Author interview with Gabriel Hartmann: Atlas of Feathers for Western Palearctic Birds, Volume 1: Introduction

This book (or rather book series, since it will be more than just one book) has been an incredibly long time in the making, and the sheer scale of the project alone makes it a huge achievement. What were the main challenges you came across and how were they overcome? 

Our project began in 1998 when the French publisher Delachaux et Niestlé requested us to create a new feather identification guide based on colour photos. The illustrations of feathers in our Atlas are arranged according to a unique, recognisable pattern on a standardised grey background, each of them depicting the feathers of an individual bird, which allows readers to grasp the essence of different feather types at a glance. We use a method of directly scanning feathers on a flatbed scanner that was developed at the University of Amsterdam. But printing costs were prohibitive. Print-on-demand technology made it possible to produce smaller, more affordable print runs. We used this technology to produce our first collective work of the Feather Research Group titled The Tail Feathers of the Birds of Central Europe. We also produced two feather calendars with a series of colour plates that were composed for our Atlas of Feathers for Western Palearctic Birds as a test run to see how the colours came out in print.     

In 2009, after 10 years of intense work, we produced a DVD with 1,280 colour plates featuring illustrations of feathers for 330 Passerine species. This compilation from many sources resulted in a wave of interest in our project. Meanwhile, the number of Passerine species for which colour plates were ready had nearly doubled to more than 600 species. We decided to publish our collective work under the name The Featherguide rather than any individual names. In this way, everyone in our group can identify with this eponym and no one needs to feel that anyone is adorning themselves with borrowed plumes.  

Hansen Feather Template.
Hansen Feather Template.

The most time-consuming aspect of our work is the composition of feather images for bird species that are not found in any feather collections. Thanks to the kind support of the Feather Identification Laboratory at the Smithsonian Institution, and generous curators at Natural History Museums, it was possible to develop a technique that allows us to extract depictions of isolated feathers from photographs of bird skins. The missing part of the feather that remains in the skin is digitally added in a seamless way. A single colour plate produced in this way from many different puzzle pieces takes up to one week. With 1,350 bird species to be covered in our Atlas and our goal of illustrating all important plumages, you can imagine how many months and years this adds up to. We thank readers for their patience and interest.  

Our project has inspired a number of off-shoots that will be welcome by most readers. For example, the French feather identification book by Cloé Fraigneau, which is now available  under the title An Identification Guide to the Feathers of Western European Birds, emerged from the initial planning sessions we had with the director of Delachaux et Niestlé. The series of books on feather identification by Professor Hans-Heiner Bergmann was inspired by our flyer distributed at the International Ornithological Congress in 2006. A book titled Feathers: Displays of Brilliant Plumage by worldrenowned photographer Robert Clark features several photographs of original feather sheets that were mounted for our Atlas of Feathers for Western Palearctic Birds, each depicted on a full double page. Even Audubon Magazine featured a series of photographs of original feather sheets from our Atlas of Feathers for Western Palearctic Birds. The Feather Atlas for North American Birds, published online by the Forensics Laboratory of the U.S. Fish and Wildlife Service, was inspired by our original project description in the Conference Proceedings of the International Bird Strike Committee. The Featherbase website, which gets several million visitors per year, adopted the same grey background colour that we had chosen for our illustrations and also adopted the idea of depicting wing and tail diagrams in the way that we presented in our original project description.

Group photograph of the Feather Research Group in 2016.
Group photograph of the Feather Research Group in 2016 © Jessica Louise Wright.

The study of feathers has an obvious application for species identification, particularly when dealing with bird remains. But can a study of feathers also provide us with an insight into bird evolution and taxonomy, or indeed other areas of research? 

Yes, indeed, much can be learned on these topics through the study of feathers. Subtle variations in the phenotype constitute the raw material for natural selection to act upon. Through the study of feathers, we can gain a deeper understanding of evolution. The high amount of phenotypic plasticity in bird wings is a clear example of evolution in progress. Many species exhibit subtle fluctuations in the extent and depth of emarginations on their primaries, resulting in different numbers of slots in their wings between different individuals. Another area of phenotypic plasticity is unusual variations in the number of flight-feathers. Our Feather Research Group compiled a large body of such variations from scientific literature and from our own research. 

While feathers were not unique to birds, emarginations are. Birds as we know them today are thought to have evolved from Mesozoic stem birds that coexisted with feathered dinosaurs. The only line that survived the cataclysmic event on Yucatan 66 million years ago evolved emarginations in their wings. If we consider birds as a class of their own, then the feature that distinguishes birds from feathered dinosaurs is the presence of emarginations. The evolution of emarginations can bring clarity into today’s scientific discussion on the origin of birds, which largely portrays birds as living dinosaurs, thereby blurring the line between reptiles and birds. Emarginations make birds unique. Neither bats nor insects nor pterosaurs have emarginations in their wings. Not all bird families living today have emarginations in their wings, giving rise to the question whether these bird families never evolved emarginations or whether their emarginations disappeared during the course of evolution. Emarginations can be lost either through the evolution of very narrow, pointed wings or through devolution into flightlessness. 

Whether our findings have any relevance for taxonomy is up to taxonomists to decide. In the past, taxonomy was entirely based on phenotype, while today it is largely based on  genotype. Phenotypic variations do not play a significant role in current taxonomy, unless one is interested in the possible inheritance of epigenetic switches that regulate the expression of the genotype into the phenotype. For example, it is not clear whether the fine-tuning of the gradient in retinoic acid that is linked to two genes on the sixth and eighth chromosomes (and is responsible for the regulation of the vane width of feathers) was already inherent in the genome of Mesozoic stem birds and was activated through one of these epigenetic switches, giving rise to emarginations in modern birds. This question may be possible to answer by looking at the genome of bird families that appear to have never evolved emarginations so far, such as rails. 

Close up of an orange feather.
Feather by Quinn Dombrowski, via flickr.

Who do you think these books will appeal to and who will benefit from such a comprehensive and high-quality atlas? 

Anyone who visits the Featherbase website and finds the scans of feathers depicted there to be useful or interesting will also benefit from our work. If only 1% of the millions of visitors to this website see any value of having a printed Atlas with feather images of similar or even higher quality, this will make our  Atlas of Feathers for Western Palearctic Birds worthwhile.  

Many of the scans shown on the Featherbase website are from the collection of Dr. Wolf-Dieter Busching, the former director of the Naumann Museum in Köthen, Germany, who built up the largest scientific feather collection in the world, comprising feathers of around 2,500 bird species. During the time of the former communist regime in East Germany, it was difficult for Dr. Busching to obtain paper of a consistent colour for mounting the feathers in his collection. Therefore, his feather specimens are mounted on paper of many different colours, sometimes blue, sometimes red, sometimes yellow. Since the vanes of feathers are semi-transparent, the colour of the paper they are mounted on influences the colour of the feathers. In addition, the feathers in Dr. Busching’s collection often overlap each other, thereby hiding parts of the neighbouring feathers. In our Atlas of Feathers for Western Palearctic Birds, we show all feathers on the same standardised grey background and without overlap. In this way, each feather is fully visible and the colours of the feathers can be reliably compared.  

Of course, the production of a series of books with high-quality colour plates is more expensive than running a website. The cost of such a series in printed form will limit the number of potential buyers compared to the number of visitors to the Featherbase website. We will keep the cost as low as possible to maximise the  number of people able to afford our series in printed form.  

Close up of black and white rooster feathers.
Rooster feathers by Ruth Hartnup, via flickr.

 

The first volume in the series provides readers with a global overview of feather characteristics. Were there any particularly surprising data or revelations that resulted from compiling such a comprehensive collection? 

There were several surprises indeed. Two of the most peculiar discoveries, or rather rediscoveries, were made in the families Tityridae (tityras, becards and allies) and in the family Trochilidae (hummingbirds). In the families Tityridae, two genera, Tityra and Pachyramphus, have a small, crippled primary number 9 in between normally-sized neighbours in the wings of adult males, while females and juveniles have normally formed wings. The function of the reduced-sized P9  may be related to sound production (sonation) during the display of adult males, but so far, we could not find any references in the scientific literature that would substantiate such an assumption. Amazingly, this peculiar phenomenon had even escaped the attention of Dr. Wolf-Dieter Busching, who devoted his entire life to the study of feathers, and none of our other collaborators in the Feather Research Group noted this phenomenon. 

There are currently three mounted feather specimens of adult males of these two genera on the internet, one of them from the collection of Dr. Busching and two from other feather collections. In each of these three feather collections, the reduced-size P9 was mistakenly glued in front of P10 rather than in its correct position between P8 and P10, indicating that the respective feather researchers had no clue where this feather belongs and seem to have misjudged it to be a reduced outer primary, as is found in many passerines. However, when we consulted an older publication on feathers from 136 years ago, it turns out that this odd, reduced-size feather was already noted by Hans Gadow in 1888, at least in the genus Tityra, while its presence in the genus Pachyramphus seems to have escaped his attention, too.  

The second peculiar discovery in the family of hummingbirds concerns the presence of emarginations at the tips of the outer primaries in males of 22 species from five genera. Most of us in the Feather Research Group had assumed by default that none of the hummingbird species have any emarginations, based on our experience with the many species for which we had examined feathers. The great majority of the 377 extant hummingbird species do not have any emarginations, as in the related family of swifts. So, it would have been easy to miss these exceptional few species if the effort had not been made to look at every single hummingbird species based on photographs of live birds. Again, the fact that only males of these exceptional species have emarginations, while females are missing them, leads to the assumption that these emarginations have something to do with the display flight of males. In this case, there is indeed a scientific paper dating back to 1983, which confirms this assumption for just one of the 22 hummingbird species in which males have emarginations. The only feather experts who knew about this study are Professor Lukas Jenni and Dr. Raffael Winkler from Switzerland. The authors of this study found that males create noises with their emarginated primaries and that these noises are used to protect nectar resources. Filling the slot between emarginated primaries with a glue film or clipping the distal 2–3 mm of these primaries caused males to sing more to protect their territories. We can deduce that the other hummingbird species in which males have emarginations use them in a similar way to produce sound. There is, however, a sixth genus of hummingbird in which males have inverse emarginations at the base of the primaries, not at their tips. This phenomenon of emarginations at the feather bases instead of at their tips does not make any aerodynamic sense, so it is likely that these inverse emarginations have some type of ornamental function in males.  

