery

Hardback | Oct 2018 | ISBN-13: 9781908213624 £15.99 ~~£18.99~~

The History of a Ray Society Publication: ‘The Handbook of the Bees of the British Isles.

In October 2018, the Handbook of the Bees of the British Isles – ‘Bees’ -was published by the Ray Society. This book is a thorough, authoritative account of the current state of knowledge of bee fauna. It is the culmination of more than forty years of study by George Else, a now-retired entomologist at the Natural History Museum London (NHM) and Mike Edwards, a professional ecologist, along with many other naturalists and professionals over the years.

The Handbook of the Bees of the British Isles, Volume 1 and 2

Here, along with quotes from the authors – Nick Evans, Mike Edwards and George Else, we recount the challenging production of ‘Bees’ from when it began in the 1970s to its publication in 2018.

“Many years of study, preparation and collaboration lie behind the production of major and definitive works. This history of ‘Bees’ gives an insight into the production of a major monograph as well as a case study of the problems and setbacks for other similar projects.”

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The idea for a handbook of the bees of the British Isles was first conceived in the 1970s when at the time, there were few works dealing with British bee species. Initially, the brief was to produce a Royal Entomological Society (RES) Handbook using revised and updated keys.

“The initial brief (as suggested by Paul Freeman, the then Keeper of Entomology [at NHM]) was to take earlier keys, add further information to these and publish as a Royal Entomological Society of London (RES) handbook. However, as the work developed it became clear that it would not fit into the format of a typical RES Handbook.”

Originally, the publication of the Handbook of Bees of the British Isles was set for 1989. However, after problems identifying species and researching their biology, the deadline was missed. At this point, the NHMand the RES stepped away from the project but thankfully, ‘Bees’ was picked up by The Ray Society in 1994.

“The Ray Society, a registered charity, was founded in 1844 by George Johnson to make available works which, although being valuable scientifically, would not otherwise be published as they would not be commercially viable. This meant that the Ray Society was able to take on this type of work and tolerate the problems involved. The project was accepted by the Ray Society and the sole author at that time, George Else, and other collaborators, in particular, Mike Edwards, whose involvement had started in 1974, continued to work on The Handbook of the Bees of the British Isles.”

Page 354 – Handbook of the Bees of the British Isles

As research for ‘Bees’ was initially conducted before the internet, progress was slow. Literature had to be sourced and studied in person and the examination of museum collections required travelling across the country. The creation of the Bees, Wasps and Ants Recording Scheme in 1977 and the reciprocal society (BWARS) in 1995 coordinated the focus of professional and amateur bee workers, thus assisting in the research for ‘Bees’.

With research developing, the time to illustrate key features began.

Bumble bee – Handbook of the Bees of the British Isles

“The work involved the production of many figures featuring bee genitalia and other anatomical features. In the early stages of ‘Bees’, the only available method for producing these was as line drawings. These had to be produced to a high standard providing illustrations of the key characteristics for identification.”

Peter Skidmore, a former entomologist at Doncaster Museum was able to produce drawings for the handbook regularly to a high standard. After Skidmore’s passing in 2009, the production of illustrations stagnated until technological advances were made in the 1980s.

“Focus-stacked images (automontage) were taken, using Helicon Remote and Helicon Focus software with a Canon D5 v3 camera on a Leica M7.5 binocular microscope. However, learning how to achieve a good image took time and practice; three years working mostly on Sundays.”

Key from the Handbook of the Bees of the Britsh Isles

Keys were developed and produced in parallel to the images and illustrations, informing their creation. It was intended for ‘Bees’ to be accessible to naturalists as well as specialists so the keys were later submitted to the public domain for development and feedback.

However, the production of ‘Bees’ wasn’t without its obstacles, two external events further slowed the progress.

“The first was a major and definitive revision of world bee genera undertaken by Charles D. Michener -The Bees of the World published by The John Hopkins University Press, Baltimore and London […] finally published in 2000.”

This revision had to be incorporated into ‘Bees’ to ensure accuracy. This delayed publication until Michener’s study had been published in the early 2000s.

“The second event was the planning and move of the Museum’s [NHM] Entomology Department staff and collections from the Entomology Building to a new building in South Kensington. The decanting of the entomological collections from the old building prior to its demolition was in summer 2005 and their move into the new building was completed in 2009.”

