The NHBS Guide to UK Wildflower Identification

Germander speedwell (Veronica chamaedrys). Image by L Wilkes

Plants and fungi are not only beautiful and interesting to study, but they also provide the building blocks on which all of our other wildlife (and ourselves) depend. Monitoring their abundance and diversity is key to understanding the health of our habitats. Plus, there are numerous studies that suggest that being around plants has benefits for our mental wellbeing, including improved concentration and memory as well as a better overall mood.

Spring and early summer are the perfect time to study your local plants as many will be in flower at this time, making them much easier to identify. (For other times of the year, a guide such as the Vegetative Key to the British Flora is invaluable – but it may take a bit of practice. For beginners, we suggest starting during the flowering season).

In this article we’ve featured a number of wild flowers that you’re likely to find, either in your garden or when out walking. These are separated into Town and Country/Woodland, but bear in mind that there will be some overlap, so it’s worth looking at both lists. Chances are that you’ll also find a few species that aren’t included here – you can find lots more information on the Plantlife website, including ways to submit your findings to their records. Or why not check out one of our wild flower ID guides listed at the bottom of the post?

Town

Here you will find nine of the most common species that you’re likely to encounter in urban areas. Pay particular attention to parks, waste ground and walls, and don’t forget to check the pavement cracks too.

LOOK OUT FOR:

Image by Catherine Singleton via Flickr

1. Daisy – Bellis Perennis
Flowers March-October.
Easily recognisable flower with a yellow centre and numerous white petals. Abundant in short grass such as parks and garden lawns.

 

 

Image by Far Closer via Flickr

2. Silverweed – Potentilla anserina
Flowers May-August.
Common on bare or well-walked ground such as the sides of tracks. Easy to recognise due to the silver-white underside of leaves.

 

 

Image by Siaron James via Flickr

3. Bramble – Rubus fructicosus
Flowers May-October.
Very abundant on waste ground as well as on heaths and in hedgerows and woodland. Thorny shrub with white or pale pink flowers.

 

 

Image by Judy Gallagher via Flickr

4. Scarlet Pimpernel – Anagallis arvensis
Flowers April-October.
Commonly found in gardens as well as arable fields, dunes, cliffs and heathland. Low growing and sprawling. Flowers are red with a purplish base.

 

 

 

 

Image by cazstar via Flickr

5. Rosebay Willowherb – Chamerion angustifolium
Flowers June-September.
Abundant on disturbed ground, verges and railways. Produces tall spires of purplish flowers. Often found in dense stands.

 

 

 

Image by Franco Folini via Flickr

 

6. Ivy-Leaved Toadflax – Cymbalaria mularis
Flowers May-September.
Often found on old walls and in pavement cracks. A straggly plant with ivy-like leaves and small lilac flowers with a yellow spot.

 

Image by Dean Morley via Flickr

7. Buddleia (Butterfly Bush) – Buddleja davidii
Flowers June-October.
Likes dry, disturbed places such as waste ground, railways, walls and roofs. Long sprays of purple, white or lilac flowers; a favourite of butterflies.

 

Image by Melanie Shaw via Flickr

8. Feverfew – Tanacetum parthenium
Flowers July-September.
Found in walls, pavement cracks and on waste ground. Flowers similar to a daisy but with shorter, broader petals. Aromatic leaves.

 

 

Image by Andreas Rockstein via Flickr

9. White Clover – Trifolium repens
Flowers May-September.
Found in most types of grassland as well as on waste/disturbed ground. Globular clusters of flowers on long stalks; usually off-white or pale pink. The leaflets usually have a pale chevron shape near the base.

 

 

 

Country/Woodland

This list features nine species commonly found in the countryside and wooded areas. Hunt along the hedgerows and meadows as well as on river banks and in woodland clearings.

look out for:

Image by saydelah via Flickr

1. Cow Parsley – Anthriscus Sylvestris
Flowers late April-June.
Extremely common during May on roadside verges and in woodland rides and clearings. White flowers radiate out from the stem on spokes. Fern-like leaves.

 

 

Image from Lawn Health via Flickr

2. Germander speedwell – Veronica chamaedrys
Flowers March-July.
Common in grass and roadside verges. Bright blue flower with a white eye on a sprawling stem. Leaves oval and toothed.

 

 

Image by Amanda Slater via Flickr

3. Meadowsweet –Filipendula ulmaria
Flowers June-Sept.
Likes damp ground such as roadside ditches and wet woodland. Long stems with clusters of cream, fuzzy flowers which smell of honey or almonds.

 

 

Image by Melissa McMasters via Flickr

4. Herb Robert – Geranium robertianum
Flowers April-October.
Likes banks, woods, gardens and walls. Purple flowers with lighter stripes on petals. Whole plant may sometimes turn red.

 

 

Image by Siaron James via Flickr

5. Bugle – Ajuga reptans
Flowers April-June.
Common in damp deciduous woodland and other shady places as well as unmanaged grassland. Forms long stems with rosettes of green-purplish leaves and blue flowers marked with white.

 

 

 

Image by muffinn via Flickr

6. Red Campion – Silene dioica
Flowers April-October.
Likes hedgerows and woodland clearings. Five-petalled pink/red flowers on long stems with opposite leaves.

 

 

Image by johndal via Flickr

7. Greater Stitchwort – Stellaria holostea
Flowers late March-June.
Common in hedges and verges as well as in woodland. White flowers with five petals, split halfway to the base. Sprawling with narrow leaves.

 

 

Image by johndal via Flickr

 

8. Yellow pimpernel – Lysimachia nemorum
Flowers May-September.
Fairly common in moist, shady woodland (deciduous). Low growing/sprawling with yellow star-shaped flowers.

 

Image by Katja Schulz via Flickr

 

9. Lesser Celandine – Ficaria verna
Flowers February-May.
Likes slightly damp soil in woods, fields and churchyards. Yellow flowers on long stalks and glossy heart-shaped leaves.

 

Further reading:

British and Irish Wild Flowers and Plants: A Pocket Guide #259103

 

 

 

 

 

The Wild Flower Key: How to Identify Wild Flowers, Trees and Shrubs in Britain and Ireland
#143162

 

 

 

 

Collins Wild Flower Guide: The Most Complete Guide to the Wild Flowers of Britain and Ireland
#225655

 

 

 

 

Harrap’s Wild Flowers: A Field Guide to the Wild Flowers of Britain & Ireland
#245027

 

 

 

 

Guide to Flowers of Walks and Waysides
#236523

 

 

 

 

 

Pocket Guide to Wildflower Families
#229143

 

 

 

Wild Flowers of Britain and Ireland
#198409

Please note that this book is currently out of print – however, second-hand books may be available online.

Author Interview: Neil Middleton, Is That a Bat?

Neil Middleton is the owner of BatAbility Courses & Tuition, a training organisation that delivers bat-related skills development to customers throughout the UK and beyond. He has studied bats for over 25 years with a particular focus on their acoustic behaviour. Neil is the lead author of the popular Social Calls of the Bats of Britain and Ireland (2014) and in 2016 he wrote The Effective Ecologist which tackles the challenges facing ecologists as they endeavour to perform to the highest standard within their working environment.

His latest book, Is That a Bat?, published in January, provides a technical, yet accessible, guide to understanding and categorising non-bat sounds. Including a downloadable audio library, this ground-breaking book is designed to help bat workers be more confident in analysing their recordings, and also discusses the wider conservation benefits of studying non-bat sounds.