These two discoveries, or rather rediscoveries, in the families Tityridae and Trochilidae teach us to remain open and not adhere to preconceived ideas. They also teach us to consult old literature that may have been forgotten or considered outdated.  

Hansen Feather Template.
Hansen Feather Template.

The first volume will initially be published in black and white to make it affordable to as many people as possible. The online database of feathers is also available to everyone in the hopes that citizen scientists and members of the public will help to verify and correct the results. Given that birdwatching is such a popular pastime, do you think that there is a large body of untapped knowledge within the birding public? 

There definitely is a large body of untapped knowledge within everyone, not only within the birding community. The key is to allow everyone to express their inner potential themselves. We are in favour of encouraging birders to publish their own data under their own names. Professor Peter Finke, who advises our Feather Research Group, calls this approach of empowering citizens to publish their own data Citizen Science Proper. What has been prevalent so far is Citizen Science Light, in which so-called experts scoop off the knowledge of the public and make a name for themselves with borrowed plumes, so to speak. Professor Finke published a book titled Citizen Science: The Underestimated Knowledge of Laymen (, which answers this question in much greater depth, giving many examples for birdwatchers in particular.  

With regards to the global survey of emarginations in all bird species of the world, that became possible on the basis of photographs of live birds, which citizen scientists generously share on the internet. Our approach of opening our research findings on the number of emarginations in all bird species of the world by listing the internet links of the original photos that were used for this study is a way of thanking  these many thousands of photographers. They all deserve to be mentioned as co-authors of our study. By sharing our findings and providing the original links to the photos that were used, we offer these photographers a way to give us their feedback on what we discovered thanks to their generosity. Anyone else who likes to share their observations on the photographs of live birds and scans of feathers that were used for our study is also welcome. We greatly value this interaction with birdwatchers and the general public. 

close up of grey and brown feathers,
Photo by Tina Hartung, via unsplash.

 

How many volumes will the series eventually comprise, and do you know when they are due to be published? 

After our last meeting in 2016, the World Feather Atlas Foundation purchased ten large scanners for our Feather Research Group. Five of these scanners went to the Featherbase team to support their endeavour of creating a World Feather Atlas. The remaining five were given to other collaborators in our group. The Featherbase team adopted the same grey background for newly mounted feather specimens as we adopted in 1998 for our Atlas of Feathers for Western Palearctic Birds. This unified the backgrounds on all scans,  creating the basis for a potential cooperation to speed up the work on our Atlas of Feathers for Western Palearctic Birds 

The production of colour plates for the passerines took 24 years because they were all produced by only one person. If the work on the colour plates for the non-passerines is divided up by the holders of these ten scanners, it will be possible to produce the remaining colour plates more quickly. At the same time, the holders of these scanners can use them for their own projects.  

Most important to us is to respect the copyrights of everyone who produces scans of feathers. Any contributions to our Atlas of Feathers for Western Palearctic Birds must be based on mutual respect for everyone’s free will. Those who contribute scans of feathers are treated at an equal level to those who contribute text. In the past, illustrators of bird guides were often underappreciated compared to the authors. All too often, illustrators were not even mentioned on the book cover. We feel that this relationship between illustrators and authors needs to be amended. Illustrators deserve to be cited alongside authors. In our Atlas of Feathers for Western Palearctic Birds, the work of those who produce scans of feathers is even more important than those who write the texts, because the texts can only be written on the basis of these scans. 

The Full Edition of our Atlas of Feathers for Western Palearctic Birds will comprise a total of ten volumes including the introductory volume. Each of the subsequent nine volumes will cover about 150 bird species, adding up to a total of about 1,350 bird species. The Concise Edition will consist of two volumes. . The most precious thing we have to offer are the large-size colour plates in the full edition. The illustrations of feathers in the Concise Edition will be a cut-down version of the original colour plates and considerably smaller.

 

Atlas of Feathers for Western Palearctic Birds book cover.

Atlas of Feathers for Western Palearctic Birds, Volume 1: Introduction is available to pre-order from our online bookstore.

Author Q&A with Rob Thomas: The Storm-petrels

In the latest work of the Poyser series, Rob Thomas brings us the definitive work on Europe’s storm-petrels. Meticulously researched by one of the world leading experts, this book follows European Storm-petrels, tracking their lives as they breed, migrate and overwinter. Rob shares the story of the group’s evolution, behaviour, ecology and adaptations, interspersed with charming personal anecdotes and observations.  

Portrait of Rob Thomas facing the camera

Rob Thomas has been working at Cardiff University for over 20 years. He is a senior lecturer in Zoology who specialises in bird behaviour and ecology, and has been studying storm-petrels since he was 16. His work has taken him to Wales, Scotland, Portugal and the Faroes, where he studies storm-petrel breeding behaviour and long-distance migration journeys. He is the co-director of Eco-explore Community Interest Company and is a trustee of the Initiative for Nature Conservation Cymru (INCC). 

We recently had the opportunity to chat with Rob about what inspired him to write a book on storm-petrels, his favourite storm-petrel facts and more.


Can you tell us a little bit about yourself and what inspired you to write a book about Storm-petrels? 

I’ve been birdwatching since I was a small boy – initially in the land-locked county of Breconshire in mid-Wales where I grew up, but as a teenager I started visiting the islands of west Wales and later Shetland, where I encountered storm-petrels for the first time. Since then, I have been fascinated by these remarkable little seabirds and the islands where they breed. Birdwatching led me into bird-ringing, and later into a career as a university researcher and lecturer, and storm-petrels have been the subject of much of my research and teaching work, including supervising various MSc and PhD projects on the behaviour, ecology and conservation of different storm-petrel species around the world. In recent years there has been an explosion of storm-petrel studies, partly due to advances in miniaturised tracking technology and the genetic methods that can be used to study storm-petrel diet and evolutionary relationships. Given the mass of new discoveries being made, together with renewed interest in the folklore, art and literature relating to storm-petrels, they became the natural subject for a new book about these truly remarkable seabirds.  

a small brown and white bird is skimming over the ocean water, with droplets falling from its feet
White-faced Storm-petrel (Pelagodroma marina). Image by Ed Dunens via Flickr

What do you think is the biggest challenge facing these species, and how do you think we can work to minimise the impacts of this challenge in the future?

Seabirds are among the most threatened groups of birds globally, and storm-petrels themselves are vulnerable to a wide range of threats, including various forms of pollution (e.g. plastics, oil and other chemical pollutants, as well as light pollution), overfishing, and the looming impacts of rapid climate and oceanographic changes. For storm-petrels, perhaps the greatest threat of all comes from the arrival of non-native predators on their breeding islands; rats and cats have caused the local extinction of storm-petrels on numerous islands, as well as the likely global extinction of one species, the Guadalupe Storm-petrel. Fortunately, this threat can very effectively be addressed by the eradication of non-native predators, and this is steadily being carried out on seabird islands around the world, including in the UK and British Overseas Territories such as South Georgia. This is one of the most dramatically – and immediately – effective methods for helping storm-petrels that we have in the conservation toolbox. 

 

There are often challenges with tagging storm-petrels due to their small stature. Are there any technological advances in surveying and research techniques that you would like to see employed and that would aid in tagging and monitoring them?

The miniaturisation of tracking technologies over recent years (geo-locators and GPS tags, as well as associated technologies such as accelerometers and depth-loggers) has led to a genuine revolution in our understanding of the behaviour and ecology of storm-petrels at sea. It is only in the last few years that GPS tags have become small enough to track birds as small as the smallest storm-petrels, including our own European Storm-petrel; the familiar species of the NE Atlantic (weighing approx. 25g), and we suddenly have a quite detailed understanding of where they go and what they do at sea. This tracking technology is now being deployed on some of the very rarest species (e.g. Monteiro’s storm-petrel of the Azores), to understand their conservation needs. One very exciting new development is the combination of tracking storm-petrels on their foraging trips at sea, with DNA analysis of the prey that storm-petrels deliver to their chicks, and remote-monitoring of behaviour in the nest burrow using miniaturised cameras and audio equipment – these can be used alongside more traditional methods, such as manual nest-checks and weighing of nestlings, to understand the factors on land and at sea that contribute to breeding success or failure. 

A small black bird in a hand
European Storm-petrel. Image by Rob Thomas

I really enjoyed learning that the oldest European Storm-petrel recorded was estimated to be 40 years old, an astonishing age for such a small seabird. Do you have a favourite piece of information you discovered throughout researching and writing this book?

Yes! I have many favourite storm-petrel facts, including my provisional top five:1) storm-petrel chicks can hibernate (i.e. strategically reduce their body temperature and become torpid across multiple days) in order to save energy between food deliveries by their parents; 2) storm-petrels have the largest eggs relative to their body size (approx. 25-30% of the mother’s body mass) of any birds; 3) we still don’t know how many storm-petrel species there really are (the 28 formally-described species in the book is definitely an underestimate); 4) the New Zealand Storm-petrel was thought to be extinct for 176 years, until it was re-discovered in 2003 and happily seems to be thriving; and 5) the name ‘petrel’ may not refer to the disciple Peter walking on the waters of the Sea of Galilee as has often been stated, but may actually be derived from a much older old word ‘pet’, meaning ‘to break wind’ (yes, I am easily amused). 

