In the early stages of the average mushroom-enthusiast’s journey, there comes a time where you begin to consider where you can take the interest of fungi further. Maybe you have identified all the mushrooms in your garden and want to learn more, or maybe you’ve even been intrepid, foraging and sampling some of the edible species out there, and are left wanting more. What ‘more’ looks like to some people becomes growing your own mushrooms, making spore prints, creating your own ink from the dripping tops of an inkcap mushroom, or perhaps you may want to look down a microscope to explore the sub-perceptual world of fungal microscopy, and that’s what these books aim to facilitate.
However you choose to flesh out your interest, the books below provide an excellent guide to the next steps in mycology.
Radical Mycology: A Treatise on Seeing and Working with Fungi
Radical Mycology is an awesome book in a very biblical sense. it inspires awe and in a more modernsense it is simply really, really cool. This book is a single man’s knowledge of all things fungi, distilled into 646 pages of rich prose, instruction and guidance. It moves through topics, that many other books have tackled in single volumes alone, in sections such as ethnomycology, culture, cultivation, medicine (*see footnote) and lab work, and does so in a way that doesn’t feel clunky or dense. I don’t think there is a topic in mycology that isn’t covered by this book in some way, and that to me makes it a unique treasure trove of knowledge. A field guide it is not, being quite large and very heavy, andit is not trying to pretend to be anything other than a treatise on the world of mycology.Filled with activities and projects that you can do yourself, it is not a passive book.It gets you interacting with andmanipulatingfungi,working with them in a way that you would not otherwise, and for that I think it is highly recommended for every reader, from the beginner to the professional. And if none of that takes your fancy, there is even a section on mushroom–related puns and a printout–and–play boardgame!
Growing Mushrooms at Home: The Complete Guide to Knowing, Growing and Loving Fungi
A more focussed look at cultivation and less dense than Radical Mycology, this book is primarily aimed at beginners who are looking to expand their knowledge of cultivation in its many forms, and is filled with simple, easy to follow text and beautiful images of mushrooms.It is designed to be accessible, so I would wager that this title is not suited for those of you with more experience in the field. But,for a first foray into mushroom cultivation this might be the book for you.
Organic Mushroom Farming and Mycoremediation: Simple to Advanced and Experimental Techniques for Indoor and Outdoor Cultivation
Organic Mushroom Farming and Mycoremediationtakes a deeper dive into the same topic as the previous title. The book spans from easy projects that you can do at home with very little resources, to more advanced techniques that even the most experienced mycologist would enjoy having under their belt. The book also touches on mycoremediation(using mushrooms to improve the environment, from pollutants etc.), which is a wholly worthy topic on its own and will open your eyes to the potential for individuals to change the world for the better.After all, anyone who’s anyone in mycology has tried growing mushrooms on their old clothes, right?
Growing Gourmet and Medicinal Mushrooms: A Companion Guide to the Mushroom Cultivator
No list of mushroom cultivation books would be complete without a title by Paul Stamets – and this one is no exception. A dated publication now, owing to its original publishing in 1988 and subsequentre-prints in 1994 and 2000, have meant this this book has taken a back seat to the new shiny covers in the field. However, this has not dulled its brilliance at all, and it remains one of the most influential books on mushroom cultivation. The book contains foundational knowledge on mushroom cultivation for the amateur grower and is still held in high regard by anyone with a slight interest in modern mushroom cultivation. A must read and a true introduction to mastering the art of mushroom cultivation.ng mycologist.
* ‘Mushroom medicine’ is a term used often in fungal–oriented literature, and sometimes quite liberally. I would be remiss to note that processes,procedures and purported effects are anecdotal and not always backed up by peer–reviewed empirical research, and in a lot of cases research is ongoing. This is not to say it is not true, it’s to say that more research is usually needed. Be aware of the legality of foraging mushrooms in your area and remember, don’t munch on a hunch! Always ID your mushrooms and if you are not 100% confident consult a professional.
Following the loss of her husband, Ursula Franklin embarked on a mission to see and photograph every species of penguin in their natural habitat. In this breathtaking book, join Ursula on expeditions to some of the most remote places on earth, from the Falklands to Tristan da Cunha and Antipodes Islands, in search of these much-loved birds. Interspersed with stories from Ursula’s adventures, each chapter explores a different species of penguin, detailing their identifying features, the ever-increasing threats they’re facing, and the conservation efforts needed to ensure future generations can experience the wonder of these animals.
Ursula Franklin is a keen wildlife photographer who grew up in Yorkshire, and is now based in Somerset. She developed a keen interest in photography when she was a child and her wonderful husband supported her passion until his sudden death in 2012. As a way to process her grief and heal, alongside her husband’s constant encouragement for her to ‘do something with her photography’, Mission Penguin was born.
We recently had the opportunity to talk to Ursula about her expedition, how she thinks we can we work to protect these vital species in the future, her favourite memories throughout this journey and more.
Plus, enter our prize draw to be in with the chance of winning one of four exclusive Mission Penguin prints here.
Having travelled around the world and seen every species of penguin in every habitat, which species surprised you the most and why?
Like many people, I had always associated penguins with snow, so it was amazing to discover that some species breed in forests, others in the desert and one species even at the equator. The species that really surprised me, however, and for a totally different reason, was the Royal Penguin. This species breeds on Macquarie Island, and in the north of the island are the rusted remains of huge digestors which were once used to extract oil firstly from seals and then when they ran out, penguins. Millions of King and Royal Penguins were slaughtered leaving just a few thousand birds when the barbaric practice was finally stopped. Having suffered years of persecution by man, I marvelled at how trusting the birds were. As I sat on the beach, groups of Royal Penguins waddled up to me, inquisitively studying my boot laces, camera bag and equipment. They were so curious and seemed utterly fearless. It was hard to imagine humankind betraying such trust. Luckily, over the last 100 years, their numbers have steadily increased and in 2022 they were finally taken off the list of near-threatened species (IUCN red list). Hopefully they will continue to increase despite the human-induced climate change crisis.
Royal penguins waddling across Sandy Bay, Macquarie Island.
You were lucky enough to witness the full, daily lifecycle of a number of penguin colonies by watching them from dawn until dusk, and I particularly loved the photographs of the Gentoo penguins on Saunders Beach at sunset. What does the typical day in the life of a penguin look like?
A day in the life of a penguin varies hugely depending on the time of year, especially during the breeding season, or when moulting. At other times of year, the birds spend their timeforagingin the open ocean. During their annual moult, which usually lasts around 3 weeks, they are no longer waterproof so cannot go into the ocean to feed – insteadthey must stay on land living solely off their fat reserves. The breeding season is when they spend time on both land and sea. For most species,males and females share incubation of the egg/s and often take it in turns to go foraging to feed the hungry chick/s whilst the other parent stays to protect it/them. With some species, as the chicks get older, they are left in a crèche, or some stay in a burrow, allowing both parents to go to the ocean to collect food for their increasing appetites. The birds often leave at dawn when foraging, and the length of time they are away depends on how far they must swim to find food. For some species, warming ocean temperatures have shifted prey populations further from the colonyleading to chick starvation and mass breeding failure.When the parents do return with food, some species engage their older chicks in long food chases before finally stopping to feed them. This is done to build up the strength of the chicks prior to fledging and is hilarious to watch.The adults then stay with their chicks at the colony overnight before the whole process starts again early the next morning.
A Gentoo penguin colony at sunset, Saunders Island, the Falklands.
You travelled around the world and have seen so many different placesas a result of this project – what was your favourite memory and why?
This is such a hard question. I could say the very beginning of the mission on the Antarctic Peninsula with the sighting of my first penguin – this was a Chinstrap Penguin and has since become my favourite species, probably because the black strap under their chin makes it look as if they are smiling. Or I could go to the very end of the mission at Snow Hill Island with the Emperor Penguin colony, which was like being on the film set of the movie Happy feet and a very fitting and emotional accomplishment of Mission Penguin.
My favourite travel destination, however, is the Falkland Islands. With fewer than 4000 people, beautiful coastlines and over one million penguins of five species I’m sure you can understand why. My favourite island is Saunders Island and my favourite location there is ‘the neck’. The accommodation is very basic and although small can technically sleep 8 in 4 sets of narrow bunk beds. Incredibly, on my last visit, my friend Hazel and I were the only occupants – apart from the penguins of course! What a joy and privilege to be the only humans sharing their world and a memory that will stay with me forever.
The Neck, Saunders Island, The Falklands.
