A Field Guide to the Birds of Malaysia & Singapore: an interview with the authors.

This comprehensive, clearly illustrated field guide, looks at all 815 bird species of Malaysia and Singapore. The main identifying features of each species are described and key facts cover size, voice, range and status and habitat. Distribution maps provide a view of where the birds can be found. The book also includes information on taxonomy and nomenclature, the breeding cycle, migration, conservation and key bird-watching sites of the region. This guide is essential for any naturalist interested in this region of the world.

Recording and observing such a rich diversity of birds, with over 800 species of birds including endemics in abundance is a huge undertaking.  How does such a daunting project come to fruition?  We asked contributors: Lim Kim Seng, Yong Ding Li and Lim Kim Chuah to answer some questions about themselves and the creation of A Field Guide to the Birds of Malaysia & Singapore

 Can you tell us a little bit about your backgrounds within ornithology and conservation?

Lim Kim Seng

Kim Seng – I started birding when I was about ten years old. I grew up in a family farm in Sembawang, in the northern countryside of Singapore. Together with my four other brothers, we explored the streams, hills and swamps and grew to love nature. One day, I saw a large kingfisher with a brown head, bright red beak and blue wings. It was my first Stork-billed Kingfisher and I was hooked. I was able to identify it through a book that I found in our National Library Natural History Section. Five years on, I joined the then Malayan Nature Society (now Nature Society (Singapore)) as a student member and just four years later, I led my first official society birdwatching outing at Rifle Range Road, together with my other birding brother Kim Chuah. With the help of other dedicated members, I learned a lot and was able to play my part in nature conservation, documentation, research and outreach, and have been an active member since then.

Yong Ding Li

Ding Li – I have been birdwatching since my primary school days, after finding what I later discovered, to be Magpie Robins near my home in Kuala Lumpur. Subsequent visits to the mangroves of Kuala Selangor introduced me to the colourful world of birdwatching. Through various research projects, I have professionally studied birds in diverse settings ranging from Malaysian rainforests and the mountain forests of Sulawesi (Indonesia), to Australian woodlands. I now work full-time for BirdLife International, coordinating projects on bird conservation in Southeast Asia.

Lim Kim Chuah

Kim Chuah – I grew up in a farm in rural Singapore in the ’60s and the surrounding woodlands and marshes were my playground. During my many sojourns into the wilderness, I started to notice some of the birds that lived around me – White-breasted Waterhen, Yellow-vented Bulbul, Common Tailorbird etc. That’s how I became interested in birds and it became my life-long passion. I’ve been volunteering in the Bird Group of the Nature Society (Singapore) since I was an undergrad. I participated in many of the birdwatching activities organized by the Bird Group including regular bird census and bird surveys. The data we collect helps towards a better understanding of birdlife in Singapore and is useful in building our case for better protection of habitats in Singapore.

How long has this project been in the making?

Kim Seng – My friend Dana Gardner, the illustrator of this book, got me interested in doing another book. We had successfully collaborated on a first field guide to the birds of Singapore in 1997 and were keen to work together again. Dana had a friend who was a publisher and we decided to a do a single volume field guide to the birds of the whole of Malaysia, since none existed. This was in 2010. Unfortunately, our publisher pulled out not long after that and we were left stranded. Luckily, through my fellow collaborators – Kim Chuah and Ding Li – we managed to get John Beaufoy interested in our project. A contract was signed in 2016 and as they say, the rest is history!

 What was the biggest challenge in creating this field guide?

Kim Seng – Each of us had different ideas on how to do the book and also other personal commitments. We as the writers also had to contend with differences in writing styles. Luckily, we decided to stick with a standard format, came up with a list of who was writing what chapters and what bird families and managed to more or less stick to our deadlines. Another challenge was the impressive work done by our illustrator. He had to do illustrations of all 829 species all by himself. To ensure accuracy, he would send us completed plates for comment, and we duly responded if changes were needed. Not an easy task, as we were based in Singapore and he, in the USA.

What features do you hope will make your field guide stand out from any others?

Kim Seng – This book is compact and contains all the necessary information you need to identify any bird species you see in the listed countries. The text is crisp and the illustrations accurate and there is also a detailed site and habitat guide to get birders to the most interesting places quickly and see those fascinating birds, based on the authors’ many years in the field.

Have the travel restriction due to COVID – 19 presented any threats or opportunities for the avifauna of Malaysia and Singapore?

Kim Seng – Well, COVID-19 has placed tremendous restrictions on travel in both Malaysia and Singapore. You could bird in certain areas but only with social distancing and other safe practices in place. Initially, we could only look at the birds from our balconies or backyards but this was an opportunity for some of us to study some of the neglected urban birds and understand a little better. I actually published two blogs based on my observations of urban birds from my balcony! In the last couple of months, restrictions have been eased and we are allowed to go birding in our favourite birding places, but I’m still waiting for the day when I can travel freely and bird in Malaysia again.

 Do you think eco-tourism is beneficial to conservation?

Kim Seng – Definitely. I believe ecotourism brings a lot of attention to the tremendous beauty and biodiversity of the natural habitats in both countries. It also brings revenue and employment opportunities to the local community who in turn will help to protect these wonderful places for a long time to come.

 What in your view are the best reasons to visit Malaysia and Singapore if you are a birdwatcher or an ornithologist?

Kim Seng – Three reasons – good birds, good food and good company. All three are never in short supply in these two amazingly friendly countries. The people are generally very friendly and the variety of local food is really incredible. Of course, the fascinating diversity of birds, with over 800 species of birds and Bornean, Peninsular and Sunda endemics in abundance are dreams to savour for birdwatchers and ornithologists alike.

Are you working on any other projects you can tell us about?

Kim Seng – I am currently working at putting up an adult learner’s module or course on “Birdwatching for Beginners”. It’s something I had worked on in the past and I want to continue my work in getting people of all ages interested in birdwatching as I believe it is a healthy and useful pastime. It should be fun as there are outdoor trips as well.

Ding Li – I am currently working with a team of designers to develop a board game on the migratory bird species of Asia. Such a concept to promote bird conservation has not been done in this region, so I am quite excited to see the final project materialise. I am also working with a team of international researchers to review the state of all of Asia’s migratory birds. If all goes well, this will be published in early 2021, and will bring together lots of new insights from all over the region and how migratory birds can be better conserved.

