Author Q&A with Robert Wolton: Hedges

Hedges book cover showing a drawing of hedge and farmers fields.In Hedges, Robert Wolton brings together decades of research and personal experiences from his farm in Devon to explore the ecology, biology, nature conservation and wider environmental values of the hedges in the British Isles. Containing over 300 photographs and figures, this latest addition to the British Wildlife Collection offers a detailed commentary on hedges and their importance in our landscape.

Robert Wolton portrait, showing him from the chest upwards, stood wearing a brown hat, coat and bag with an old tree in the background.Robert is an ecological consultant and writer specialising in the management of farmland and associated habitats for wildlife. He is a former hedgerow specialist for Natural England, the founder, chair, editor and lead author of the Devon Hedge Group, has been involved in Hedgelink since it began, and has written a number of reports and articles specialising in hedges.


Firstly, can you tell us a little bit about yourself and how you came to be contributing to the British Wildlife Collection with a book on hedges? 

I’ve had a life-long interest in natural history, even as  a schoolboy I was a very keen birdwatcher. Later, at university, I trained as a zoologist with a strong interest in mammals, although subsequently I have been more involved with insects, especially moths and flies. It was perhaps inevitable that I should pursue a career in nature conservation. My passion for hedges was awakened when we bought a small farm in the heart of Devon, my wife, Paula, looking after the cattle and sheep while I went to the office. Initially it was the flower-filled meadows that drew me to the land, but I soon realised that the many thick hedges, full of different trees and shrubs, were glorious and just as special, particularly when I discovered that those small spherical nests I kept finding were made by Hazel Dormice. At that time, 30 years ago, hedges were very under-appreciated in the nature conservation world – there was a gap waiting to be filled and I was able to persuade my bosses in English Nature to allow me to become a part-time national hedge specialist, a role I continued to fill after the organisation morphed into Natural England. Partial retirement gave me the opportunity to write a book on my beloved hedges. I’d always dreamt of having a volume in the British Wildlife Collection, much admiring the series, so when Bloomsbury offered me the chance I jumped at it. 

Robert Wolton, author of Hedges, photographed stood by a large pile of thin trees being used to construct a man-made hedge.
Robert Wolton making a hedge.

I tend to think of hedges as being man-made. But is there such a thing as a natural hedge? And if so, how do these come about? 

Most hedges in Britain and Ireland are indeed man-made. Some, though, have grown up naturally along fence lines and ditches – these are termed spontaneous hedges and I think they are becoming more frequent, especially along the sides of roads and railway lines. Trees and shrubs, their seeds carried by wind, birds and mammals, can colonise strips of rough grassland remarkably quickly, often protected to begin with by brambles. It does not take many years before there’s at least a proto-hedge present, and after a decade or two it may be difficult to tell it was not planted. Another way hedges have come into being is through strips of woodland being left when land is cleared for agriculture. These are called ghost hedges. Their origin is often given away by the presence of unexpectedly high numbers of trees and herbs characteristic of ancient woodland because they have poor dispersal abilities.  

I particularly enjoyed the chapter in your book on the origins and history of hedges. Do you think that the study of hedges can give us an insight into the natural and social history of our country? 

Without a doubt. Throughout our countryside, away from the open moors and fens, the pattern of fields, as defined by hedges and sometimes drystone walls, allows the history of the landscape to be read, often going back centuries, even sometimes millennia. We are so fortunate in these islands still to have this landscape continuity – it has been lost over much of continental Europe. In places like Dartmoor, which I can see from our farm, layer upon layer of history can be unpicked through studying the networks of field boundaries, most of which are banked hedges. Some can be traced back to the Bronze Age, 3,500 years ago. This may be exceptional, but even so, most of the hedges in Britain, and many in Ireland, probably date back to Medieval times. They are a hugely important part of our cultural heritage. We love our hedges. This is evident not just in the countryside, but across our villages, towns and cities, in our gardens and parks. Hedge topiary is, after all, a national pastime! 

Farmland hedge leading towards a forest at the end of a farm track along the right-hand side of a field.
Hedge, by Damien Walmsley via Flickr.

