Hoopoe – A blog by nhbs – Page 4 – The NHBS Conservation Hub

NHBS In the Field – Song Meter Mini 2 and Micro 2

The second-generation Song Meter Mini 2 and Micro 2 are the latest additions to the Wildlife Acoustics acoustic recorder range, with the Song Meter Mini 2 available in both AA and Li-Ion powered versions.

I was eager to test the new Li-Ion version of the Song Meter Mini 2, which I set up alongside the Song Meter Micro 2 in early December. The aim of this deployment was to compare the performance of the two models, and as a self-described ‘bird nerd’, I was also very excited to capture recordings of the incredible birdlife that resides on Dartmoor.

Deployment

The Song Meter Mini 2 Li-Ion model holds six rechargeable 18650 lithium-ion batteries with a minimum of one required for deployment. In this case, I used four batteries in both devices which provided ample runtime for this short field test, and I inserted a 32GB SDHC card – unfortunately, I did not have access to a battery charger so the Song Meter Mini 2 began the deployment at 57% battery life. I set up the recorders in a rural Dartmoor village hoping for clear recordings.

Song Meter Mini 2 Li-Ion (right) and Song Meter Micro 2 (left) set up with batteries and SD cards. — Song Meter Mini 2 Li-Ion (left) and Song Meter Micro 2 (right) set up with batteries and SD cards.

One of the main strengths of Wildlife Acoustic’s recorders is their simple deployment and configuration using the free Song Meter app. Here you can select your preferred recording schedule and check the status of your recorder at any time while in Bluetooth range – this provides information on SDHC card capacity, battery life, recording mode, and number of recordings taken. For this deployment, I used a pre-set recording schedule to record birds for two hours around sunrise and sunset.

Song Meter Mini 2 Li-Ion (right) and Micro 2 (left) status before deployment. — Song Meter Mini 2 Li-Ion (left) and Micro 2 (right) status before deployment.

Both models now feature cable lock holes so that they can be safely secured during deployment – using a Python Lock, I fixed the device to a tree and left it to record for two days.

Results

Over 2 days, I had collected 33 recordings on each device. Both devices had ample battery life remaining and had used just 1.75GB of storage.

Song Meter Mini 2 Li-Ion (right) and Micro 2 (left) status after deployment. — Song Meter Mini 2 Li-Ion (left) and Micro 2 (right) status after deployment.

I analysed the recordings with a fantastic free desktop software called Chirpity. Using the BirdNET model, this software has an auto ID feature which simplifies analysis of sound recordings, particularly for large data sets. Using this software, I was able to identify a wide variety of garden bird calls including Robins, Blue Tits, Tawny Owls and many more. Examples of the dawn chorus from each device can be heard below.

Dawn chorus recording on Song Meter Mini 2 Li-Ion.

Dawn chorus recording on Song Meter Micro 2.

Spectrogram analysis of dawn chorus in Chirpity

Product Comparison

Both devices are impressive recorders in their own right – they produced clear and extensive recordings that captured a fantastic snapshot of the surrounding soundscape. On paper, the most obvious difference between these two recorders is the price, with the Micro 2 being much more affordable than the Mini 2-Li-Ion (@less than 1/3 of the price).

Furthermore, the Micro 2 is around half the size of the Mini 2-Li-Ion, its compact design is hard not to be impressed by, and it can fit easily into a pocket. Despite its small size, the Micro 2 features an incredible sample rate of 256kHz which allows you to capture good-quality high frequency recordings.

However, what you gain in compactness you lose in battery life. The Micro 2 has an estimated runtime of 280 hours compared to the Mini 2-Li-Ion which has a whopping 1,330-hour run time. The Micro 2 was deployed with a fully charged battery and finished with 76% battery life. Comparatively, the Mini 2-Li-Ion started and finished at 57%, an impressive feat.

Song Meter Mini 2 Li-Ion (right) and Micro 2 (left) — Song Meter Mini 2 Li-Ion (left) and Micro 2 (right)

Another key difference between these recorders lies within environmental noise. These devices were deployed in the run-up to Storm Darragh, and some of the recordings experienced a good deal of wind distortion. Although this is an extreme case, it served to highlight the difference a windshield makes. The Micro 2 has no windshield over the microphone and as a result, experienced markedly more distortion when compared to the shielded Mini 2-Li-Ion. This can be seen in the spectrograms below, which were taken simultaneously. The Mini 2-Li-Ion also has the advantage of a low-noise microphone which, to my ear, produces slightly clearer recordings compared to the Micro 2.

Song Meter Mini 2 Li-Ion (right) and Micro 2 (left) wind distortion — Song Meter Mini 2 Li-Ion (left) and Micro 2 (right) wind distortion

Comparison table of Song Meter Mini 2 Li-Ion (right) and Micro 2 (left) — Comparison table of Song Meter Mini 2 Li-Ion (left) and Micro 2 (right)

Summary

While both recorders allow you to experience the surrounding soundscape in new ways, they each offer distinct functionalities to achieve this goal.

The compact design of the Song Meter Micro 2, along with a recent price drop, makes this recorder a fantastic choice for enthusiasts who want to delve into bioacoustics. It has an excellent sample rate, good battery life and produces crisp recordings that are a joy to listen back to.

In comparison, the Song Meter Mini 2-Li-Ion is perfect for researchers. Its improved battery life makes it an excellent choice for both short and long-term deployments, and the low-noise microphone and windshield are ideal at producing clear recordings for subsequent analysis.

Interview with WILDGuides Publisher Rob Still

The award-winning WILDGuides collection is a series of comprehensive and practical natural history titles. Ranging from photographic field guides covering the wildlife of Britain, Ireland and Europe, to visitor guides and reference works on wildlife across the world, this authoritative, easy-to-use series contains some of the best identification guides to date.

Robert Still is the co-founder and publishing director of WILDGuides, and has contributed to more than sixty titles in the series. In his spare time, he is a prolific natural history author, ecologist and graphic artist. We recently had the opportunity to speak to Rob about the WILDGuides collection, including how each volume is produced, which titles are due to be published over the next few years and more.