We recently caught up with Neil to chat about the book and about nocturnal sounds and their analysis.

……………………………………………………………………………………………………..

Where did the idea for this book come from? And do you feel that this is a subject/area of study which has been largely overlooked?

The idea came from a number of different directions during the years prior to my starting work on this project. As someone doing lots of sound analysis for bats and also seeing the kind of queries that would get sent to me, it was apparent that bat workers spent at least some time, unproductively, trying to work out what species of bat it was, when it turned out not to be a bat at all.

Additionally, whilst working in darkness we often hear other sounds that get ignored or written off as ‘of no interest’. These sounds (eg a Schedule 1 bird species) could actually be very relevant to the project we are working on and the reason why ecologists are being sent to a site in the first place.  Saying ‘I don’t know. It’s not a bat, so it doesn’t matter’ isn’t really the best approach to take. When people see something, they tend to react more positively, as opposed to when they hear an unfamiliar sound. In darkness, however, sound is usually all you get. So, this put ‘in the frame’ the thoughts I had regarding audible sound encountered during darkness.

Finally, I had been asked many times over the years, questions such as, ‘do mice make high frequency sounds?’  Until relatively recently I didn’t have a proper answer to that question and probably, to be honest, didn’t even think that I cared or that it mattered when it came to doing bat work. I could not have been more wrong.  Not only mice, but all of our small terrestrial mammals make ultrasonic sounds that can get picked up by bat detectors, and many produce sounds that are quite similar to some of the echolocation pulses or social calls produced by bats.

Having written this book (and completed the immense amount of research that it has inevitably involved) do you now find yourself looking at and treating your own recorded data differently?

Oh yes, most definitely. I am now very nervous about being certain about anything slightly unusual. When I deliver presentations, I often use the expression, ‘You only know what you know’.  I feel this underpins my whole thought process now, as it also follows therefore that ‘You don’t know what you don’t know, and how much there is still to find out’. I honestly think, in some respects, we are only scratching the surface when it comes to our knowledge of bat-related sound, as well as all of the other species and things that make noise within a bat’s soundscape. I think we are sometimes far too sure of ourselves for our own good.

Following on from that, it also has consequences to our, sometimes misguided, reliance on automated classifiers. I get quite unsettled when I hear some people talking about complex stuff (eg separating Myotis species with high degrees of confidence) in such an authoritative manner. I have always preferred a more cautious approach, and even more so now. If anything, having now done this project, I would say that I have backtracked, in some respects quite far, from stuff that I once thought I knew reasonably well.

How do you feel about auto-ID software? Do you have concerns that it gives users a false sense of confidence in their results? And do you feel that, as technology becomes more advanced, it might be at the expense of expertise in both fieldcraft and analysis?

To answer the last part of this question first, yes on both accounts. I go into quite a lot of detail within the book as to why I think this way. The pages in the book regarding these areas were written and revisited many times during the process. When I look at my first draft of those pages (which I still have) it is interesting for me to see the journey I have been on and how my thinking changed during the process.

My viewpoint on automated classifiers at the start was quite negative in all respects. In some respects, the classifier challenge isn’t related purely to bats. If only it was, it would be so much easier. I was horrified to find classifiers confidently identifying lots of non-bat-related sounds as bats. This was the point for me where this work moved well into the ‘essential reading for bat workers’ category, as opposed to a ‘nice to know’. I remember that day extremely well. I was in a hotel room, near Gatwick, doing analysis of harvest mouse calls. They looked a bit like common pipistrelles, and the three classifiers I used that day all agreed! After publication, I was especially pleased to see that some of the reviews have very much labelled it as ‘essential reading’, for a number of reasons (ie not just the scenario discussed here).

But putting all that aside, for the moment, my final conclusion (for the time being?) is that there are definitely better classifiers than others, and there are different ways in which classifiers do things that will produce different results. I also feel that classifiers used sensibly, by experienced people (ie those who possess all the ‘essential’ knowledge), with audits in place, can be extremely powerful and useful. However, just like a human, a classifier has got so many things loaded against it arriving at the right answer (much of which is discussed in the book). So, it is fair to say that classifiers can come up with completely wrong answers. It is also fair to say that humans, even with experience, can also come up with completely wrong answers.

Therefore, neither approach is perfect, but the thing I now feel strongest about isn’t the classifiers themselves but, firstly, the lack of training people get in understanding how these systems work ‘behind the scenes’. And secondly, the lack of technical knowledge and experience of bat-related acoustics demonstrated by some of those who use these systems. I think it is too easy for organisations to give this important and often complicated work to junior members of the team, furnishing them with classifiers etc. It is then as easy for an inexperienced person to use these systems, write reports and influence decisions that are being made, without they themselves (or their bosses) appreciating that perhaps they or the classifier is getting it wrong (back to ‘You only know what you know’). Ultimately, during any project, the human decides (or at least they should). They decide what classifier to use. They decide the methods to use. They decide to blindly accept what the system is telling them, or not. They decide to do a proper manual audit of the results, or not. They decide what goes into a report and whether or not to be cautious with their interpretation. In the book I say something along the following lines:

‘Our bat detectors and associated software should be regarded as educated idiots. Very intelligent, but on occasions totally lacking any common sense. There is one part of the process, however, where ‘common sense’ needs to be applied. This is the part where a human decides what to do next. You need to keep pressing that ‘Common Sense’ button before jumping in with wrong conclusions and inappropriate decisions.’

Too many people blame a classifier for making mistakes, when in fact we should perhaps be collectively looking in the mirror. It is a tool, and like any tool there are right ways and wrong ways, right times and wrong times, to use it. ‘It’s a bad workman who blames his tools’. I think if you use a good classifier appropriately, and the methods/results are audited by an experienced person, the combination of the two, each allowing for the other’s weaknesses, can work well.

Do you think that increased awareness of the other noises recorded during bat surveys has wider implications for conservation? For example, can you provide us with a situation where bat survey recordings might be useful for other species/purposes?

Definitely. This is one of the main threads within this work and the examples are numerous. We live in a country which, relatively speaking, isn’t that diverse when it comes to night-time species (bats, other mammals, birds, insects…). But even in the British Isles we have bush crickets, moths, birds, shrews, voles etc that can all be identified either audibly or from the analysis of bat detector recordings. Now take this approach into more diverse parts of the world. We haven’t really begun to scratch many of the surfaces, as far as I can tell. Even just looking at the UK, I don’t believe for one second that ‘Is That A Bat?’ is anywhere close to the total picture of what we may encounter acoustically during darkness. There is so much more to find out and this knowledge will almost certainly lead to better decision making and associated benefits for conservation.

Bat survey technology is constantly progressing, and there is a lot of recording equipment and analysis software on the market. It’s not surprising that it can be confusing for even the most experienced ecologist. What advice would you give to an aspiring bat worker who wants to gain experience and skill?

Listen and learn from lots of different experienced people. Take all of their thoughts and blend these with your own developing technical knowledge and experience. Understanding how bat echolocation works and how this links to behaviour is an essential foundation that should be in place before someone begins to attempt to identify bat calls to a species or group level.  For example, the answer is often as much to do with where a bat is (relative to surroundings), as it is to do with what a bat is.

Be wary of anyone who tells you they can identify every bat call, or that the system they use is always right. Don’t be afraid to just call it what you know it is (eg Myotis), as opposed to trying to always get it diagnostically to species level (eg it’s a whiskered bat). In any case, for some jobs you won’t need to know the precise species on every occasion. Why risk your credibility when there is no reason to do so. When you start appreciating the reasons why you can’t identify every bat, you are beginning to become an experienced and respected bat worker. People who don’t really understand this subject are afraid not to identify everything. People who really understand this subject know that everything can’t be identified (not at this stage anyway!).