Having witnessed first-hand the negative effects of both climate change and human activity on penguin colonies, and their respective habitats, how can we work to protect these vital species in the future?
Penguins are key indicator species for the health of our oceans and the effects of global warming. Although there are no penguins naturally occurring in the Northern Hemisphere, our everyday actions here will ultimately filter down to the Southern Hemisphere and affect these animals.
One of the most threatened penguins is the African Penguin, and research suggests that this species could become extinct in the wild by 2035 unless we act now. Whilst we have little influence on African governments regarding marine ‘no-take’ zones, limiting coastal development, (oil refineries etc) can still help. For example, all of us can reduce our use of plastics (especially single use), and switch to renewable energy sources.
For more direct and immediate help we can also sponsor penguin nest boxes. African Penguins naturally lay their eggs in burrows which are dug out of layers of guano (bird poo!) laid down over hundreds of years. In the 1800’s most of this guano was collected and shipped to the UK to be used as fertiliser. As a result, there has been a 99% decline in the population over the last 100 years. As land temperatures continue to rise, penguins now nesting out in the open air are either dying from hyperthermia or abandoning their nests to save themselves, leading to mass breeding failure. Carefully researched and crafted nest-boxes that replicate the conditions of a guano burrow are proving effective – to help visit the Saving Penguins website.
A shortage of suitable nesting sites mean breeding African penguins are exposed to the full heat of the sun often with disastrous consequences.
Photographing every species of penguin is no small feat, especially alongside a full-time job! What were some of the biggest challenges you faced and what did you learn along the way?
When I announced to a friend that I was going to photograph every species of penguin in their natural habitat, I had no idea how many species there were or where they could be found. My research took me to places that I had never even heard of and to say many of them were ‘off the main tourist route’ would be an understatement! Simply getting to the required and often incredibly remote locations was definitely the first challenge. Many of these are also found in the roughest oceans in the world, and I suffer dreadfully from sea sickness. Needless to say, I was often very unwell but even that could not detract from the awe and wonder of these amazing expeditions. Once at the location, sometimes I only managed fleeting glimpses of just a few penguins of that species so not many photographs, but I appreciate how very lucky I was to actually see and photograph every penguin species on the first attempt.
The weather also presented significant challenges (especially the wind), and trying to photograph from a Zodiac (Rigid Inflatable Boat) while being tossed around in large swells was at times nigh on impossible. I also needed to keep my equipment warm in Antarctica and dry in the humidity of the Galápagos. Sunshine, although lovely in itself, also made photographing black and white birds more difficult than normal in terms of achieving correct exposure. I certainly learned to tolerate imperfections but also became a better photographer along the way. I also witnessed firsthand how tenacious and resilient penguins are – characteristics that we can all learn from.
The strong wind blowing the crests of these Moseley’s rockhopper penguins also made photographing them more challenging.
Mission Penguin came to fruition as a result of loss and grief, and throughout the book I found it heartwarming to read about the healing effects of your expeditions. How important do you think nature is in healing from grief, and what are the benefits of spending time exploring the natural world?
Nature is indeed an incredible healer. I have lovely memories of my mother taking us out on nature walks when we were young as we didn’t have much money, and nature was all around us and free! I think from that age I learned to appreciate the wonder of nature and delight in simple things, so when grief struck, getting out in nature and reconnecting with life and beauty was essential to my healing. Nature stimulates all of our senses which certainly helped me to feel fully alive even in the context of death. What inescapable joy to hear the birds singing, see the dappled light in a woodland glade, smell the flowers, taste the salty sea air, and hug a tree! Being immersed in the natural world really helps to put things into perspective and to feel part of something much greater than ourselves. In nature I feel fully grounded which gives me an inner peace and the strength to keep going, one step at a time.
Southern rockhopper penguins, Pebble Island, the Falklands.
What’s taking up your time at the moment? Are you working on any other projects or planning any upcoming expeditions that we can hear about?
Following the completion of Mission Penguin I have spent more time delighting in the natural world on my doorstep. In the last couple of years, I have finally taken up gardening, which my husband would have found hysterical having tried to persuade me all our married life! My focus however is gardening with wildlife in mind, and I think we would have had very different definitions of a ‘weed’! I am also rewilding one large area and quickly learned the hard way that rewilding is not the same as letting things go wild! I am still taking lots of nature photographs and readers can see more of my images here.
As well as writing the book, I started giving talks on Mission Penguin to local groups and this quickly expanded to other topics as they keep inviting me back for more. I now have about 6 talks in my repertoire so that is keeping me busy as well as continuing with my singing – another fabulous activity for wellbeing.
King penguins returning from a fishing trip.
I am a firm believer in making the most of every moment. We only have one life, so live it well. Fill it with friends, joy, laughter – and of course, penguins.
Enter our competition to be in with the chance of winning one of four exclusive Mission Penguin prints signed by author Ursula Franklin here – good luck!
Mission Penguin is available from our online bookstore here.
Though bears loom large in our collective imagination, their flesh-and-blood counterparts are increasingly losing ground. Eight Bears, the debut of environmental journalist Gloria Dickie, draws on visits to key hotspots where Earth’s remaining bear species come into conflict with humans. By interviewing scores of people, both conservationists and those suffering at the paws of these large predators, this nuanced and thought-provoking reportage asks whether humans and bears can coexist.
The roots of this book go back to 2013 when Dickie started a master’s in environmental journalism and midway settled on bear-human conflicts in the Rocky Mountains. Since then, she has travelled to Asia and the Americas to see first-hand all eight extant bear species. The only obvious regions missing from her story are Alaska, Russia, and Europe, all of which have large populations of bears. Even so, she has visited a formidable list of destinations. As an aside here, kudos to both the stylish bear portraits by Arjun Parikh opening each chapter, and Dickie’s meticulous list of notes. The latter mentions the many people she has interviewed or corresponded with over the years and, for some sources, provides additional notes that are too detailed for the main narrative.
The first half of the book’s subtitle promises a look at the bear’s mythic past. Though there is mention here of the predominance of bears in northern hemisphere cultures, the so-called circumpolar bear cult tradition, and the rarely discussed role of the bear in Peruvian culture and history, this is a minor motif in the book. Much more can be and has been said about the cultural history of bears.
Instead, as seems unavoidable when writing about megafauna nowadays, the focus of Eight Bears is on the second half of the subtitle, their imperilled future. The outlook is grim and Dickie early on mentions that “almost everywhere I went, bears seemed to be a shadow of what they once were” (p. 8). Probably the biggest threat is habitat loss, followed closely by hunting and poaching. A historic combination of these two decimated North American bear populations under European settlement. Polar bears have become the poster children of climate change, though the disappearance of sea ice is yet another form of habitat loss. I would be remiss if I did not mention that several whistleblowers have argued that hunting poses a continued but underappreciated threat to polar bears. Asia is additionally home to some particularly grisly practices: sloth bears are beaten into submission to become dancing bears, and moon and sun bears are experiencing years of, what is effectively, surgical torture on bile farms. The former has been outlawed with a reasonable degree of success, the latter less so. From her descriptions, Dickie visits the same bile farmer and speaks to some of the same people that Nuwer interviewed for her 2018 book Poached. Little seems to have improved in the intervening years, unfortunately.
Though bears are usually at the losing end of human-wildlife conflict, Dickie does not avoid exploring the flipside. Many readers outside of Asia might be surprised to learn that the inappropriately named sloth bear is easily the world’s most dangerous bear. In India, more than 100 attacks every year kill or gruesomely injure predominantly poor, rural people, with Dickie seeking out some of the victims. In the USA, where grizzly populations are recovering, she speaks to ranchers and farmers who lose livestock to bears and frequently object that “liberal urbanites are the ones who want predators back on the landscape, but they aren’t the ones suffering the consequences” (p. 177). In Canada, she visits the remarkable tourist town of Churchill at the edge of Hudson Bay which is home to equal numbers of humans and polar bears. To keep people safe while avoiding lethal control methods as much as possible, it relies on an unprecedented amount of technology. Even so, human lives are at risk, and Dickie speaks to a woman who survived a mauling.
The chapters focusing on bears in the USA offer some of the most remarkable case studies of people attempting to live alongside bears. The century-long history of black bear management around Yosemite National Park offers “a full-scale experiment of all the ways people and bears can clash” (p. 153). After decades of park management doing things wrong (making a tourist attraction out of bears scavenging on garbage dumps, thus inadvertently training a generation of them how not to forage in the wild), they spent decades trying to do things right. A combination of bear-resistant food storage containers on campgrounds and strict enforcement of rules has trained tourists to be more mindful.