Kim Chuah – I am currently organising the 36th Singapore Bird Race. It will be interesting to see how we can organise the race during this pandemic. We will use the social media and available digital tools to make the race as exciting as in previous years. I am also working on action plans to better protect and conserve the critically endangered Straw-headed Bulbul in Singapore.

A Field Guide to the Birds of Malaysia & Singapore
By: Lim Kim Seng, Yong Ding Li, Lim Kim Chuah, Dana Gardner(Illustrator)
Paperback | August 2020| £19.99 £24.99

A fully comprehensive field guide to the 815 bird species of Malaysia and Singapore. Published by: John Beaufoy Publishing

 

All prices correct at the time of this article’s publication.

 

 

Improve your UK field skills with online ID resources

Image by Oli Haines

During lockdown and social isolation, many of us appreciated how important nature is to our happiness and wellbeing. It also gave us an opportunity to connect with local wildlife and develop or brush up on our identification and field skills.

While a good field guide is invaluable for this, there are also a huge number of really useful online resources available to help with identifying wild plants and animals. In this article we have listed a few of our favourites, covering plants, butterflies and moths, amphibians, birds, mammals and invertebrates.

We have also included links to ongoing citizen science projects for each; if you’re regularly taking note of the species you find then why not contribute this information to an organisation that can use the data to monitor biodiversity and inform conservation decisions.

At the end of the article you will find a couple of apps that can be used to record, identify and share your general wildlife findings.

Image by Andrew Coombes via Flickr

PLANTS

Identification

Plantlife’s Plant and Fungi Species – Allows you to select the time of year, flower colour and habitat to narrow down your search.

Botanical Society of Britain and Ireland (BSBI) Flora Search – A more in-depth key that allows you to select information relating to the plant’s location, habitat and structure in order to identify your specimen.

Makaques UK/Irish Flora Key – A new interactive key to the flora of the British Isles, this in-depth database includes information on 3221 native and introduced species.

Citizen Science Projects

BSBI New Year Plant Hunt – Start the year with a plant hunt, and help the BSBI to study how our wild and naturalised plants are responding to changes in autumn and winter weather patterns.

National Plant Monitoring Scheme – This habitat-based plant monitoring scheme provides robust and much-needed data on changes in our wild plants and their habitats.

Image by peterichman via Flickr

BUTTERFLIES AND MOTHS

Identification

Butterfly Conservation’s Identify a Butterfly – Search the database using criteria such as location, size, colour and markings or search using an A-Z list of species names.

UK Butterflies Identification – Includes an extensive database of butterfly photographs, including those of immature life stages.

Butterfly Conservation’s Identify a Moth – Search the database using criteria such as location, size, colour and markings or search using an A-Z list of species names.

UKMoths – A comprehensive database of 2261 moth species found in the British Isles.

Citizen Science Projects

Butterfly Conservation Recording and Monitoring – This Butterfly Conservation page contains details of all of their current volunteer monitoring projects.

National Moth Recording Scheme – Covering over 900 species of macro-moth, this scheme hopes to benefit nature conservation, public understanding and ecological research.

Big Butterfly Count – this annual, UK-wide survey aims to assess the health of our environment simply by counting the amount and type of butterflies (and some day-flying moths) we see.

Image by Erik Paterson via Flickr

AMPHIBIANS and Reptiles

Identification

ARG UK Identification Guides – Download a helpful range of ID guides covering amphibians and reptiles, including guides to eggs and larvae to improve your field skills.

Citizen Science Projects

National Amphibian and Reptile Recording Scheme – Includes a range of different surveys suitable for volunteers.

Amphibian and Reptile Record Pool – The Record Pool allows users to submit UK herpetofauna sightings and makes the data available, locally and nationally, for conservation purposes.

Image by ianpreston via Flickr

BIRDS

Identification

RSPB Identify a Bird – This bird identifier lists 406 species of UK birds and allows you to search the database using a combination of physical and behavioural characteristics.

BTO Bird Identification Videos – This series of videos will help you with identifying some of the trickier species.

Xeno-canto – A comprehensive database of bird sounds from all over the world.

Chirp! Bird Songs UK & Europe – This app will help you to identify and learn bird songs. (Available for iPad and iPhone only).

Citizen Science Projects

RSPB Big Garden Birdwatch – Take part in the world’s largest wildlife survey and help the RSPB to find out how our garden birds are doing. Takes place annually in January.

BTO Volunteer Surveys – On this webpage you will find a list of current BTO surveys, schemes and projects, available to suit a wide range of field skills and expertise.

Image by John Campbell via Flickr

MAMMALS (including bats and cetaceans)

Identification

Mammal Society Species Hub – Find out more about the UK’s 90 species of mammal, including bats and cetaceans.

Bat Conservation Trust UK Bat Information – Learn about the 18 species of bat found in the UK and download species information sheets for each.

Citizen Science Projects

Mammal Society Record Submissions – Report your mammal sightings on this page or using the Mammal Mapper app.

PTES Living with Mammals Survey – Record your sightings of mammals and help to protect their future.

PTES Water Vole Monitoring Programme – Survey a regular site or report a one-off sighting of a water vole and help protect the UK’s fastest declining mammal.

PTES Mammals on Roads Survey – Submit sightings of any mammals (dead or alive) that you see on the roads.

Image by fen-tastic via Flickr

INVERTEBRATES / BUGS

Identification

Buglife’s Identify a Bug – Handy questionnaire to help you identify and find out more about your invertebrate specimen.

Freshwater Habitats Trust Freshwater Creatures – Learn more about our freshwater creatures (also includes information about aquatic mammals, amphibians, fish and birds).

Citizen Science Projects

Buglife Surveys – Get involved in one of Buglife’s projects, including surveying for the Northern February red stonefly and recording invasive species found in pot plants.

UK Glow Worm Survey – Submit your glow worm sightings using this online form.

PTES Great Stag Hunt – Help guide future conservation action for stag beetles by recording your sightings.

Riverfly Partnership Projects – Find out more about all of the Riverfly Partnership’s ongoing monitoring projects. Options are available for a range of skill and experience levels.