What was the most interesting, bizarre or unexpected non-bat sound you came across during the research and writing of this book?

I think my favourite is the Long-Eared Owl juvenile call, when slowed down 10 times. This is something many bat workers do with bat calls in order to make them audible, and with an unusual recording it might be how you would first listen to it before realising that it’s not a bat. It still makes me smile, for no scientific reason whatsoever.  It just reminds me of ‘Casey Jones & The Cannonball Express’ (the whistle from his steam engine). I know some of your younger readers will need to Google ‘Casey Jones’.

Finally – a question we ask all our authors – what is next for you? Do you have plans for further books?

Yes, two others. But I am scared to say too much at the moment for a number of reasons, including that once you say out loud what you are doing, the pressure is then piled on to get it done. I am just recovering from this one! So, I need some time to carefully consider which of the two ideas comes next and how to marry up the huge amount of time it takes to produce a book with other commitments.

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Also by Neil Middleton:

Social Calls of the Bats of Britain and Ireland
#212405
Brings together the current state of knowledge of social calls relating to the bat species occurring within Britain and Ireland, with some additional examples from species represented elsewhere in Europe. Includes access to a downloadable library of calls to be used in conjunction with the book.

 

The Effective Ecologist
#226648
The Effective Ecologist shows you how to be more effective in your role, providing you with the skills and effective behaviours within the workplace that will enable your development as an ecologist. It explains what it means to be effective in the workplace and describes positive behaviours and how they can be adopted.

Author Interview: Patrick Barkham, Wild Child: Coming Home to Nature

In this wonderful new book, Patrick Barkham draws on his own experience as a parent, a forest school volunteer and from his own childhood spent roaming outdoors to explore the positive effects rekindling children’s relationship with nature can have.

Patrick has kindly answered our questions about his new book and provided a limited number of signed bookplates, which will be included with this book on a first come first served basis.

1. What made you decide to write Wild Child

Having children is obviously a life-changing moment for every parent and I found myself suddenly fascinated by children and newly keen to write about them. I was aware of all the anxiety around children being on screens all the time but I hadn’t actually fully considered this historic moment in western child-rearing. We have become an indoor species in the blink of an eye, and I wanted to explore the implications of that, and how we as parents, grandparents, teachers and guardians might give children the gift of more time outdoors. I also wanted to celebrate “ordinary” neighbourhood nature of the kind we can all encounter.

2. What do you see as the main difference between your childhood and your children’s?

I grew up in the countryside in the 1980s and roamed freely with friends on quiet country lanes and the local common. When my twins became eight, it suddenly struck me that they had never been off on their own, in the countryside, without adults in view or close by. What’s more, almost no parent would regard this as strange. In fact, allowing eight-year-olds to roam without adult supervision would be seen as a dereliction of duty, according to the values of modern parenting.

My experience is pretty universal – studies confirm that children’s “home range” has shrank to their private space – their house and garden (if they have one). Childhood is now tightly regulated by adults. This has benefits – it’s never been safer for a child – but also grave drawbacks, including a loss of creativity and a loss of opportunities for children to form their own bonds with wild nature. Our lives are much poorer without intimate relationships with other species. We are also less likely to take action to tackle the biodiversity crisis if we have no direct experience of, and feeling for, other forms of life whether plant, animal or fungi!

3. What do you think children most gain from being close to nature?

Joy, excitement, fun, ceaseless stimulation, sensitivity, companionship, solace, comfort, peace – all the things we get from it too. There’s a huge body of scientific evidence now showing the mental and physical benefits of time in green spaces, and increasing evidence that the more “wild” or biodiverse those spaces, the better they are for us. We need nature, and of course as the dominant species on the planet we need to learn to appreciate, value and protect it.

4. Are you hopeful your children will be part of a new culture where nature is part of everyone’s life, not just seen as a town and country or even a ‘class’ divide?

We have to hope, but I’m also realistic. British society is becoming increasingly urbanised. Traffic – a major and rational obstacle to children playing freely outside – is still growing. Consumption shows little sign of slowing. And yet without any real government backing, there is a newly vibrant movement to add more nature to people’s lives – the rise of the forest school movement for instance. Wildlife charities are doing heroic education work too. But we still need massive, societal changes to reconfigure our species’ relationship with nature. We need a new kind of schooling, new (government) support for urban wild spaces, and far more wildlife-friendly planning rules for new housing.

Just on class – debates about children and nature are seen as a middle-class concern, and they tend to be because poorer families are too focused on putting food on the table. But we need to give all people better access to nature and wild spaces – this is a free source of good health (and occasionally even food) and it benefits poorer people more than the wealthy who can purchase wild experiences.

5. I was fascinated to read how resistance to pathogens can be enhanced by exposure to more biodiversity; can you precis that a little here?

We are only beginning to scientifically understand the influence of billions of micro-organisms, or microbiota on our lives. We have more bacteria in our guts than human cells in our bodies. Most are harmless, some are useful and a few may be dangerous pathogens. Our immune system is rather like a computer with hardware and software but no data. Early in life, it must rapidly collect data from diverse microbial sources, learning which are harmful and which are beneficial. If our body encounters a diverse range of different bacteria, particularly when young, we are more likely to recognise and respond to novel viruses.

This is not the popular but mistaken idea that we’ve become “too clean”. Hygiene is vital for good health. But, rather, urban living does not deliver us the diversity of microbes that we need. So we’re witnessing an explosion of allergies such as hay fever and illnesses related to failing immunity or inappropriate inflammatory responses such as Crohn’s disease.

Studies have shown that people living in “traditional” ways – in the countryside, more closely with animals ­– have fewer such illnesses. Microbiologists’ prescriptions for healthier children include a varied diet including a far wider range of vegetables but also more exposure to diverse green space. Scientists have proven the benefits of exposure to soil organisms in mice but this has yet to be fully explored for humans. It is a fair hypothesis, however, to expect that more biodiverse places contain a wider range of microbiota, and be better for us than manicured monocultures.

6. Although of little comfort to the thousands of people terribly affected by COVID – 19, do you think the forced change of pace and restrictions on movement has presented any opportunities for the appreciation of nature?

For those of us lucky enough to have gardens or easy access to green space, lockdown has been a wonderful moment to enjoy wildlife. Without traffic noise, the spring dawn chorus has been sensational! Lockdown has also revealed that poorer and ethnic minority communities have less access to green space. So this is an incredible moment of revelation and opportunity. Why can’t we have monthly Sundays when we all vow not to use our cars? Why can’t a new generation of urban parks and wild spaces be part of the post-coronavirus settlement, just as National Parks were introduced after the Second World War? We can now see, hear and taste a post-peak oil world, where we consume less, travel less, and live more. It could be so beautiful.

7. Do all your friends and colleagues share your enthusiasm for forest school?

No they don’t, and this is great because it means I have to win them over! Forest School is a concept imported from Denmark in the 1990s, we have a Forest Schools Association charity, and the idea is based around principles of child-led games and education in a woodland setting, with a camp fire. But there is also a growth in other forms of equally good outdoor learning.

All these different kinds of forest school are seen as playing in the woods – nice, but hardly essential to young people’s lives, or equipping them for the global race. It is up to people like me – and hopefully you – to show them some of the evidence that children are more creative, more resilient, with improved concentration and show better attainment in conventional schooling if they are given more free play outside, and in wild spaces.