 

The world is currently facing a worrying decline in not only storm-petrel populations, but also many other seabird species worldwide. What would you say to people who might question the importance of safeguarding and conserving these animals 

Most people have never heard of storm-petrels, let alone seen one. But this does not mean that storm-petrels are unimportant – they are perhaps more important that even I (a self-identifying storm-petrel fanatic) had assumed. Species do not need to be useful to humans to be an important part of the ecosystem that they inhabit; they are ecologically important in their own right, whether we are aware of them or not. Furthermore, storm-petrels reveal to us many of the ways in which our own activities as humans are impacting the natural world. Even storm-petrels, among the wildest of creatures, breeding in some of the most remote parts of our planet, are badly affected by our pollution, our entourage of non-native pets, livestock and plants, and they are highly sensitive biological indicators to the ongoing climatic and oceanographic impacts of our activities that are changing the composition of the planet’s atmosphere. For all of these reasons, it is important that we understand and act on the things that storm-petrels can tell us, or we ignore these messages at our peril.  

two small brown-black birds are flying above the sea surface, they have their wings outstretched and a bar of white feathers at the base of their tail
Wilson’s Storm-petrel (Oceanites oceanicus) Image by Ryan Mandelbaum via Flickr

Is there a species of storm-petrel that has so far eluded you, and which you would still love to see? 

Oh yes, there are many! I have personally encountered only six or seven of the 28 or so storm-petrel species that are currently available (depending on how species are counted). I am hoping to spend the rest of my life occasionally meeting new storm-petrel species; two of my most-longed-for are the White-vented Storm-petrel (probably the smallest seabird in the world), and the Matsudaira’s Storm-petrel (one of the least-known and most-endangered of the storm-petrel species). 

 

Finally, are you currently working on any other projects that you can tell us about?

Yes, an exciting new project involves working with local conservationists on the Faroe Islands (which host the largest colonies of European Storm-petrels) to understand the impacts (both positive and negative) of marine developments such as wind farms, fish farms and artificial lighting on these internationally important breeding colonies. Another very exciting new initiative is a collaborative project known as ‘Seaghosts’, led by Raül Ramos Garcia of the University of Barcelona in Spain, tracking the movements of different species of storm-petrels from breeding colonies across the North Atlantic, across their annual cycles. Seabirds ignore national boundaries, and such international collaborative projects are key to understanding threats and conservation solutions at a global scale. 


 

The front cover of storm petrels, shows a small brown and white bird swimming above water

Storm-petrels is published by Poyser Monographs and is available in harback and flexibound here.

Author interview with Stephanie Kim Miles: QGIS for Ecologists

QGIS for Ecologists book cover.QGIS for Ecologists teaches the fundamental stages of mapping land for ecological projects and reports and is ideal for those working in ecological consultancy and conservation, or for students with little to no training on the use of this software. Guiding the reader through the processes of basic survey mapping, aerial imagery, habitat mapping, designated sites and more, it provides a useful resource for anyone unfamiliar with the most accessible platform used to create maps for reports. 

Steph Miles portrait.

Stephanie Kim Miles works as a GIS Officer for the Bumblebee Conservation Trust, having previously worked as an ecological consultant specialising in ornithology. We recently had the opportunity to talk to Stephanie about how they first became interested in QGIS, the challenges they faced while writing a book on such a complex software and more.


Firstly, can you tell us a little about yourself and how you first became interested in QGIS? 

I studied Environmental Science at Lancaster University for my undergraduate degree. When I graduated, it seemed to me that all the cool jobs wanted you to know Geographical Information Systems (GIS). At the time, GIS was not being taught as part of degree programmes, so this was not a skill I had. I was lucky enough to find a role with the promise of being taught GIS on the job and I began working for a multinational engineering and environmental consultancy. I learned how to create maps and spatial analyses for Environmental Impact Assessments (EIAs) for port expansions and offshore renewables projects, particularly wind farms. Whilst studying for my Masters in Conservation and Biodiversity at the University of Exeter, I tutored fellow students in the use of GIS. When working in an ecological consultancy, I performed field surveys for protected species and used QGIS software for the first time to map the results for reporting. I also became one of the tutors for the course: Beginners QGIS for Ecologists and Conservation Practitioners for the Chartered Institute of Ecology and Environmental Management (CIEEM). I am currently working for The Bumblebee Conservation Trust (BBCT) where I use QGIS to map and analyse spatial data. I use QGIS to support the monitoring and evaluation of bumblebee conservation projects and to map bumblebee records for BeeWalk, a citizen science recording scheme. 

Figure 6.4 Protected Species Map from a Water Vole Survey.
Figure 6.4 Protected Species Map.

For those who might not know about this software, could you give us a brief overview of what QGIS is and its applications in relation to conservation? 

QGIS, as with other GIS software, is a computer programme used to visualise, analyse and map any data with coordinates. You do not need to know how to write computer code as the interface uses a mouse to click through menus, like in familiar Microsoft Office applications, for example.  

QGIS is free of charge making it accessible to those working in small consultancies and conservation charities. The software is open-source, meaning that anyone with the ability to code can write scripts called plugins to automate certain tasks. Fortunately, such coders exist within the ecological community! Particularly useful is the TomBio plugin written by Rich Burkmar and other contributors at the Forest Stewardship Council (FSC). The TomBio plugin enables you to import biological records and easily map them at a suitable scale for the data accuracy as points or grid squares at different scales (as you may have seen on the National Biodiversity Network (NBN)). 

In ecological consultancy, you need to access the impact of works on the habitats and species present and suggest mitigations and improvements. In conservation, you need to be able to access the site condition prior to conservation interventions, during and after habitat improvements and/or species work have taken place. Both ecological consultancy and conservation use similar processes to do this, such as the Ecological Impact Assessment (EcIA) reporting process. This consists of an initial desk study to find existing ecological data and environmental designations, followed by field surveys, the findings of which are written up in a report. At every stage, GIS can be used to map and analyse the data to provide the information and visualisation required for reporting. 

 

Figure 8.45 Advanced Habitats Map.
Figure 8.45 Advanced Habitats Map.

 

What inspired you to write this book for fellow ecologists? 

While developing the teaching materials for CIEEM courses I found I was essentially creating a textbook. I have continued to teach QGIS to colleagues and trainees while working in conservation, becoming more and more aware that a textbook would be really useful for me and those I was teaching. I felt that publishing a book would enable me to train more people in the use of GIS for ecology and conservation than I could on a one-to-one or class basis. I think it is really important that as many ecologists and conservation practitioners as possible can use GIS, I believe every project can be improved by understanding where everything is in relation to each other and creating beautiful, accurate maps to show it. 

This book starts with the basics of QGIS, working up to the creation of several types of maps. How did you decide on the breadth of this book and which tutorials to include?? 

I chose the tutorials to cover maps I have most frequently needed to produce for ecological reporting: a basic survey map, an aerial imagery survey map, a designated sites map, a desk-study map, a protected species map and a Phase 1 habitat map. As part of this you use UK sites and data, learn how to download free-to-use maps and datasets, georeference images and import GPX files into QGIS. Once you have worked through the tutorials, workflows are provided that you can follow with your own sites and data. I hope that having this refresher to refer to means you can maintain GIS skills in your own workplace, without having to reread the entire book to remember what you need to do.  

Figure 3.5 OSM map with grid.
Figure 3.5 OSM map with grid.

Did you face any challenges in creating an easily digestible guide for such complex software? 

Yes! When I first started training others and began writing down instructions for creating maps, I found that I would often leave out certain steps I was very familiar with. In person, teaching a class or one-to-one, I was there to provide any additional steps I had not written down. I knew that in writing the book I would need to make very sure that I had not missed anything! To do so I have spent a number of years perfecting the tutorials and data used to make it as streamlined and clear as possible. 

Another challenge has been the changing nature of data availability, sources and copyright, as well as software updates that all make the processes work slightly differently. I have worked hard to ensure, as much as possible, that the workflows will remain current even if external data sources change. 

Chapters 5–11 contain exercises for readers to undertake to improve their understanding of the subject and enhance their learning experience. Can you briefly describe how you created these and explain why you feel practical exercises were important to include? 

Part 1 includes Chapters 1–3 and provides a summary of the book, an introduction to myself and to QGIS. The practical Part 2 begins at Chapter 4 with instructions for downloading QGIS and the data needed for your first maps. The exercises for producing maps are in Chapters 5–11. Part 3 contains the answers to the exercises in Chapter 5–11. Part 4 is Chapter 12 with the workflows for each maps produced in Chapter 5–11, so you can easily refer back to how each map was made, without having to reread the exercises again. 

I wanted to include exercises aimed at creating maps that ecologists need to produce for reports. As GIS is a practical skill, it was very important to me that, as soon as possible within the book, you are able to create your first map. I have found that it is important to be able to produce maps while learning the basics of GIS. This helps to build confidence in what you are doing and see the results of your learning quickly. I hope that making several types of map, starting simply and ending up with the most complex, makes it easy to follow and it is clear how you will apply the skills you are learning to your work.  

Will you be working on any more projects like this in the future?  

I hope to write a follow-on book about the use of QGIS and QField for data capture in the field using tablet devices. 

QGIS for Ecologists book cover.

QGIS for Ecologists is available to pre-order from the NHBS bookstore

Q&A with Pete Haskell: Celebrating 60 Years of the Scottish Wildlife Trust

A headshot of a man in a blue tshirt smiling at the camera. The Scottish Wildlife Trust is the leading charity seeking to protect and restore the diversity of the Scottish landscape and its species. Based in Edinburgh, this membership-based organisation has a key role in the conservation of over 90,000 species through practical work, campaigning, education and management in over 100 wildlife reserves. 

The Scottish Wildlife Trust will be celebrating their 60th anniversary this year, marking the occasion with their storytelling campaign Words of the Wild. We recently spoke to Pete Haskell, Head of Communications and Engagement, on the work of the Scottish Wildlife Trust, its iconic projects and their goals moving forward.  


Visitors on Handa Island Wildlife Reserve. Image by Pete Haskell, The Scottish Wildlife Trust

Could you give us a brief introduction to the Scottish Wildlife Trust and how it was formed? 

Today, the Scottish Wildlife Trust is Scotland’s leading nature conservation charity, but it all began as a small group of passionate people in Edinburgh 60 years ago.  