During this time, the collections were unavailable and Else, along with his colleagues at the NHM had to help with the move, delaying ‘Bees’ significantly.

In early 2000, work began on designing and constructing ‘Bees’, now a two-volume set. Ten years later, the Ray Society became actively involved in the production of ‘Bees’. Eventually, the Handbook of the Bees of the British Isles was ready for publication in 2018 and was launched at the Amateur Entomologists’ Society fair on 6th October of that year.

Launch of the Handbook of the Bees of the British Isles – Oct 2018

“The Handbook of the Bees of the British Isles represents the culmination of over 35 years of work and, as this account records, was a collaborative project involving a wide range and number of contributors, both specialist and non-specialist, professional and amateur.”

The Handbook of the Bees of the British Isles is the result of a wide range of sources and extensive contributions and collaborations from experts and naturalists alike; it is consequently a definitive work on the bee fauna of the British Isles and we are grateful for contributions from Nick Evans, Mike Edwards and George Else to assist us in celebrating the anniversary of this great work here on the NHBS Hoopoe.

We currently have special offers with up to 50% off on a selection of Ray Society titles.

Author Interview: Mark Carwardine, Handbook of Whales, Dolphins and Porpoises

Mark Carwardine, on location in Nunavut.

Mark Carwardine is a zoologist, TV and radio presenter, wildlife photographer and bestselling author. He’s written over 50 books about wildlife, travel and conservation including bestsellers like Last Chance to See and Mark Carwardine’s Guide to Whale Watching in Britain and Europe. In his latest book, an outstanding field guide, Mark Carwardine details the identifying traits and distribution of all 90 species and subspecies of Whales, Dolphins and Porpoises.

Mark Carwardine has taken the time to sign a limited number of first edition copies of the Handbook of Whales, Dolphins and Porpoises and answer our questions about the book, his life studying whales and humanity’s role in their survival.

In your recent books, you’ve given us an insight into the world of whale watching. What motivated you to study cetaceans?

I’d just finished studying zoology at university (I couldn’t have done anything else – all I’d ever wanted to do since I can remember was to work with animals) and I had my first whale encounter. I was 21 years old, on a half-day trip from Long Beach, California, when a grey whale suddenly breached right in front of me. In my mind’s eye, I can see it leaping out of the water and remember deciding – at that very moment – that I wanted to spend as much of my life with whales as possible. Now I am a self-confessed whale addict and need to see a whale at regular intervals just to survive normal daily life.

Also, I think it is an incredibly exciting time to be a cetologist. These enigmatic marine mammals are incredibly difficult to study – they often live in remote areas far out to sea and spend most of their lives out of sight underwater – yet we now have access to space-age technology that, at last, is revealing some of their best-kept secrets

You must have many stories about whales, dolphins and porpoises. What is your most memorable encounter with cetaceans?

I think it would have to be with the friendly grey whales in San Ignacio Lagoon, Baja California, on the west coast of Mexico. These 14-15-metre whales literally nudge the sides of our small whale-watching boats and lie there waiting to be tickled, scratched and splashed. Incidentally, if you’re wondering if it’s a good policy to encourage people to touch wild whales, consider this: if you don’t scratch and tickle them, the whales simply go and find a boat-load of people who will. Even the local scientists approve.

Yet it’s hard to believe that these very same grey whales once had a reputation for being ferocious and dangerous; when they were being hunted they fought back – chasing the whaling boats, lifting them out of the water like big rubber ducks, ramming them with their heads and dashing them to pieces with their tails. Nowadays, they positively welcome tourists into their breeding lagoon. Somehow, they seem to understand that we come in peace and, far from smashing our small boats to smithereens, they are very gentle and welcome us with open flippers. They seem to have forgiven us for all those years of greed, recklessness and cruelty – and trust us, when we don’t really deserve to be trusted. It’s a humbling experience, to say the least. I’m very lucky – I have been to San Ignacio more than 70 times over the years – but it still blows me away. It’s got to be one of the greatest wildlife encounters on Earth.

Whales and other cetaceans are beloved worldwide, what is it about these charismatic creatures that humans connect with so strongly?