Apps

iSpot – Created in collaboration with the Open University and the OpenScience Laboratory, iSpot is a community-based app that allows you to record and share your wildlife sightings and get feedback from other users regarding any identification queries that you might have.

iRecord – This app enables you to get involved with biological recording by contributing your species sightings along with GPS acquired coordinates, descriptions and other information. Data is then made available to National Recording Schemes, Local Record Centres and Vice County Recorders (VCRs) to help with nature conservation, planning, research and education.

iNaturalist – This site and its two apps (iNaturalist and Seek) helps you identify the plants and animals around you, while also connecting you with a community of naturalists, citizen scientists and biologists to help map and share observations of biodiversity across the world.

NHBS In the Field – BAR-LT Bioacoustic Recorder

 

BAR-LT Bioacoustic Recorder

The BAR-LT is a bioacoustic recorder manufactured by Frontier Labs. The recorder is designed to be deployed in the field over extended periods and can be programmed to record for set times. This type of acoustic recorder is ideal for monitoring bird song, frog calls, or even wolves. This kind of monitoring is often referred to as passive acoustic monitoring (PAM) and is becoming increasingly popular in biodiversity studies across the globe. Not only are these growing libraries of soundscapes important for current research and survey, but they also provide invaluable references for future research into both global and local scale biodiversity change.

The BAR-LT is a professional two-channel audio recorder designed specifically for long-term autonomous field deployments. It comes in a  waterproof, lockable enclosure made from tough UV resistant plastic. It has space for four SD cards, each with up to 512GB storage capacity, meaning vast amounts of data can be recorded over one deployment. It is powered by 1-6 rechargeable 18650 batteries, providing 100-600 hours of recording time, and can also be powered using an external 6V or 12V power input. There are two microphone configuration options available: Standard (two-channels; one mic pointing left, one pointing downwards) and Left/Right. The omnidirectional microphones are highly sensitive and ultra-low noise, producing clear, crisp recordings.

We took the standard BAR-LT out to the field to record the dawn chorus.

How We Tested

We loaded the BAR-LT with a single memory card and four rechargeable 18650 batteries. We set a simple sunrise-based schedule, asking the recorder to record from an hour before sunrise to an hour after. The recorder then did the rest, using its in-built GPS to determine where in the world we were and therefore what time the sunrise was, basing start and stop times on this. We took the recorder to a nearby spot of woodland and fixed it to a tree using the included strap and a python cable lock (available separately) looped through the metal mounting plate at the back of the recorder. 

What We Found

Although we could have left the BAR-LT out for an extended period of time, we only left it out for a single night on this occasion. When we collected it, the two-hour recording had successfully been completed, with minimal battery or memory drain. Upon listening to the dawn chorus, the audio was wonderfully clear, and the microphones were very sensitive. Some examples of audio and sonograms are below.

Chiffchaff
Low frequency crow call over robin calls
Blackbird alarm call
Call and answer

Our Opinion

The BAR-LT was very simple to set up and, although the scheduling capabilities are powerful, the settings are logical and easy to navigate. The battery life and memory capacity were outstanding, making the unit a really great piece of kit for any long-term deployments or for use in very remote locations where access is infrequent. We were also particularly impressed with the handy battery removal tool that came with the kit – it saved a lot of time fiddling with the batteries and also demonstrated how well-thought-out the kit is. The only part of the design that we weren’t so keen on was the metal backplate for mounting the unit, which is slightly larger than the unit itself and doesn’t have any grip teeth like most trail cameras do. The tree we were mounting the unit to was relatively small, meaning the backplate got in the way a bit, and only just fit a python padlock after a bit of a squeeze. 

The recordings that the BAR-LT produced provided a wonderful soundscape and we were impressed with the quality of the recordings. There was very little ‘noise’ and the clarity of the recordings was evident, both when listening to the audio and when viewing the sonogram. The microphones picked up the sounds of the road surprisingly well, even though we thought we were far enough away to exclude them, demonstrating their impressive sensitivity.

We feel that the BAR-LT would be a great detector for conservationists and researchers who are looking to capture soundscapes for both current and future research. It performed well for bird song, but we think it would be equally as valuable to those wishing to record any terrestrial call. If you are interested in recording aquatic or low-frequency calls with the BAR-LT, please get in touch with us on customer.services@nhbs.com.


The BAR-LT is available through the NHBS website.

To view our full range of sound recorders and microphones, visit www.nhbs.com. If you have any questions on wildlife recording or would like some advice on the microphone for you then please contact us via email at customer.services@nhbs.com or phone on 01803 865913

Greenery: An interview with Tim Dee

Tim Dee is a naturalist, radio producer, and author of Fourfields, The Running Sky and Landfill. His latest book, Greenery, is a poetic hymn to spring time, a masterpiece of nature writing that is deeply informed and profoundly beautiful.

Between the winter and the summer solstice in Europe, spring moves north at about the speed of swallow flight. That is also close to human walking pace. In the light of these happy coincidences, Greenery recounts how Tim Dee travels with the season and its migratory birds, out of Africa from their wintering quarters in South Africa, through their staging places in Chad and Ethiopia, across the colossal and incomprehensible Sahara, and on into Europe. Tim Dee has answered questions about this remarkable journey.

For those who don’t know, you have published three other major titles on green spaces and birds- Landfill, The Running Sky, and Four Fields. Following from these, how did the idea to travel with spring and its migratory birds come about? And how does Greenery differ from your previous books?

My last book was Landfill, a sort of junkyard travel-guide to the gulls that now thrive on our waste and in the middle of our towns and cities. Inevitably it was dirty and messy and botched: modern nature is like that. It has to find ways and means to live alongside us – we who are the most-botched species of all. I admire the gulls and I was fascinated by the gullers – watchers of gulls – who spend time in wretched places like landfill sites in order to connect with their quarry, but afterwards I needed some fresher air to live in and some wilder life to watch, and so the spring, which has always been my favoured season, appealed, and most especially some witnessing of the movement of passage migrant birds that make the European spring for birdwatchers. When I discovered that spring moves north through Europe at somewhere between the speed a swallows flies at and the speed we might walk at (about 4 km an hour), I knew that I had to try to follow the birds and the season for as long and as far as I could. So, I start with barn swallows in the European midwinter in midsummer South Africa and I end with the same species, who knows perhaps even the same individuals, in midsummer arctic Norway. Who wouldn’t want to have as much spring as possible?