It was in 1964 that Sir Charles Connell, along with a handful of others, decided to establish an organisation whose focus was the protection of Scotland’s wildlife for the benefit of present and future generations. Despite being run on a shoestring budget, within a year the Trust had 400 members and a long list of volunteer members of Council that included several professors, a general, several prominent landowners, a museum curator, the presenter Tom Weir and representatives from the Forestry Commission and The Nature Conservancy. 

By the end of 1966, the Trust had acquired its first three wildlife reserves, and its work has continued to grow in breadth and scale ever since.

 

Could you tell us about the aims of the Trust, and what kind of work you undertake? 

The Trust’s vision is of a network of healthy, resilient ecosystems on land and sea, supporting Scotland’s wildlife and people something we’ve been pursuing for our 60-year history with support from our members, partners and volunteers. 

The Trust successfully champions the cause of wildlife through policy and campaigning work, demonstrates best practice through practical conservation and innovative partnerships, and inspires people and communities to take positive action through education and engagement activities. We also manage a network of over 100 wildlife reserves across Scotland, welcome visitors to our three visitor centres at Montrose Basin, Loch of the Lowes and Falls of Clyde, and are a member of the UK-wide Wildlife Trusts movement. 

Community Engagement Work. Image by Pete Haskell, The Scottish Wildlife Trust

 

What have been the most iconic projects for the Trust over the years? And could you tell us about your biggest challenges and successes? 

Where to start! As an organisation that covers all of Scotland and all of its wildlife, we’ve been involved in a huge variety of projects over the last six decades.

In the 1980s, we had a big focus on acid rain, organising an international conference that brought together a wide range of experts to discuss the major points of evidence around the issue and the damage it causes. This resulted in delegates agreeing a detailed resolution that called for the UK Government to take decisive and immediate action to combat acid rain. 

In the 1990s, one of our major focuses was peatland restoration. As well as leading a peatland campaign that raised awareness of the importance of the habitat and its wildlife, we worked in partnership with Scottish Natural Heritage (now NatureScot) to undertake one of the most comprehensive assessments of any habitat in Britain and published a peatland management handbook used by land managers across Europe. 

In the 2000s, we started two of our most iconic species-focused projects. In 2008, we partnered with the Royal Zoological Society of Scotland to lead the five-year Scottish Beaver Trial in Knapdale, a groundbreaking project that saw the first formal reintroduction of a mammal anywhere in the UK. And in 2009, we established Saving Scotland’s Red Squirrels, a partnership project that continues to this day to protect our native Red Squirrel population. 

The past decade or so has seen some of our most ambitious projects to date. Our Living Landscape initiatives in Coigach and Assynt, Cumbernauld and Edinburgh are working to deliver environmental, social and economic improvements on a landscape scale. Through our Living Seas project, we have created a network of snorkel trails across Scotland to encourage more people to experience the incredible marine life that Scotland’s seas are home to. And most recently we have been progressing our Riverwoods initiative which is set to accelerate the creation of woodland habitat along Scotland’s extensive river network.  

Snorkellers. Image by Alexander Mustard for The Scottish Wildlife Trust.

 

What are your hopes for the future? How do you think the Trust’s goals will change past Strategy 2030? 

Our firm hope is that we begin to see nature recovery on a national scale. We have 60 years of impactful conservation behind us, but nature is in a state of crisis, with one in nine Scottish species threatened with extinction. As our life support system, nature is vital to every one of us and it will take everyone – from decision makers to community groups – to help turn the tide on nature loss. 

But even if we can get over that biggest of hurdles – where nature is no longer declining and starts on an upward trajectory – there is a huge amount to do. With the UK one of the most nature-depleted countries in the world, the road to achieving our vision is a long one. There will inevitably be new challenges to overcome but the thing that unites the Trust – our staff, volunteers, members, donors and partners – is an unenduring passion and love for nature. They say you can have too much of a good thing, but when it comes to nature, that’s just not the case! 

 

Sixty years of educating, campaigning and protecting nature is an incredible milestone. How will the Trust be celebrating this important anniversary? 

Whilst there are many things going on across the Trust to celebrate our 60th anniversary, the major focus is our storytelling campaign, Words of the Wild. The campaign has three strands: a series of events focusing on the stories of some of our reserves; a new and very recently launched podcast series that will explore the stories of the Trust’s past, present and future; and a nature writing competition that encourages others to share their stories of Scotland’s wildlife and wild places in no more than 1,000 words. The competition has an adult and a junior category and is open until 31st August. There are some fantastic prizes for the winners, including some generously donated by NHBS, for which we are very grateful. 

If readers would like to find out more about the Trust or enter the Words of the Wild competition, visit scottishwildlifetrust.org.uk/  

 

Author interview with Richard Rickitt: Beekeeping for Gardeners

Beekeeping for Gardeners book cover showing a beehive in a garden behind a rose bush.

This beautifully illustrated book provides a comprehensive gardener’s guide to sustainable beekeeping. It reveals the pleasures and benefits of keeping bees in gardens of all sizes in both rural and urban areas, explains the practicalities of this widely enjoyed hobby and lists the top performing plants that will help your colony thrive. Beekeeping for Gardeners also discusses the hobby of beekeeping within the wider environment and questions how it can meet the needs of all species of pollinators, as well as it’s potential contribution to the local ecology.

Richard Rickitt portrait.Richard Rickitt is an award-winning author as well as co-editor of the UK’s best-selling beekeeping magazine BeeCraft. He has been an avid beekeeper for over 20 years, maintaining numerous hives for both commercial and private clients as well as his own, looks after the bees at the National Arboretum, and teaches beekeeping courses across the UK as well as abroad.

Richard recently took the time out of his busy schedule to talk to about Beekeeping for Gardeners, including what inspired him to write a book aimed at gardeners, what the future of Honey Bees in Britain looks like and more.


Bee getting pollen from a blue flower.
© Richard Rickitt

Firstly, could you tell us a little bit about yourself and what prompted you to write a beekeeping book aimed specifically at gardeners? 

I grew up on a Somerset smallholding, so my heart is in the countryside. I always loved wildlife and my bedroom was like a miniature Natural History Museum filled with bird’s nests, animal skulls and a menagerie of frogs, newts, caterpillars and anything else I could catch and keep. One day I peeked through a garden hedge to spy on an old beekeeper at work. The white hives, sparkling clouds of bees and puffing smoker seemed mysterious and magical. I suspect that I have a very romanticised image of the scene in my mind, although even now when tending my bees I am often struck by what a bucolic activity it can be. Later, I learned beekeeping at my secondary school which had an excellent rural studies department – I’m not sure if such things exist anymore, which is a terrible shame. I went on to work in film and television special effects, but after moving from London to Wiltshire about 18 years ago, I took up beekeeping again. I became increasingly involved in the beekeeping community, eventually becoming co-editor of BeeCraft, the UK’s bestselling beekeeping magazine, which is now in its 105th year.   

I wrote a book aimed at gardeners because many of the people attending my beekeeping courses are already gardeners and want to know more about the bees that they see visiting their flowers. By starting out as gardeners, new beekeepers are already doing one of the most important things that anyone can do for bees; providing them with the resources and habitats that they need. But sometimes a little extra knowledge and small changes in the way you garden can make a huge difference to the sustainability of your local bee populations. For example, some species of solitary bee depend on a single, specific variety of flower.  

Keeping honey bees dovetails very nicely with gardening; it’s a seasonal activity done mostly in good weather in spring and summer. Time spent in the garden can be time spent tending both plants and bees, enjoying watching them develop and interact through the year. Gardeners enjoy choosing what plants best work in their garden and if you are a beekeeper there can be the added pleasure of planting specifically for bees and seeing them make use of what you have provided. There are practical benefits too; fruit and vegetable crops will be better pollinated, resulting in more and higher-quality produce. And, of course, there can be the reward of a crop of delicious honey and even wax with which to make candles or cosmetics. Like gardening, beekeeping is a lovely hobby to share as a couple or family – each person often finding their own areas of interest, and sharing the work, discoveries and pleasures. 

So, my book is for anyone who loves gardens and is interested in learning about and helping bees of all kinds. They might want to create a beautiful garden with the most appropriate plants, habitat and nesting opportunities for wild bees, or take things further and keep a hive or two of honey bees. 

Beekeeping for gardeners internal page showing an image of a solitary bee on a flower on the left hand page and text about solitary bees on the right hand page.

I really liked how the book provided not only a comprehensive guide to beekeeping on a small scale but is also an exceptional resource of information on growing flowering plants and creating habitats for bumblebees, solitary bees and insects of all kinds. Do you think traditional beekeeping advice has tended to be very focused on the Honey Bee itself with less of an emphasis on providing the habitat it requires to thrive? 

Beekeepers have always very carefully noted which plants flower near their bees, as well as the quality and quantity of honey that their bees produce as a result. However, the presence of such resources has generally been taken for granted; the beekeeper only having to look after the bees while it was assumed that nature would provide the rest. Increasingly, because of habitat loss, climate change and pollution, the necessary resources aren’t always there. Today’s beekeepers therefore have to think not only about caring for their bees, but also about caring for the environment in which their bees live. That includes growing more of the right plants but also considering whether their bees might have a negative impact on the local environment and the other species it supports. Most beekeepers begin their hobby for environmental reasons and try have a positive impact. 

How do you think beekeeping fits within the broader context of conservation, given that the honey bee is considered by some as not native to Britain and may spread diseases to or compete with other important wild pollinators? 

This is a great question involving several complex issues, so I’m afraid it requires quite a long reply. 