Eight Bears becomes more thought-provoking as it progresses. Here is how it provoked mine. Dickie puts down several relevant dots on paper at different points in the book (mentioning human population growth, climate change, and the resource-hungry global supply chain) but she does not explicitly connect them to draw the contours of the larger challenge ahead. So, here be a tangent, and my attempt to connect those dots, triggered by her repeated interviewing of grizzly bear recovery coordinator Chris Servheen. Upon retirement in 2015, with grizzlies sufficiently recovered, he supported their delisting. However, by 2021, seeing how states were failing to manage grizzly populations “with maturity and grace” (p. 180), he changed his mind. This raises fundamental questions. What is the point of all our conservation efforts if we do not address the root causes that got threatened species in trouble in the first place? For me, books such as Abundant Earth and Alfie & Me have really driven home the point that, unless we change our relationship with the natural world and stop treating it as a bottomless larder, conservation is little more than a palliative solution, a stay of execution. If we restore animals to an increasingly degraded environment, to a human population that does not want to share the world with them, they will have to remain on permanent life support. To be clear, I do not think conservation is futile; it is vital. So long as it is not an end unto itself. We cannot lose sight of the bigger picture: a world hospitable to non-human animals. Servheen’s call for “maturity and grace” in the context of grizzly bear management can just as well be applied to our tenancy of this planet.
Wild Black Bear at Anan Bear Observatory by Andrew Russell, via flickr.
Even if you were to come away from this book without having your thoughts similarly provoked, Eight Bears is a mighty fine environmental reportage that is nuanced and well-researched. Given the often regional nature of books on bears and people, Dickie’s globetrotting overview of the challenges faced by all extant bears is very welcome.
Brought to you by the Sunday Times bestselling author Guy Shrubsole, The Lie of the Land discusses how a handful of wide-scale landowners are responsible for the destruction and degradation of our vital landscapes, painting a humbling picture of some of the most notable failures of land stewardship in Britain’s recent history. However, Guy also presents a glimmer of hope as he relays the stories of those trying to help nature recover, from small-scale farmers to community groups and individuals. In doing so he gives the public hope that we can all become custodians of the countryside once more.
Photograph by Nick White
Guy Shrubsole is a researcher, writer and environmental campaigner who previously worked as an investigator for Friends of the Earth, and is co-founder of the Right to Roam movement. He was Policy and Campaigns Coordinator at Rewilding Britain for a number of years and has published a number of books including Who Owns England? and The Lost Rainforests of Britain.
We recently had the opportunity to interview Guy about The Lie of the Land, where we discussed what inspired him to write this book, how the privatisation of land has affected its conservation and preservation, what he hopes the reader can learn from his work and more.
Firstly, can you tell us a little bit about what inspired you to write The Lie of the Land?
I’ve been thinking – and campaigning – about the issues in The Lie of the Land for some years. Witnessing moorland being deliberately set ablaze for the purposes of driven grouse shooting was an early spark; as was reading about the landowners who drained the Fens, and the vast wet commons that once dominated Cambridgeshire which teemed with fish, wildfowl and eels. In some ways The Lie of the Land is a natural sequel to my first book, Who Owns England? – taking its analysis that half of England belongs to just 1% of the population and looking at the ecological consequences of this.
Have there been any instances where private land ownership has benefitted the environment and increased its accessibility for the public, and if so, what can be taken from this?
Absolutely, I discuss in the book how there are some brilliant nature-friendly farmers and landowners doing great work – heroes like Isabella Tree and Charlie Burrell with their rewilding work at Knepp, or Jake Fiennes at Holkham, or James Rebanks in the Lake District. But I argue that we can’t simply rely on these few ‘good stewards’ to turn the nature crisis around on their own. We need to call out bad practice (as Fiennes does in his book Land Healer) and make all landowners more accountable to the public for how they’re treating the land. Look at how England’s peat bogs – a vast natural store of carbon and a crucial national asset in the fight against the climate crisis – have been mistreated by the 150 or so estates that own them and set fire to them each October. Look at the institutional investors who own great swathes of the Fens – organisations like the Church Commissioners – and how they continue to profit from what is essentially a ‘carbon bomb’, the wasted peat soils of the fenland losing fertility and carbon with each passing year.
The trouble is, a lot of estates and lobby groups for landowners hide behind the assertion that they are the ‘custodians of the countryside’, who can be trusted to look after it without the need for public oversight or pesky environmental regulations. But as James Rebanks says, “I’m a very proud defender of good farming, but the ‘custodians of the countryside’ argument only washes if we are genuinely doing that – otherwise it’s self-serving nonsense.”
Those Blue Hills by Jim Roberts Gallery, via flickr.
What do you think needs to be implemented to increase the perceived viability of community land ownership and management, compared to privately owned spaces? And how do you think we can increase the quantity of community land ownership going forward?
We need to give communities the power to take ownership of more land, for starters. That means introducing a Community Right to Buy in England, like the one they’ve had in Scotland for the past twenty years – a set of powers that has led to communities buying up half a million acres of Scotland. I visit one such community buyout in the book, Langholm Moor – a former grouse moor that was bought by the people of Langholm a couple of years ago: they’re now turning it into a nature reserve. No more moorland burning, no more predator persecution: they’re going to re-wet the peat bogs and are allowing birch and rowan to naturally regenerate up the hillsides.
We need to have that opportunity in England, too. And the good news is, the new Labour government announced in its first King’s Speech that it will introduce a Community Right to Buy in England. But we’ll have to campaign hard to make sure it happens, and that landed interests don’t water it down. And we need to unlock our own imaginations, to start to dream bigger about how communities could take control of land and manage it for nature. As the Scottish land reform campaigner Alastair McIntosh has written, community ownership of land “creates a new constellation of possibility.” Let’s reach for the stars.
I particularly enjoyed your last book, The Lost Rainforests of Britain, and it really opened my eyes to the remarkable habitats around us that many people, like myself, never knew existed. Do you think landowners are aware of the importance, in some cases rarity, of the land they own? And how has the privatisation of the UK’s rainforests affected their conservation and preservation?
Thanks! I think an increasing number of landowners and farmers are now aware of temperate rainforests – after writing Lost Rainforests, one of the loveliest messages I got was from a Devon sheep farmer who had discovered the very rare Hazel Gloves fungus growing in an old hazel grove on her farm. And it’s been really encouraging to see such snowballing momentum to bring back Britain’s rainforests since the book was published – like the Wildlife Trusts announcing rainforest restoration projects from Skiddaw in Cumbria to West Muchlarnick in Cornwall, and the Cornish landowner Merlin Hanbury-Tenison doing great work on his farm at Cabilla.
Unfortunately, not all landowners recognise the importance of the habitats they own – even sometimes when they’ve been officially ‘notified’ of their existence through the land being designated as a Site of Special Scientific Interest (SSSI). In the book I tell the story of the landowner who destroyed part of the River Lugg SSSI – and how his example is sadly only one of many instances since the first SSSIs were designated in the 1950s. Ultimately, if we’re to protect our remaining habitats, I think we cannot only rely on voluntary initiatives by enlightened owners, but have to give precious habitats strong legal protections – and make sure our environmental watchdogs, like Natural England, have real teeth.
What do you hope the reader can learn from your book?
I hope that readers get angry about the problems, take inspiration from the suggested solutions, and get out there and campaign for them to become reality!
The final chapter of your book details your 10-step proposal. At which point during the writing process did you develop these, and how did these recommendations adapt and evolve throughout the researching and writing process of The Lie of the Land?
In all of my books, I aim to set out clear political recommendations – for me the point of writing is not just to interpret the world, but to change it! From the outset I had quite a clear sense that all my recommendations in The Lie of the Land would be about how we can democratise decision-making over land, make landowners more accountable and give all of us a greater say over how land is used. That, to me, seems to be our last, best hope of turning the nature crisis around.
My own feelings of optimism about fixing this mess we’re in were definitely boosted by the conversations I had, and site visits I made in the process of researching the book. There are loads of communities yearning to look after land, loads of river guardian groups blowing the whistle on river pollution, and plenty of examples from other countries – and from our own nation’s history – of how we can protect and restore nature and do a better job than we are currently. But we need some policy changes at a national level to unlock these energies and scale them up. As William Gibson (allegedly) once said, ‘the future is already here – it’s just not very evenly distributed.’
Are you working on any other books or projects that we can hear about?
Steady on – I’ve just written this one! Currently I’m enjoying meeting with lots of people across the country to get the ideas out there – and I am campaigning hard for these policy changes. I also work with the Right to Roam campaign (you can join our mailing list at www.righttoroam.org.uk). But I definitely would like to write more books in the future!