Firstly, can you tell us about the history of WILDGuides and how the collection came to be?

I (Rob) had been working as a designer, using photoshop and producing somewhat rudimentary montages and cutouts for adverts since 1991. When the programme’s features really took off in the late 90s, my thought was whether these new capabilities could be used to produce ‘best birding’ moments, such as idealised scenes of multiple tanagers in the same tree, or a Sueda bush chock full of vagrant Phylloscopus.

From there, it was a short transition to figuring out if the technology could be used for field guides – hence the birth of WILDGuides, which started with a guide to Galápagos wildlife by Andy Swash published in 2000, followed relatively quickly by Whales and Dolphins of the European Atlantic (2001) and Britain’s Butterflies (2002) – this covered a relatively small number of species and all were easy to cut out. Britain’s Dragonflies (2004) followed and was the first book written by Andy prior to the expansion into the other taxa groups as seen today, alongside multiple evolutions/editions of the first titles.

For anyone unfamiliar with the collection, how would you describe them, and who are they intended for?

The books are intended for anyone who wants to put a name to something they encounter in the field. I would describe them as a guided, primarily photographic pathway that hopefully helps in that process.

Each work in the collection is a passion project of dedicated scientists, conservationists, and researchers. How long does it take to produce a title from start to finish and what kind of work goes into creating them?

It varies a great deal. Some have taken a good 10 years from concept to fruition, others have taken just a couple of years. However, a title typically requires a couple of photography seasons, as a significant number of the images in each book are commissioned and the specific image requirements often don’t come to light until the design process is underway.

How do you decide what makes a good subject for WILDGuides? What are you looking for when creating new volumes?

A good subject is really any group or taxa within a defined region – WILDGuides is looking to work with any experienced specialists to present that group in the WILDGuides way.

One of the strengths of the WILDGuide collection is the use of a unique ‘roadmap’ for each published topic, allowing users to navigate identification, and the book itself. Can you elaborate on the process of these roadmaps, and why you feel they are so important for these guides?

Sure, it is a relatively straightforward process insofar as it is simply the production of an identification pathway from start to finish. This is slightly disingenuous, as on occasion, it can be harder than one might think to unequivocally achieve this. It requires a team that really knows the subject being prepared, who is able to combine their field experience to focus on what really matters in the identification.

Their importance to the guide, I believe, is that they are an amalgamation of this ‘hands-on’ experience and so the pathway is both realistic and pragmatic.

Can you speak on the process of updating editions in the collection?

Obviously, nature is dynamic and lists of taxa within a region change. New, reliable field identification features come to light, improvements are suggested by our users and the exponential rise in available images means that there is now a good chance that better pictures (in terms of quality and showing the key identification points) become available. Consequently, we keep an update file covering all of these areas, and will update these editions when the time is right to do so.

What can we expect from the collection over the next couple of years? Are you able to share any new titles that are on the way?

Yes, the existing collection should improve over the coming years with the feedback and new images mentioned. WILDGuides is also looking to expand the series into other taxa not already covered to match the increasing diversity of species groups that people are looking at, with the hope that more accurate records are sent to organisations managing citizen science databases.

On the near horizon are updates to Britain’s Spiders and, at some stage, Britain’s Birds as well as new titles covering Britain’s Trees, Birds of East Africa and Birds of Madagascar, each in the style of Europe’s Birds. Further down the track we are looking at gaps, particularly in Britain’s series, that are relatively obvious to spot – so if any reader of this piece wants to be a potential part of that expansion, we’d love to hear from you!

Explore the full WILDGuide collection here

This Week in Biodiversity News – 3rd February

Pollution

Flea and tick treatments are contaminating songbird nests. A recent study surveyed 103 tit nests that utilised pet fur in construction, and found that 100% were contaminated with fipronil, a chemical component of pet flea and tick treatments that is banned for agricultural use in the UK and the EU. Contaminated nests were found to have an increased number of unhatched eggs and dead chicks, placing significant pressure on breeding bird populations. The findings have led to calls for a thorough environmental risk assessment of veterinary treatments, and to consider restricting their use as a preventative measure to an active treatment.

Great tit with nesting material — Image by hedera.baltica via Flickr

The Arctic carbon sink is now a source of emissions, a new study concludes. Rising temperatures in the Arctic landscape are facilitating the release of vast amounts of carbon dioxide, which is currently stored in the region’s permafrost, and over 40% of this is now significantly contributing to greenhouse gas emissions in the context of global warming. The effects of rising temperatures are also reflected by visual changes in the landscape – ground collapse, increased plant growth, microbial domination – and changes in the carbon cycle in the region.

Environment

Wales’ plan to reverse wildlife decline lacks plan, action and investment according to Senedd’s cross-party environment committee. A recent report identified several shortcomings that have impacted the Welsh government’s ability to tackle nature loss and boost biodiversity. These include legislation that failed to deliver, outdated key policy documents, a broken promise to update the Nature Recovery Action Plan, and a history of delays, undelivered commitments, and missed deadlines. With 1 in 6 species at risk of local extinction in Wales, and a 20% decrease in wildlife over the last three decades, the committee urged the Welsh government to prioritise setting targets to address biodiversity loss by 2030, bringing Wales in-line with previously agreed biodiversity commitments.

eurasian curlew — One in six Welsh species are threatened with local extinction. Image by Antje Schultner via Flickr

T he Office for Environmental Protection (OEP) has published a report on the prospect of the UK meeting its environmental targets and commitments. The third OEP assessment analysed the government’s current progress towards improving the country’s natural environment between April 2023 and March 2024, and determined that the UK remains off track in meeting legal commitments due to slow progress and a loss of momentum. Key issues identified were as follows: policy or regulatory frameworks are not adequately developed or delivered; actions do not address all major pressures; inadequate resource provision and a lack of urgency. To tackle this, the report concluded that the UK government should speed up, scale up, stack up and catch-up actions to make adequate progress.