As you describe early on in the book, there are many different types of hedge, from those that consist of just a single species to very diverse multi-species ones, even ones that have been allowed to mature into lines of trees. Is there a type of hedge that is best for the surrounding wildlife and environment and that we should be trying to replicate or maintain as much as possible?  

If you put me on the spot, I’ll answer this question by saying that thick, dense, bushy hedges are the best for wildlife, preferably with margins full of tussocky grasses and wildflowers. But really we should be thinking about what networks of hedges look like, because there’s no such thing as a perfect hedge. Different birds, mammals and insects like different conditions, and in any case you can’t keep a hedge in the same state for ever, however carefully you manage it. Basically, the trees and shrubs are always trying to reach maturity, and as they do so gaps develops beneath their canopies and between them. That’s when laying or coppicing are needed, to rejuvenate the hedge and make it more dense and bushy. A lot more research needs to be done on this, but probably, from a wildlife point of view, at least half of all the hedges in a network, say that covering a decent-sized farm, should be in this condition. On the other hand, from a climate perspective, where we need to capture as much carbon as quickly as possible, tall hedges with many mature trees are best. You can see there are tensions here, all part of the challenge of managing hedges well. Who said it was easy?   

A dusty track running in a straight line with hedges on both sides and tall, narrow, straight trees behind the left hand hedge.
Into the Distance, by Dave S via Flickr.

As both a farmer and an ecologist, I’m sure you are more attuned than many to the conflicting needs of making a living from the land and managing hedges for the benefit of wildlife and conservation. Do you think financial incentives are the only way to encourage landowners and farmers to both plant more and maintain existing hedges? 

Financial incentives like government grants will always be important to landowners and farmers because good hedges benefit society at large just as much as those who own and manage them. Things like plentiful wildlife, carbon capture, reduced risk of homes flooding and beautiful landscapes rarely bring in any income to offset costs, let alone profit – it is right that they are supported from the public purse.  

Still, hedges can be of direct financial value to farmers through serving as living fences, preventing the loss of soil or providing logs and wood chips for heating. They can also increase crop yields through boosting numbers of pollinators and the predators of pests. To some extent, these direct benefits to farm businesses have been forgotten in recent decades in the drive for increased food production regardless of environmental cost, but they are now being appreciated much more as new ways of working the land, such as regenerative farming, catch on.  

And we should not overlook the fact that more and more landowners and farmers are prepared to bear at least some of the costs of good hedge management simply because they gain huge satisfaction from healthy hedges and all the wildlife they contain. The pleasure of seeing a covey of Partridges or a charm of Goldfinches, or hearing the purring song of the Turtle Dove, cannot be priced. 

A narrow, windy track going through a high sided hedge into the distance in a circle.
by Oli Haines.

Finally, how did you find the experience of writing this book, and will there be other publications from you on the horizon? 

This is my first ‘big’ book, and I was apprehensive to say the least when I started writing it, in 2022. But with a lot of encouragement from my wife and friends I soon got into the swing of things. Challenging for sure but personally most rewarding – exploring new facets, checking information and trying to find the best way to pass on my enthusiasm for the subject. Above all, it felt good to share knowledge collected over many years. Bloomsbury’s support was invaluable, there’s no way I could have self-published. As to whether there are more books in me, I’m not sure. Perhaps one on hedges in gardens? There again, I have a passion for wet woodland, another habitat that’s been much neglected. It’s all too soon to say. 


Hedges book cover showing a drawing of hedge and farmers fields.Hedges is available to order from our bookstore.

 

This week in biodiversity news – 19th February 2024

Climate Crisis 

A new study reveals the Amazon rainforest’s worst drought on record in over half a century, with human-caused climate change acting as the driving force behind these weather extremes. The Amazon rainforest plays an important role in the removal of CO2 from the atmosphere, and accounts for around 10% of the world’s species. However, scientists suggest the Amazon could soon reach a “tipping point”, with droughts such as these expected every 13 years if global temperatures increase by a further 2°C. 