The Lie of the Land is available from our bookstore.
Marking the sixth volume in Stephen Moss’ Bird Biography series, The Starling delves into the fascinating life of one of our most talented and surprising birds. Starlings are renowned for their iridescent plumage, impressive vocal abilities and stunning murmurations, and this captivating tale explores how they’ve shaped our world, inspired art and music through the decades, influenced the agricultural industry and more.
Stephen is a naturalist, author and broadcaster well known for his work with the BBC Natural History Unit working on landmark programmes such as Springwatch and The Nature of Britain. He currently holds the position of senior lecturer in creative writing at Bath Spa University and is also president of the Somerset Wildlife Trust.
Stephen recently took time out of his busy schedule to answer some of our questions about his latest book The Starling, including what inspired him to write about this species, how his opinions of this bird has changed throughout the writing process and more.
The Starling marks the sixth volume in your bestselling Bird Biographies series. What inspired you to turn your attention to Starlings for this latest volume?
I always look for three things when it comes to choosing a subject for a bird biography.
First, does the species show some unusual or specific behaviour or habit which mark it out from other species? For example, the Robin’s habit of singing and holding territory in winter, the Wren’s bizarre breeding behaviour where the male builds several ‘cock’s nests’ for the female to inspect, or the Swallows’ epic migrations.
Second, does it have a strong cultural presence – in music, literature, mythology, popular culture and day-to-day society? Examples include the Robin’s association with Christmas, the Swallow’s position as a herald of spring, the Swan’s royal connections, and the owl’s reputation as a mysterious bird of the night.
And third, does the species relate to both me and the reader? Basically, is it one of Britain’s favourite birds, and if so, why? It also helps if I like the bird and have had a lifelong connection with it – which is true of all the species I have featured in the series so far – as then I can add personal anecdotes from my life as a birder.
Just like the previous subjects in the series – the Robin, Wren, Swallow, Swan, and owl(s), the Starling fits the bill in all three of these categories. It is a very sociable bird – more so than almost any other species during both the breeding season and in autumn and winter, when they gather in those famous murmurations. There are also plenty of historical and cultural references, including the fact that Mozart kept a pet starling which used to whistle his new compositions, and which he mourned in a solemn burial ceremony after it died. Most of all, we have a love-hate relationship with this bird, giving it a real ambivalence in our eyes – which makes it a fascinating subject for a book. And as you mention later on, like most of us, I grew up with Starlings. I now live on the Somerset Levels, just a stone’s throw from the famous winter gatherings, which I have now enjoyed for almost twenty years.
This book explores how starlings have influenced both farming and the arts throughout the years – were there any discoveries that surprised you on this line of inquiry?
The biggest surprise was that the widely known and oft-repeated story that Starlings were introduced into North America by a German emigrant who wanted to bring every bird mentioned in Shakespeare to the New World turns out to be mostly a myth! He wasn’t German (though he did come from a high-ranking New York family of German descent); he had no interest in Shakespeare, and most importantly he wasn’t the first person to release Starlings into the wild in the USA – that happened over 20 years earlier. Check out the chapter on ‘The Global Starling ‘to find out more details!
You mentioned having been around starlings for most of your life in the first chapter. Has your research and writing of this book altered your opinion of these birds?
Definitely! I do have a real soft spot for Starlings – though I also agree with the expert scientist Chris Feare that they look like second-hand car salesmen when they walk! I love the fact that they live alongside us but don’t really care about us – just going along with their day-to-day lives.
I also discovered a lot more about the science of their murmurations, and also about our human response to them, which ranges from loathing to love.
Finally, their ability to adapt to locations around the world where they have been introduced – including South Africa, Australia and New Zealand as well as North America – is also very interesting, and again tells us a lot about our ambivalent attitudes towards these fascinating and often overlooked birds.
Starlings are often regarded with distaste and annoyance by many. Are there any common misconceptions impacting people’s perceptions of this overlooked species? And how can we move towards acceptance, and ideally, appreciation of these birds?
As my old friend and colleague Bill Oddie famously said, people think of Starlings as ‘bird table bullies’! And yet those same people who don’t like them in their garden love watching their spectacular murmurations! They are also often overlooked – like all common, familiar and widespread species, we tend to take them for granted.
Yet paradoxically, as we saw when another common and familiar bird, the House Sparrow, started to go missing from our towns and cities, when we begin to lose a species, we do begin to appreciate them more!
Starlings are in decline, and almost all urban roosts like the ones in the middle of London, including the famous one in Leicester Square that I used to see when I was growing up, are no more. Fortunately roosts in the wider countryside do appear to be making a bit of a comeback.
If anyone still doesn’t like Starlings, I would urge them to come down to Somerset on evenings between November and February, where we still get a quarter of a million or more Starlings murmurating together before going to roost on the Avalon marshes – it really is truly incredible!
How do you think the historical representation of ‘pest species’, such as Starlings, has affected our attitudes towards them, and how do you think we should approach the somewhat controversial topic of conservation vs agriculture vs pest control in the future?
I don’t like the word ‘pest’, though it is at least a bit less loaded than ‘vermin’! As I discuss in the book, Starlings have always been unpopular with farmers, even though they predate on many so-called insect pests in the soil, such as leatherjackets. They do eat fruit and can also cause problems with their droppings, but overall, I think they are less harmful than many people think.
I also believe that we tend to dislike species, especially those that live alongside us, that remind us of ourselves. This includes gulls, crows and of course starlings, which often seem to behave rather like us, and we don’t like that!
Starling Murmuration – Eastbridge by Airwolfhound, via flickr.
I, along with many of your readers, will be excited to see where this series will go next. Have you begun working on the next book? And can you give us any clues as to what comes next?
I have, although I am taking a bit of a break from writing as I am trying to get a better work-life balance and travel to see birds around the world – including Starlings (exotic species in Africa and Asia as well as our own familiar species!). I have long wanted to do the House Sparrow, as it has such a fascinating historical relationship with human beings, and lives closer alongside us than any other species of bird. As a result – just like the Starling – we are very ambivalent towards it.
When we chose the Starling, we had a shortlist of three, the others being Skylark and Kingfisher; yet bizarrely, when I did an X/Twitter poll amongst 2,000 people, the vote split almost exactly to one third for each!
I can’t do some species that readers of the series have suggested, either because, like the Blackbird and Blue Tit, they don’t have very unusual or distinctive behaviour or cultural importance; or because others have already written similar (and excellent) books – such as Sam Lee on the Nightingale and Charles Foster and Sarah Gibson on the Swift.
Currently I am keen on either the Peregrine Falcon or the Puffin, both of which have really strong biological and cultural aspects to their lives – I’d be fascinated to hear which of these species NHBS customers – and your excellent staff – think I should choose!
STEPHEN MOSS is a lifelong birder, broadcaster and bestselling author, whose books have appeared in almost twenty different countries. The Starling is the sixth volume in his celebrated ‘Bird Biographies’ series, following the Robin, Wren, Swallow, Swan, and Owl – and of course The Twelve Birds of Christmas, which featured the dozen species in the famous festive carol. In total these have sold over 100,000 copies, and been translated into Dutch, German and Chinese.
The Starling is available to pre-order from our bookstore here.
For years, Richard Fortey has found the uniqueness of fungi fascinating, from theirstrange forms, colours, reputation, rapid appearance and disappearance, to theiroften unseen role within the natural world. Close Encounters of the Fungal Kindtakes the reader on an enthralling journey through Fortey’s forays searching for the strangest, most extraordinary and most delicious species. Focusing on a selection of the larger fungi and a handful of microfungi, this charming book celebrates their profusion, diversity and importance.
Richard Fortey is a palaeontologist, nature historian, writer and presenter who worked as the Natural History Museum’s senior palaeontologist until 2006. Richard has served on the councils of the Systematics Association, Palaeontographical Society, British Mycological Society and more. He was elected as a Fellow of the Royal Society in 1997 and was awarded an OBE in the 2023 New Years Honours for services to palaeontology and geology.
We recently spoke to Richard about his book, his first introduction to fungi, his hopes for the future of mycological research and more.
The fungal kingdom is enigmatic, and in recent years it has gripped the attention of naturalists and the wider public alike, thanks to books such as this one. Do you remember your first introduction to fungi that sent you on this path of discovery?