Wildlife and Conservation

A Greater Mouse-eared Bat (Mytosis mytosis) has been discovered in Sussex. In mid-January 2025, a breeding female Greater Mouse-eared Bat was found hibernating in the South Downs National Park, marking the first identification of a new female since the 1980s. This species was declared extinct in the UK in 1992 following decades of species decline, however two male sightings, one in 2002 and one in 2023 suggested the potential for their return in the future. Conservationists have ringed the newly discovered female to allow for future identification, monitoring and research, with the hope of discovering an established breeding population in Britain.

Galicia’s shellfish stocks are declining at an alarming rate. Europe’s primary source of mussels, and the world’s second largest producer of shellfish, has seen a dramatic fall in cockles, clams and mussels. In 2023, cockles crop fell by as much as 80% and last year, mussel production was at its lowest for the last 25 years with some stocks falling by 90%. It is thought that the climate crisis and pollution from agriculture and local industry are at the root cause of this catastrophic decline, with increased rainfall reducing the salinity of the water and invasive species attracted to rising water temperatures.

Brown Trout survival is at serious risk as English rivers warm with climate change. A Government report suggests that these native fish are at risk of extinction in large parts of England within decades. The first national temperature projections by the Environment Agency forecast an unliveable environment at the height of summer by 2030. Brown Trout have a temperature threshold of around 12°C, above which there is a significant risk of egg mortality, small hatching sizes and development defects. For adult fish, this increased temperature could also amplify the impact of pollutants and an individual’s susceptibility to pathogens.

Conference: Rewilding Futures Shaping Tomorrow’s Wild 2025

Although the term was initially coined in the 1990s, ‘rewilding’ has come to dominate conservation thinking in the last fifteen years. This seemingly paradigmatic shift was consequent of a growing perception that a vision of planetary future should not merely appease a bare minimum criterion for ecological longevity. Instead, conservationists should envision an ecologically prosperous future that supersedes the conditions of the present or the recent past. Many of the initiatives enacted under the banner of ‘rewilding’ may be seen as the attempted actualisation of this vision.

Six years have passed since Citizen Zoo’s original Rewilding Symposium in 2019. This period has seen a rapid acceleration in the global recognition of rewilding alongside the now widespread presence of rewilding initiatives. The growth and support of the rewilding movement has coincided, of course, with the continued acceleration of global biodiversity loss and the increasingly unignorable impacts of anthropogenic climate change. The common philosophy across the sometimes-disparate presentations of participants was that the process of actively reinstating biodiversity is inextricably tied to the viability of our planetary future.

Rewilding Futures played host to a globally diverse set of speakers from organisations including Rewilding Chile; Rewilding Europe; Rewilding Britain; Gorongosa National Park (Mozambique), Blue Marine Foundation; The Wildlife Trusts and Rewilding Argentina.

This year, the University of Cambridge played host to the conference, bringing together leading voices to tackle pivotal issues in the field and discuss the future of rewilding in the coming decades. Key highlights for me were as follows:

Carnivore Reintroductions

Luigi Boitani asked, ‘What role for wolves in Europe?’ – a fascinating presentation which argued for the conservation status and continued legal protection of wolves across the continent. The recovery of the species has been successful across swathes of Europe, and this has raised questions of the potential down listing of the species. Most interestingly, the presentation pulled into question the oft perceived justification for wolf reintroduction – their capacity to create a trophic cascade of top-down ecological restoration. The speaker argued that this justification has been historically overstated in the same way that their potential to prey on livestock has been underplayed. For Boitani, we must acknowledge that our desire for the presence of wolves is based on our perception of the species’ intrinsic value and simultaneously the real concerns about livestock predation must be mitigated.

Adult Lynx — Image by Tambako the Jaguar via Flickr

A presentation from Scotland: The Big Picture provided a summary of their efforts in working towards a reintroduction of Eurasian Lynx in Scotland. Similarly to Boitani’s consideration of wolves in Europe, they also acknowledged that the carnivore’s potential to prey on livestock has been understated by previous groups who have lobbied for lynx reintroduction. Most importantly, Scotland: The Big Picture acknowledged the necessity of garnering support from stakeholders who may be impacted by the presence of lynx. The organisation’s more clearheaded approach to the possibility of lynx reintroduction in Scotland marked a stark contrast to the mysterious and illegal releases in the Cairngorms which preceded the conference.

Perhaps the most contentious presentation of the event came from the Colossal Foundation – a Texan initiative that claims they are enacting a process of Thylacine ‘de-extinction’. A mandated project will see the Tasmanian Tiger, extinct since 1936, re-animated and playing a significant role in future Tasmanian ecology. This, alongside their programme of Woolly Mammoth ‘de-extinction’, could be perceived as representing the boldest outreaches of the rewilding movement. Pragmatists within the conference raised concerns about the detrimental implications that this unprecedented project, the mandate of which transcends ordinary legal barriers to reintroduction, could have on Tasmanian ecology.

Land for rewilding: Legal mechanisms and Ownership

The Lifescape Project offered an analysis of the legal mechanisms used to secure land for long-term rewilding, such as conservation covenants in England and conservation burdens in Scotland. Their talk Using Novel Legal Mechanisms to Secure Land for Rewilding: Lessons from across UK and Europe outlined the ways in which various mechanisms allow or impede the long-term dedication of land for rewilding. Utilising cross comparison case studies from across Europe, this talk encouraged innovative and collaborative approaches to improving land use legislation.

Similarly, Ted Theisinger’s workshop To Own and Control: The Future of Land Governance Structures in Scotland and Beyond presented an interesting consideration of the future of conservation in Scotland. Scotland is one of the most depleted terrestrial landscapes and simultaneously has one of the most concentrated structures of land ownership in the world. Throughout the workshop, participants considered the ways in which existing legislative instruments define the parameters of conservation within the context of Scottish land ownership. The workshop oriented toward imagining a future where non-human voices were interwoven into considerations of what to do with our lands and seas.

Scotland is one of the most depleted terrestrial landscapes and simultaneously has one of the most concentrated structures of land ownership in the world. — Image by Nick Bramhall via Flickr

Peatland Restoration

Among the many intriguing discussions of individual sites where rewilding is enacted was Andrew Osborne’s historical ecology of Chat Moss, a 36km square area of lowland raised bog in Salford. The presentation traced the history of Chat Moss over the last 200 years, including industrial habitat destruction which resulted in a significant loss of flora and fauna in the area. The talk highlighted the work of restoration projects dating back to the 1980s, driven by the imperative to preserve carbon stored in the peat and encourage carbon sequestration. Consequentially, the last forty years have seen the translocations of many species into the area, including the recent reintroduction of the Large Heath Butterfly (Coenonympha tullia).