By travelling north you poetically write about the birds that come and go; from observing redstarts in Lake Lagano, Ethiopia, to enjoying the dawn chorus in a reedbed in Somerset. What can be learned from birds in migration, and how is migration changing for them?

Studying and thinking about migration tugs at our notions of home. Migratory animals carry their homes with them. Yet, when I first saw barn swallows in South Africa I couldn’t see them as anything but away from their home. In fact, of course, they were perfectly at home: they were meant to be there and able to be fully alive there. Ever since migration has been observed, birdwatchers have ceaselessly wondered where the birds have come from, where they are going, how they know where to go and how they know how to live at the other end of the world. Migration has always intrigued – Homer makes poetry from it, Aristotle discusses it, the Bible and the Koran make parables for life from it. Nowadays we know more and more of its facts – know for example that a migrant redstart may literally return to the same tree in sub-Saharan Africa in its wintertime just as it flies to the same oak in a wooded coombe in Exmoor every spring of its life; but we also begin to understand (and face up to) how much our activities are tugging at the world’s time and making migration and a bird’s swapping of one tree for another harder and harder. This is what phenological mismatch is all about: the unseasonal time that our activities are creating.

You explore time and movement in this book. In a very fast-paced world, where few have the time to slow down and connect to the seasons, how has journeying with spring changed you? Was there anything specific you were looking for and anything you found?

To try to have more spring has been my mantra, to go looking for signs of new life even before a calendar year has ended, like a mistle thrush singing in November and thereby meaning therefore to have spring again, or rooks visiting their old nests each day from the autumn onwards with a literal view to their future; and to travel when possible both south from Britain to Mediterranean Europe where spring arrives earlier and then north towards the Arctic Europe where spring lasts longer. Hearing a pied flycatcher still singing in northern Norway when the same species are silent in their British breeding woods feels like a life-bonus, feels like more of life, which can only be good. We are only given one springtime in our own lives but the return of the season and the cyclical round or rondure of the natural year is a marvellous tonic and corrective to the linearity of our one-direction journey. Again, who would say no to that – to a bit of time travel and season stretch in order to stay with the season of becoming and of re-energy. Greenery is an anagram of re-energy: I was thrilled to discover that.

Pied flycatcher, Ficedula hypoleuca, single male singing on branch, Powys, Wales, April 2012

When most people think of spring they think of new life, new beginnings, however you eloquently write “spring means more to me with every year that passes and takes me deeper into my own autumn.” Could you elaborate more on this, what does springtime mean to you?

There’s that lyric to a song: you don’t know what you’ve got ‘til its gone…. And I think as we get older the morning of life, the world’s morning as D H Lawrence called spring, feels more and more poignant and uplifting. We are headed only one way but, hey presto, here are new shoots, and green beginnings once more, and then a chiffchaff, fetching an echo out of a wood, as Gilbert White noticed them doing in Eighteenth Century Selborne in Hampshire. My eyesight has got worse, my hearing is half-baffled, I move increasingly with a wobble, but the injection of new birds from the south, the heavenly racket of their song, and seeing them at home in their new places is a forever tonic, like an effervescing vitamin C tablet, or a pick-me-up, or a fillip – life is worth living among those that are living it most, and spring visiting birds are the most alive – active, mobile, purposeful, committed – things that I know.

As you explore life and death, love and grief through springtime, is there anything in particular you would like for people to take away from this book?

I think we all spend a lot of time ignoring time, shut away from the weather, heating our lives, conditioning our air, eating strawberries out of season, yet I know that we all, almost all of us at least, notice the spring, want it, anticipate it, lift our faces to the first splash of sun after grey skies, talk about snowdrops, look out for the first swifts, and so on… We are reminded of spring by spring itself coming around, it schools us in life and growth, in beginnings and becomings; and in my book I just want to underline that reminder and encourage us all to take in what can be taken in, and to keep in step with the passing of time and so live happily in time and on time too. Look at the birds that do that so well; I have done that and it has helped me live.

Tim Dee has been a birdwatcher for most of his life and written about them for twenty years.  As well as Greenery, he is the author of LandfillThe Running Sky and Four Fields and is the editor of Ground Works.

 

Greenery

Hardback | Oct 2018 | ISBN-13: 9781908213624   £15.99 £18.99

 

 

 

 

NHBS: In The Field – IP Nest Box Camera

IP Nest Box Camera

Providing a nest box for birds is one of the easiest ways that you can help wildlife in your garden or compensate for lost nesting sites as a result of development. Adding a nest box camera gives you a unique insight into the fascinating processes of nest building, egg laying, incubation and chick rearing. The IP Nest Box Camera is the ideal camera to use if you wish to live stream footage from the camera on to a PC, smartphone, tablet or to a website. The high definition camera provides 1920 x 1080p colour footage during the day and black and white footage at night and the high quality video makes it perfect for enthusiasts and researchers alike. We decided to test the IP Nest Box Camera to examine how easy it was to set up and use.

IP Nest Box Camera

 

 

 

 

 

 

 

 

The small camera plugs directly into your router or network switch via a 20m Cat6 ethernet cable with waterproof connector. Following setup on your PC or via an app on your mobile device, live streaming can begin. We tested only PC viewing and recording. If viewing on a PC, most camera access software will allow both motion detection and scheduled recording.

There are many nest box cameras available that will cover a wide range of requirements, and our blog post on Watching Wildlife – How to choose the right Nest Box Camera can help you decide between the different options.

Setting Up

Before you install the camera in the nest box it is a good idea to wire it all up and check everything is working. We followed the Green Feathers Quick Start Guide instructions to connect the Cat6 cable between the camera and the PoE injector and between the injector and the router / switch, and then connected the injector to a power supply using the supplied adapter. We downloaded three camera access software programs to trial, Gamut CMS5, iSpy (both as recommended by Green Feathers) and Anycam.iO.

IP Nest Box Camera Setup

We installed the camera in our Camera Ready Nest Box and found that the easiest way of installing the camera into the box lid was to attach the camera bracket to the lid first and then to attach the camera to its bracket afterwards. It is best to have the camera pointing directly downwards and not angled.