Conservation

Black Rhinos have returned to Kenya’s Loisaba Conservancy as species recovers following local extinction 50 years ago. This translocation project, the result of a collaboration between Loisaba Conservancy and Kenya Wildlife Service, was prompted by the news that Kenya’s 16 Black Rhino sanctuaries are rapidly running out of space due to a boost in population numbers. Twenty-one of these critically endangered Black Rhinos were released into a specially created fenced sanctuary that covers nearly half of Loisaba’s total area, marking an important moment in the long-term future of Black Rhino populations in Kenya. 

Black Rhinoceros stood in a plain full of grass.
Black Rhinoceros, by Andy Morffew via Flickr.

Hedgehog populations are on the rise according to BBC Gardeners’ World survey. Previous reports have found that since 2000, the number of hedgehogs has fallen by 30%-75% depending on the area due to increased habitat loss, fragmentation, pesticides, and a reduction in food sources. However, the annual hedgehog survey highlighted a 33% increase in sightings, up from 31% in 2022, which has been aided by the instillation of ‘hedgehog highways,’ and nationwide rewilding efforts. CEO of the British Hedgehog Preservation Society, Fay Vass, stated that urban populations are still lower than they should be, however these results provide cautious optimism for the future of hedgehogs. 

Environment 

Hailed as one of the world’s most ambitious environmental policies, Biodiversity Net Gain came into effect in England on the 12th February 2024. It is now mandatory for all new developments in England to deliver at least a 10% net gain in biodiversity or habitat on all new sites. In light of the government target of building 300,000 new homes a year by the mid-2020s, it is hoped that the scheme will minimise or mitigate the environmental effects of these new developments. 

Iceland may be entering a new volcanic era, with increasing volcanic activity reported across the island. The most recent short-lived eruption on the Reykjanes peninsular marks the third since December 2023, and the sixth since 2021. Researchers think this wave of volcanic activity may be following a pattern that could last for decades, or even centuries. Scientists are trying to work out how to predict future eruptions by tracking ground inflations as magma rises, from which they can estimate when the magma will break the surface.

Litli-Hrútur - Volcanic Eruption in Iceland July 2023. Litli-Hrútur – Volcanic Eruption in Iceland July 2023, by Anthony Quaintano via Flickr.

Science and discoveries

The latest strain of bird flu has decreased Great Skua populations by 75% and Northern Gannet populations by 25% in the past 2 years alone, says the RSPB and British Trust for Ornithology (BTO). According to a recent report, the H5N1 strain has been noted as one of the biggest conservation threats facing numerous seabird species across both UK and Europe. The latest Seabird Count survey, published in November 2023 – which did not take into account the effects of bird flu – found that almost 62% of seabird populations were already in decline across the UK due to other factors such as fishing and offshore wind developments. 

The most vulnerable migratory species are at risk due to increased human activity, with one in five threatened with extinction according to the UN. Despite the signing of the Convention on the Conservation of Migratory Species of Wild Animals over 40 years ago, researchers suggest that more focus has been placed on preventing illegal animal trading rather than upholding the law on illegal killing. The report recommends that countries need to establish key biodiversity areas on the migration pathways of endangered species, reduce infrastructure obstructing migration routes, create corridors of protected land, and restore 30% of degraded marine and land areas. 

Sandwich Terns stood on a beach in a colony looking out to sea.
Sandwich Terns, by Gary Leavens via Flickr.

British Wildlife Collection: interview with series editor Katy Roper

The British Wildlife Collection is a series of beautifully presented books on all aspects of British natural history. Since the series began in 2012, it has covered such diverse topics as mushrooms, meadows and mountain flowers, and books have been written by some of Britain’s finest writers and experts in their field. Filled with beautiful images, these wide-ranging and well-researched titles are a joy for any naturalist who is passionate about British wildlife and landscapes.

Photograph of three British Wildlife books - Butterflies, Meadows and Hedges, stood in a line on a wooden bench with trees, grass and blue skies behind.

Katy Roper is a Senior Commissioning Editor at Bloomsbury Publishing and is responsible for the British Wildlife Collection. She recently took some time to chat with us about this excellent series; how it began, what makes it stand out from others of its kind and what we can expect from the collection over the next year. Keep reading for the full conversation with Katy, and browse the full British Wildlife Collection at nhbs.com.