Marine Rewilding

Another highlight was the Blue Marine Foundation’s presentation Rewilding the Seas: A modern odyssey of hope and challenge. Charles Clover outlined the work of the Blue Marine Foundation and looked to answer the question: why rewild the sea, which in comparison to land, is seemingly already wild? The presentation argued that the principles of sea rewilding are essentially the same as that of land, to bring back lost and depleted species to our oceans and restore ecosystems that have been harmed by human activities?– simply by stepping back and letting nature repair the damage, or by reintroducing species/ restoring habitats.

lesser spotted dogfish — Image by Mark Fox via Flickr

Final Thoughts

While aspects of rewilding remain deeply contentious and there continues to be a vast diversity in perspectives of what rewilding should and could be, the most substantial thematic takeaway is that rewilding has galvanised people in a way that traditional conservation approaches have not.

In 2025, the impacts of anthropogenic climate change and unprecedented biodiversity loss are met with deterministically inactive governing bodies across the globe. In many ways things seem more hopeless than ever before, yet actors within the conservation field understand that without hope there can be no inspiration for change.

The revolutionary potential of the rewilding movement has come to represent the last beacon of hope for a viable future for people and nature – a possible catalyst for change.

Book Review: Metamorphosis

***** A delightful potpourri

Entomologist Erica McAlister, the Curator of Diptera at the Natural History Museum, London (NHM), has previously written two popular science books on flies, The Secret Life of Flies and The Inside Out of Flies. Her mission is to change your mind not just about flies, but, as Metamorphosis shows, about insects in general. In her third book with the NHM, she teams up with radio producer Adrian Washbourne with whom she worked on the 10-part BBC Radio 4 series Metamorphosis: How Insects Are Changing Our World that formed the basis for this book. A delightful potpourri of entomology, Metamorphosis is particularly strong on the science history front and further solidifies McAlister’s reputation as a science communicator par excellence.

Metamorphosis is the same size as the preceding two books on flies, a small 14 × 20 cm hardback that is illustrated throughout. Its ten chapters, clocking in at 20 pages or fewer, each focus on one particular group of insects that stand out for one reason or another. She examines the biomechanical and biochemical details that allow fleas to jump so far. She explains how Darwin predicted (correctly) the existence of a hawkmoth species with an exceptionally long tongue by examining an equally exceptional orchid. Plus, there is an engrossing chapter on blowflies and their role in forensic entomology, a topic I find particularly fascinating.

Author Erica McAlister. Credit: Channel 5

The flap text explicitly mentions the book will consider modern applications of entomology. Indeed, each chapter concludes with a brief section on current and expected future applications. There is unsurprisingly a fair amount of robotics here, with fleas and bees inspiring different kinds of miniature robots. The question of how beetles harvest water from coastal fog in the otherwise bone-dry Namib desert has inspired research on new water-repellent surface materials. Other research on moth tongues is informing the development of micro- and nanostraws that could one day result in safely reusable medical needles. Meanwhile, several start-ups are optimising rearing protocols for black soldier flies that could become the future of animal protein in our food. This would help recycle organic waste and eliminate the environmental impacts of livestock farming. However, it will require finding ways to overcome our disgust of insects and our reluctance to try new food.

The applications, however, come across as a sideshow. Instead, Metamorphosis excels in telling utterly fascinating chapters from the history of entomology. Drosophila (which are not true fruit flies but called vinegar flies) are a widely used model system in biological research. The famous Fly Lab of geneticist and embryologist Thomas Hunt Morgan (1866–1945) pioneered their use. The remarkable part is that he was sceptical of both Darwin’s and Mendel’s ideas and hoped to disprove them, but ended up doing the exact opposite, finding evidence of classic Mendelian inheritance patterns in certain mutant flies. Or, take the story of the remarkable Victorian entomologist Margaret Fountaine (1862–1940), who used the inheritance of an uncle to travel the world solo, amassed an enormous butterfly collection now housed at Norwich Castle Museum, and left a time capsule of twelve notebooks with instructions not to open these until 1978. McAlister & Washbourne also provide an extended backstory to African American entomologist and civil rights activist Charles Henry Turner (1867–1923) who Lars Chittka also featured in The Mind of a Bee. Turner was denied an academic position on grounds of his ethnicity yet staunchly laboured on and made pioneering observations on bee behaviour in particular. He was ahead of his time in refusing to see bees ‘as simple reflex machines driven by spontaneous reactions to environmental stimuli’ (p. 185).

Hummingbird Hawkmoth feeding on a flower — Research on moth tongues is informing the development of micro- and nanostraws. Image by Peter Stenzel via Flickr.

These and other people are vividly brought to life here. The only fly in the ointment is some errors in dates: apothecary James Petiver apparently lived from 1865 to 1718 (he was born somewhere between 1663 and 1665 according to a published chronology), Turner supposedly married his wife in 1896 even though she died in 1895 (they married in 1886), and Turner himself died in 1923 and two pages later in 1958 (the former is correct). Other than reiterating the importance of proofreading numbers, this minor complaint does not diminish the fact that the history-of-science component of Metamorphosis is utterly engrossing. Many of these stories are largely unknown to the general public, with only articles in specialist journals commemorating the achievements of these historical figures. There are several biographies in here waiting to be written and McAlister & Washbourne have the makings of a fine pair of science biographers.

Whether you enjoyed the BBC Radio 4 series when it aired, find yourself in the museum’s gift shop wondering whether this book is worthwhile, or nurture an interest in entomology or the history of science (or the intersection of the two), I warmly recommend this little book, especially given the reasonable cover price.

Metamorphosis is available from the NHBS online store.