The first point is the erroneous but increasingly commonly held belief that the honey bee is not a UK native species. The oldest fossil of a true honey bee (Apis species) comes from Germany and is about 25 million years old. The distribution of such bees, along with all species of plant and animal, will have fluctuated drastically over the millennia in response to changes in geography, environment and climate. However, when the ice retreated at the end of the last ice age, some 10,000 years ago, what is now called Britain was still connected to the European continent. This allowed the spread northwards of animals and plants. Honey bees naturally live in tree cavities and undoubtedly would have spread into Britain as trees began to grow here. Then, when sea levels rose about 6000 years ago, Britain became an island. This is the cutoff point at which species already established and subsequently isolated here are generally considered to be native. That would certainly have included honey bees as well as the hundreds of other species of bumblebee and solitary bee that we now consider to belong here. So, I think there is no doubt that honey bees are in fact native. Indeed, there is archaeological evidence of the presence of honey bees in Britian dating back thousands of years. For example, the remains of venison cooked with honey were found in Bronze Age artifacts recently unearthed in Peterborough. There is no such archaeological evidence for the presence of any species of solitary bee or bumblebee in Britain at that time, although I wouldn’t question that most of those are also native. For more about the evidence of the honey bee as a native species, I would recommend reading an academic paper by Norman Careck of Sussex University. 

Bee flying to land on a yellow flower.
© Richard Rickitt

Many of the bumblebee and solitary bee species found in Britain are also found on the continent and are considered native in both places. However, the honey bee, also naturally present on both sides of the channel, is currently claimed by a few people to be non-native in Britian. This contradictory claim only seems to have come about in the last decade or so and is perhaps partly because of a history of commercial importation of honey bees from the European mainland into Britian. Such imports have been made for three reasons; firstly, because in the early twentieth century many of our wild and managed honey bee colonies died as a result of a disease then known as the Isle of Wight disease – so much so that the production of pollinated farm crops was thought to be threatened; secondly, it was thought that the slightly different genetic traits of honey bees from elsewhere could be used to produce more disease-resistant and productive honey bees in the UK; and thirdly, because commercial beekeepers whose bees pollinate crops in spring often require new queens to replace those that have died over winter – and the British climate makes it impossible to raise new queens here until later in the season. The result has been an influx of honey bee queens from Europe. These bees are the same species as has existed here for thousands of years (Apis mellifera) but they have evolved into regional subspecies because of the slightly differing environmental conditions where they live. Honey bees living in Italy will experience a very different climate and flowering plants to those living in Scotland, for example. The result is that many of our honey bees now have a mixture of genes hailing from different places.  

Some hobby beekeepers today are against the importation of honey bees and increasingly favour what are known as local bees. These are bees raised from colonies that survive and thrive in a relatively small geographical area, without the addition of new genetic characteristics from bees imported from abroad or elsewhere within the UK – they are ecotypes. The actual genetic makeup might be a mixture of all sorts, depending on what is already in an area, but studies have shown that, over time, the native genetic element tends to dominate. There are some areas of the UK where the genetics of local honey bee populations are very highly native. However, as climate change worsens, adaptability will be key to the survival of all species of animal and plant; it might be that genetic traits from imported honey bees are what eventually give our honey bees the ability to survive in unstable climatic conditions. In my book, I urge beginner beekeepers to buy new bees and queens from a local beekeeper who has kept the same bees in the same place for decades, these honey bees will probably be best suited to your area. 

Now for the second part of the question, which is also complicated but I will try to keep things brief. There are several diseases that appear to be shared in one form or another by various types of bee. Research into these diseases, their effects and transmissibility, is at the early stages with very few definitive conclusions at the moment. One disease, called nosema, is a kind of fungus that affects the gut of a bee. This is found in both honey bees and bumblebees. It is thought that this first evolved in butterflies, and has since been passed on to bees, which can be spread from one species to another perhaps by sharing the same flower resources. One of the biggest threats to honey bees is the presence of varroa, a tiny parasitic mite that can spread various pathogens when feeding from the bodies of developing honey bee pupae. It’s not yet clear which of these pathogens can spread to other species of bee which are not in themselves hosts to varroa.

There are a lot of uncertainties, and it is by no means clear that honey bees are a significant disease danger to other species of bee, or the reverse. However, it highlights the importance of beekeepers fully understanding the biology and lifecycle of honey bees, and their diseases and predators. This will enable them to keep healthy bees that are better able both to resist diseases and minimise the chances of spreading them to other species. Reading my book is a good way to begin understanding how to keep healthy honey bees, and indeed if beekeeping is really for you. After that, I strongly suggest joining your local beekeeping association and signing up for a training course.   

Finally, and referring to the first part of your question, you asked about where beekeeping fits into conservation more broadly.  The fact is that because beekeepers generally do a good job of looking after them, honey bees are not currently under threat – despite being subject to many of the same pressures as solitary bees and bumblebees. There was a great deal of worry some years ago when huge numbers of honey bees died for largely unknown reasons, but those problems are now generally under control. We shouldn’t be complacent, however; there are still a great many threats to honey bees and the climate crisis poses lots of potential problems. 

I consider honey bees to be the ‘gateway bee’. Many people who have never had a very close relationship to wildlife or the natural world are attracted to beekeeping as a fascinating and rewarding hobby – sometimes at first they don’t even understand the difference between honey bees and other bees. Once they are acquainted with honey bees, such people often want to learn more about the other species of bee, ultimately taking part in conservation measures and becoming bee ambassadors, spreading the word about the importance and fragility of bee populations generally and appreciating the importance of plant life and biodiversity in general. 

Beekeeping for Gardeners pages 176-177.

Beekeeping within the UK appears to be a thriving pastime and, throughout the Covid pandemic in particular, it seems that many were inspired to take it up as a hobby. Could we reach a situation where we have too many beekeepers? 

It’s thought that in the UK there are about a quarter of the number of honey bee colonies there were in the 1950’s, and far fewer than might have been present naturally a few thousand years ago – a natural density of about one colony per square kilometre is estimated by renowned bee scientist, Professor Tom Seeley. But although we may have fewer honey bees now, we also have a hugely degraded environment that is much less capable of supporting bees of all kinds.   

There was a huge drop in the number of beekeepers and bee colonies in the mid-1990s, with membership of the British Beekeeper’s Association (BBKA) dropping to just 7000. When the media began to highlight the problems being experienced by honey bees, particularly due to so-called colony collapse disorder, the number of beekeepers began to rise again. As you say, numbers increased somewhat during the pandemic, too. Today there are about 27,000 members of the BBKA. That number seems to be levelling off and I wouldn’t be surprised if it has reached a peak. There are new beekeepers every year, of course, but people also drop out of the hobby at about the same rate as they join.  

I think it is unlikely therefore that we will have too many beekeepers overall, but I do think that the distribution of beekeepers and their bees is a matter of possible concern. Beekeeping has become popular in large cities, and although suburban areas with their dense patterns of small gardens containing a wide variety of plants – not to mention parks, allotments and railway embankments – can provide plenty of bee habitat, city centres are often extremely poor places for supporting bees and other pollinators. The trend for putting beehives on top of city centre office buildings is highly questionable when there are so few flowering plants nearby. There are also a few rural areas with particularly fragile populations of rare bee species where it might be unwise to keep honey bees. A very high density of honey bees in any area could increase the chances of disease transmission – as discussed in the previous question. These are all issues discussed in my book. 

Overall, I believe that thoughtful beekeeping is environmentally beneficial. Although you can place bee hotels in your garden and plant gardens to attract bees, there is nothing quite like learning about and witnessing the extraordinary lifecycle of a honey bee colony for opening people’s eyes, minds and hearts to the breathtakingly complex and beautiful natural history of bees and pollinators in general.   

Bumble bee on a pink flower.
© Richard Rickitt

With constant monitoring in place for the arrival of pests such as Tropilaelaps mites as well as the current spread of the Yellow Legged Hornet (commonly referred to as the Asian Hornet), are you broadly optimistic for the future of Honey Bees in Britain? 

It seems likely that the Asian Hornet (Vespa velutina) might finally have a toehold in the UK and we could have a small breeding population. Until now, APHA (Animal and Plant Health Agency) and the National Bee Unit have done a great job tracing nests and destroying them, but if the population increases exponentially, it will be impossible to control – as has been the case in France and other places.  

It is hard to say exactly how the arrival of the Asian Hornet will affect British beekeeping although, as with the arrival of Varroa Mites in the 1990s, I suspect there will be a steep decline in the number of people keeping bees. Chris Packham recently said that having Asian hornets might only mean the loss of a few teaspoonfuls of honey, but I strongly disagree with this sentiment. One nest of Asian hornets can consume 11.5 kg of insects in a season – that’s hundreds of thousands of insects. Perhaps people don’t mind if those insects are honey bees, but when the honey bees run out, other bees, wasps, flies, butterflies and so-on could become the target prey. Imagine how that might affect birds and other animals that rely on those insects – not to mention the crops that they pollinate. And bear in mind that one Asian hornet nest can produce 300 queens resulting in hundreds of new nests the following year.  

Tropelaelaps, and particularly Small Hive Beetle, are two other potentially very problematic invasive pests. They haven’t been found here yet and there are import controls and a system of sentinel apiaries to try to prevent or detect their arrival. There are contingency plans to prevent their spread should they arrive but there are a lot of unknown factors. Climate change makes the possible arrival and spread of these exotic species more concerning.  

I’m broadly optimistic about the future of beekeeping in the UK but there will be challenges and changes. 

Beekeeping for Gardeners, page 92-93 showing a close up of bees on a hive.

Finally, although I’m sure your job as editor of BeeCraft magazine, as well as your public speaking engagements must keep you incredibly busy (alongside the actual beekeeping of course!), we’d love to know if you have plans for further books? 

I have lots of ideas for other bee-related books, some practical and some a bit more esoteric. Whether I’ll ever find time to write them, and in particular take the photographs for them, is another matterAt the moment, I’m glad to have finished this book and I am enjoying watching bees and visiting gardens without feeling the need to make notes and take photosalthough my camera is never very far away…


Beekeeping for Gardeners book cover showing a beehive in a garden behind a rose bush. Beekeeping for Gardeners is available from our online bookstore.

Author interview with Ben Jacob: Orchid Outlaw

The Orchid Outlaw tells the tale of author Ben Jacob’s mission to save some of the UK’s rarest, native orchids. With many facing extinction due to land use change and the climate crisis, while also not being protected by environmental and planning laws, Ben took it upon himself to rescue these threatened plants and grow them in his own kitchen and garden, rather than losing the plants all together. In doing so, he placed himself on the wrong side of the law. This part memoir, part natural history piece shows us how we can all save the world one plant at a time.