 

Firstly, could you tell us a little bit about yourself; what you do and what your involvement is with the British Wildlife Collection?

I’m a Senior Commissioning Editor in the wildlife team at Bloomsbury Publishing. The British Wildlife Collection is one of the lists I’m lucky enough to look after; I’m responsible for signing up new books with authors and then seeing them through to the point at which they go off to the printer. Being immersed in these books means that I’m always learning something new: from the surprising fact that saltmarsh occurs as far inland as Staffordshire, through to how to successfully use a pooter to collect ants (without inhaling live insects!).

Published in 2012, the first title in the series was Mushrooms by Peter Marren. Could you tell us more about how the British Wildlife Collection initially came about?

Yes, the series was conceived by Andrew Branson who founded and, for 25 years, ran the publication of the excellent British Wildlife magazine. I believe that Andrew’s intention was to produce a series of seminal books that would capture the essence of the magazine in terms of being informative, well-written and thought-provoking whilst providing the author the space to explore their chosen subject in detail and develop the overall narrative.

For anyone unfamiliar with the books from this collection, how would you describe them and who do you consider to be their intended audience?

The series covers all aspects of British natural history and we encourage our authors to cover elements of ecology, history, management, conservation and culture; in other words, to explore the human relationship with their particular subject. The books are written in a way that we hope appeals to a wide readership, from academics and conservation professionals through to enthusiastic amateur naturalists and people who simply want to know more about the British countryside and its inhabitants.

All the books in the series are incredibly well-researched and comprehensive. How long does it typically take to go from conception to publication for a single title?

It varies depending on the author and their other commitments, but I’d say it typically takes around three years from the date the contract is signed until the book hits the shelves. I think our record for the shortest time is 13 months (I won’t tell you the longest!).

The books are beautifully produced and printed and, without exception, are authored by the most well-respected experts in their field. It is no surprise that they have rapidly become collectors’ items for so many British naturalists. What do you think makes these monographs stand out from others of their type?

The series is relatively new and is still evolving, but our ultimate aim is to build an indispensable reference source on all aspects of our wildlife by commissioning some of our finest writers and leading experts to write accessible and engaging books that are then carefully designed to incorporate hundreds of carefully chosen photographs and illustrations to bring the text to life. We hope that our readers come away from them, as one reviewer put it, ‘better-informed than ever, but also hugely entertained’. Oh, and they each feature a beautiful specially commissioned cover artwork by the peerless Carry Akroyd.

Finally, are you able to give us any information as to what subjects we can expect to be covered in the next year or so, or is this a closely guarded secret?

Hedges by Robert Wolton is coming out in February this year, and beyond that we’re excited to be welcoming Peter Marren back to the series with a book entitled Rare Plants. He’ll be followed by Trevor Dines with Urban Plants and David Goode with Bogs.


All books in the British Wildlife Collection are available from nhbs.com. Please contact our customer services team if you would like to set up a standing order for this series – this will ensure that you automatically receive each new title as soon as it is published.

NHBS manufacturing – a year in review

2023 proved to be a pivotal year for the NHBS manufacturing team, one in which we enjoyed new and continued partnerships with key organisations, overhauled the NHBS Harp Trap with the aid of leading UK ecologists, and continued to refine our existing products. 

A glimpse into the manufacturing workshop at the NHBS offices in Totnes, Devon.

Fine tuning the NHBS Moth Trap 

Since its introduction in late 2019, the NHBS Moth Trap has been a consistent favourite with hobbyists and professionals alike. However, a manufacturing team consistently motivated to improve our products and with an ear to the ground for customer feedback resulted in an evolution of the trap in 2023. The new design is more robust, lighter and more cost-effective.  

By changing the design of the lamp support, our manufacturing team were able to reduce the amount of steel used, saving on both weight and cost. We also upgraded the material used for the moth trap panels to a more rigid and environmentally friendly material, constructed from 70% recycled plastic. Finally, our team developed a system that allows the NHBS Moth Trap to run off a 12V battery using an inverter kit. A full night’s trapping is now possible using a single battery. 