After the box was installed in position, we connected everything up and downloaded software to connect to the camera. We have tried three software programs, all of which are free to download, although additional features may require payment.

Anycam.iO
iSpy
Gamut CMS5 – link to download

What We Found

The camera was really easy to connect up and access across the network. The main software we used to configure the camera was the Gamut CMS5 software and we followed the supplier instructions for how to add an HD IP camera to the Gamut software. There are many configuration options and we updated the time and date on the camera and added it to the software without any problems

We discovered a difficulty with the Gamut software, however, in that you cannot record to a subdirectory, you either need to record to an empty storage device that is mounted on its own drive or a partitioned and empty C:/ drive. For this reason we also tried the iSpy software, following the supplier instructions for how to configure an HD IP camera to record to a Windows PC. This was a very easy process and we managed to get the software to record with motion detection with no difficulties.

We also tested recording on the Anycam.iO software, which was very easy to install and set up. Recording and taking snapshots images are easy but you have to pay extra to get the motion detection function.

The Anycam.iO software was by far the easiest to use, with a really simple interface and really good resolution images and video. It is immediately obvious how to take a snapshot photo and how to record manually and if you pay the extra for the motion detection it is really easy to configure. One thing we did find is that you have to be careful with the ‘Archive’ setting on the Recording menu because it limits how much footage it will store unless it is set to ‘Unlimited’.

The images below were all taken with the Anycam.iO software and you can see the quality of the colour and resolution.

We captured some fantastic video footage of the blue tits first visiting the nest box and then a later video where the female is making her own nest box modifications. The quality of the later recording does seem to have deteriorated, which shows the difference when the light quality coming into the box is poor.

The iSpy software had many more configuration options than the Anycam.iO software but the recorded footage seemed not to be as high quality. The interface would suit a more professional user as there are many more settings that can be altered.

Our Opinion

We highly recommend purchasing the IP Nest Box Camera if you have the facility to connect a camera directly into a network. The footage is really high quality, with excellent resolution still images, and the camera provides a reliable continuous live stream. There are a number of different software options to suit a range of users and the camera can be used to capture still images and video with motion detection. We are hoping that our blue tit visitors begin bringing in nesting material soon and we can post updates on nest building. The IP Nest Box Camera is available to buy from the NHBS website. For any advice on purchasing this or other nest box cameras, please do not hesitate to contact our team of Wildlife Equipment Specialists on 01803 865913 or equipment@nhbs.com.

Installing nest box cameras at NHBS

Now is the time of year when many bird species are starting to defend territories more noisily and to look for suitable nest sites. To coincide with National Nest Box Week (14th to 21st February), we have been busy selecting our favourite nest boxes, updating our advisory blog posts on where to site nest boxes and how to put them up, and installing our own nest box cameras at our warehouse in Devon.

Great tit eggs – Photo: S. Webber

At this time of year, the birds will currently be exploring nest sites and should start bringing nesting material into the boxes in the next couple of weeks. 

Incubating great tit female – Photo: S. Webber

Given that it has been a mild winter, the breeding season should start earlier this year, but we still would not expect the first eggs to appear until April. This means that there is still time to get a nest box up in your garden to provide much needed nesting space for birds. You could even consider enjoying this amazing spring spectacle up close with a nest box camera.

 

 

Choosing the nest boxes and cameras

We chose two of our Camera Ready Nest Boxes because they have a perspex panel in the side to let in extra light, which gives better daytime images in colour, and a camera clip on the lid. We then selected two of our most popular cameras, the WiFi Nest Box Camera, which can stream footage directly to a smartphone or tablet, and the IP Nest Box Camera, which can provide a live stream to a website. There are many options available when it comes to selecting a nest box camera, and our blog post on Watching Wildlife – How to choose the right Nest Box Camera can help you decide between the different options.

The Camera Ready Nest Box and IP Nest Box Camera

How to install the camera in the nest box

The procedure for attaching the camera to the lid was the same for the WiFi and IP cameras. We found that the easiest way of installing the camera into the box lid was to attach the camera bracket to the lid first and then to attach the camera to its bracket afterwards. We unscrewed the camera clip with a large Phillips screwdriver, slid the camera bracket underneath the clip on the inside of the lid and then tightened the clip screw back up again. 

Unscrewing the camera clip and attaching the bracket

Then we attached the camera onto its bracket using a very small Phillips screwdriver. 

Attaching the WiFi camera to its bracket

With the WiFi camera we found that it was best to point the aerial downwards because our nest box roof was sloping. You can check the angle of the camera through the perspex panel on the side – it is best to have it pointing directly downwards and not angled. Ensure that the camera cable is running out of the notch on the back of the box so that the lid fits down snugly.

IP Nest Box Camera in position

Putting up the nest boxes

We sited the nest boxes on the eastern side of the building close to the tree cover along the river. To maximise the chances of occupation, it is advisable to site boxes for cavity nesting birds such as blue and great tits away from prevailing winds, and with a direct flight path to some tree cover. We attached them securely to the wall, approximately 2m off the ground – this is high enough to prevent interference but close enough to reach for monitoring and maintenance. We have put them as far apart as possible from each other and out of the sight of our bird feeder around the corner. We think that it may be unlikely that tit species would nest that closely to each other but if the boxes are occupied by house sparrows then these two boxes could form the start of a colony.

Connecting up the cameras

The IP Nest Box Camera connects via Ethernet cable directly into a router, hub or switch and then you need to choose software to allow you to access the camera feed and live stream to a website. We are currently trialling Anycam.iO. If there is no WiFi network, the WiFi camera can be used as a standalone WiFi source that you connect to directly with your smartphone or tablet. Alternatively you can tether the WiFi camera to your existing WiFi network and access it as a node on the network. The WiFi camera is viewed via an app on your smartphone or tablet and we are currently trialling ICSee Pro.

The current view in the IP camera nest box

 

 

Now we just have to wait and hope that the local birds decide that these are desirable nesting sites! For further advice on nest boxes and cameras, please do not hesitate to contact our team of Wildlife Equipment Specialists.