8. Would you encourage people with the time to get involved with forest school, and if so, how would it benefit them?

I began volunteering at an outdoor nursery where my children went, and I was astounded by how well I felt after a day outdoors. It delivered the kind of sustained high you get after a day walking in the mountains or really hard gardening. Most of us office-workers aren’t familiar with outdoor labour!

I still volunteer most weeks at the forest school session run by my local state primary school (despite financial challenges, many state schools are now offering pupils some forest schooling). Children are the nicest workmates – they are so honest and enthusiastic, and they respond to the outside almost universally with something like unconfined joy.

In three years volunteering at forest schools I have honestly only twice encountered seriously unhappy children, and that’s usually because they aren’t wearing enough and are cold. I would urge anyone with time on their hands to give it a try – what’s more important than educating our children? And I think you will love it!

9. I like the ‘Things to Do with Children Outdoors’ appendix at the back of the book; was there one or two favourite pastimes that were the most accessible and rewarding that you could recommend?

I’d just like to declare a basic principle: children don’t need leading, or teaching – what they most require is for us adults to facilitate free play outdoors. They need to experience wildlife themselves, without too many rules, without too much moralising, without being told “don’t touch – it’s rare/delicate/about to become extinct”. Obviously a bit of guidance is good but let them choose their own adventure. And they will.

Apart from that, my children love different things. I enjoy going nest-hunting and butterfly-hunting with Esme, collecting shells and conkers with Milly and making dens with Ted. As we play outside, we keep an eye on what’s happening around us, and something exciting – the flash of a sparrowhawk, the scuttle of a rabbit – always unfolds.

10. Are you working on any new projects you can tell us about?

I am very excited to be writing the official biography of Roger Deakin, the nature writer and author of Waterlog and Wildwood. Most of us writers lead incredibly boring lives but Roger didn’t. I’m also researching a book for a TV series about wildlife and editing an anthology of British nature writing called The Wild Isles, which will be published next spring. It has been agonising having to choose between so many gorgeous and important pieces of writing!

Wild Child: Coming Home to Nature
Hardback,  May 2020,  £13.99 £16.99

Patrick Barkham draws on his own experience as a parent and a forest school volunteer to explore the relationship between children and nature.

 

Patrick Barkham was born in 1975 in Norfolk and educated at Cambridge University. His first book, The Butterfly Isles, was shortlisted for the 2011 Royal Society of Literature Ondaatje prize. His next book Badgerlands, was hailed by Chris Packham as “a must read for all Britain’s naturalists” and was shortlisted for both the 2014 RSL Ondaatje Prize and the inaugural Wainwright Prize for Nature and Travel Writing.

Browse more writing from Patrick Barkham at NHBS

Vintage: Publisher of the Month

Launched in the United Kingdom in 1990, VINTAGE publishes work from some of the most eminent and prestigious naturalists today; providing a platform for authors such as: Peter Marren, Dave Goulson, Richard Mabey, Mark Cocker, Tim Dee and Helen Macdonald to name but a few.

We are delighted to announce VINTAGE as our Publisher of the Month for May: a chance in these challenging times to immerse yourself in eloquent, knowledgeable and thought-provoking writing.

We have price-offers on our top fifty VINTAGE titles and have showcased below our top ten across their range:

The Garden Jungle: Or Gardening to Save the Planet
By: Dave Goulson
Paperback| April 2020| £7.99 £9.99
Dave Goulson reveals how, with small changes, gardens could become wildlife havens.

Read our author interview here.

 

Birds Britannica
By: Mark Cocker & Richard Mabey
Hardback | April 2020| £39.99 £49.99
Fifteen years after the very successful first edition:  this second edition, pays homage to the strong bond the British have with birds.

 

Greenery: Journeys in Springtime
By: Tim Dee
Hardback | March 2020| £15.99 £18.99
Spring moves north at about walking pace. In his latest writing, author Tim Dee follows its moving front and tells of the animals and people he encounters on the way.  Read our author interview here.

 

Entangled Life: How Fungi Make Our Worlds, Change Our Minds and Shape Our Futures
By: Merlin Sheldrake
Hardback | Due Sept 2020| £16.99 £19.99
An immersive trip into the largely unknown world of fungi, which we at NHBS are particularly excited to read.

 

Chasing the Ghost: My Search for All the Wild Flowers of Britain
By: Peter Marren
Paperback | March 2019| £7.99 £9.99
Join renowned naturalist Peter Marren on an exciting quest to find every species of wild plant native to Britain.

 

H is for Hawk
By: Helen Macdonald
Paperback | Feb 2015| £7.99 £9.99
An unflinchingly honest account of Macdonald’s struggle with grief expressed through the trials of training a goshawk.

 

Our Place: Can We Save Britain’s Wildlife Before It Is Too Late?
By: Mark Cocker
Paperback | April 2019 | £7.99 £9.99
Mark Cocker attempts to solve a puzzle: why do the British love their countryside, yet have reduced it to one of the most denatured landscapes on Earth.

 

The Wren: A Biography
By: Stephen Moss
Hardback | April 2019 | £9.99 £12.99
With beautiful illustrations throughout, this captivating year-in-the-life biography reveals the hidden secrets of this fascinating bird that lives right on our doorstep.

 

Sapiens: A Brief History of Humankind
By: Yuval Noah Harari
Paperback | Sept 2016 | £8.99 £10.99
Bold, wide-ranging and provocative, Sapiens challenges everything we thought we knew about being human: our thoughts, our actions, our power …and our future.

 

Turning the Boat for Home: A Life Writing about Nature
By: Richard Mabey
Hardback | Oct 2019 | £13.99 £18.99
Richard Mabey is often referred to as ‘the father of modern nature writing.’ We currently have a limited number of signed, first editions. Read our author interview

Browse all VINTAGE books at NHBS

All prices correct at the time of this article’s publication.

Author Interview: Matthew Oates, His Imperial Majesty: A Natural History of the Purple Emperor

Matthew Oates has spent fifty years trying to unravel the ‘Emperor’s’ secrets and with His Imperial Majesty: A Natural History of the Purple Emperor,  due to be published in June, he has written an accessible account of one of Britain’s most beloved butterflies; the majestic Purple Emperor.

 

Matthew Oates has taken time to answer our questions about his book and about the beautiful and elusive butterfly, that if lucky enough, we can glimpse through fissures in its tree top world

 

  1. You describe the Purple Emperor as the most ‘cherished prize’ among Victorian butterfly collectors, while you personally have chosen to devote much of your life to studying this species. What is it about this butterfly that makes it so alluring?

This butterfly is all about mystique. It exists within a different dimension to us, but one which we desire to experience and understand. It is a unique being, capable of doing anything – which means it is unpredictable and utterly captivating. Make no mistake, the Purple Emperor is addictive – but this is a positive addiction, which provides depth of experience tinged with great humour. No one forgets their first Purple Emperor, the experience leaves you wanting more.

2. How has our understanding of the Purple Emperor changed in the half century since your first encounter with ‘his imperial majesty’?

Much of our so-called knowledge was actually mythology and assumption. Oh, the power of assumption, even in ecology! So much of what was considered true, and real, has proven to be utterly wrong; not least because the Purple Emperor, and nature more generally, continually moves the goalposts. Nothing is ever static in nature, perhaps especially with insects.

3. You tell of some of the remarkable lengths that butterfly enthusiasts have gone to in pursuit of the Purple Emperor. What is the most unusual technique you have used when searching for this species?