As a child in Ealing on the fringes of London, we were lucky enough to have a large garden. I remember wondering at a great clump of glistening ink caps that appeared around a rotting stump – apparently overnight. In a day or two they had turned into a black soup. About the only book available then (I must have been about ten years old) was The Observer’s Book of Mushrooms and Toadstools, but I managed to identify our stump fungus as Coprinus micaceus. Finding others in the book became a challenge.
Fungi are everywhere, spores floating through the air, mycelial networks underneath our feet, and even in the deep ocean. Can you describe one of your most unexpected encounters with the fungal kind whilst compiling this book?
At my sister-in-law’s house in the rainforest of New South Wales, there were a host of fungi on the ground and on fallen trees. One of them growing on a trunk seemed to be an old and edible friend – the Oyster Mushroom. But when I went out in the dark, I was amazed to see it glowing with a ghostly greenish light. It was an Aussie double of our oyster, and a decidedly poisonous one. I used a photo of it taken by its own light in the book, and it still looks quite unearthly even now I know its identity.
You open the book describing an enchanting trip to the hills of northern Italy for a celebration of the foragers’ favourite, the Bolete. If you were to organise a mycologically focused celebration in the UK, which location would you choose?
When it is in top form it is hard to beat the New Forest for variety and number of species. Boletes used to abound there, and every kind of milkcap and brittlegill still does, and it is about the only place to see the extraordinary Nail Fungus emerging from pony dung.
In your book, you allude to the challenges of understanding taxonomy as a novice or intermediate mushroom fan through the lens of species names. However, you also highlight the importance of both binomial nomenclature and common vernacular names. Do you have a favourite species name, both scientific and common? And to take this further do you have any personal/pet names that you find yourself using for species?
The common small bracket that grows in tiers on dead logs is known as the Turkey Tail – and it really does look like a fanned-out tail of this big bird, with a neat white rim and a neatly zoned dark upper surface. The best scientific name really doesn’t beat around the nomenclatural bush, and it must be Phallus impudicus. The Stinkhorn indeed resembles an upright human reproductive organ and even retains a distinctively scrotal sac at its base. And it smells like rotting meat – the species name refers to that. As for pet names, my young nephew always referred to the beautiful but poisonous scarlet Fly Agaric as “Killer Diller” – and that name seems to have stuck.
As someone with a long career in the sciences, a lifelong mycologist, and an inspiring naturalist, which direction would you like to see mycology take in the next few years as it expands as both a field of research and a subject of interest?
There’s no question that DNA studies are taking mycology into a new direction – not least enabling us to ‘see’ fungi even without having their fruitbodies, for example, by sampling soils in different habitats. I believe that fungi are even better indicators of environmental health than our plants, and I really hope that conservation bodies – and farmers – realize that they need to fully recognize the contribution of fungi to total biodiversity. There are so many different species that identification often poses a challenge, and I personally welcome the development of apps to help, but there is no substitute for getting down on hands and knees on the forest floor. If a fraction of those who make birds their hobby took up mycology it would do no end of good to public awareness.
Finally, what’s occupying your time at the moment? Are you working on any other projects that you can tell us about?
I have had an ongoing project raising fungus gnats – which are also very diverse. One large fungus can feed a hundred tiny flies, and these in turn feed insectivores. Their importance in the food chain has been underestimated. Which species of fungi feed which gnats is still incompletely known, however this is the kind of project I can do in a small woodland like my own.
Close Encounters of the Fungal Kind is available from our online bookstore.
The collectives formed by social insects fascinate us, whether it is bees, ants, or termites. But it would be a mistake to think that the individuals making up such collectives are just mindless cogs in a bigger machine. It is entirely reasonable to ask, as pollination ecologist Stephen Buchmann does here, What a Bee Knows. This book was published almost a year after Lars Chittka’s The Mind of a Bee, which I reviewed previously. I ended that review by asking what Buchmann could add to the subject. Actually, despite some unavoidable overlap, a fair amount.
Though I will leave a comparison and recommendation for the end of this review, I can already tell you that What a Bee Knows is a different beast altogether. Buchmann’s approach to convincing you that bees are sophisticated insects is to provide a general and wide-ranging introduction to bee biology, telling you of all the things they get up to.
What makes this introduction accessible to a broad audience is that Buchmann goes back to first principles. For starters, what even is a bee, and where did they come from? You might not realise that they evolved from carnivorous predatory wasps and likely did so some 130 million years ago, not long after the evolution of flowering plants. Another basic aspect Buchmann highlights is how myopically focused we are on social bees. The thing is, 80% of all 20,000+ described bee species are solitary. Their biology is the more representative one and Buchmann discusses examples from their lonesome lives throughout this book, many based on his observations working in the Sonoran Desert of Arizona and elsewhere. He reminds the reader that “we should not think of honey bees as the pinnacle of bee evolution toward which all bee species strive” (p. 32). Theirs is the exception; a high-risk, high-reward strategy to making a living on this planet.
This approach of introducing basic concepts is applied throughout the book. Thus, we get a brief tour of the gross anatomy of the bee brain, but not before Buchmann explains the basics of the human brain and the structure and workings of neurons. An introduction to sexual selection prefixes the discussion on the many sexual escapades of bees: from scramble competition in cactus bees involving bee brawls (which is exactly what it sounds like), to hilltop lekking in carpenter bees, to alternative reproductive tactics with different male morphs in Centris pallida. Bees can learn to solve problems, improve their performance, and even learn new tricks from other bees, but what is this process called learning, and how widespread is it? Similarly, chapters on sleep, pain, and consciousness all first discuss more broadly what these are and what we know about them in humans and other vertebrate and invertebrate organisms.
Buchmann is a pollination ecologist by training and he cannot help but indulge in a long chapter on pollination. He is on form here and gleefully reminds readers that, next to billboards for pollinators, “flowers are unabashedly plant genitals exposed on a stem for all to see” (p. xiii), while bees act as “surrogate flying flower penises” (p. 78). Though it is traditionally held up as a wholesome form of mutualism, it has elements of an arms race too. As Jeff Ollerton also points out, active pollination, where a pollinator deliberately places pollen on a flower’s stigma, is extremely rare. Rather, the norm is that both pollinators and flowers have their own interests (food and pollination), at heart first and foremost. Sometimes both parties will benefit, but this is not a given. Orchids trick male bees into pseudocopulation with flowers that look and smell just like female bees, dusting them in pollen in the process without offering any nectar. At the other extreme, carpenter bees have become nectar robbers, using their jaws to cut into flowers at their base to access nectar, and thus not providing pollination services. And here is an interesting recent development: studies on the bee microbiome suggest that bees derive some of the microbial life that populates their gut from the flowers on which they forage. In some cases, the proteins contributed by flower microbes might be more nutritious than the pollen grains.
A chapter on sensory biology is, of course, obligatory and Buchmann covers all relevant topics: the trichromatic vision of bees that extends into the ultraviolet, their perception of polarized light used in navigation, their excellent smell, their hearing (which is more a detection of pressure waves at close range), their taste and tactile senses, their to-us-alien detection of electrical charges (and the electrostatic footprints bees leave on flower petals after a visit), and the still contentious topic of magnetoreception. What was new to me is that the two mobile antennae produce a three-dimensional impression of an odour field, and some nifty experiments that involved crossing their antennae resulted in bees persistently walking away from the source of a smell, indicating that they really do smell in stereo.
Though an accessible and enjoyable romp into bee biology, I do have a few minor quibbles. There is a limited number of general black-and-white illustrations and photos, and the reproduction of the latter is so-so as this is a print-on-demand book. And though What a Bee Knows avoids getting too technical, I do feel that in some places Buchmann wanders a bit off-piste from exploring the inner world of bees into more general fascinating tales of bee biology. Nevertheless, the book achieves its mission of instilling a renewed respect and a better understanding of how bees live.
Having now reviewed both Chittka’s The Mind of a Bee and Buchmann’s What a Bee Knows, how do they compare and which one should you read? Both books broadcast the same message loud and clear: bees are darn sophisticated creatures and even individually are far smarter and more capable than you might initially give them credit for. As mentioned, Buchmann goes back to first principles on many topics and wanders into bee biology more generally, while I remarked that Chittka delivers an information-dense book with numerous explanatory illustrations that is very focused in its approach, talking bees, bees, and the occasional other hymenopteran. Consequently, Buchmann does not delve as deeply into many subjects, though he does discuss some experiments in detail (including Chittka’s work on several occasions). My recommendation would be that general readers with little background in biology or entomology pick, or first start with, What a Bee Knows. Biologists, in particular entomologists, might want to skip straight to Chittka’s The Mind of a Bee and get stuck in the wealth of detail there.