 

 

 

Recommended reading

 

 

 

Nestboxes
Your Complete Guide
£10.95

 

 

 

 

A Field Guide to Monitoring Nests
£24.99

 

 

 

 

 

Nests, Eggs & Incubation
£23.99  £40.99

 

 

 

 

 

The Blue Tit
£49.99

 

 

 

 

Recommended Products

Nest Box Camera Kit
From £58.99

 

 

WiFi Nest Box Camera
£109.00  £129.00

 

 

IP Nest Box Camera
£100.00

 

 

Side Opening Nest Box
£29.95

Red Sixty Seven: A Collection of Words and Art Inspired by Britain’s Most Vulnerable Birds

Red Sixty Seven features our most vulnerable bird species, beautifully illustrated by some amazing wildlife artists. All of the publishers profits from the sale of this book will be donated to BTO and RSPB to further their work on red listed birds.

Contributors include Chris Packham, Ann Cleeves, David Lindo,  and Patrick Barkham.

This book should not exist.

In an ideal world this book, and the official Red List of the most vulnerable birds in the UK it is based on, would not be needed. But the world is far from ideal and our bird populations are declining at an alarming rate. In the past few years alone the once widespread Wryneck has ceased breeding in the UK altogether and has dropped off the list completely. Which species will be next?

Editor, Kit Jewitt has taken some time to answer a few questions about the Red Sixty Seven book project and the list itself.

Hen Harrier: Jane Smith

Of all the birds on the Red List which do you think is most vulnerable?

If I had to choose one, it would be the Hen Harrier. Not only do they have to deal with all of the natural challenges they face, they also have to contend with persecution from criminals within the grouse shooting industry, which evidence now suggests is the main cause of their decline in numbers. The fact that 72% of tagged Hen Harriers are confirmed or considered likely to have been illegally killed is a national disgrace. However, in terms of the recent rate of decline I would also suggest Turtle Dove is a species of highest concern.

Herring Gull: Crow Artist

Many people will be surprised to see herring gull on the list, could you expand on how this seemingly ubiquitous bird has made the list?

Herring Gull populations in coastal areas have dropped by over 50% in my lifetime. This is largely due to the lack of food at coastal sites, with overfishing of UK coastal waters and warming seas caused by climate change likely to be the main reasons for the reduced amount of food available to gulls and other seabirds. They are adaptable, intelligent birds though, so moving to inland areas, or areas where humans create waste for them to eat has been a way for some populations to survive.

Merlin: Natalie Toms

Have any birds managed to move away from the Red List to Amber over the last year or so, and which birds are the most recent additions?

Nineteen species were added to the red list for the first time when it was last updated in 2015, and one species, Merlin, moved back onto the list. Breeding seabirds, such as Puffin, Kittiwake and Shag are now included, and with the additions of species such as Woodcock, Nightingale and Pied Flycatcher there are now more woodland birds on the list than any other habitat. Two species, Bittern and Nightjar, have moved from the red to amber lists thanks to the creation and management of suitable habitat, stimulated by species action plans.

White Fronted Goose: Szabolcs Kokay

We know how we as individuals can help garden birds, but the list contains a high proportion of iconic water birds. How can we as individuals help preserve the many waders and ducks that are on the list?

Many projects being conducted by BTO, RSPB WWT and others help waders, seabirds and ducks, so fundraising for these is vitally important. My main motivation behind the Red Sixty Seven project was to do something to help these declining birds, by spreading the word and raising money for conservationists on the ground. By highlighting the red list far and wide, more people will care and will then hopefully start their own fundraising for BTO’s Operation Wader or Curlew appeal, or WWTs Black-tailed Godwits appeal, or whichever scheme chimes with them. I can’t run marathons or undertake extreme endurance like my friend Jonny Rankin, who has raised over £19,000 for Turtle Doves, so I had to think of a different way of fundraising!

Corncrake: Robert Vaughan

Farmland bird species also make up a large part of the list. Can you see any hope for securing the future of our most rapidly declining farmland species?

The change in farming and land management practices over the last 40 years, including the use of pesticides and changes in crops grown have ultimately reduced the amount of appropriate habitat, and food sources for our farmland birds. Post Brexit, there is an opportunity for the government to make changes to policy to help our farmland wildlife. I just hope they take full advantage of it.

Lesser Redpole: John Threlfall

We love the idea of using the power of beautiful words and paintings to deliver a conservation message. Do you think that engaging the reader emotionally can result in more concrete conservation actions being taken?

I hope so! As well as raising funds for crucial work to help red-listed species, I hope Red Sixty Seven brings the list and the plight of these birds to a wider audience, inspiring other people to take action themselves, whatever that might be. The artwork and stories within the book bring home the message in a very accessible way, and you are left under no illusion that we must do something. There is a poignant sting in the tale at the end of the book; an ‘In Memoriam’ section devoted to the birds we have lost as breeding species in recent years. This book is a call-to-arms.

All of the publisher’s profits from the sale of this book will be donated to BTO and RSPB to further their work on red listed birds.

Red Sixty Seven: A Collection of Words and Art Inspired by Britain’s Most Vulnerable Birds
Hardback,  published February 2020              £19.99

Red Sixty Seven is 67 love letters to our most vulnerable species, each beautifully illustrated by some of the best wildlife artists around.

 

NHBS: In The Field – Hi-Sound Stereo Parabolic Microphone

Hi-Sound Stereo Parabolic Microphone

Parabolic microphone dishes are a great tool for wildlife recording. They offer directional recording by isolating and amplifying sounds within a narrow band (in front of the microphone) without the addition of excessive self-noise (the noise created by the microphone when sounds are artificially amplified). This means that even very quiet sounds can be heard clearly from a distance. These systems are particularly popular for pinpointing birdsong and producing clear and sharp recordings, although they can be used to record any wildlife.

The Hi-Sound is a parabolic dish ideal for wildlife recording

We tested the Hi-Sound Stereo Parabolic Microphone which features a set microphone sensors separated by a baffle to create stereo recordings. Stereo recordings are more immersive and realistic than mono recordings as they accurately reproduce sounds coming from different directions. Each microphone sensor has excellent performance and increases the gain (volume) of recordings whilst keeping the self-noise low, meaning your recordings will remain clean and crisp.