No one ever says, ‘I can’t remember if I’ve seen a whale’. A close encounter with one of the most enigmatic, gargantuan and downright remarkable creatures on the planet is a life-changing experience for most people. At the risk of sounding irrational and unscientific, a close encounter with a whale simply makes you feel good. Actually, it’s more than that. Just a brief flirtation with a whale is often all it takes to turn normal, quiet, unflappable people into delirious, jabbering extroverts. On the best whale watching trips, almost everyone becomes the life and soul of the party. Grown men and women dance around the deck, break into song, burst into tears, slap one another on the back and do all the things that normal, quiet, unflappable people are not supposed to do. I have seen it so many times.

It’s not really surprising: whales and dolphins are shrouded in mystery, yet the little we do know about them is both astonishing and awe-inspiring. They include the largest animal on Earth (the blue whale – the length of a Boeing 737) and some of the oldest animals on Earth (one bowhead whale was 211 years old when it was killed by aboriginal whalers – who knows how much longer it might have lived?) as well as the deepest diving mammal, the mammal with the longest known migration, the loudest singer, the largest carnivorous animal, and many other astonishing record-breakers.

Southern Right Whale, Handbook of Whales, Dolphins and Porpoises

What advice would you give to the naturalist interested in cetaceans and wanting to learn more?

Read my new Handbook of Whales, Dolphins and Porpoises (I couldn’t say anything else, could I?)! It includes everything you could possibly want to know about all 90 species.

What was the most challenging thing for you when creating this guide?

Well, it dominated my life for six years. I used to lie awake at night, worrying about whether to describe something as ‘blue-grey’ or ‘grey-blue’. I decided to go back to original sources for everything, which meant reading 11,000-12,000 scientific papers, poring over decades of my own field notes, and studying untold numbers of photographs and video clips. I also corresponded with species experts all over the world; they were all incredibly generous with their information and advice, often giving me new data before it has been published in the scientific press. I worked with three outstanding artists, too – Martin Camm (who did most of the illustrations), Toni Llobet and Rebecca Robinson – who, between them, produced more than 1,000 original and meticulous artworks. And as for the distribution maps… some of those took several days each. But, I have to say, it’s incredibly satisfying to see it all come together in this one book.

What are your concerns or hopes for the future of cetaceans?

Sad to say, human impact has now reached every square kilometre of the Earth’s oceans. In particular, commercial whaling and other forms of hunting, entanglement in fishing nets and myriad other conflicts with fisheries, overfishing, pollution, habitat degradation and disturbance, underwater noise, ingestion of marine debris, ship strikes and climate change are some of the main threats being faced by whales, dolphins and porpoises around the world. We’ve already lost the Yangtze river dolphin, from China. The next to go is likely to be the vaquita, a tiny porpoise from the extreme northern end of the Gulf of California in western Mexico; there are probably just 10 survivors clinging on against all the odds. But the good news is that, with proper protection, we can make a difference. Whaling pushed the humpback whale to a population low of fewer than 10,000, but now there are at least 140,000 and counting.

You say this will be your last book: now this guide is complete, are there any other projects in the pipeline?

Ah, yes, I did promise my family and friends that this would be my last book (by way of an excuse for never having any free time)! It feels like the culmination of a life’s work with whales and dolphins – and it will be my sixtieth book, which seems like a nice round number to finish on. But the trouble is that I love writing and have lots more ideas! In fact, I am working on a photographic book about the polar regions with the landscape photographer Joe Cornish (he is providing the landscape pictures, me the wildlife ones) – so I’ve already broken the promise. Apart from that, I’ve been setting up some new whale watching trips and am planning to do more radio programmes (I’ve missed doing radio), among many other things; and, of course, there is an awful lot to do on the conservation front that will keep me busy for a long time yet.

Handbook of Whales, Dolphins and Porpoises
Hardback, Nov 2019, £29.99 ~~£34.99~~

This outstanding new handbook to Whales, Dolphins and Porpoises is a comprehensive and authoritative guide to these fascinating mammals.
With almost 1,000 detailed, annotated illustrations, this new handbook describes all 90 species and subspecies.

Signed copies available, while stocks last.

Browse our full range of cetacean books.

Author Interview: Peter Eeles, Life cycles of British & Irish Butterflies

NHBS recently attended Butterfly Conservation’s 2019 AGM in Shrewsbury. The event was highly enjoyable, with many excellent speakers, and we were excited to unveil the brand new NHBS Moth Trap at our stall; lookout for a blog post on this new product shortly.