What a Bee Knows by Stephen Buchmann is available from our online bookstore.
Hoverflies of Britain and Ireland is a beautifully illustrated photographic field guide that details the hoverfly species readily available in Great Britain. This revised and updated third edition details 13 additional species and features more than 840 stunning photographs, alongside a host of other improvements to aid reliable identification. As such, this is the most accessible, authoritative and easy-to-use guide available, and a must-read for all entomologists and naturalists alike.
Stuart Ball and Roger Morris have been running the Hoverfly Recording Scheme since 1991 and published the Provisional Atlas of British Hoverflies in 2000. Stuart and Roger both worked as entomologists for the statutory nature conservation agencies, are both active members of the Dipterists Forum, a society that promotes the study of flies, and have subsequently run many hoverfly identification courses prior to their retirement.
We recently had the opportunity to talk to both Stuart and Roger about the book, including how they first became interested in working with hoverflies, where the ‘new species’ that are now detailed in the third edition have come from and more.
Firstly, can you tell us a little about yourselves and your history of working with hoverflies?
In the late 1980s and early 1990s, we worked for the Nature Conservancy Council’s ‘Invertebrate Site Register’ and were active entomologists with a broad interest in flies. Alan Stubbs, our boss at the time, was looking to re-vitalise the Hoverfly Recording Scheme following Philip Entwistle’s retirement and twisted our arms to take it on. The idea was to combine Stuart’s interest in computing and data interpretation, and Roger’s interest in hoverflies, to try to get the scheme back off the ground. At that time there were about two cubic metres of record cards and about 50,000 computerised records. We took the project on, knowing that we would have to computerise those cards, check the existing computerised data and draw in data from numerous other datasets. Little did we realise what it would entail and how it would change our lives! We produced a provisional Atlas in 2000, a second one in 2011 and now have maps available online. Although we are still running the scheme, we do want to see it safely transition to a new generation before we become too long in the tooth!
You are both involved in organising and managing the database of the Hoverfly Recording Scheme. Can you tell us a little bit about it and why the scheme is important?
We split responsibility – Stuart manages the database and deals with data import and final validation processes, whilst Roger deals with day-to-day contact with recorders, including verification of iRecord data and active engagement via the UK Hoverflies Facebook group. The dataset now comprises over 1.8 million records and is the largest dataset for an insect group, except for Lepidoptera and Odonata. The size of the dataset, combined with the unique ecological significance that arises from their various larval feeding strategies, makes hoverflies an excellent subject for many lines of research. The most obvious one has been interest in pollinators, but there are growing avenues of interest in hoverflies because they are sensitive to climate change and also because they are often highly habitat specific. Scheme data is also used in the triennial ‘State of Nature’ reporting.
There are 13 additional species included in this updated edition. Where have these ‘new’ species come from?
When we started work on the new edition there was scope to expand the book, but obviously much less scope to completely re-organise its structure. The species chosen were mainly included because experience has shown them to feature among the species whose photos are posted online and, therefore, people want to know about them. One big change we have made has been to make sure that all Eristalis species are covered and that we have a key to assist in their identification.
The third edition includes a new section on putting data to good use. Why was this important for you?
Our objective from the onset has been to produce a book that is somewhat different from a traditional identification guide. We wanted to make sure that readers thought about both the animal they saw and its larval biology. Moreover, we wanted to encourage high-quality recording. Our background in nature conservation has taught us that the biggest impediment to insect conservation is a lack of reliable data. So, we felt it was necessary to show readers how records might be used and what messages they can convey. The use of models to investigate aspects of wildlife biology and conservation is relatively new, so showing readers that data can be used for a lot more than just ‘dots on maps’ is essential if we are to foster an ongoing high-quality recording community.
Traditionally, hoverfly guides use dichotomous keys as the primary aid for identification. What challenges did you face in producing an identification guide based on photographs and why did you feel that a photographic guide was the right choice for this book?
When we originally developed the book, it was not our intention to replace the existing monographs which include full keys, such as British Hoverflies (Stubbs & Falk 2002), Hoverflies of Northwest Europe (van Veen 2010) and the newer Hoverflies of Britain and North-West Europe (Bot & van de Meutter 2023). Our intention was to produce a companion to these books which illustrated the key features using field photos of live flies and close-up shots of specimens to make the identification process more accessible. The huge growth in records coming from photos posted online meant that we especially wanted to target photographers who wish to put a name to the animals in their pictures. Moreover, had we used traditional keys, the book would have been 400+ pages long and would have been considerably more expensive. Britain’s Hoverflies was quite a brave move for WILDGuides at the time because they had not tackled such a large insect family. The design and the contents had to be marketable, appealing and affordable to people who might not normally buy a book on flies. Coming up with guidance that does not involve keys has been a challenge and we must credit Rob Still for the design inspiration and turning our rough ideas into something workable. Since that first edition, the book has evolved and expanded. It is now a lot bigger, but we have held to our basic belief that it should be complimentary to these other works rather than a replacement.
Syritta pipiens – Thick-legged Hoverfly by Nikk, via flickr.
This updated edition includes revised maps, flight-period charts and population trends for hoverfly species across Britain. Have you observed any changes in behaviour or distribution in response to developing environmental challenges? And do we have a clear idea of how these insects are likely to be impacted in the future?
All insects are responding to a plethora of environmental changes, but we are in a better position to investigate the challenges facing hoverflies because there is such a big dataset and new data arrives in volumes that we could only have dreamt of 30 years ago. Some species are expanding their range, while for others the frequency with which they are recorded is diminishing and/or their range is contracting. Species that were once at the edge of their European range have moved northwards, some quite dramatically. Several new species have arrived, apparently under their own steam, as their European ranges have expanded, but others have been assisted by lax biosecurity. A few species have disappeared from south-east England or are in the process of doing so.
It might be assumed that the twin evils of habitat loss and agricultural intensification (including pesticides) are primarily responsible for these changes; however, we think that climate change is having a far more profound impact than is currently accepted. Flies have very thin-skinned larvae and are highly susceptible to changes in humidity, so increases in the frequency and intensity of heatwaves and droughts will have a big impact on them. This sensitivity makes them important indicators – they are arguably climate change canaries that help to explain why so much of Britain’s precious biodiversity is disappearing. Flies are at the bottom of the food chain, so if you lose flies there will be fewer insectivorous birds and mammals, let alone predacious invertebrates such as wasps and spiders.
Hoverflies of Britain and Ireland is published by WILDGuides and is available to pre-order from our online bookstore.
This book (or rather book series, since it will be more than just one book) has been an incredibly long time in the making, and the sheer scale of the project alone makes it a huge achievement. What were the main challenges you came across and how were they overcome?
Our project began in 1998 when the French publisher Delachaux et Niestlé requested us to create a new feather identification guide based on colour photos. The illustrations of feathers in our Atlas are arranged according to a unique, recognisable pattern on astandardised grey background, each of them depicting the feathers of an individual bird, which allows readers to grasp the essence of different feather types at a glance. We use a method of directly scanning feathers on a flatbed scanner that was developed at the University of Amsterdam. But printing costs were prohibitive. Print-on-demand technology made it possible to produce smaller, more affordable print runs. We used this technology to produce our first collective work of the Feather Research Group titledThe Tail Feathers of the Birds of Central Europe. We also produced two feather calendars with a series of colour plates that were composed for our Atlas of Feathers for Western Palearctic Birds as a test run to see how the colours came out in print.
In 2009, after 10 years of intense work, we produced a DVD with 1,280 colour plates featuring illustrations of feathers for 330 Passerine species. This compilation from many sources resulted in a wave of interest in our project. Meanwhile, the number of Passerine species for which colour plates were ready had nearly doubled to more than 600 species. We decided to publish our collective work under the name The Featherguide rather than any individual names. In this way, everyone in our group can identify with this eponym and no one needs to feel that anyone is adorning themselves with borrowed plumes.
Hansen Feather Template.
The most time-consuming aspect of our work is the composition of feather images for bird species that are not found in any feather collections. Thanks to the kind support of the Feather Identification Laboratory at the Smithsonian Institution, and generous curators at Natural History Museums, it was possible to develop a technique that allows us to extract depictions of isolated feathers from photographs of bird skins. The missing part of the feather that remains in the skin is digitally added in a seamless way. A single colour plate produced in this way from many different puzzle pieces takes up to one week. With 1,350 bird species to be covered in our Atlas and our goal of illustrating all important plumages, you can imagine how many months and years this adds up to. We thank readers for their patience and interest.