There is a long history of extreme endeavour here. This is the one butterfly the Victorian collectors most assiduously sought, to form the centrepiece of their precious collections. The Purple Emperor has generated some of the most extreme eccentric behaviour in human history. Collectors used to obtain specimens of this canopy-dwelling butterfly by means of the ‘high net’, a butterfly net attached to a pole often ten metres long. There is a long history of baiting Purple Emperors too, exploiting the male’s attraction to festering messes – the juices of dung, offal, and worse. I helped develop the practice of baiting for Purple Emperors using (relatively inoffensive) shrimp paste, and also pioneered The Emperor’s Breakfast (as shown on TV, several times).

4. It is heartening to read of a species whose populations are on the increase. Can the story of the Purple Emperor offer any lessons for the conservation of other wildlife in Britain?

Yes, definitely! This is proving to be a highly mobile species with good powers of colonisation and, in consequence, recovery. It is becoming a suburban species, and is certainly not the ancient forest inhabitant we once thought it was. Above all, the Purple Emperor is a good news story, at a time of horrific loss and adverse change. It provides hope at a time when we need hope.

5. What do you plan next in your studies of the Purple Emperor? Are there mysteries that you are still hoping to solve?

The journey is by no means over. My book is merely the launching pad towards proper ecological understanding. I sincerely hope it generates the necessary detailed scientific research, and have suggested areas where that need to be conducted. I’ve merely done the spade work. My job now is to help landowners and others to give this magnificent butterfly the future it deserves.

His Imperial Majesty: A Natural History of the Purple Emperor
Hardback,  June 2020,  £13.99 £16.99

Matthew Oates has spent fifty years observing and researching this beautiful and elusive butterfly.

 

Browse all our books covering Butterflies & Moths (Lepidoptera)

NHBS: In The Field – Song Meter Mini Bat Detector

The SM Mini Bat is the latest addition to the ultrasonic range of acoustic recorders produced by Wildlife Acoustics. This passive bat detector offers comparable versatility and quality to the highly successful SM4 Bat but at a much lower cost and a smaller size of only 12cm x 13cm. These impressive detectors also feature an easy to use configuration mode through your smartphone or tablet over Bluetooth.

In mid-March we deployed an SM Mini in a rural location in South Devon to record any emerging bats, as the spring season got underway. Our aim was to find out how easy setup is when using the Mini Configurator app and to get an example of its recording quality. Originally our plan was to retrieve the detector after a period of three weeks, however the developments around Covid-19 meant that it was unsafe to do so. Therefore in this blog we will cover our experiences with setting up and deploying an SM Mini. Once social distancing rules are lifted we will provide a follow on update with our recordings.

We used a 32 GB SDHC card, however the SM Mini Bat can support SDXC cards of up to 1TB. The SM Mini Bat comes with a built-in microphone and when powered using 4x lithium-ion AA batteries it will record for up to 30 ten-hour nights. You can add an additional acoustic microphone to record birds, amphibians and other species when not using the ultrasonic microphone.

Setting Up

The SM Mini is designed to be used with a companion app called Mini Configurator. This free app allows you to easily configure the SM Mini’s recording settings before deployment as well as check the status of your detector while it’s in the field.

When powered on the SM Mini Bat emits a constant Bluetooth beacon, and when you are within range of this beacon the Configurator app will automatically detect the recorder and display it in the recorders screen of the app. You can now press the status icon on the app and view the current status of the detector, including SD card capacity, battery life, recording mode and number of recordings taken.

To set up or edit an SM Mini’s recording schedule you must pair the detector with the app. The first step in this process is to hold down the PAIR button on the SM Mini for three seconds, which prepares the device to be paired (indicated by the green flashing Bluetooth light). On the Mini Configurator app a ‘pair’ icon will then appear next to the detector’s name, and once pressed the app will be paired with this detector. Once paired the SM Mini synchronises its time and date to your location and a new ‘configure’ icon will appear next to the detector, which grants access to the SM Mini’s recording settings. These settings include the recording schedule (e.g. an hour before sunset through to sunrise), recording format (zero crossing or full spectrum), minimum trigger frequency and recording length.

What we found

Setting up an SM Mini and getting to grips with the Configurator app can seem daunting at first, but with the quick starter guide and Wildlife Acoustics’ helpful online tutorial videos, we found it to be a relatively straight forward process. The app has a simple user interface with clear graphics and together this really helps make navigating the app easy. This was a welcome change when compared to the issues that new users can have when navigating the older style LCD menus on previous detectors.

The beacon status system has also proved incredibly useful whilst we have had the detector deployed. Since the social distancing restrictions came into place, we have been unable to access the detector. However we were able to guide the owners of the land where the detector is deployed, through the process of installing the app and checking its status for us. This has been incredibly helpful as we can see whether we have recorded any bats in its current location, as well as whether the batteries need to be replaced.

Despite its small size we were still able to run a python lock around the detector, however as our location was a private residential area we were not concerned about theft and so opted for using a few cable ties to secure the detector in place.

Our Opinion….so far

The SM Mini Bat offers a user-friendly passive bat detector building on previous iterations in the Song Meter bat detector range. Its small size means it’s much easier to store and transport, and it is much more discreet when deployed in the field, compared with other detectors. Being unable to add an additional external microphone is a limitation to keep in mind, however for us this wasn’t an issue.

 We will post a follow up blog once we are able to retrieve our detector and access our recordings.


The Song Meter Mini Bat Detector is available to order from the NHBS website. For assistance with any queries regarding our range of bat detectors, please do not hesitate to contact our team of Wildlife Equipment Specialists on 01803 865913 or equipment@nhbs.com.

Greenery: An interview with Tim Dee

Tim Dee is a naturalist, radio producer, and author of Fourfields, The Running Sky and Landfill. His latest book, Greenery, is a poetic hymn to spring time, a masterpiece of nature writing that is deeply informed and profoundly beautiful.

Between the winter and the summer solstice in Europe, spring moves north at about the speed of swallow flight. That is also close to human walking pace. In the light of these happy coincidences, Greenery recounts how Tim Dee travels with the season and its migratory birds, out of Africa from their wintering quarters in South Africa, through their staging places in Chad and Ethiopia, across the colossal and incomprehensible Sahara, and on into Europe. Tim Dee has answered questions about this remarkable journey.

For those who don’t know, you have published three other major titles on green spaces and birds- Landfill, The Running Sky, and Four Fields. Following from these, how did the idea to travel with spring and its migratory birds come about? And how does Greenery differ from your previous books?

My last book was Landfill, a sort of junkyard travel-guide to the gulls that now thrive on our waste and in the middle of our towns and cities. Inevitably it was dirty and messy and botched: modern nature is like that. It has to find ways and means to live alongside us – we who are the most-botched species of all. I admire the gulls and I was fascinated by the gullers – watchers of gulls – who spend time in wretched places like landfill sites in order to connect with their quarry, but afterwards I needed some fresher air to live in and some wilder life to watch, and so the spring, which has always been my favoured season, appealed, and most especially some witnessing of the movement of passage migrant birds that make the European spring for birdwatchers. When I discovered that spring moves north through Europe at somewhere between the speed a swallows flies at and the speed we might walk at (about 4 km an hour), I knew that I had to try to follow the birds and the season for as long and as far as I could. So, I start with barn swallows in the European midwinter in midsummer South Africa and I end with the same species, who knows perhaps even the same individuals, in midsummer arctic Norway. Who wouldn’t want to have as much spring as possible?