During the day we also caught up with Peter Eeles, creator of the UK Butterflies website and author of the ground-breaking Life Cycles of British & Irish Butterflies to talk about his fascination with Lepidoptera and the process of writing this incredible book. Peter was also kind enough to sign a number of copies of his book which are now available to purchase here.

1) Could you tell us something about your background and how you first became interested in butterflies?

I grew up on the southern side of Cheltenham, on the edge of the Cotswolds, an area rich in butterflies and other wildlife. It was all rather idyllic and I remember with some fondness the time spent out in the countryside with my fellow explorers! My father and my ‘uncle Fred’ encouraged this interest, but it was watching a Garden Tiger moth emerge from its chrysalis, and seeing scores of Red Admiral feeding on rotting plums, that tipped me over the edge and into a butterfly-filled life.

2) How long did it take you to put Life Cycles of British & Irish Butterflies together?

Two years to write, 20 years to obtain the photos needed, and a lifetime of study! I should say that the book would not have seen the light of day were it not for the contributions of many others, especially members of UK Butterflies (a website that I set up in 2002), the team at Butterfly Conservation, and various experts in their chosen field, such as David Simcox, project manager of the Large Blue reintroduction programme.

3) In your introduction to the book, you detail its aims in relation to Frohawk’s landmark text, Natural History of British Butterflies. You say that Frohawk is one of your heroes: was his work the driving force for you wanting to take on your own project?

I wouldn’t say it was the driving force, but it was certainly a huge inspiration in terms of understanding the ‘art of the possible’, and the amount of field observation and research that would be needed. The driving force was a desire to produce something different yet useful, especially a work that would contribute, in some small way, to the conservation of our butterfly fauna. Something ‘clicked’ when I read several research papers that relied on the identification of a particular larval instar (the period between moults), and I realised that anything that could help the army of butterfly recorders identify each instar and the immature stages more generally would be a great help, with the potential to open up a whole new dimension of butterfly recording.

4) What was the most challenging butterfly lifecycle to document?

That’s a harder question to answer than you might think! Chequered Skipper was challenging due to the amount of travel involved, although a work placement in Glasgow for two years, on and off, really helped! Mountain Ringlet was a challenge due to the remoteness of its sites, its short flight period and its tendency to disappear deep into grass tussocks in anything other than very bright conditions. The Large Blue, which spends most of its life in an ant nest, was always going to be a challenge, and my thanks go to David Simcox, Jeremy Thomas and Sarah Meredith for their help with this tricky subject.

Chequered Skipper life cycle – Life cycle of British & Irish Butterflies

5) There is evidence that butterflies are already being influenced by climate change – what worries you the most about this? Are there any species that you will be excited about seeing more frequently in the UK in the future?

My biggest concern is with less mobile species that are unable to move to suitable patches in our increasingly fragmented landscape, as their habitat becomes unsuitable, or is lost due to development or agriculture. Conversely, it would be nice to see semi-regular visitors, such as the Long-tailed Blue and continental Swallowtail, gain a foothold, just as the Red Admiral and Clouded Yellow can now be considered resident, with records of successful overwintering each year in southern England.

6) Have you any new book projects in mind for the future?

No plans as yet, but never say never!

Life Cycles of British & Irish Butterflies
Hardback, Sept 2019, £29.99 ~~£34.99~~

With detailed descriptions and photos of the adult, egg, caterpillar and chrysalis of each species, this book reveals in detail the fascinating life cycles of the 59 butterfly species that are considered resident in – or regular migrants – to Britain and Ireland.

Signed copies available, while stocks last.

Browse all our books covering insects and other invertebrates.

Devon Greater Horseshoe Bat Project Q&A

Recently we spoke to Helen Parr from the Devon Greater Horseshoe Bat Project about the wonderful work that is done in our local area for this rare species. Helen Parr also details the importance of conserving the Greater Horseshoe Bat, how we all can help ensure its survival and shares her hopes for the future.

For those who haven’t heard of the Devon Greater Horseshoe Bat project before, can you summarise what it is?

Our project works with local communities to secure a future for Greater Horseshoe Bats in Devon, their northern European stronghold. It is a partnership project of 18 organisations led by Devon Wildlife Trust and is supported by the National Lottery Heritage Fund, as well as other funders. The priority areas for the bat team are 11 maternity roosts around the county.