Ben Jacob wearing a brown jacket stood by a bank with some orchids growing out of it.Ben works as a University lecturer by day, and as a clandestine ecologist, conservationist and Orchid-saviour by night. It is always a pleasure to meet the authors behind our books, particularly those who are adopting their own approach to nature restoration and conservation, and we were delighted to have the opportunity to talk to Ben in person about The Orchid Outlaw and have him sign our books. We discussed how he first became interested in Botany, his thoughts on the Right to Roam movement, what he hopes the reader can learn from his book and more. Read the full author interview on the Conservation Hub.


Firstly, can you tell us about yourself and how you first became interested in both Botany and orchids?

By day I’m a mild-mannered lecturer (in a subject which has very little to do with science or botany); by night I am a guerrilla conservationist with a focus on rescuing, conserving, and bringing back to the land, our native orchids. The Orchid Outlaw explains the journey I took from a chance encounter with a tropical orchid in a garden centre as a child, which led me, when I was older, to trekking through jungles to look for tropical species, then, and older still, via a mugging, an enforced return to England and a broken back, to encounter Britain’s – and Europe’s native orchids. As I learned more about these species, I realised that my preconceptions about our native orchids and the state of our natural environment were wrong. I became aware of the significant recent decline in orchid populations… and began my unorthodox means of saving them. I tell this story alongside (hopefully) entertaining diversions through history, medicine, man’s changing relationship with nature, Charles Darwin’s discovery of evolution, and a critical exploration of the laws which exist to protect wildlife in this country but which are so full of huge holes that battalions of construction vehicles can rumble straight through, crushing all life before them. Which they do. Daily. Without any legal consequences.  

In contrast, a well-intentioned conservationist (like me) rescuing wild flora or fauna from private land which is about to be turned into a housing estate, without first going through the hurdles required to gain permission from the landowner, risks fines of £5,000 per plant or six months in prison. Do these laws make sense? No. Are they helping sustain a healthy and diverse population of native species? No. So, like any laws which don’t work, someone should stand up to them and do what needs to be done. 

Bee Orchid in some grass.
Bee Orchid (Ophrys apifera) by Oli Haines.

In the past week, the European Council has formally adopted the Nature Restoration law. Do you think this law could have any influence on conservation policy here in Britain, and to what extent do you think it will change people’s attitudes towards our responsibility to protect the natural environment?

In Britain (as elsewhere) 2024 is a national election year so any impact on British political attitudes of a European law will depend to an extent on which party wins. Unfortunately, none of our main political parties have a good track record when it comes to protecting our natural heritage for us and future generations we have seen a rapid decline in numbers across all species and native habitats over many decades presided over by both main parties and a coalition. Of course, for the sake of everyone’s future, I’d like to think this European Council law marks a shift in geo-political will which will pull all national policies into its orbit (fingers-crossed)… but the realist in me suggests that unless meaningful, accountable, well-policed penalties accompany laws, those laws tend to make little concrete difference (consider for example international laws around freedom of expression, asylum, and war crimes, which are broken all around the world every day). 

The Orchid Outlaw highlighted how pre-industry anthropogenic land use is intertwined with orchid distribution, particularly in the UK. How do you think rewilding (which is currently a very hot topic) can be implemented in a way that supports these species that may have benefitted from traditional land management rather than being left to nature? 

The Orchid Outlaw looks a little bit at how native orchids thrived in the habitat niches created on a large scale by man, including hay meadows, and how centuries of people-managed woodland (the clearing of underwood and occasional felling) provided conditions which helped many native orchid species to thrive. Of course, these habitats had existed long before people (meadows had been formed, for example, by large, now extinct cattle, naturally falling trees, and wildfires) so, in many ways, mankind took on the role of these natural forces for his own benefit and, in the process, allowed many other species not only orchids to benefit too. In this sense, ‘rewilding’ is not simply a case of letting an area go wild without any human intervention ironically this kind of habitat is completely ‘un-wild’ unless it is stocked with the right range of creatures which are going to complete the tapestry of life (and death) needed to reach a healthy, natural, sustainable equilibrium. 

Marsh Orchid (Dactylorhiza) by Jo Graeser.
Marsh Orchid (Dactylorhiza) by Jo Graeser.

How can we mitigate orchid loss in a practical conservation framework when vital species-specific symbiotic relationships with fungi are not considered, so these species may not be protected under current schemes?

There are all kinds of gaping holes in our awareness of the world and what really goes on in the soil, which sustains everything, is one of them. Because of this particular hole, soil health has fallen through the gaps of wildlife conservation laws, even though soil, like the sea, is a vast, living, environment containing more life than we can see and it is an environment upon which the world depends. Orchids in particular have a very complex, as yet only partially understood, crucial relationship with certain soil fungi (mycorrhizae). This is because orchid seed germinates unlike that of any other plant. It creates a symbiotic relationship with a specific mycorrhiza in order to then form a kind of hairy blob (a ‘protocorm’) which, eventually, sometimes after many years living underground sustained only by fungus, becomes a flowering plant. This makes orchids important indicators of soil health, because it seems that the mycorrhizae they need are adversely affected by artificial fertilisers and herbicides. In a way then, our orchids have taught me that any conservation framework has to start from the ground literally, the dirt up, because that is the secret to success. If the earth and the microbes in it are right for the plants there and, of course, plants are crucial to any rewilding project then insects, birds, mammals will come and the tapestry of life which orchids introduced to me will weave itself. 

The right to roam movement is growing, especially close to home here in Devon. What are your thoughts on trespassing for the purpose of immersing and enjoying nature that is legally out of reach for the majority of citizens? Following this, if the laws were to change do you think it would affect attitudes towards nature with more people having the chance to be exposed to nature?

Let’s be honest, this is ‘our’ land. Our ancestors built it, fought for it, died for it, are buried in it; it is deplorable that we do not have the right to roam considerately and with respect upon our land. The right to roam exists in Scotland without any major detriment to anybody and the fact that it does not exist in England and Wales says a great deal about the sway the old class system still holds here after all, 0.06% of the population owns half of rural England and Wales and much of this land distribution extends back to the days of feudal lords. For centuries, no one has done much to change this status quo.  

Obviously, allowing people the chance to experience nature is a great way of changing attitudes to it… but a lot of the land we can roam in Devon is still unavailable to those in inner city areas, so a shift in awareness towards our natural world our natural heritage, formed over thousands of years and which we should be proud to pass on to our children – is not solely about opening up rural land. The recent pandemic made many people far more aware of how important being outside in nature is to our wellbeing whether in a park or allotment or an uncut verge with a bench to sit on and wild flowers buzzing with insects and flickering with butterflies. So, while the right to roam is important, I think wider appreciation of the real value of nature will be helped by allowing nature to be more present everywhere in everyone’s life from green roofs, wild parks and county farms, to unmown verges and tree-lined streets smothered in bird boxes… 

Miltary Orchid on the right hand side of the photo in a field of grass.
Military Orchid by Charlie Jackson, via flickr.

What do you hope the reader can learn from The Orchid Outlaw? 

On the one hand, I like to think that The Orchid Outlaw takes a reader on the same journey of discovery I went on, with orchids as my guide, opening my eyes to so much I hadn’t known. One of the biggest wake-up calls orchids gave me was the inadequacy of our wildlife laws and the massive, underreported decline of some our native flora. Orchids also taught me about the important microfauna all around us, the complex nature of soil, the history of botany and herbalism, and of course the fascinating world of native orchids themselves the magical co-evolution that has occurred between orchids and their pollinators, the fact that some species never need sunlight, that others grow a metre tall and smell of decay, and some can live to be over a hundred years old… and a great deal more.   

On the other hand, and perhaps more importantly, I’d like to think that what I do, as unorthodox as it is, shows that you don’t have to be a scientist, researcher, or working for an official institution to make a positive impact for the other living organisms on our planet.

Can you tell us what’s occupying your time at the moment? Do you have any other books in progress that we can hear about?  

Aside from the usual rescuing and reintroducing native orchids, at the end of The Orchid Outlaw I talk about moving to the countryside to an old house which needed and continues to need a lot of attention. So, the garden (which was essentially a forest of nettles) and the lab I started building at the bottom of the garden to propagate orchids (so I no longer need to turn the kitchen into my lab) is largely what occupies my spare time. In any spare moments I am working on a couple of book proposals, both of which relate to elements of The Orchid Outlaw, but, for now, they’re closely guarded secrets! 


Orchid Outlaw book cover showing the title written in yellow, on top of an image of a blue and green orchid on a black background with heras fencing over the top.

The Orchid Outlaw has been published by John Murray and is available from our online bookstore.

Author interview with Christopher Hart – Hedgelands

Hedgelands book cover showing an artistic drawing of green hedge leaves on a dark green background, with leaves woven over the white text in capital letters saying 'Hedgelands.'Hedges and hedgerows have long been an integral part of the British landscape and are now considered the greatest edge habitat on earth. Hedgelands shines a spotlight on the hawthorn and hazel of ancient hedges, thorny scrub and the creatures that call this habitat their home, telling you everything you could ever want to know about this wild, diverse and incredibly rich habitat – it may even change your perspective of the humble British hedgerow for good.

Portrait of author Christopher Hart wearing a checked shirt, gillet and flat cap with a large hedge behind him.

Christopher Hart has authored ten literary and historical books that have been praised by both The Times Library Supplement and Sunday Sport. He’s written numerous short stories, essays and reviews on a range of subjects, and has worked as a freelance journalist since the 1990s. Hart now lives on a seven-acre plot in Wiltshire which he is in the process of rewilding.

We recently had the opportunity to chat with Christopher about what inspired him to write a book about hedges, how he thinks we can change peoples perceptions of the humble hedgerow and more.


As a writer of primarily historical fiction, what inspired you to write a book celebrating British hedges?