By travelling north you poetically write about the birds that come and go; from observing redstarts in Lake Lagano, Ethiopia, to enjoying the dawn chorus in a reedbed in Somerset. What can be learned from birds in migration, and how is migration changing for them?

Studying and thinking about migration tugs at our notions of home. Migratory animals carry their homes with them. Yet, when I first saw barn swallows in South Africa I couldn’t see them as anything but away from their home. In fact, of course, they were perfectly at home: they were meant to be there and able to be fully alive there. Ever since migration has been observed, birdwatchers have ceaselessly wondered where the birds have come from, where they are going, how they know where to go and how they know how to live at the other end of the world. Migration has always intrigued – Homer makes poetry from it, Aristotle discusses it, the Bible and the Koran make parables for life from it. Nowadays we know more and more of its facts – know for example that a migrant redstart may literally return to the same tree in sub-Saharan Africa in its wintertime just as it flies to the same oak in a wooded coombe in Exmoor every spring of its life; but we also begin to understand (and face up to) how much our activities are tugging at the world’s time and making migration and a bird’s swapping of one tree for another harder and harder. This is what phenological mismatch is all about: the unseasonal time that our activities are creating.

You explore time and movement in this book. In a very fast-paced world, where few have the time to slow down and connect to the seasons, how has journeying with spring changed you? Was there anything specific you were looking for and anything you found?

To try to have more spring has been my mantra, to go looking for signs of new life even before a calendar year has ended, like a mistle thrush singing in November and thereby meaning therefore to have spring again, or rooks visiting their old nests each day from the autumn onwards with a literal view to their future; and to travel when possible both south from Britain to Mediterranean Europe where spring arrives earlier and then north towards the Arctic Europe where spring lasts longer. Hearing a pied flycatcher still singing in northern Norway when the same species are silent in their British breeding woods feels like a life-bonus, feels like more of life, which can only be good. We are only given one springtime in our own lives but the return of the season and the cyclical round or rondure of the natural year is a marvellous tonic and corrective to the linearity of our one-direction journey. Again, who would say no to that – to a bit of time travel and season stretch in order to stay with the season of becoming and of re-energy. Greenery is an anagram of re-energy: I was thrilled to discover that.

Pied flycatcher, Ficedula hypoleuca, single male singing on branch, Powys, Wales, April 2012

When most people think of spring they think of new life, new beginnings, however you eloquently write “spring means more to me with every year that passes and takes me deeper into my own autumn.” Could you elaborate more on this, what does springtime mean to you?

There’s that lyric to a song: you don’t know what you’ve got ‘til its gone…. And I think as we get older the morning of life, the world’s morning as D H Lawrence called spring, feels more and more poignant and uplifting. We are headed only one way but, hey presto, here are new shoots, and green beginnings once more, and then a chiffchaff, fetching an echo out of a wood, as Gilbert White noticed them doing in Eighteenth Century Selborne in Hampshire. My eyesight has got worse, my hearing is half-baffled, I move increasingly with a wobble, but the injection of new birds from the south, the heavenly racket of their song, and seeing them at home in their new places is a forever tonic, like an effervescing vitamin C tablet, or a pick-me-up, or a fillip – life is worth living among those that are living it most, and spring visiting birds are the most alive – active, mobile, purposeful, committed – things that I know.

As you explore life and death, love and grief through springtime, is there anything in particular you would like for people to take away from this book?

I think we all spend a lot of time ignoring time, shut away from the weather, heating our lives, conditioning our air, eating strawberries out of season, yet I know that we all, almost all of us at least, notice the spring, want it, anticipate it, lift our faces to the first splash of sun after grey skies, talk about snowdrops, look out for the first swifts, and so on… We are reminded of spring by spring itself coming around, it schools us in life and growth, in beginnings and becomings; and in my book I just want to underline that reminder and encourage us all to take in what can be taken in, and to keep in step with the passing of time and so live happily in time and on time too. Look at the birds that do that so well; I have done that and it has helped me live.

Tim Dee has been a birdwatcher for most of his life and written about them for twenty years.  As well as Greenery, he is the author of LandfillThe Running Sky and Four Fields and is the editor of Ground Works.

 

Greenery

Hardback | Oct 2018 | ISBN-13: 9781908213624   £15.99 £18.99

 

 

 

 

Gardening for Wildlife: Providing Food

This is the first in our two-part series, Gardening for Wildlife, where we look at how to attract wildlife to your garden, including creating suitable habitats and providing food sources. Spring is blooming all around us, with primroses, wood anemones and blackthorn flowering now and foxgloves on their way. Birds are building nests ready for eggs and the sky will soon be full of wheeling summer migrants such as house martins and swallows.

Wood anemone. Photo: S. Webber

With many of us being confined to our homes, those of us lucky enough to have a garden or outdoor space will probably be spending a lot of time outdoors. Being surrounded by nature is a fantastic way to boost our mental wellbeing, and gardens can be an invaluable resource for wildlife. By following some basic principles, you can turn your garden into an oasis for wildlife and enjoy some brilliant wildlife spectacles up close.

 


Planting for wildlife

Attracting insects to your garden is one of the primary ways in which you can help wildlife and also increase productivity of plants and trees. You can provide vital food resources for bees, butterflies, nectar-drinking moths and other insects by planting pollinator friendly plants with high levels of pollen and nectar. Lavender, verbena and buddleia are well known for attracting bees and butterflies, but other plants can be equally important, such as goldenrod for hoverflies and late flowering plants such as ivy.

Peacock butterfly on buddleia. Photo: Andrew Fogg, www.flickr.com

The Royal Horticultural Society has a fantastic database of plants for pollinators so that you can choose plants that will flower across the seasons to provide a year-round resource for pollinating insects. Increasing the insect diversity in your garden will also encourage insectivorous birds and mammals into your garden. 

 

 

 


Wildflower borders and meadows

Another option is to create a wildflower border by scattering either annual or perennial wildflower seed mixes on to bare soil. It’s a low maintenance option that will provide invaluable habitat for insects. The UK has lost 96% of its species-rich meadows so these are a beautiful and valuable addition to the garden and broader landscape. It’s best to choose a mix of native plants such as poppies, cornflowers and corn marigolds (annual) or ragged robin, buttercups, yellow rattle, knapweed and grasses (perennials). If you wish to create a permanent area of meadow grassland with perennials then the RSPB has a guide to creating a wildflower meadow. Wildflower seed mixes can be ordered online.

Wildflower meadow. Photo: cristina.sanvito, www.flickr.com

Seeds and fruit

It is also good to think about plants and trees that will produce fruits and seeds for birds. Native species such as hawthorn, elder, and rowan provide a fantastic autumn feast of berries, and if you leave the heads on sunflowers after they have flowered, goldfinches can take the seeds. Fruit trees such as crab apple offer blossom for insects and birds in the spring, and fruit for species such as blackbirds in the autumn. The wild type native trees and shrubs usually attract more birds than some of the cultivars, so they are worth seeking out. Most of these plants and trees can be ordered online.

Feeding birds and mammals

Finally, providing supplementary food for birds and other wildlife can help increase their overwinter survival prospects and give you the most dazzling display of wildlife behaviour.