This Week in Biodiversity News – 13th January

Wildlife

Water Vole populations are undergoing a national decline in the UK. A new report from the Wildlife Trusts, The National Water Vole Database Project Report, was released last month to document the findings of a nationwide investigation examining Water Vole distribution over the past ten years. Although the report documented a 39% decrease in the number of occupied areas across the UK, it also identified a further 11 new regional key areas of increasing local populations, including several in East Anglia and Yorkshire. The report reveals a bleak national picture with declines across the country due to habitat loss and deterioration, but shows that in the right conditions, and with the help of conservation practitioners, it is possible to reverse their historic decline.

Bumblebee on a lavender flower — Image by Indy via Flickr

Conservationists have observed active worker bumblebees nest-building in Scotland during the winter months. Unusually mild weather during the Christmas period has led to early awakening from hibernation, and at least two species have started to build new nests early in the winter season. However, the subsequent return of cold weather and the scarcity of winter food sources pose a significant threat to these early nests, risking their collapse. In this instance, fewer queens would be available to build nests in the spring and could contribute to the national decline of bumblebees.

Conservation

The National Trust has announced plans to create 250,000 hectares of biodiverse landscape. Equivalent to 1.5 times the size of Greater London, these nature-rich landscapes across England, Wales and Northern Ireland will address a current national need and are estimated to provide habitat for 1 billion earthworms. Labelled audacious yet achievable, this goal will be actioned on Trust properties, but also in partnership with other organisations, farmers and communities, to create larger tracts of landscape to tackle the climate and nature crises.

Male Lynx in the snow — Image by Tambako the Jaguar via Flickr

Last week, Lynx were reported in the Cairngorms National Park. A total of four animals were illegally released and subsequently captured by the Royal Zoological Society of Scotland (RSS), where they were taken to be quarantined at Highland Wildlife Park (later one sadly died). The source of these animals remains unknown, but experts have raised concerns about the nature of their release – these animals were released in sub-zero temperatures within areas of logging activity, which has been deemed a highly irresponsible action that has drawn criticism from conservationists.

Climate Crisis

2024 marks the first calendar year to surpass the 1.5°C warming limit. Now thought to be the world’s hottest year on record, 2024 has brought the world closer to breaking the international warming target of 1.5°C – although this target is based on long-term temperature averages, last year’s trends signify an upturn in global temperature, with the last decade being the warmest on record. Predominantly due to harmful greenhouse gas emissions, which are still at record highs, this record is met with calls for cuts in emissions over this calendar year.

Wind turbines at sunset — Image by Michael Mueller via Flickr

The UK generated its cleanest electricity ever in 2024, with 58% from low-carbon sources. The amount of electricity generated from fossil fuels has halved in the past decade, with the UK having seen an upturn in the use of renewable energy sources. In the past twelve months, renewables have generated 45% of the UK’s power, and when including nuclear sources, this number totals to 58%. Despite this, fossil fuels are still generating approximately 29% of electricity in the UK, and in order to meet climate and emission targets experts are urging for an accelerated phase out.

Finance

In a ‘landmark’ deal, the world’s first private sector loan based on biodiversity net gain unit models has been granted. Triodos Bank UK has loaned £3.85m to environmental consultancy Nature Impact – the money will be used to purchase a total of 122 acres over two sites, unlocking degraded farmland for biodiversity net gain. These degraded sites will undergo restoration and habitat creation, including native wildflower meadows and wetlands, to enhance their support of British wildlife and climate goals.

Habitat restoration site with wildflowers — Image by Robert Miller via Flickr

Ecologists at Oxford University have designed a new framework to classify how a unit of nature is defined for biodiversity credits. In the review, researchers acknowledge the lack of clarity on how one unit of nature is defined, or how measurements are standardised, and demonstrated the challenges involved with the biodiversity credit market. It presents a framework exploring how biodiversity is quantified, how positive outcomes are detected and how the number of credits can be adjusted to account for uncertainties. The authors caution against biodiversity credits to offset negative impacts, and instead direct focus on avoiding and reducing these factors.

Author interview with Richard Lewington: Pocket Guide to British Spiders

Featuring 130 of the most common and readily available spider species, Pocket Guide to British Spiders is the ideal companion for both beginners and more experienced enthusiasts alike. Detailing identifying features, webs, egg cocoons and behaviour, these accounts are interspersed with beautifully illustrated spreads showing similarities and differences at a glance, making this introductory guide the perfect companion for use in the field.

Richard Lewington is a renowned wildlife illustrator, whose beautifully detailed drawings feature in a wide array of identification guides including The Butterflies of Britain and Ireland, Field Guide to the Moths of Great Britain and Ireland, and Field Guide to the Bees of Great Britain and Ireland. In 1999, he was awarded Butterfly Conservation’s Marsh Award for the promotion of Lepidoptera conservation, as well as the Zoological Society of London’s Stamford Raffles Award for contribution to zoology in 2010.

We recently had the opportunity to speak to Richard about his latest book, including how he first became an author, why he chose to focus on arachnids and which techniques he uses to create these stunning illustrations.

Firstly, can you tell us a little bit about yourself, and how you first became an author and illustrator?

I became a freelance wildlife illustrator soon after leaving art college in the 1970s. I’ve always had an interest in the natural world, particularly butterflies and moths, so invertebrates were the subjects I concentrated on right from the start. I’ve always worked in collaboration with various experts, until about 25 years ago, when I wrote and illustrated my first book How to Identify Butterflies. Since then, I’ve written and illustrated five books, though most of the books I work on are collaborations with authors with specialist knowledge of the subjects.

Pocket Guide to British Spiders is your 29th identification guide published since 1979. What inspired you to focus on arachnids for this book, and how did you choose which of the 680 British species to include?

I’ve had an interest in spiders for many years and have a collection of paintings, some of which I did about 50 years ago. I thought they would form the basis of a pocket guide, and I added more illustrations in the last few years to go with those I already had. The aim was to include common, well-known and easily identifiable species – about 130 in total. As many spiders are very small and similar to each other, it is necessary to examine them through a microscope to identify many of them, which is the next step up for those who want to study them in greater detail.

I was surprised to learn about the somewhat limited conservation efforts being undertaken to protect endangered spider species across Britain. What are the largest threats to spiders, and how can we protect these vital invertebrates in the future?