Well, I’ve had quite a chequered career: as well as the historical fiction thing, I’ve been a Mr Whippy Ice Cream Van Driver, Theatre Critic of the Sunday Times, and Agony Uncle for Time Out magazine. None of which qualify me to write about hedges! But really the English countryside is a lifelong passion, and working on our own patch of seven acres, with intermittent grazing, plus trying to encourage maximum wildlife, has taught me directly how vital hedges and thickets are to the entire system. Then my friend Jonathan did this survey on one of his own restored and re-laid hedges, found vivid evidence of the huge benefits to invertebrates, and said to me, Why don’t you write a book? So that’s how it started.

Jonathan stood in front of his re laid hedge.
Jonathan stood in front of his re-laid hedge, by Christopher Hart.

Hedgerows have demonstrable benefits to the environment, yet are often overlooked and under-appreciated by many. How can we change public perception of and attitudes towards the humble hedgerow?

I think real-life examples always work better than statistics. And maybe demonstrating to people directly how many birds, butterflies etc. flourish in our hedgerows could have a great effect, as could enlarging and protecting hedgerows on amenity land, where people actually go regularly, rather than farmland: allotments, for instance, churchyards, and even school grounds.

How does the historical, manual management of hedgerows compare to the mechanical methods used in some agricultural practices today? And how can we encourage a change to more conservation-centred management in these spaces? 

Like every other farm job, the old manual method of hedge-laying with an axe and billhook is a great art and beautiful to watch – but also very slow and expensive! Unless it could be done by teams of roving volunteers, which is a promising idea. But even flailing can be made instantly more eco-friendly by simply doing it every two years instead of one. That could really help, and as I think Jake Fiennes suggests, would actually save the average farmer around £2,500 a year on diesel alone.

A generous field margin on a productive arable farm showing a wide, long grass border against a flourishing hedge.

Can you share some examples of individuals, organisations or locations that are paving the way for best-practice hedgerow management?

I think all the big conservation charities, like the RSPB, are very aware of hedgerows’ importance now, but there are also some admirable specialists like Hedgelink. And the Devon Hedge Group are terrific, doing direct, hands-on work there. If you want to see a truly spectacular hedge though, don’t miss the massive bristling rampart of the ‘Nightingale Hedge’ at Knepp. It’s magnificent! 

How can we get involved in bringing hedgerows to our local communities, and how may we incorporate a hedge into areas with limited space?

One reader of my book has already contacted me for advice on how the hedges in his daughter’s school grounds could be made more nature friendly, perhaps by re-laying or just allowing to thicken up that’s a great example of what we can do quite independently of farmlands. Another suggestion I have is to ‘rewild’ a typical, slightly overmanaged garden hedge, that might be just mono-cultural beech or holly, and let climbers and creepers into it as well: relax about a bit of ivy, or even bramble, let a few nettles grow, or as we have done, allow some self-sown honeysuckle to trail over your privet hedge. Then go out on a warm summer evening and admire the moths that turn up. If the sight of an Elephant Hawk moth doesn’t convert you, I don’t know what will! 

Man-made thicket full of blackthorn in a field.

What’s next for you? Do you have plans for more nature writing?

I most certainly do. The only difficulty is choosing which one to pursue. In the last year I did some experimental ‘re-bogging’ of a small riverside field that was just too waterlogged to offer good grazing, or any other kind of useful food production. It took me all of half an hour with a spade, diverting a field-side drainage ditch. The result has been a quite spectacular explosion of dragonflies and snipe in the winter. I’d love to write something about that. ‘Re-bogging Britain, or ‘The Joy of Re-bogging. What do you think? 


Hedgelands book cover showing an artistic drawing of green hedge leaves on a dark green background, with leaves woven over the white text in capital letters saying 'Hedgelands.'

Hedgelands is published by Chelsea Green and is available from our online bookstore.

Author interview with Joe Shute: Stowaway

Stowaway book cover showing an old harbour town with boats on the water and four rats climbing up a rope tying a boat to the dock.This tale of rat catchers, crumbling buildings and back alleys delves into the complex linkages between humans and rats, questioning why some animals are accepted while others are cast aside. Joe Shute follows the course of this intricate relationship through history, from those in the trenches to the present day, where an estimated ten million rats live in Britain alone.

Joe Shute author photograph, showing him leaning against a wall in a park with a pair of binoculars around his neck, brown jacket, scarf and hat.Joe Shute is an author and journalist who has a keen passion for the natural world. He is the long-standing author of The Daily Telegraph‘s Saturday ‘Weather Watch’ column, is currently a post-graduate researcher at Manchester Metropolitan University and lives in Sheffield with his wife and pet rats.

We recently had the opportunity to speak to Joe about his book, including his most unexpected lines of enquiry while writing Stowaway, how his own relationship with rats has changed over time, what he plans to do next and more.


What initially drew you to focussing on rats for this book? 

I am particularly attracted to the less fashionable corners of nature writing, I suppose. In particular I have a soft spot for scavengers, of which rats are obviously the greatest of them all. I find it fascinating that wild rats are creatures which have adapted and thrived in our shadow over centuries of human history and yet we still don’t know much about them. I wanted to unpick the rat stories and mythology and folklore attached to rats and see them as an animal in their own right. Because the history of rats is so bound up in our own, I also hoped that focusing on rats would help change my understanding of how humans interact with the world.

Wild Rat climbing up a breezeblock brick in a field.
Wild Rat – Rutland Water by Airwolfhound, via flickr.

What were some of the unexpected lines of enquiry the writing of this book opened for you? 

I knew about the intelligence of rats beforehand but until I started writing the book I hadn’t appreciated the complexity of the inner lives of rats. Numerous studies have shown that rats feel empathy, regret, possess the power of imagination and even enjoy dancing. I also hadn’t appreciated until writing the book how little is known about rats in the wild. Despite being such a familiar animal, we really have little idea about the size of rat populations or exactly where and how they live in cities. Also, I hadn’t fully appreciated just how clever rats are. I visited a project in Tanzania where rats are taught to detect landmines. In the US, scientists have even taught rats how to drive cars. 

Rats have pretty bad PR and this book does an illuminating and erudite job of portraying them with a nuanced and sympathetic appreciation. Why is it important that we scrutinise our relationship with rats?

It’s important to redress our relationship with rats because I believe we are entering a new era of history alongside them. The 20th century was marked by a ‘war on the rat’ with countries committing huge resources to eradicate populations with mostly limited success. This has also had a terrible impact on the natural world, with toxic rodenticides poisoning animals throughout the food chain. This is now changing and various cities such as Paris and Amsterdam are asking whether we might be able to better co-exist with rats. In the UK and elsewhere greater restrictions are also being placed on the indiscriminate use of rodenticides. There are certainly settings where rats are destructive and cause great harm, for example in important seabird colonies where they can devastate nesting populations or indeed when living in someone’s house. But why should they not share our parks and gardens with us?

Wild rat photographed in amongst long grass and damp leaves.
Wild Rat by Airwolfhound, via flickr.

What are some ways in which rats, and our misconceptions of them, hold mirror up to our own behaviours?

I argue in the book that rats thrive where humanity has failed. Industrial farming, where wildness and natural predators have been lost and monoculture of crops exist, provide the ideal conditions for rats. Similarly in urban areas rats flourish among poor sanitation and low quality housing stock and lots of litter. War, waste and a devastated natural environment are all places where you will find rats. If we address these very human problems and behaviours then rat populations will automatically be kept more in check.

What are your hopes for what rat appreciation can offer us? 

I think an appreciation of rats can offer all of us a different perspective on how we interact with nature. When you look at a rat out foraging for food and put aside the cultural baggage attached to it, you see a supremely adaptable creature that can also be very cute! 

Joe Shute with his brown rat on his shoulder.

How has your own relationship with rats changed throughout the process of researching and writing this book? 

I started writing this book as someone with an innate fear of rats. Once I started interrogating this, however, I came to realise that so much of this is cultural – the books I read as a child and urban myths about rats which we all grow up with. To conquer my fears I adopted pet rats, Molly and Ermintrude, who revealed to me so much about the inner lives of rats and are the little beating hearts of my book. So much so in fact that I dedicate Stowaway to them. 

Finally, are you currently working on any other projects that you can tell us about? 

I am currently based at Manchester Metropolitan University’s Centre for Place Writing where I am undertaking a research project on rivers specifically a lost urban river called the Irk in Manchester. I am doing a lot of work with communities, running writing workshops to connect people to the river and the urban flora and fauna which flourishes there. Unsurprisingly, there are a lot of rats along the Irk, but Kingfishers, Dippers and Grey Wagtails too. It is exactly the sort of contested and overlooked environment rich in human history which I love writing about and where I always feel most inspired.


Stowaway book cover showing an old harbour town with boats on the water and four rats climbing up a rope tying a boat to the dock.

Stowaway has been published by Bloomsbury and is available via our online bookstore.

Author Interview with Jenny Macpherson: Stoats, Weasels, Martens & Polecats 

Stoats, Weasels, Martens and Polecats book cover showing an orange, white and purple lino print of a two stoats on a rock within ferns.The latest volume in the New Naturalist series, Stoats, Weasels, Martens & Polecats focuses on the four species of ‘small mustelids’ – highly specialised predators and ubiquitous assassins, some of which were once hunted to near-extinction. This delightfully rich text details their physiology, distribution, daily lives, significance in UK history and folklore, while also intertwining the authors own experiences working at the forefront of mustelid conservation across England and Wales.

Jenny MacPherson portrait, wearing a yellow knitted hat and a thick winter coat with the hood up.

Jenny MacPherson managed the Pine Marten Reintroduction Project for many years before taking over as the Principle Scientist at The Vincent Wildlife Trust. She has a longstanding background in zoology and research, holds an MSc in Conservation at the University College London and a PhD from Royal Holloway.

Jenny recently took the time out of her busy schedule to talk to us about the book, including how she first became interested in mustelids, how she thinks these animals will fare in relation to the current climate and environmental challenges and more.


Can you tell us a little about your background and what first interested you in mustelids? 