Greenfinch and goldfinches on a seed feeder. Photo: Nick Holden, www.flickr.com

Investing in a wide range of bird feeder types and food sources will ensure the most diverse range of birds visit your feeders. Peanuts are very popular with blue and great tits, sunflower seeds will draw in finches such as chaffinches, greenfinches and goldfinches and nyger seed is a favourite of siskins. During the winter birds need extra calories so suet balls can be supplied in feeders, or apples left out for ground feeders such as blackbirds and redwings. In addition to hanging bird feeders, a bird table will offer space to ground feeders such as robins and chaffinches. Ensure that feeders are placed at height and away from windows, and not too close to cover, to avoid sudden predator attacks. Birds and mammals also need fresh water so offering a water bath with sloping sides is important, as well as providing a fascinating focal point for watching your garden wildlife.

Hedgehog. Photo: milo bostock, www.flickr.com

Gardens have been shown to be an increasingly important habitat for hedgehogs and with their numbers in steep decline, feeding hedgehogs can give them a much needed extra food resource. Leaving food such as tinned dog or cat food (excluding fish flavours) or cat or dog biscuits will encourage hedgehogs to visit your garden, particularly if there is access from neighbouring gardens via a ‘hedgehog highway’ hole in the fence. Hedgehog feeding stations or nest boxes can provide a useful way of protecting the food from other garden visitors.

Watching wildlife

Having attracted wildlife to your garden, there are a range of ways you can get fantastic views up close.  Binoculars give you great views of wildlife that is further away, but with close focus distances now much improved, they also offer a great way of magnifying insects. Read our blog post to find out How to Choose a Pair of Binoculars. Alternatively trail cameras can be used very effectively in gardens to record garden visitors. They are standalone weatherproof cameras that use passive infrared to detect passing warm-bodied animals and take either still photographs or videos. With options including the Bushnell NatureView Live View, that has interchangeable lenses for excellent close up feeder shots, and the Browning Recon Force Edge that has amazing 60fps video footage. For more information on trail cameras, see our blog post on How to Choose a Trail Camera.

Recommended Reading

Wildlife Gardening
#244291

If you want to attract more bees, birds, frogs and hedgehogs into your garden, look no further than this. Kate Bradbury offers tips on feeding your local wildlife and explains how you can create the perfect habitats for species you’d like to welcome into your garden.

Wild Your Garden
#249932

This shows you how to create a garden that can help boost local biodiversity. Transform a paved-over yard into a lush oasis, create refuges to welcome and support native species or turn a high-maintenance lawn into a nectar-rich mini-meadow to attract bees and butterflies.

 

The Garden Jungle
PB #249709

The Garden Jungle is about the wildlife that lives right under our noses, in our gardens and parks, between the gaps in the pavement, and in the soil beneath our feet. For anyone who has a garden, and cares about our planet, this is essential reading.

 

 

 

Guide to Garden Wildlife
#246618

Even the smallest garden can be an important haven for wildlife, and this authoritative guide enables everyone to explore this wealth on their back doorstep. It covers all the main animal groups – including pond life – likely to be found in a garden in Great Britain and Ireland.

 

 

Butterfly Gardening
#226117

This second guide in the Gardening with Nature Series gives step by step advice on how to encourage butterflies to your garden. Jenny Steel describes the importance of providing shelter and avoiding the use of pesticides, with lists of suitable nectar and larval plants, and their maintenance.

 

Making Garden Meadows
#212003

If you have ever contemplated a wildflower meadow area in your garden, Making Garden Meadows informs you how to create one and how to look after it to ensure its continued beauty through many years. Illustrated with photographs taken in her own garden, Jenny Steel guides you simply through the process to help you provide a beautiful area full of wildflowers and teaming with wildlife.

Wildlife Gardening Products

 

Defender Metal Seed Feeder
#238813

 

 

 

 

 

 

Challenger Peanut Feeder
#238828

 

 

 

 

 

 

Defender Metal Niger Feeder
#238816

 

 

 

 

 


Echoes Bird Bath
#195520

John Beaufoy Publishing: Publisher of the Month

Established in 2008, John Beaufoy Publishing (JBP)  is a natural history publisher covering a range of subjects such as ornithology,insects & invertebrates, reptiles & amphibians, marine & freshwater biology, and conservation from all over the world, with a focus on South Asia, South-East Asia and tropical regions.

NHBS is pleased to announce John Beaufoy Publishing (JBP) as our Publisher of the Month for April. We have great offers on a selection of their new and bestselling books throughout the month; making this a perfect opportunity to celebrate the world’s fauna and flora by exploring their catalogue of books.

Books from JBP are written by leading experts in their fields, many notable, such as Gehan de Silva Wijeyeratne and his books on Sri Lanka’s natural history and botany. Another JBP author Bikram Grewal, of The 100 Best Birdwatching Sites in India, is a trustee of the Wildlife Preservation Society of India (WPSI) and was awarded the Lifetime Award for spreading awareness about birds and conservation in India.

JBP has an exciting programme of new titles, together with revised and updated editions of some of their most successful books. We have selected ten titles to highlight, and you can browse their full range available at nhbs here

 

The 100 Best Bird Watching Sites in India
Paperback| February 2020| £16.99 £19.99
This fully illustrated guide describes the 100 best sites for viewing both common and rare species throughout the 26 states of the subcontinent, including the Andaman and Nicobar Islands.

 

Phillipps’ Field Guide to the Birds of Borneo: Sabah, Sarawak, Brunei and Kalimantan
Paperback| February 2014| £19.99 £24.99
669 species superbly illustrated in 141 colour plates with more than 2,000 full colour bird images, including most of the sexual variants and immature forms of polymorphic species.

Wild Flowers of the Mediterranean
Paperback| August 2017| £13.99 £16.99
A user-friendly pocket nature guide to the plant world of the Mediterranean: a region is remarkable for its great diversity of species and forms.

 

 

A Field Guide to the Birds of Mongolia
Paperback| October 2019| £24.99 £29.99
Birdwatchers have long wanted a field guide to the birds of Mongolia. Featuring fantastic illustrations on 154 plates, this guide covers all 521 officially recorded species.

 

A Naturalist’s Guide to the Mammals of Australia
Paperback| November 2017| £11.99
This easy-to-use identification guide to the 300 mammal species most commonly seen in Australia is perfect for resident and visitor alike – part of JBP’s Naturalist’s Guides Series

 

The London Bird Atlas
Hardback| December 2017| £29.99 £39.99
Brings together the analyses of millions of bird records and research to tell you which birds are doing well, which ones have declined or held steady, and what the changes have been in relation to previous distribution surveys.

A Naturalist’s Guide to the Butterflies & Dragonflies of Sri Lanka
Paperback| October 2018| £9.99 £11.99
An excellent book for residents and visitors alike to learn about the commoner butterflies and dragonflies of Sri Lanka before progressing to more advanced technical books.

A Naturalist’s Guide to the Reptiles of India: Bangladesh, Bhutan, Nepal, Pakistan and Sri Lanka
Paperback| December 2017| £9.99 £11.99
High-quality photographs from the region’s top nature photographers accompany this identification guide to the 239 reptile species most commonly seen in South Asia.

Wild Philippines: The Landscapes, Habitats and Wildlife of the Philippine Islands
Paperback| August 2019| £19.99 £24.99
More than just a ‘coffee table’ book; Wild Philippines provides an authoritative and entertaining study of the wide spectrum of wildlife on the land and in the seas of this diverse country.