As with much of the natural world, spiders are under threat from habitat loss and pollution, but because they don’t have the same appeal as some other groups, they receive less attention. However, they are just as important, helping to keep the balance in ecological systems by eating and being eaten by a vast number of other creatures. Gardens are becoming more important, and we can all help spider well-being by not being too tidy in the garden to encourage a good variety of mini habitats in which they can live.

Pocket Guide to British Spiders includes a vast amount of detail on nomenclature, structure, anatomy, mythology, identifying features and more. What was the most interesting thing you learned while researching this book?

Probably their diversity. They vary hugely in size, shape and colouring, and can be found in every habitat from mountain tops to beneath the surface of water. Many also occur throughout the year when many other invertebrates are dormant.

Having illustrated many guides throughout your career, can you give us an overview of the techniques you use to create such detailed works of art, and explain how your painting style has evolved over time?

I start by doing a detailed, measured drawing on layout paper. This is transferred to watercolour paper and, using Designers’ Gouache paints, I apply washes, gradually building the colour intensity and the effect of light and shadow. Details such as textures and highlights are added to give a three-dimensional appearance. More recently, I’ve been scanning the artwork before sending it to the publishers, so that I can adjust, enhance and touch-up the images using a tablet and image enhancing software.

What were the most difficult aspects of illustrating spiders, given their intricate and often microscopic features?

Spiders can’t be preserved in museum collections like butterflies and beetles, as they have soft bodies which shrivel after death, so working from live specimens or from detailed photographs are the best options. This means going into the countryside to find specimens and asking other spider enthusiasts to help. I like to take my own macro photographs from the exact angle to avoid any distortion, I can then work using the photos and the live specimen, observing it under my microscope. It’s also necessary to have a good knowledge, so that the subjects can be correctly identified, as some are very similar.

Finally, what’s taking up your time at the moment? Are you planning to write or illustrate any more books over the coming years?

My next book will be a field guide to Orthoptera, which I completed several years ago but has been long delayed. After that I shall be working on a project about my work as a wildlife illustrator, concentrating mainly on British moths, butterflies and their caterpillars.

Pocket Guide to British Spiders is available from our online bookstore.

The NHBS Seed Sowing Calendar: January-March

Planting and watching seeds grow is one of the most rewarding parts of having an outdoor space. From a young age I can vividly remember chilly winter trips to the garden centre, picking out different bulbs and seeds to plants in time for spring, followed by an agonising wait for the last few frosts to pass to allow us to start planting. This patience was however rewarded with my favourite task – exuberantly poking a million holes in compost-filled trays – before carefully sowing the seed in the soil and gently covering them in a blanket of compost.

To this day, I still get just as excited when spring is around the corner, and I can finally turn my wintery, plain garden into a hub of vibrant flowers and wildlife. But with so many different bulbs and seeds out there, all of which working to very different schedules, it can sometimes be overwhelming when thinking about where to start, what to sow when, and where.

Here, we provide a detailed Seed Sowing Calendar to make sure you’re on-track for those beautiful spring blooms in just a few months time.

Close up of lots of Sweet Peas in mixed colours including pink, fusia, purple and white. — Sweet Peas by the Walled Garden 02 by Sam Saunders, via flickr.

January:

January is still very much in the grasp of winter, so most seeds sown outside will perish due to the cold and frosts – therefore it is recommended that seeds are planted in trays or pots that can be kept in an enclosed greenhouse or indoors in a warm, dry, sunny place to ensure successful germination.

Sowing this early in the year means that you’re more likely to get a good, healthy crop come springtime, but it does require a lot of patience and attentiveness.

Sweet peas – Lathyrus odoratus

Sweet peas are one of my favourite flowers and produce vibrant, fragrant blooms in a range of stunning colours. They are natural climbers, therefore they should be grown up a cane, netting or trellis, and can reach approximately 2m in height. Seeds should be planted 1cm deep in trays or individual pots filled with compost in late winter (January – February) and watered 2-3 times a week. As soon as the last frost is over, and the soil is loose and pliable, transfer the seedlings outside. When the plants are tall enough to reach the canes, manually wrap the stems securely, but gently, around them – the plants will naturally take to climbing the higher they grow.

Carnations – Dianthus caryophyllus

Carnations produce small, fringed flowers on long stems and should be grown in small to medium pots or planters with good drainage. The seeds should be planted about 0.5 cm deep, in potting soil or compost, covered in a layer of soil and pressed down firmly. Place them in a warm, sheltered space inside and water 2-3 times a week using a spray bottle. When the seedlings reach 5cm tall, transfer outside after the frost has passed.

You can also sow carnations directly into the garden once the frosts are over, normally in late April, however it’s unlikely they will bloom the first year if they are sown this late in the spring.

Lobelia – Lobelia erinu

Lobelias are beautiful, colourful little bedding plants that are very hardy and will produce flowers from early summer to mid autumn. They are easy to start indoors, and need well drained, loose soil to thrive. Sow the tiny seeds liberally across the surface of the soil in a large seed tray, cover loosely with a thin layer of compost, and gently press down to ensure the seeds are fully covered. Place the tray in a warm, sunny position and water with a light mist. Ensure the soil stays moist while the seeds are growing inside and transfer into the garden once the frosts have ended.

Close up photograph of orange and red tagetes (french marigolds). — Tagetes patula by Tacowitte, via flickr.

February:

February is the ideal time to start sowing most summer bedding plants, as well as perennials that grow year on year. Due to the colder temperatures, it’s recommended that most flower seeds are still grown inside to begin with.

French Marigolds – Tagetes patula

Marigolds are very easy flowers to grow and are equally easy to maintain once they’re bedded into the garden. Fill a tray with compost and press the seeds 1cm deep into the soil, then cover lightly with another thin layer. Plant each seed 5cm apart to allow for growing room, and water every couple of days to keep the soil moist – but not soggy. You can then plant the seedlings outside in early spring (mid to late March) in pots, planters, beds or hanging baskets when they are a few inches tall and the weather is milder. Marigold seeds can also be planted directly outside, but you should wait until late spring (April – May) or early summer (May – June) to do so, otherwise they may not germinate in the cold weather.