Our project has inspired a number of off-shoots that will be welcome by most readers. For example, the French feather identification book by Cloé Fraigneau, which is now available under the titleAn Identification Guide to the Feathers of Western European Birds, emergedfrom the initialplanning sessions we had with the director of Delachaux et Niestlé. The series of books on feather identification by Professor Hans-Heiner Bergmann was inspired by our flyer distributed at the International Ornithological Congress in 2006. A book titled Feathers: Displays of Brilliant Plumage by world–renowned photographer Robert Clark features several photographs of original feather sheets that were mounted for our Atlas of Feathers for Western Palearctic Birds, each depicted on a full double page. Even Audubon Magazine featured a series of photographs of original feather sheets from our Atlas of Feathers for Western Palearctic Birds. The Feather Atlas for North American Birds, published online by the Forensics Laboratory of the U.S. Fish and Wildlife Service, was inspired by our original project description in the Conference Proceedings of the International Bird Strike Committee. The Featherbase website, which gets several million visitors per year, adopted the same grey background colour that we had chosen for our illustrationsand also adopted the idea of depicting wing and tail diagrams in the way that we presented in our original project description.
The study of feathers has an obvious application for species identification, particularly when dealing with bird remains. But can a study of feathers also provide us with an insight into bird evolution and taxonomy, or indeed other areas of research?
Yes, indeed, much can be learned on these topics through the study of feathers. Subtle variations in the phenotype constitute the raw material for natural selection to act upon. Through the study of feathers, we can gain a deeper understanding of evolution. The high amount of phenotypic plasticity in bird wings is a clear example of evolution in progress. Many species exhibit subtle fluctuations in the extent and depth of emarginations on their primaries, resulting in different numbers of slots in their wings between different individuals. Another area of phenotypic plasticity is unusual variations in the number of flight-feathers. Our Feather Research Group compiled a large body of such variations from scientific literature and from our own research.
While feathers were not unique to birds, emarginationsare. Birds as we know them today are thought to have evolved from Mesozoic stem birds that coexisted with feathered dinosaurs. The only line that survived the cataclysmic event on Yucatan 66 million years ago evolved emarginations in their wings. If we consider birds as a class of their own, then the feature that distinguishes birds from feathered dinosaurs is the presence of emarginations. The evolution of emarginations can bring clarity into today’s scientific discussion on the origin of birds, which largely portrays birds as living dinosaurs, thereby blurring the line between reptiles and birds. Emarginations make birds unique. Neither bats nor insects nor pterosaurs have emarginations in their wings. Not all bird families living today have emarginations in their wings, giving rise to the question whether these bird families never evolved emarginations or whether their emarginations disappeared during the course of evolution. Emarginations can be lost either through the evolution of very narrow, pointed wings or through devolution into flightlessness.
Whether our findings have any relevance for taxonomy is up to taxonomists to decide. In the past, taxonomy was entirely based on phenotype, while today it is largely basedon genotype. Phenotypic variations do not play a significant role in current taxonomy, unless one is interested in the possible inheritance of epigenetic switches that regulate the expression of the genotype into the phenotype. For example, it is not clear whether the fine-tuning of the gradient in retinoic acid that is linked to two genes on the sixth and eighth chromosomes (and is responsible for the regulation of the vane width of feathers) was already inherent in the genome of Mesozoic stem birds and was activated through one of these epigenetic switches,giving rise to emarginations in modern birds. This question may be possible to answer by looking at the genome of bird families that appear to have never evolved emarginations so far, such as rails.
Who do you think these books will appeal to and who will benefit from such a comprehensive and high-quality atlas?
Anyone who visits the Featherbase websiteand finds the scans of feathers depicted there to be useful or interesting will also benefit from our work. If only 1% of the millions of visitors to this website see any value of having a printed Atlas with feather images of similar or even higher quality, this will make our Atlas of Feathers for Western Palearctic Birds worthwhile.
Many of the scans shown on the Featherbase website are from the collection of Dr. Wolf-Dieter Busching, the former director of the Naumann Museum in Köthen, Germany, who built up the largest scientific feather collection in the world, comprising feathers of around 2,500 bird species. During the time of the former communist regime in East Germany, it was difficult for Dr. Busching to obtain paper of a consistent colour for mounting the feathers in his collection. Therefore, his feather specimens are mounted on paper of many different colours, sometimes blue, sometimes red, sometimes yellow. Since the vanes of feathers are semi-transparent, the colour of the paper they are mounted on influences the colour of the feathers. In addition, the feathers in Dr. Busching’s collection often overlap each other, thereby hiding parts of the neighbouring feathers. In our Atlas of Feathers for Western Palearctic Birds, we show all feathers on the same standardised grey background and without overlap. In this way, each feather is fully visible and the colours of the feathers can be reliably compared.
Of course, the production of a series of books with high-quality colour plates is more expensive than running a website. The cost of such a series in printed form will limit the number of potential buyers compared to the number of visitors to the Featherbase website. We will keep the cost as low as possible to maximise the number of people able to afford our series in printed form.
The first volume in the series provides readers with a global overview of feather characteristics. Were there any particularly surprising data or revelations that resulted from compiling such a comprehensive collection?
There were several surprises indeed. Two of the most peculiar discoveries, or rather rediscoveries, were made in the families Tityridae (tityras, becards and allies) and in the family Trochilidae (hummingbirds). In the families Tityridae, two genera, Tityra and Pachyramphus, have a small, crippled primary number 9 in between normally-sized neighbours in the wings of adult males, while females and juveniles have normally formed wings. The function of the reduced-sized P9 may be related to sound production (sonation) during the display of adult males, but so far, we could not find any references in the scientific literature that would substantiate such an assumption. Amazingly, this peculiar phenomenon had even escaped the attention of Dr. Wolf-Dieter Busching, who devoted his entire life to the study of feathers, and none of our other collaborators in the Feather Research Group noted this phenomenon.
There are currently three mounted feather specimens of adult males of these two genera on the internet, one of them from the collection of Dr. Busching and two from other feather collections. In each of these three feather collections, the reduced-size P9 was mistakenly glued in front of P10 rather than in its correct position between P8 and P10, indicating that the respective feather researchers had no clue where this feather belongs and seem to have misjudged it to be a reduced outer primary, as is found in many passerines. However, when we consulted an older publication on feathers from 136 years ago, it turns out that this odd, reduced-size feather was already noted by Hans Gadow in 1888, at least in the genus Tityra, while its presence in the genus Pachyramphus seems to have escaped his attention, too.
The second peculiar discovery in the family of hummingbirds concerns the presence of emarginations at the tips of the outer primaries in males of 22 species from five genera. Most of us in the Feather Research Group had assumed by default that none of the hummingbird species have any emarginations, based on our experience with the many species for which we had examined feathers. The great majority of the 377 extant hummingbird species do not have any emarginations, as in the related family of swifts. So, it would have been easy to miss these exceptional few species if the effort had not been made to look at every single hummingbird species based on photographs of live birds. Again, the fact that only males of these exceptional species have emarginations, while females are missing them, leads to the assumption that these emarginations have something to do with the display flight of males. In this case, there is indeed a scientific paper dating back to 1983, which confirms this assumption for just one of the 22 hummingbird species in which males have emarginations. The only feather experts who knew about this study are Professor Lukas Jenni and Dr. Raffael Winkler from Switzerland. The authors of this study found that males create noises with their emarginated primaries and that these noises are used to protect nectar resources. Filling the slot between emarginated primaries with a glue film or clipping the distal 2–3 mm of these primaries caused males to sing more to protect their territories. We can deduce that the other hummingbird species in which males have emarginations use them in a similar way to produce sound. There is, however, a sixth genus of hummingbird in which males have inverse emarginations at the base of the primaries, not at their tips. This phenomenon of emarginations at the feather bases instead of at their tips does not make any aerodynamic sense, so it is likely that these inverse emarginations have some type of ornamental function in males.
These two discoveries, or rather rediscoveries, in the families Tityridae and Trochilidae teach us to remain open and not adhere to preconceived ideas. They also teach us to consult old literature that may have been forgotten or considered outdated.
Hansen Feather Template.
The first volume will initially be published in black and white to make it affordable to as many people as possible. The online database of feathers is also available to everyone in the hopes that citizen scientists and members of the public will help to verify and correct the results. Given that birdwatching is such a popular pastime, do you think that there is a large body of untapped knowledge within the birding public?