A Field Guide to the Birds of Malaysia & Singapore
Paperback| Due August 2020| £19.99 £24.99
Due to be published in August 2020, this is a fully comprehensive field guide to the 815 bird species of Malaysia and Singapore

 

 

Browse all John Beaufoy Publishing at NHBS

Our ten favourite spring garden activities for children

This spring is destined to be a different and difficult one for most of us. Some things, however, remain the same – the leaves and buds on the trees are unfurling, the flowers are blooming, and the outside world is gearing up for a new year of growth and renewal. If you’re lucky enough to have a garden, then getting the children outside each day is a great way for them to burn off some energy and to get some fresh air and vitamin D.

With this in mind we have put together ten of our favourite garden activities, most of which are suitable for children (and adults) of all ages – although supervision may be required for the younger ones.

  1. Learn about the insects and bugs in your garden

Insects and bugs are fascinating to children of all ages. As soon as the weather warms up in spring, the garden fills with the buzzing of flies, bees and wasps, whilst the soil teems with beetles, worms and other creepy crawlies. A butterfly or sweep net is ideal for catching flying insects and those in the long grass, while a pooter can be used to pick up tinier specimens. Or simply get down on the ground with a hand lens and see what you can find. There are lots of great field guides that will help you to identify your specimens. FSC guides, such as the Woodland Name Trail and Guide to the Butterflies of Britain and Ireland provide a great starting point. Or, for a more in-depth investigation, the Guide to Garden Wildlife covers not only insects and bugs, but also birds, mammals and amphibians. It also provides suggestions for some great nature-related activities.

  1. Install a nest box (and watch the eggs hatch from the comfort of your home)
Image by gordon.milligan

It’s never too late to install a nest box. Even in late spring you may manage to entice a breeding pair of birds in time to lay a late clutch of eggs. At the very least, you will provide a useful winter roost space and the box will be ready for the breeding birds next year. You can even equip your nest box with a tiny camera which will allow you to watch all the nesting, rearing and fledging action from the comfort of your home. Kits are available which contain everything you need to get started; choose from wired, wireless or Wi-Fi options. See our blog post on nest box cameras for more information.

  1. Learn to identify plants

Rummage around in the wilder parts of your garden and you’re likely to find a wide range of plants that your little ones can study and try to identify. Even in the most manicured of outdoor spaces, you’re sure to find some ‘weeds’ that will provide a useful starting place. This is a great way to learn about common and Latin names and to study the different parts of flowers. The Pocket Guide to Wildflower Families will help you to identify the family to which your flower belongs, and the Collins Wild Flower Guide is a beautifully illustrated guide for those wanting a more in-depth look.

  1. Watch (and listen to) the birds
Image by Airwolfhound

Get to know the birds in your garden by installing a feeder. During the spring there should be plenty of wild food sources for them to use, but protein-rich foods such as black sunflower seeds, mealworm and high-quality seed mixes will provide a valuable addition to their diet. (Avoid feeding fat balls and peanuts at this time of year, as they can be harmful to young birds.) If you’re not sure what kind of bird you’re looking at, the RSPB website has a great identifier tool which includes information on 408 species found in the UK. Once you’ve identified your bird, the website also allows you to listen to its song, helping you to further improve your identification skills.

For a fun garden game, why not play bird bingo? Simply draw a 3×3 grid on a piece of paper, and write the name of a common garden bird in each square. Put a cross in the square when you spot the bird – the winner is the first to cross off all nine squares.

  1. Grow something pretty or edible

If you have space, now is a great time to sow some seeds. Sunflowers and sweet peas provide a great splash of colour in the summer and will provide food for birds (sunflower heads) and pollinators (sweet peas). Peas and beans are both easy to grow in a small space and are happy in pots. Strawberries and bush varieties of tomatoes can be grown in hanging baskets.

Making seed bombs is another excellent activity to do with children and, when planted in the garden, will provide much needed flowers for pollinating insects. The Wildlife Trusts have a recipe that’s simple to make, along with a list of recommended flower seeds to include.

  1. Be a weather watcher
Image by Paper of Light

In most temperate countries (and particularly in the UK), the weather is constantly changing, making it a fascinating thing to track and record. A weather diary is a great way to do this. You can include as much information as you like, or keep it simple with just pictures for the younger children. You could even make a weather board, where the day’s weather is displayed every day. Wind speed, temperature and humidity can be easily measured using an anemometer, and rainfall with a simple rain gauge. (For more economical options, use a large yoghurt container with measurements marked on the side as a rain gauge and a piece of lightweight fabric tied to a pole to track the direction of the wind).

Clouds are also endlessly interesting – learn about the different types with Weather WizKids which has lots of information and explains how they are formed, why they look the way they do and how we can use them to predict the weather. Why not also investigate some of the old-wives tales pertaining to the weather? For example, is it really true that ‘swallows high, staying dry; swallows low, wet will blow’, or ‘Red sky at night, shepherds’ delight, red sky in the morning, shepherds’ warning’?

  1. Make a pond
Image by Alex Thomson

Recent surveys have shown that some amphibians, such as frogs, are now more common in garden ponds than they are in the wild. When planted with a variety of submerged and emergent plants, a pond will provide a complex environment with a variety of micro-habitats, and is also an attractive feature for the garden. Even in a small space it’s easy to use a bucket or other container to create a small aquatic environment which will provide valuable habitat for amphibians, insects and lots of other species. Take a look at the Wildlife Trusts website for a step-by-step guide to making a garden pond (including a handy list of suitable aquatic plants) or this RSPB page for advice on making a mini pond from an old washing-up bowl. Always ensure that younger children are supervised around water.

  1. Weave with nature

Weaving with natural materials is a fun activity and a great choice for several reasons: it is cheap to do and the results, while temporarily beautiful, can be composted, making it the ultimate in sustainable art. To begin, make a simple frame from four twigs, held together at the corners with a small amount of natural twine. Wind more twine from side to side around the frame leaving gaps between each winding, and then repeat in the other direction. Collect a wide selection of leaves, twigs, weeds, flowers, feathers and grass and weave into your frame in a pattern of your choice. For the best results, try and include as many different colours and textures as possible. Hang your masterpiece inside or in the garden to enjoy until the colours fade, and then throw it on the compost heap or in your garden waste bin.

  1. Eat some weeds

Did you know that lots of the weeds in your garden are actually edible? And what’s more, many contain higher amounts of trace elements like iron than their supermarket equivalents such as spinach and kale. Nettles are extremely common, very easy to identify, and can be made into a tasty soup (don’t worry, they lose their sting as soon as they are cooked). Similarly, dandelion leaves, fat hen, hairy bittercress and chickweed are prevalent in most gardens and can be used as salad greens. Children will love knowing that they have picked some of their meal for free, and that they are eating the garden weeds. If you’re unsure about what you’re picking, there are lots of helpful guides and images on the internet. Or you can invest in a book such as Food for Free, Foraging, or the compact and economical FSC’s Guide to Foraging.

  1. Draw from nature
Image from the Biodiversity Heritage Library

Sketching from nature was once a vital part of the naturalist’s skill set. Accurate drawings of specimens, alive or dead, played a vital part in classifying and sharing information about new species. Although this process has largely been replaced by photography, the act of putting pencil to paper and studying a specimen closely enough to draw it accurately can provide an excellent opportunity to study its structure and finer details. Flowers, plants and feathers are ideal starting points as they won’t fly or scuttle away; but insects, birds and other animals can also be fun to try. Keep notes of when and where your drawings were made and, over time, they can form the basis of a wonderful nature journal.

During these troubling times, we hope you can find inspiration in nature and we wish you all the best of health.

For a great selection of garden wildlife books and ID guides, take a look at the Garden Activities for Children collection at nhbs.com.