The countryside near the breeding roosts must provide everything that the bats need to survive and raise healthy young for the next generation. Their favoured foods are moths and beetles so they need good foraging and hunting grounds such as hedges, orchards, meadows, woodland edges and streams. Sadly we have lost 50% of our hedgerows and 98% of wildflower meadows in recent decades, so there is lots to be done! Working with landowners and farmers is a vital part of what we do.

2. What role do you play in the Devon Greater Horseshoe Bat project?

I’m the Community Engagement Officer on the project. Raising awareness and getting people involved is crucial so that when our project ends in autumn 2020, all the great work currently being done to help the bats will continue into the future.

My work with schools is one way to do this – children can work towards a series of Bat Buddy awards. They are always fascinated to learn about the Greater Horseshoe Bat; as a rare animal living on their doorstep, it has local relevance to them and they can make a practical difference at home or in their school grounds. Some of the children may be inspired to become our future conservationists!

I also support people in towns and villages in their efforts to become accredited as a ‘Bat Friendly Community’. For example, after some training and buying of bat detectors, local volunteers have arranged bat walks to introduce people to the world of bats.

Managing our website www.devonbatproject.org along with social media allows us to spread the message to a wider audience, and during the summer months, there are plenty of events such as bat walks to introduce people to the magical world of bats.

3. What’s your favourite thing about the Greater Horseshoe Bat?

Greater Horseshoe Bat, Credit: Mike Symes

I do love their funny horseshoe-shaped noses, it’s where they get their name from. They use these amazing looking noses for their echolocation – emitting sounds to find their way around in the dark and catch their prey. It’s an amazing technique honed over millions of years of evolution! People are always surprised and intrigued when they see images of this bat and hear their echolocating sounds.

4. Can you tell us why the project focuses on the Greater Horseshoe Bat in particular?

Greater Horseshoe Bats are an important indicator of great habitats; if they are present in an area you know that the surrounding habitats will be good, not just for bats but other wildlife too. However, their numbers have gone down by 90% in the last 100 years, and they remain under threat from habitat loss and declining insect numbers. Therefore if we can improve things for Greater Horseshoes, over time the whole biodiversity of an area will increase.

5. There are many ways to survey bats, what techniques and technology do you use for the project?

Devon Bat Survey is our Citizen Science project involving hundreds of volunteers each year – we use 20 SM4 Bat detectors for this to get as wide a coverage as we can across the county. People borrow the equipment for 3 nights; as well as collecting valuable data on Greater Horseshoe, all other bats are recorded too. Once the data has been returned and run through specialist software, reports are produced. Anabat Express detectors are also used to survey the land of some of the farmers we work with.

We have placed an infrared camera in one of the roosts – this is fascinating to watch during the breeding season. On bat walks, we use the Magenta 5 handheld detectors so people can hear the bats, along with the Echo Meter Touch detector so we can record and identify what we find.

6. How is the data that is collected used?

The data is sent to Devon Biodiversity Records Centre. From there it can be used by local authorities, conservation bodies, developers and communities to enable them to make informed decisions that might impact on bats. In addition, we have had a University student use the data to undertake habitat modelling to better understand landscape use by Greater Horseshoe Bats.

7. At this year’s National Bat Conference, there was talk of potentially using trail cameras to survey the emergence of bats from their roosts. If the right technology exists, do you think the Devon Greater Horseshoe Bat project could make use of it?

As we are in the final year of our project, we won’t have the time or funding to take advantage of this, but I think trail cameras sound like a great idea for any future projects like ours. Advances in technology will always be useful in bat conservation. As the Echo Meter Touch or similar technology becomes more affordable in future, I often imagine how amazing it would be to see everyone using their smartphones to gather and upload bat data – the ultimate citizen science project!

8. How can readers get involved with the Devon Greater Horseshoe Bat project?

Look out for Devon Bat Survey which starts again in April 2020
Do some bat friendly gardening – even the smallest garden can be a home for insects – great food for bats
If you have a piece of land (large or small) you could use our Management Guides to improve it for bats
Keep an eye on our website for any events with us or our partners –especially September 2020 which will be our busiest month of events ever with around 30 events for our final Bat Festival.