Hi-Sound setup diagram

Setting Up

The Hi-Sound is easy to put together and is powered through plug-in-power (where the power is supplied through an attached recording device). We paired the Hi-Sound with the Tascam DR-05X portable handheld recorder and a pair of standard, good quality headphones. Our settings on the Tascam were:

Mic Power: On (very important! If your recording device does not detect the microphone, double-check this setting is on)

Low Cut: 80Hz (this removes some of the inherent noise at the lower frequencies)

Pre Rec: Off (you may want this on if you are recording wildlife that you might miss. When on, the Tascam will record the previous two seconds before ‘record’ was pressed)

Auto Tone: Off

We chose a still, dry day to test this microphone. For optimal recording, it is useful to go somewhere away from roads or background noise. For example, we took the Hi-Sound into a bird hide and although it picked up a wader call beautifully, it also picked up the floorboard creaks, coat ruffles and binocular case velcro from everybody else in the hide. You’ll be amazed at how much background sound there is in what you thought was a quiet setting!

We tested the Hi-Sound along a riverside walk to record the sounds of the water and how different noises could be pinpointed by aiming the parabolic dish. We also went to some quieter locations to record birdsong and compared recordings between using the Hi-Sound and just using the inbuilt Tascam microphone showing the benefits of this parabolic dish.

What we found

The Hi-Sound produced much cleaner, crisper sound and made recording specific bird calls a lot easier. Aiming the parabolic dish correctly took a bit of practice but once mastered, it was incredibly useful for pinpointing a bird, even if we weren’t able to see it. The clear plastic dish helped with this as without it, most of our view would have been obstructed. The stereo aspect of the recordings also made it a lot easier to track birds if they moved. 

It was fascinating to aim the Hi-sound at different points along a river in order to pinpoint different sounds. This demonstrated how good the dish was at isolating sounds from the narrow band in front of the microphone.

Our Opinion

The Hi-Sound is a fantastic piece of kit for wildlife recording. Although the cost of a parabolic microphone can be a significant leap from a standard handheld recorder, their performance and ability to isolate calls and sounds make the investment well worth it.

The Hi-Sound was particularly good at amplifying very quiet calls or calls from a long distance away without adding noise or compromising on recording quality. This is something that the Tascam just wasn’t able to do by itself. The microphone is easy to use, although perhaps not as easy to transport due to its size and shape. 

We feel that the Hi-Sound will impress both the wildlife recording beginner and the entry-level professional.  The Hi-Sound completely transforms a walk through nature, providing a whole new element to bird watching. If you have never thought about wildlife recording before, I would urge you strongly to do so. It is a rewarding and captivating hobby that is definitely enhanced with the use of a parabolic microphone such as the Hi-Sound. If you are a professional who regularly records, then the Hi-Sound would be valuable to refine your recordings and produce excellent quality audio.


The Hi-Sound Stereo Parabolic Microphone is available through the NHBS website.

To view our full range of sound recorders and microphones, visit www.nhbs.com. If you have any questions on wildlife recording or would like some advice on the microphone for you then please contact us via email at customer.services@nhbs.com or phone on 01803 865913

Author Interview: Lukas Jenni & Raffael Winkler, Moult and Ageing of European Passerines

The legendary Moult and Ageing of European Passerines returns in a completely revised second edition. This is the must-have reference for bird ringers, ornithologists, and anyone fascinated by feathers.

Bloomsbury’s publisher, Jim Martin has asked the authors Lukas Jenni and Raffael Winkler to share their thoughts about this eagerly awaited second edition.

 

How did the two of you first come to be interested in ageing birds?

Back in the seventies, Raffael was collecting data on skull pneumatization of live birds at the ringing station Col de Bretolet in the Swiss Alps as part of his PhD thesis, and Lukas was a young birder and wannabe ringer. We met at the Basel Ornithological Society, and began to collaborate. At that time ‘skulling’ was a new ageing method; we found as we worked that several plumage ageing criteria were either unreliable or simply wrong. We then started to record more precisely the extent of the post-juvenile moult.

What drove you to keep up your work in counting the moulted and unmoulted feathers of thousands of birds?

We were both fascinated by the large variation in the extent of moult we found, both between species and between individual birds of a species. We wanted to discover the reasons for this variability. And we also wanted to tackle the ‘either/or’ criteria that prevailed for ageing birds at the time – for example, tail feathers might be recorded as either pointed or rounded, but if a young bird had moulted some tail feathers they would have some of each. Ringers were using fixed ‘recipes’ for ageing that did not account for the moult process and its variability.

When did you decide to collate your findings into a book?

Lukas became head of the Swiss Ringing Scheme in 1979, and we both held many ageing courses for ringers, and produced numerous fact-sheets for them. The basis of these was Lars Svensson’s famous Identification Guide to European Passerines; each new edition of this formidable work was eagerly awaited. However, we realised that explaining verbalised differences – for example, such as between buffish-grey and greyish-buff – was a little difficult. It was much easier to teach ringers with the help of wing preparations and skins from the Natural History Museum, Basel. Finally, we decided to take photographs of these elements, with a view to producing a guide to ageing. This eventually became the first edition of Moult and Ageing of European Passerines, which was published in 1994.

The new second edition is publishing in January 2020. This book is more than an ageing guide. What made you develop the sections on moult strategies?

During our work on moult, we realised how complex the moults of passerines are and how incomplete our understanding of moult still is. We felt that a full review is needed for two reasons. First to demonstrate how important moult is in the life of a bird and how moult interacts with other events of the annual cycle. Second to enhance the understanding of the plumage ageing criteria, and to enable ringers to discover new ones.

This will be expanded on in your follow-up book, The Biology of Moult in Birds, which will be coming out in the summer. For Moult and Ageing, how did you take the many excellent photographs of the wings of live birds?

We developed a simple system of a camera with a ring-flash mounted on a tripod, and put the wing of the bird on an oblique grey board, fixed at the wrist with double-sided adhesive tape (we should add that the birds were completely unharmed by the process). This sounds simple, but the tedious part was to put all the feathers and feather vanes in a perfect order, one that satisfied our sense of aesthetic perfection! We then realised that we needed help, and we employed several people over the years to operate as ‘feather beautician’ and photographer.

Physically, it’s quite a big book, and not easy to use in the field. What was the thinking behind that?

We pondered for a long time about this. We finally decided on such a large format so that the reader can see many photographs on one page for direct comparison. A smaller format would have entailed smaller photographs, or continuously turning pages, or both.