There definitely is a large body of untapped knowledge within everyone, not only within the birding community. The key is to allow everyone to express their inner potential themselves. We are in favour of encouraging birders to publish their own data under their own names. Professor Peter Finke, who advises our Feather Research Group, calls this approach of empowering citizens to publish their own data Citizen Science Proper. What has been prevalent so far is Citizen Science Light, in which so-called experts scoop off the knowledge of the public and make a name for themselves with borrowed plumes, so to speak. Professor Finke published a book titled Citizen Science: The Underestimated Knowledge of Laymen (, which answers this question in much greater depth, giving many examples for birdwatchers in particular.
With regards to the global survey of emarginations in all bird species of the world, that became possible on the basis of photographs of live birds, which citizen scientists generously share on the internet. Our approach of opening our research findings on the number of emarginations in all bird species of the world by listing the internet links of the original photos that were used for this study is a way of thanking these many thousands of photographers. They all deserve to be mentioned as co-authors of our study. By sharing our findings and providing the original links to the photos that were used, we offer these photographers a way to give us their feedback on what we discovered thanks to their generosity. Anyone else who likes to share their observations on the photographs of live birds and scans of feathers that were used for our study is also welcome. We greatly value this interaction with birdwatchers and the general public.
How many volumes will the series eventually comprise, and do you know when they are due to be published?
After our last meeting in 2016, the World Feather Atlas Foundation purchased ten large scanners for our Feather Research Group. Five of these scanners went to the Featherbase team to support their endeavour of creating a World Feather Atlas. The remaining five were given to other collaborators in our group. The Featherbase team adopted the same grey background for newly mounted feather specimens as we adopted in 1998 for our Atlas of Feathers for Western Palearctic Birds. This unified the backgrounds on all scans, creating the basis for a potential cooperation to speed up the work on our Atlas of Feathers for Western Palearctic Birds.
The production of colour plates for the passerines took 24 years because they were all produced by only one person. If the work on the colour plates for the non-passerines is divided up by the holders of these ten scanners, it will be possible to produce the remaining colour plates more quickly. At the same time, the holders of these scanners can use them for their own projects.
Most important to us is to respect the copyrights of everyone who produces scans of feathers. Any contributions to our Atlas of Feathers for Western Palearctic Birds must be based on mutual respect for everyone’s free will. Those who contribute scans of feathers are treated at an equal level to those who contribute text. In the past, illustrators of bird guides were often underappreciated compared to the authors. All too often, illustrators were not even mentioned on the book cover. We feel that this relationship between illustrators and authors needs to be amended. Illustrators deserve to be cited alongside authors. In our Atlas of Feathers for Western Palearctic Birds, the work of those who produce scans of feathers is even more important than those who write the texts, because the texts can only be written on the basis of these scans.
The Full Edition of our Atlas of Feathers for Western Palearctic Birds will comprise a total of ten volumes including the introductory volume. Each of the subsequent nine volumes will cover about 150 bird species, adding up to a total of about 1,350 bird species. The Concise Edition will consist of two volumes. . The most precious thing we have to offer are the large-size colour plates in the full edition. The illustrations of feathers in the Concise Edition will be a cut-down version of the original colour plates and considerably smaller.
Atlas of Feathers for Western Palearctic Birds, Volume 1: Introduction is available to pre-order from our online bookstore.
In this review, I am revisiting the spectacular diversity of marine reptiles that flourished in the planet’s oceans and waterways during the time of the dinosaurs. After having gone without popular titles on the subject for almost two decades since Richard Ellis’s Sea Dragons in 2005, suddenly we have three. Last year (April–May) I reviewedThe Princeton Field Guide to Mesozoic Sea Reptiles and Ancient Sea Reptiles, and mentioned that this book was in the works. Ocean Life in the Time of Dinosaurs was originally published in French in 2021 as La Mer au Temps des Dinosaures by Belin/Humensis and has been translated into English by Mark Epstein. Technically speaking that makes it the first of this recent crop, though the English translation was only published in November 2023, after the aforementioned two works. It brings together four French palaeontologists and one natural history illustrator for a graphics-heavy introduction. So, what is in this book, and how does it compare to the other titles?
Ocean Life in the Time of Dinosaurs breaks down into two halves. The obligatory first short chapter introduces the state of the world during the Mesozoic Era 252–66 million years ago (mya), specifically the position of the continents (the palaeogeography) and the various extinction crises by which we divide this time span. After this, the first half is a very long chapter 2 that discusses all the major and minor groups: the “big three” (ichthyosaurs, plesiosaurs, and mosasaurs); the groups with survivors today such as the crocodylomorphs and sea turtles; and lesser-known groups such as hupehsuchians and thalattosaurs. The second half of the book consists of five chronological chapters that help you put all this diversity into some sort of logical order. This starts with life’s first coy attempts at reptiles-returning-to-the-sea in the Palaeozoic Era, the main event of the Mesozoic in three chapters (the Triassic, Jurassic, and Cretaceous), and the Cenozoic Era in which the survivors of the K–Pg extinction continued and sometimes thrived.
The book’s second half stood out to me for two reasons. First, it helps prevent the samerookie mistake that is often maderegarding dinosaurs: they did not all live at the same time. This may sound incredibly obvious and yet is easily andfrequently forgotten. Where marine reptiles are concerned, a good example of this is that the ichthyosaurs evolved ~252 mya and went extinct ~90 mya, while the mosasaurs evolved ~100 mya and went extinct 66 mya at the K–Pg boundary, the two groups thus overlapping for “only” 10 million years. Turtles and crocodylomorphs survived the K–Pg extinction and positively flourished, though some groupssubsequently went extinct and left no living descendants, such as the dryosaurids (a crocodylomorph lineage, extinct ~40 mya). The second reason I liked this chronological section is that it islargely told through the lens of key fossil localities around the globe (here, among others, Monte San Giorgio, Holzmaden, and the Oxford Clay).Though their names are often familiar and each of these deposits offers a unique view of a certain ecosystem at a certain time, they rarely get much attention themselves. The authors here provide just that little bit of extra information on their geography and stratigraphy, the history of their discovery and exploitation, and the palaeoenvironment that can be deduced from them.
Ocean Life in the Time of Dinosaurs is richly illustrated in full colour with photos, diagrams, and paleoart by Alain Bénéteau, including single and double-page spreads. There are several cladograms mapped onto timelines, with the simplified phylogeny of crocodylomorphs on page 69 particularly useful in visualising the uncertain placement ofthalattosuchians. Drawings show unique anatomical adaptations, explaining e.g. the evolution of turtle shells. The text is regularly interspersed with boxes discussing notable species or concepts such as proposed forms of swimming or adaptation of bones to life underwater. In short, the visual presentation of this book is outstanding.
I normally prefer to review each book on its ownmerits, butgiven that we now have two richly illustrated introductory books, there is no avoiding the mosasaur in the room. How does Ocean Life in the Time of Dinosaurs stack up against Darren Naish’s Ancient Sea Reptiles? As I alsoobserve about his Dinopedia, Naish is particularly interested in taxonomy and species diversity. Whereas the discussion of thedifferent groups here takes up 55 pages in chapter 2, Naish does this in 132 pages and six chapters. He goes into more detail on taxonomic conundrums and for most groups discusses more species. What the French quartet here adds are the five chronological chapters, extending their coverage of evolutionary events to before and after the Mesozoic. As mentioned, they also give more detail on key fossil siteswhereas Naish briefly mentions some of these in his chapter 1. My impression is that palaeontology buffs will want to get both books, despite the inevitable overlap. If, however, you are looking to buy just one book then Ocean Life in the Time of Dinosaurs is the most entry-level of the two, whileAncient Sea Reptiles providesmore detail (and in that scenario would be my book of choice). My original observationregarding Greg Paul’s The Princeton Field Guide to Mesozoic Sea Reptiles, that it is more of a reference work to be consulted after either of these books, still holds.
Ocean Life in the Time of Dinosaurs is available from our online bookstore.
Radical Mycology: A Treatise on Seeing and Working with Fungi 
Growing Mushrooms at Home: The Complete Guide to Knowing, Growing and Loving Fungi
Organic Mushroom Farming and Mycoremediation: Simple to Advanced and Experimental Techniques for Indoor and Outdoor Cultivation 
Growing Gourmet and Medicinal Mushrooms: A Companion Guide to the Mushroom Cultivator 
Stephen is a naturalist, author and broadcaster well known for his work with the BBC Natural History Unit working on landmark programmes such as Springwatch and The Nature of Britain. He currently holds the position of senior lecturer in creative writing at Bath Spa University and is also president of the Somerset Wildlife Trust.