The NHBS Moth Trap was designed in consultation with Butterfly Conservation. NHBS is proud to support the excellent work they carry out with each sale of the trap. 

A Professional Hand Net frame in progress.

Nets for every occasion 

There is a sense of pride in the development of the iconic orange banded nets that NHBS produce. Without knowing it, you may have seen them in action on prime-time television shows including Springwatch and the BBC flagship series Earth that featured Chris Packham using an NHBS plankton net in the first episode.  

Our bestselling Professional Hand Net also forms a key part of the Riverfly Partnership approved survey kit. Our relationship with the Riverfly Partnership dates back to when NHBS originally acquired EFE & GB Nets in 2016, and we are pleased to further support the Partnership by making a donation to them with each sale of the kit. You can find out more about the great work the Riverfly Partnership are doing in our previous blog and on their website. 

Conservation research and monitoring 

At NHBS we are experienced in working with our customers to either develop or improve equipment for use in monitoring wildlife. Where necessary we seek out experts who can examine the design of the product and give feedback on improvements; not only to meet project requirements, but also to ensure the design is sympathetic to the wildlife that are subject to the equipment’s use.  

Early in 2023, we wanted to overhaul our Three Bank Harp Trap and so reached out to respected and experienced ecologist Neil Middleton of Batability. Neil and his team gave crucial feedback on the trap’s existing design and highlighted areas where improvements could be made. This allowed our manufacturing team to refine the design so that it maximised the safety of the bats that were caught, as well as making it easier for ecologists to use. By listening to the experts and users and making their recommended changes to the design, we now have a product that we are exceptionally proud of. 

A visiting team from LIST collaborate with NHBS engineers on the exciting NEWTCAM project.

NHBS manufacturing in 2024 

This year promises to be full of exciting developments, including the NEWTCAM project that NHBS is working on in collaboration with the Luxembourg Institute of Science and Technology (LIST).  As well as providing a novel approach to monitoring amphibians, NEWTCAM represents a very different type of technology for our manufacturing team, giving them a chance to learn valuable skills which can be utilised in future products. The first units are currently in production and will be made available to early users for field testing from spring 2024. 

At NHBS we are committed to finding the best materials and are constantly working to improve the sustainability of the production methods we use. If you have a project or product you think we could help with, please do not hesitate to get in touch using our contact form. 

Made in Britain Logo

We are also pleased to announce that we have been awarded the use of the Made in Britain logo for all product manufactured in our NHBS workshop in Devon.

Made in Britain logo showing the Union Jack flag and grey text saying 'Made in Britain'.

 

This week in biodiversity news – 5th February 2024

Climate crisis

The UK has approved 24 new North Sea oil and gas licenses in the face of significant criticism. The move angered many environmental campaigners and MPs who labelled the decision as “grossly irresponsible”. The government defended the move stating that the oil would be imported from overseas if it wasn’t extracted from the North Sea. Environmentalists have argued that granting the licenses will do relatively little to improve the UK’s energy security and undermines Britain’s move towards net zero emissions.

Oil drilling platforms in the North Sea by chumlee10 via Flickr.
Conservation

The National Trust has committed to recreating lost rainforests by planting 100,000 trees in North Devon. Temperate rainforests once covered vast swathes of western Britain, but the rare habitat declined due to historic deforestation and continues to face threats from air pollution, invasive species and diseases. It is now one of the most endangered habitats in the UK covering only 1% of Britain’s landmass mostly in Cumbria, Devon, Cornwall, North and West Wales and the West of Scotland. Exceptionally heavy rainfall and high humidity levels allow moisture-loving plants like mosses and lichens to thrive in these areas and the restored rainforest will be a haven for rare specialist plants that depend on this habitat.

Wistmans Wood, Dartmoor, Devon.
Wistmans Wood, Dartmoor, Devon by Steve Knight via Flickr.
Environment

Toxic run-off from roads has been found not to be monitored, according to the BBC. Rivers close to major roads have been tested by campaigners and have been found to contain a cocktail of chemicals and particles from the roads. National Highways has a statutory responsibility to make sure that discharges from its network do not cause pollution and the Environment Agency is responsible for monitoring water pollution in England. However, in response to a freedom of information request, the agency said that it did not regularly monitory run-off. Oil, chemicals and wear from tyres are washed down drains in heavy rain and subsequently flow into rivers and streams causing damage to sensitive aquatic ecosystems.