How do you think this book will be received?

We were really surprised at the reception for the first edition, how quickly it sold out, and the enormous price second-hand copies went on to fetch. We therefore decided to do a second edition long ago, but it has taken us many years of research, and so has materialised only now. We thoroughly revised the first part of the book about the moult strategies, we’ve included a schematic table of the moults of all European passerines and added pictorial schemes of the various moult strategies, and we have also added 16 new species to the species accounts. The book was printed in Switzerland, so we could supervise the printing. We are glad that the quality of the photographs is now ’pretty good’ (complying with English understatement) or ‘phenomenal’ (following American usage), and we hope that readers will feel the same.

Thank you Lukas and Raffael, and good luck with the new book.

Jim Martin: Bloomsbury Publishing

 

 

 

Moult and Ageing of European Passerines
Hardback,  published 9th January 2020,  *£82.99 £94.99

A brand-new, completely revised second edition of Jenni and Winkler’s classic guide, updated and improved for the next generation of ringers and professional ornithologists.

 

 

*Offer price is only valid for a limited period

 

Author Interview: Mike Toms and Garden Birds

The latest addition to the New Naturalist series is a timely study of the ways in which birds use our gardens.  Garden birds provide a connection to nature and wildlife and  a huge increase in the use of feeders and nest-boxes is a testament to their value.  Author, Mike Toms has worked with the BTO since 1994 and his work on projects such as the Garden BirdWatch scheme makes him the perfect author for Garden Birds

Mike, signing Garden Birds

Mike Toms has taken the time to signed a limited number of first editions hardbacks of Garden Birds and answer a few questions about his work for the BTO and his interest in garden birds.

 

Can you tell us a little about your background and how you got interested in garden birds?

When I joined the BTO back in 1994 I had been working on owls, hence the earlier New Naturalist volume on the subject, but after working on a range of topics I took on the BTO’s Garden Ecology Team in 2001. Over the following years, through long term projects like BTO’s weekly Garden BirdWatch and the seasonal Garden Bird Feeding Survey, plus some one-off targeted surveys, our team began to explore how birds use gardens and the resources that they provide. This work, which in more recent years expanded to examine the impacts of diseases, such as trichomonosis and paridae pox, and the broader urban environment, has resulted in a great deal of new information, much of which is presented in the book. Gardens have always fascinated me because they are the place where people most often encounter elements of the natural world. Garden birds are common currency for conversation for many people, just like football or music are for others. This means that we have an opportunity to understand birds lives through citizen science surveys, and to inform decisions about how we garden and how we shape our urban environments for their benefit.

What are the biggest changes to populations and distributions of garden birds within the last ten or twenty years?

As our recent paper shows, the communities of birds using garden feeding stations have changed dramatically since the 1970s, when we first started monitoring them through BTO surveys. The provision of a growing range of foods now presented at garden feeding stations has increased the diversity of birds visiting, with feeders no longer dominated by just a handful of species. Changes to feeder design have also played their part, providing access to species that were previously unable to take advantage of them. Long term figures, viewable on the BTO Garden BirdWatch and Garden Bird Feeding Survey (GBFS) web pages reveal the winners and losers over time – GBFS data show the long-term decline of House Sparrow and increase of Woodpigeon particularly well. Perhaps the most dramatic change has come from the emergence of finch trichomonosis, a disease that brought about the sudden collapse in Greenfinch populations. We have been able to monitor the emergence of this disease, and its impacts at a population level, thanks to those who participate in BTO surveys.

 

What single thing or activity can be a hinderance to birds living in, or wanting to live in gardens?

Gardens include both opportunities and risks for wild birds and it would be wrong to single out a single factor, not least because the system is fundamentally more complex than this. We need to remember that gardens are an artificial environment, and it is the opportunistic and generalist species that tend to do best in them. As the book explores in its early chapters, the garden environment can alter bird behaviour, breeding ecology and survival in many different ways.

What role can citizen science play in surveying and monitoring garden birds?

Citizen science is absolutely central to the work being done to survey and monitor garden birds. Gardens are private in their ownership, so if we want to find out what is happening within them then we need to involve the owners of those gardens in collecting the information needed. Through BTO surveys like Garden BirdWatch we have been incredibly successful in this, but as the recent Gardenwatch projects – carried out in partnership with BBC, Open University and BTO – have shown, there is a huge army of citizen scientists out there, willing and able to help us increase our understanding of birds and the garden environment.

While writing your book; was there one surprising fact or discovery that you didn’t previously know that you’d like to tell us about?

There was an interesting study of House Sparrows breeding on an off-shore island that surprised me in its relevance to how birds cope with the built environment. We know that background noise can impact on urban birds, and indeed those living close to airports and roads, but it can be difficult to test such impacts experimentally. The House Sparrows breeding on this island varied in their breeding success, with pairs nesting close to the island’s generators showing reduced breeding success. The noise from the generators reduced the ability of the parent birds to respond to the food begging calls of their chicks, reducing the amount of food provided and lowering chick survival. The generators only ran for part of each day, so the researchers were able to prove the impacts of the noise by watching how provisioning rates changed depending on generator activity.

What are your hopes for the future for garden birds?

There is still a great deal that we need to understand about birds living within the built environment. We need, for example, to understand the impacts of urban living on birds (and other wildlife) so that we can minimise the impacts that planned towns and cities have on biodiversity, but we also need to better understand the impacts that providing supplementary food has on their populations. Evidence relating to the latter is mixed, with some work showing negative impacts on wild birds and some showing positive benefits. Given the scale of food provision in the UK, this is something that we urgently need to address

Do you have any new projects in the pipeline that you’d like to tell us about?

I am currently working with YOLOBirder on a project that is seeking to raise funds for BTO and RSPB research into red-listed Birds of Conservation Concern. The book brings together an artist and a writer for each of the 67 red-listed species. As well as contributing a text, I am putting the book together and, with luck, it should be out in time for Christmas.

 

Garden Birds: New Naturalist Series Volume: 140
Hardback| July 2019| £52.99 £64.99 (limited signed copies)
Paperback| July 2019| £27.99 £34.99

We have a limited number of signed, first edition hardbacks, allocated on a first-come-first-served basis, so order now to reserve your copy.