Snapdragons – Antirrhinum majus

Snapdragons are bright, annual plants that come in a wide range of colours and heights, and attract an array of garden insects. They require a lot of light to germinate, so make sure you don’t cover the seeds with too much soil. Simply put the seed on top of the soil in a tray, cover with a very thin layer of compost and compress with your hand, before watering once a week. Place in a warm, very sunny location and, if sown in one large tray, thin the crop to one seedling per pot when the seedlings have developed 2-3 leaves. Snapdragons can be transferred into the garden after the final frost of spring and should be spaced 30cm apart to give them enough room to grow into full blooms.

Wild Flower Bed showing a mix of pink, white, yellow and purple flowers. — Wild Flower Bed by Pete Sandbach, via flickr.

March:

By the time March comes around, the soil is slowly starting to warm up and frosts are a lot less frequent. During this time, some of the toughest flowers can be sown directly outside, as well as summer-flowering bulbs.

Cornflowers – Centaurea cyanus

Cornflowers are small, vibrant blue flowers that grow best in full sunshine. They can tolerate freezing temperatures, so these seeds can be planted outside throughout the winter. If you are planning to sow Cornflowers nearer spring, plant the seeds straight into soil or planters about 5cm apart and 1cm deep, and water once every 3–4 days. Cornflower seeds are loved by many garden birds, so to make sure your hard work isn’t wasted, ensure they are covered with a good layer of compact soil.

Cornflowers take approximately 10 weeks to flower if they are planted in spring, so these beautiful flowers will brighten up your garden in no time!

Wildflower mixes (native)

Late March is the perfect time to plant your mixed wildflower seeds to produce a beautiful range of native flowers, colours and scents, and most importantly provide food, shelter and habitats for key pollinators such as bees. Wildflowers are best sown straight outside in large beds or planters. Break up any large lumps of soil, then generously sprinkle the seed mix before carefully raking over the seeds, ensuring they are fully covered up. Gently water the area after planting, ensuring that you don’t dislodge the seeds with too much water, and watch them bloom!

Water your wildflower garden twice a week to ensure the soil doesn’t dry out, particularly over the hot summer months.

If you are keen to begin your wildflower garden early, you can plant them in February if the weather remains mild and dry.

Cosmos – Cosmos Bipinnatus

Cosmos can be grown both inside and outside, and thrive is sunny areas of the garden. They germinate very quickly and produce vibrant, tall flowers. If you prefer to start your flowers inside, yielding blooms in early summer, sow the seeds in individual pots in mid to late March in fresh, loose compost. Each seed should be 2mm deep in the soil and should be covered in a thin layer of compost. Place the individual pots or trays into a larger seed tray and water from below. Transfer into beds in the garden four to six weeks later, or after the last frost.

If you prefer the ease of planting seeds directly outside, or are a little late to the party, wait until the weather is mild and drier in early May before scattering the seeds straight onto evenly raked soil and covering lightly. Water every few days until the plants are well established, but be careful not to overwater as this will cause fewer buds to grow on each plant.

Small green seedling in a terracotta pot in compost. — Mystery seedling by Joe Lipson, via flickr.

Top Tips:

– Make sure to label your seed trays or pots if you’re growing a variety of different seeds at once, as it is very easy to get mixed up!

– Ensure that any seeds grown inside are only kept in moderately warm places – too hot a temperature, such as by a radiator, can cause the seeds to perish, so it’s recommended to take advantage of sunny windowsills and French doors instead.

– It can be beneficial to ‘pinch out’ bedding plants in the early stages of growth to ensure they focus their energy on big, strong, bushy blooms, rather than becoming tall and leggy. This helps produce side shoots that should all bear flowers, but it is advisable not do so until the seedlings have grown at least two sets of leaves or you risk damaging the plants. To pinch out a plant, gently cut the growing tips just above the side shoots, repeating on as many stems as you wish until it resembles the shape you’re after

– Even if you miss the opportunity to start growing your seedlings inside, it’s rarely too late to grow your seeds if they are in season. Instead, you can plant them straight outside when the milder weather arrives, and will simply have later blooms – so you can enjoy beautiful flowers during the summer months instead.

This Week in Biodiversity News – 30th December

Conservation

Tasmania’s farmers are helping to conserve native grassland. These critically endangered habitats have undergone widespread deterioration due to historical agricultural practices, and remaining patches are degraded and fragmented throughout the state. An innovative partnership between landowners, the Tasmanian Conservancy and Bush Heritage Australia – the Midlands Conservation Partnership (MCP) – was formed to conserve and protect native grassland on private property through empowering farmers to manage their land sustainably.

Tiger in Jacksonville Zoo — Image by Caitlin Regan via Flickr

A growing number of zoos across the globe are reporting animal death by avian influenza. The virus appears to be spreading throughout captive animal collections, which could have grave, and potentially fatal, consequences for endangered species – already, zoos have reported deaths of a number of threatened species, including lions, tigers and panthers. It is thought to have been spread through infected wild birds landing in open air enclosures, and experts emphasise the need for enhanced biosecurity, or vaccination, to ensure the safety of captive animals.

A leading wildlife expert is calling for the legalisation of rhino horn trade. Martin Wikelski wrote to the journal Science, urging authorities to take the market out of criminal hands, in order to establish carefully monitored, legal transactions and regain control of the market. Wikelski argues that monitored trade could help to raise money for increased protective measures and save the last remaining populations, since crime syndicates have overcome every countermeasure that has been implemented to protect rhinos thus far.

White rhino in South Africa — Image by Ian Turk via Flickr

Discoveries

Twenty-seven species new to science have been discovered in a survey in Peru. A 38-day survey in Alto Mayo, a well-populated region in north-west Peru, has uncovered over 2,000 species of wildlife and plants, including new, rare and threatened species. Of these species previously unknown to science, there are four mammals, an arboreal salamander, seven species of new fish, a frog, ten butterflies and two dung beetles – and a further 48 species are awaiting verification before confirming their discovery. Alongside these exciting new discoveries, the expedition identified 49 threatened species from the IUCN Red List, including birds, amphibians and primates, and it is hoped that these discoveries will bolster conservation work in the region.