The government remains largely off track to meet its environmental targets, according to the Office for Environmental Protection (OEP). The OEP’s annual progress report concludes that while some progress has been made, the government is largely off track to meet both targets and legal obligations and that the government must speed up its efforts and implement policies quickly to bridge the gap.

Extinction risk

The Greater Glider is on course for extinction due to a controversial decision by the Australia’s New South Wales environmental watchdog, according to experts. The Environment Protection Authority (EPA) told stakeholders that it was scrapping measures that required a government-owned forestry corporation to search for Glider dens which currently have to be given a 50-metre logging exclusion zone. Experts have told the EPA in no uncertain terms that they are effectively locking in the Glider’s extinction. Greater Gliders rely on between six and 20 den trees for its habitat which is already under significant pressure due to summer bushfires and logging activity.

Great Glider in its den by Victorian National Parks Association via Flickr.
Science and discoveries

A new map has revealed that England’s hedges would wrap around the Earth ten times if lined up end to end. The map is the most comprehensive to date revealing a total of 390,000 km of hedgerows. Researchers from the Centre for Ecology and Hydrology used Lidar (Light Detection and Ranging) remote sensing data. They found that the South West of England boasted the largest share of hedges accounting for 24% of England’s total with Cornwall leading at the county level. Around half of Britain’s hedges were lost in the post-war period, and while losses have slowed since the 1990s, major threats to Britain’s hedgerows remain.

The birth of a Great White Shark may have been captured on video for the first time. Wildlife filmmaker Carlos Gauna and UC Riverside biology doctoral student Phillip Sternes were filming California’s coastal waters with their drone when they spotted something unusual. By enlarging the images from their video footage and putting it in slow motion, they realised a white layer was being shed from the body of a shark. They believe it was a newborn white shark shedding its embryonic layer.

The Big Garden Birdwatch: NHBS Staff Results 2024

Greenfinch perched on a piece of metal.

The RSPB’s 45th Big Garden Birdwatch took place between Friday 26th and Sunday 28th January 2024. This annual event is one of the largest citizen science wildlife surveys in the UK and helps us gain an understanding of how our garden bird populations are changing in abundance and distribution over time.  Over half a million people took part in last year’s event, recording a total of 9.1 million birds. House Sparrows took first place, despite a gradual 57% decrease in sightings since the first Birdwatch Count in 1979. They were closely followed by the Blue Tit and Starling. 

Although the Big Garden Birdwatch has finished, there is still time to submit your results on the RSPB website by the 18th February, or by post before the 13th February. Even if you didn’t see anything, it still counts! 

With birds being faced with an increasing number of challenges each year, it’s more important than ever to make your garden and outdoor space wildlife friendly. This can include installing bird feeders or tables which provide an important food source throughout the winter months when natural food sources are scarce., You can also provide clean, fresh drinking water in shallow containers such as bird baths or saucers, and install nest boxes for breeding in the spring. Also, don’t forget to regularly clean and maintain your feeders and baths as this helps stop the spread of disease. Head over to the RSPB website to find out more about how you can help your garden birds. 

A robin stood on top of a wet wooden fencepost.
Robin – Catherine Mitson

Results

As usual, many of our staff took part in this year’s Big Garden Birdwatch from their gardens or local parks across Devon, and we recorded a total of 129 birds and 22 different species. Compared to last years results, there was a 31% increase in sightings, while an additional nine species were spotted in this year’s count. The most sighted bird was the Carrion Crow, closely followed by the Blue Tit and Magpie. In comparison, the county’s top birds were the House Sparrow, Blue Tit and Starling.