I studied zoology at university as a mature student, having worked as a theatre costume assistant in London when I left school. Actually, my first experience of mustelids was the rather unflattering portrayal of the Stoats and Weasels in the National Theatre production of The Wind in the Willows that I worked on, back in 1990! – I was responsible for getting Otter into his costume, a 1920s style knitted bathing suit. Then, as an undergraduate at Royal Holloway University, I planned my dissertation project on Pine Martens, having been captivated by them on holidays in Scotland, where it was such a rare treat to see them. Since then, mustelids, and especially Pine Martens, have been a major interest of mine. 

Stoat stood on a log.
Stoat by Andy Morffew, via flickr.

What are the challenges of studying this group?  

It is very difficult to study elusive, nocturnal animals that live at low density and are patchily distributed. It certainly tests our ingenuity. Thankfully some of the rapid advances in technology are helping, as I describe in the book. 

How do you think small mustelids in the UK will fare in the face of climate and environmental change? 

It is difficult to predict and it will likely vary between species. Pine Martens might ultimately benefit from increases in afforestation for carbon storage, but in the meantime existing forests are coming under multiple pressures from recreation, timber harvesting and emerging plant diseases. The impacts of environmental change on prey populations shouldn’t be underestimated either. Some long-term studies have already shown declines in the abundance and diversity of small mammal communities linked to climate change, which is of concern for all of our native carnivores. 

Weasel stood with its front paws on a rock in some long grass.
Weasel by Alan Shearman, via flickr.

Historical opinions held by some across the UK favour culling of mustelids. For instance, Pine Martens in Scotland are at risk of predator-control trapping due to a perceived risk to livestock and game birds. What can we do to challenge these long-held, traditional ways of thinking in relation to UK predators? 

We need to raise greater awareness of natural processes, including predation. Predators have a number of important functions and play a key role in supporting our ecosystems. In Britain, these have been out of balance for centuries as a result of human intervention and we have become used to ‘controlling’ any animals that cause us an inconvenience, rather than working together to find practicable ways of living alongside predators. 

Pine Marten stood on a broken Silver Birch log.
Pine Marten by Caroline Legg, via flickr.

Citizen science projects are a great way for people outside of the field to get involved with conservation research. Are there any resources where the public can submit sightings? And how can citizen science benefit the conservation of this group? 

Citizen scientists and volunteers are crucial to conservation research and we have a long history of their involvement in Britain. Vincent Wildlife Trust collect sightings and other records of Pine Martens and are currently also carrying out a two-year national survey of Polecats. More information can be found on the website at www.vwt.org.uk. The collective effort of citizen scientists makes it possible to gather huge amounts of information over large areas and time frames, which helps to focus conservation efforts where they are most needed for these species. 

Are you working on any other projects you would like to share with us? Can we expect more books from you in the future? 

I am currently working on a number of projects in my role at Vincent Wildlife Trust, including a feasibility study for reintroducing European Mink to the southern Carpathians in Romania, and I have just started writing another book. 


Stoats, Weasels, Martens and Polecats book cover showing an orange, white and purple lino print of a two stoats on a rock within ferns.

Stoats, Weasels, Martens & Polecats is available to pre-order from our online bookstore.

Author interview with Ed Drewitt – Bird Pellets

Bird Pellets book cover showing a barn owl stood on a wooden fencepost with a mouse in its mouth, the title Bird Pellets in cream and images of 15 bird pellets below this.This is the first comprehensive guide to bird pellets showcasing a wide range of pellets produced by different species, including owls, hawks, waders and various garden birds. Author Ed Drewitt offers a methodical introduction to pellets, outlining what they are, how they’re formed, dissection methods, analysis and common findings, accompanied by an array of detailed illustrations and photographs. Bird Pellets provides a closer look at those produced by each species in turn and outlines how to identify the remains of small mammals, which can be an important tool for discovering what a bird feeds on, understanding dietary change over time and other aspects, making this an invaluable resource in ecology.

Image of author Ed Drewitt from the waist upwards wearing a grey waterproof coat stood in front of a hedge, holding a pair of binocularsEd Drewitt is a professional naturalist, wildlife detective and broadcaster for the BBC who specialises in the study of birds and marine mammals. He studied Zoology at the University of Bristol, before working at Bristol’s Museums, Galleries and Archives for numerous years. He is now a freelance learning consultant who runs bird identification courses, provides wildlife commentaries on excursions, writes for wildlife magazines and is involved in bird ringing studies. Ed is also the lead researcher in a study focusing on the diet of urban-dwelling peregrines in the UK and author of Urban Peregrines.


Firstly, can you tell us a little bit about yourself and how you came to write a book about bird pellets? 

I have been interested in wildlife, particularly birds, since I was six or seven. Back then I would love collecting feathers and skulls, and bird pellets. I remember being excited at finding a Sparrowhawk pluckingperch in the woods where I lived in Surrey and finding small pellets – packed full of small feathers – from the hawk. Much of my career has involved developing and delivering learning workshops and resources for school-aged students and my public engagement work involves communicating science in plain English. Therefore, I am well versed in writing a book that appeals to families, schools and researchers alike. For several years I worked part-time in the teaching laboratory for the School of Biological Sciences at the University of Bristol. Each spring I would help oversee students dissecting several hundred Barn Owl pellets; I also arranged for a live owl and Kestrel to come in, to bring the practical ‘alive’. I have also been studying what urban-dwelling Peregrines eat (and am author of Urban Peregrines and Raptor Prey Remains) over the past 26 years. Therefore, I was in a brilliant and timely position to tap into my own pellet and bone collection, and source more material from others across the country and beyond, to write the ultimate bird pellet book!

A child stood at a table dissecting pellets with a pair of green tweezers.

Most people are aware that owls and raptors produce pellets, but are there any pellet-producing species that we’d be more surprised to hear about?

Absolutely – any bird that eats something that is indigestible and unable to pass through the intestines and out the other end, will produce a pellet. People are always surprised when I explain that even Robins and Blackbirds produce pellets, often made up of bits of woodlice and beetles. Interestingly though, two raptors, that you might expect to produce pellets do not: the Osprey and the Honey Buzzard. Both eat foods that either are digested or picked at, meaning harder parts, such as bones, are not swallowed.

I was interested to read in your introduction to the book that pellets can be used to study what birds were eating thousands or even millions of years ago. Are bird pellets generally well represented in the fossil record?

The brilliant thing about pellets is that, while their general structure may break down, their contents, for example, mammal and bird skulls, may accumulate in one area, even if they get buried over time. While some bits will slowly decay or move over time, others may remain in situ and intact. Palaeontologists and archaeologists often study how animals decay; it is known as taphonomy. It can also be applied to pellets. While complex, researchers can work out which species has produced a pellet and what happens to its contents with time. In turn, researchers can determine previous assemblages of prey species, such as small mammals, and how these have changed over time depending on environmental and ecological conditions. This type of study can also work out which species are more (or less) likely to be found in such accumulations and therefore how the fossil record may be biased towards particular prey species.

Close up of a Water Vole skull.

Many of us will be familiar with the technique of using the visual observation of bones and other remains in pellets to study what was in a bird’s diet. But are there more advanced laboratory methods that are now being used to study them in more detail? 

Yes, although I don’t think they are quite as fun or smelly! In essence, taking swabs from pellets can reveal the DNA of what has been eaten, including things that may not otherwise be detectable, although some of these items may have been eaten by the prey itself, if the DNA is intact enough. It can work the other way though; well digested food remains may mean the DNA of prey is undetectable or so degraded it cannot be assigned to a species or taxa, while traditional visual techniques may be able to confirm its identity.

Can pellets be useful for studying the presence of pollutants in the environment, such as plastics and microplastics? 

Absolutely, and this is not a new thing, although it is now more topical in the media. Some seabirds, such as terns and gulls, have been producing pellets with polystyrene particles going back to the 1970s. However, now we have a better idea of just how much plastic is in our environment, we are now looking for it more in the stomachs and pellets of birds. Dippers are a very good example. Small invertebrates, such as stonefly larvae, ingest microplastics. They are then eaten by Dippers and the plastics accumulate in the pellets they regurgitate. Of course, the cumulative health effects that ingesting plastic has on birds such as Dippers is difficult to ascertain. Even Barn Owl pellets may contain microplastics, ingested from the stomachs of small mammals they are eating.

Pellet produced by a Long-eared owl containing bones, hair and skin.

What is the most surprising or unusual thing you have found in a bird pellet to date?

Gull pellets are often the most interesting, mostly because of the litter they contain, from plastic particles and bags to condoms! On a more natural note, the most spectacular pellet I have found was on the Flannan Isles, a remote island west of the Isle of Lewis, Scotland. The pellet was from a Great Skua, and it contained a whole Leach’s Petrel, which also live on the island. The petrel had gone down into the stomach where it had been digested. It was then regurgitated as a pellet, pretty much as a whole bird including intact wings, just minus any flesh! Skuas and Great Black-backed Gulls will also do the same thing with young rabbits and Puffins. Pellets can also be useful for finding the rings of wild birds and discovering that a bird has eaten another bird with an interesting origin of ringing, such as Norway or Russia!

Finally, what’s keeping you occupied this summer, and do you have further books in the pipeline that we can look forward to?

During the summer I am busy taking people out to see wildlife, especially in the Forest of Dean, where I live. I especially love birdsong and helping others to hear it. I am also working with the RSPB on the Gwent Levels, doing some training courses on identifying saltmarsh plants and wildlife. My wife, Liz, and I have two children, aged four and seven, so we will also be busy keeping them occupied! They love the outdoors and enjoy seeing wildlife just like we do. I have some papers in the pipeline as I am halfway through a part-time PhD at the University of Bristol. My 26-year study of the diet of urban-dwelling peregrines has given me plenty of data to analyse and write into chapters for my PhD. 


Bird Pellets book cover showing a barn owl stood on a wooden fencepost with a mouse in its mouth, the title Bird Pellets in cream and images of 15 bird pellets below this.

Bird Pellets will be published by Pelagic Publishing and is available to pre-order from our online bookstore.