9. What trends are being suggested by the project – how is the Greater Horseshoe Bat doing?

It’s too early to say as a lot more detailed analysis will need to be done, and the measures put in place by towns, villages and individual landowners will take time to show an effect. The Devon Bat Survey will not really show population changes but can indicate changes in distribution. Work being undertaken by the Bat Conservation Trust will allow us to see the changes over time of the work that we have done. However the general consensus is that populations are stabilising and starting to increase, but I don’t think we can be complacent as the loss of one maternity roost could have a dramatic effect on the population numbers.

10. What is being done to support the population in the future?

Throughout the project, the team has aimed to spread the word about these amazing little creatures and to encourage good habitat management for bats. We hope that once the project comes to an end that the people who share their spaces with these bats will care for them in the future, with a realisation that all species will benefit from actions to improve biodiversity across Devon, including humans!

Wembury BioBlitz 2019- Interview with Nicholas Helm

A BioBlitz is an intense period of biological survey of all the living creatures in a specific area, bringing together volunteers, scientists and naturalists to discover as many species as possible in a precise time frame. This year is the 10^th anniversary of the UKs first marine and coastal BioBlitz and it returns to the first location- Wembury Bay. This year’s event is being organised in partnership with the Devon Wildlife Trust, the Marine Biological Association of the UK and the South Devon AONB.

One of the organisers, Nicholas Helm has taken time to speak with us about this year’s event.

The BioBlitz has taken place in different locations across Devon and Cornwall, UK for the last 10 years, what makes this BioBlitz different to other years?

The first BioBlitz we ran in 2009 was at Wembury and was the first public, marine BioBlitz in the UK. Since then we have run one or more events each year for 10 years, several of which have partnered with Devon Wildlife Trust. Returning to Wembury 10 years on allows us to observe what has changed in that time as well as providing a great opportunity to celebrate the milestone. It also coincides with the 25^thanniversary of Wembury Marine Centre, which provides a fantastic backdrop to the event.

Can you tell us about Wembury Bay and what makes it a great location to explore?

Wembury Bay is a unique and special place. Due to its aspect and location, the shore is home to many southern species, not found anywhere else in the UK outside of Cornwall. The Bay incudes a whole host of habitats, from sand and seagrass in the mouth of the Yealm Estuary to the diverse rocky reefs stretching from Wembury Point – where they are exposed at low water – down to deeper, subtidal ledges beyond the Mewstone. These ledges are home to corals and a huge diversity of fish. The area provides nursery areas for sharks and feeding grounds for basking sharks, sea birds and marine mammals. As well as a diverse marine environment, the bay is fringed by fascinating and biologically diverse woodlands and coastal heathlands, home to rare birds, insects, reptiles and mammals, making it perfect for an event of this kind!

What’s your favourite animal you’ve ever found at Wembury Bay?

Personally, my favourite animals in the bay are the giant gobies (Gobius cobitus) which is a large goby, protected under the Wildlife and Countryside Act and not found anywhere in the UK outside of Cornwall. It is common in the upper shore pools of Wembury and is always an exciting find. The other star is the ‘St Pirran’s crab’ – a colourful hermit crab thought to have disappeared from the area in the 1960s but making a return in the last few years and now fairly common. Again, Wembury is the only site in the UK outside of Cornwall where this species has been recorded. I also love finding the stalked jellyfish and colourful nudibranchs that can be found in abundance in pools and under rocks if you know where to look!

This year, the BioBlitz is returning to Wembury after 10 years. How do you think the types of creatures found this year will compare to the first Wembury BioBlitz?

I expect we will observe a lot of changes, in particular there are likely to be a number of new introduced species and several species which have extended their range into the area as a result of climate change. We will also hopefully record the St Pirran’s crab (Clibanarius erythropus) which, in 2009 was not found in the area.

What happens to the data that volunteers, scientists and naturalists will collect at Wembury BioBlitz 2019?

All the data collected will be archived in DASSH (the national data archive for marine and coastal species and habitats) and made publicly available through the National Biodiversity Network Atlas. It will also be taken and held by Devon Local Records Centre and summarised in a final event report, which will be freely available online.

How can readers get involved with the activities available at Wembury BioBlitz 2019?

There are lots of ways to get involved, as a volunteer, species recorder or as a participant in the many activities we have scheduled throughout the event. Visit www.mba.ac.uk/bioblitz for more information.

NHBS BioBlitz Essentials List