A recent study has discovered that right whales may live almost twice as long as previously thought. Four decades of photo identification data was used to analyse the life expectancy of Northern Atlantic Right Whales and Southern Right Whales. Researchers observed a life expectancy of up to 150 years for Southern Right Whales, and a contrasting 22-year average for North Atlantic Right Whales – primarily due to anthropogenic impacts, including entanglement in fishing gear, ship collisions or starvation which could be linked to environmental change. Authors plan to expand the scope of the study to examine other whale populations, in order to learn more about how whaling practices have impacted the abundance of older individuals and allow for estimates of recovery to pre-whaling population sizes.

Wildlife

Data shows that almost three quarters of the UK’s Sites of Special Scientific Interest (SSSI’s) have had no assessment of their condition since the start of 2019. These sites consist of ecologically valuable habitats, wildlife and natural features, and are legally protected to prevent environmental degradation. In the last assessment, nearly 40% of features were in unfavourable condition, and without further monitoring, conservationists warn that British wildlife could be disappearing unnoticed. In response, a long-term programme is being developed by Natural England to determine SSSI assessment, as well as making improvements to monitoring and data use.

a clutch of bird eggs in a nest — Image by Lisa Risager via Flickr

Over 6,000 wild bird eggs have been seized in the UK. In the largest haul of it’s kind, raids from Scotland, South Yorkshire, Essex, Wales and Gloucester uncovered thousands of wild bird eggs in attics, offices and drawers. The raids took place under Operation Pulka – an international effort tackling wildlife crime, especially the trading of bird eggs. Harvesting by egg collectors is placing additional pressures on already threatened and rare wildlife, and for species with a limited geographic range, could be the difference between existence and extinction.

Author interview with James Shipman: Identifying Bats of Britain and Ireland

Packed with insider information, Identifying Bats of Britain and Ireland offers expert guidance on how to identify bats in the hand for beginners and field ecologists alike. Filling a gap between introductory books and more technical volumes, this humorous guide uses detailed images, diagrams and tables to communicate, in simple terms, the fundamentals of bat ecology, survey equipment, techniques required when training for a bat licence and the key features that distinguish one species from another.

James Shipman is an ecologist and bat enthusiast who loves to inspire and motivate future bat workers. He works as a senior ecologist and is involved in numerous bat-related projects. In 2016 he was recognised with the Bat Conservation Trust’s Pete Guest Award for outstanding contribution to bat conservation.

We recently chatted with James about his inspiration for the book, which challenges he faced when constructing a detailed identification guide and more.

Can you tell us a little about yourself, your history of working with bats, and why you chose to write this book?

Originally I planned to work as a game ranger in South Africa, but after returning to the UK, I studied zoology, met my wife and fell into landscaping as my first career and passion. A roofer and a builder both mentioned that I may ‘like’ working with bats, as I’m an animal person, so I explored the idea of them as a hobby!

After a few events I was gripped, and I have now volunteered with bats for nearly 15 years with the intention to install passion, enthusiasm and fun into everything bat-related for volunteers and professionals! Within this time I have helped to train over 50-75 individuals (could be more, I don’t count!) and after nearly 20 years in the landscaping sector, I now work in ecology as a professional.

During my years of training, I found that the more serious and technical books available out there made it hard to learn, and that digestible guidance that was fun, relatable and easy to work with would be beneficial! A lot of my trainees suggested the idea for the book originally, and other bat authors with Pelagic mentioned to the publishers that I would bring a nice approach to ID for ecologists – so here we are.

You have taken a relatable, and oftentimes humorous, approach in the way Identifying Bats of Britain and Ireland was written. Why did you feel this was important, and with that in mind who is this book designed for?

Who said science, research and volunteering can’t be fun! If you enjoy what you do, it’s more fun and you usually get more out of it!

I thought it was important to bring my open, welcoming personality to bats and volunteering into the book, as well as an understanding of how hard it can be to learn in the world of ecology.

Public opinion of bats is often contested, and their associations with rabies and vampirism contribute to this negative perception. This guide contains a section on the myths and rumours of bats – why did you feel it was important to debunk these misconceptions?

Well spotted! It’s one of my favourite parts of any walk, talk, training or even in the book itself. Bats have such a negative view through media – whether it’s Halloween, Covid or other diseases, the positives (not just bats but anything in life) are very rarely talked about! So let’s try and win one for the bats – 2,000 less mosquito bites a night is a good seller!

This guide also features vagrants and species that are extremely rare in the UK. How did you navigate writing about species that you may not have met? And did you find it challenging to construct identification guidance for these scarcer species?

Fortunately I have handled and seen these species abroad in my years of volunteering and training (which I will touch more on in your last question), and I have even been lucky to handle one or two of these in the UK too!

The hardest part of it all was trying to address the elephant in the room (or maybe I should say vagrant in the sky!). I believe there are now 21 species found in the UK – some of these are not proven residents, but are not far off – plus a few others that I chose not to include at the time of publication as records were too scarce!

Were there any other challenges that you came across in the process of writing this book?

As previously mentioned, mental health is important in all areas of life, and I felt that slight delays in finishing this book were due to anxiety of judgement on the final product. However, many close friends and ex-trainees assured me that more positives will come of this work than negatives.

The book is aimed at any level of bat worker and should taken with a light hearted approach. It’s important to address these things when discussing books and publishing – it’s a hard process, and without friends, family and a decent publisher (plus the bats) you can sometimes feel isolated. Luckily, I had the best support from all of the above!

What’s your advice for those just getting started in this field?

Well I could say read the book (haha), there are some good sections about starting out with bats. In short, don’t give up, persist, find bat workers who are open, friendly and passionate with no judgement (they are out there, I’m one of them), and most importantly have fun!

Finally, what’s next for you? Do you have plans for more books in the future?

Um… a break! It’s harder than I ever imagined. However, I would love to eventually write a similar book for bats of Europe! But it may take a while to compile some new jokes!

Identifying Bats of Britain and Ireland is available from our online bookstore here.