Sabine took part in the event from her garden and spotted: 

3 Carrion Crow 

2 Wood Pigeon  

1 Robin  

2 Magpie  

1 Blackbird  

1 Song Thrush  

Common Wood Pigeon sat on a small wooden bird feeder house by a Silver Birch tree.
Wood Pigeon – Oli Haines

Oli took part in the event from his garden and spotted: 

3 Blackbirds 

2 Woodpigeon  

3 Jackdaw  

2 Blue tits 

1 Dunnock 

1 Great tit 

1 Robin 

1 Magpie 

1 Goldfinch

 

Adam took part in the event from his garden and spotted: 

2 Blackbirds 

6 Blue Tits 

1 Chaffinch 

2 Great Tits 

4 House Sparrow 

Photograph of a Dunnock sat on a wooden fencepost in a garden looking up at the sky about to fly off.
Dunnock – Oli Haines

Catherine took part in the event from her garden and spotted:  

2 Collared Dove 

2 Jackdaw 

4 Starling 

1 Woodpigeon 

 

Mark took part in the event from his local park and spotted: 

5 Parakeets  

12 Crows  

4 Magpies  

10 Herring Gull

Blackbird stood on a branch with trees and blue sky behind it.
Blackbird – Catherine Mitson

Elle took part in the event from her garden and spotted: 

2 Blue Tits 

1 Dunnock  

1 Grey Wagtail 

2 Wood Pigeon 

1 Magpie  

1 Great Tit 

 

Mal took part in the event from her local park and spotted: 

3 Carrion Crow 

1 Buzzard 

 

Daniel took part in the event from his garden and spotted: 

10 Chaffinch

7 Blue Tits

5 Long Tailed Tits

4 House Sparrow

3 Great Tits

2 Goldfinch

1 Coal Tit

1 Blackbird

1 Wren

1 Dunnock

1 Robin 

Female Blackbird stood on grass covered in leaves.
Blackbird – Catherine Mitson

We’d also love to hear what you spotted if you took part – let us know in the comments below.


The RSPB: 

For more information on UK garden birds, identification guides, the 2024 Big Garden Birdwatch, past results and more, please visit the RSPB website. 

Meet the new Song Meter 2 ultrasonic and acoustic recorders

Wildlife Acoustics are renowned for their attention to customer feedback which they use to refine their products and ensure they are of the highest quality.  It also means their products are some of the easiest and most flexible to use which makes them favourites with researchers around the world.

The latest additions to their range are the second-generation Song Meter Mini 2, Mini Bat 2 and Micro 2. In this blog you’ll find out exactly what’s new in these improved models and which of the original excellent features have been retained.

What’s new?

Increased battery life

• The Mini 2 with AA batteries will now record for up to 625 hours (when using 8 x AA batteries). This is more than twice the amount of the original Song Meter Mini.

• The Mini 2 with Lithium-ion batteries offers up to an incredible 1,565 hours of recording time, making it ideal for use in difficult to access locations.

• The Micro 2 will now record for up to 240 hours with just 4 x AA batteries – a huge 33% increase over the original Micro.

 

Improved weatherproofing

All Song Meter units are now tested to IP67 standards. This means that, not only are they protected against typical weather conditions, they can also be dropped into water up to a meter deep for 30 minutes without any water ingress. Perfect for the toughest conditions in the field.

New hinged enclosure

The casing has been completely redesigned so that the lid is hinged to the body and opens using a simple latched mechanism. With purposely designed holes to fit cable locks and/or padlocks, you can leave your equipment unattended, safe in the knowledge that your recorder is secure and cannot be accessed by anyone else.

New tripod mount

Further flexibility in siting has been achieved by the addition of a standard tripod mount. The Mini 2 and Micro 2 can now be quickly and easily attached to any item that has a standard tripod connector.

What has stayed the same?

All the Song Meter second-generation recorders still include a low-noise microphone that produces high-quality sound files. The same companion app, available for iOS and Android, is used to programme the recorders, ensuring that you can quickly and easily update them with your existing recording schedules. Finally, all recorders come with the same 2-year warranty, offering you peace of mind when you buy.

Head to nhbs.com to see the full range of Song Meter 2 recorders and associated accessories, or contact our customer services team for advice on choosing the product that’s right for you.

Free Webinar: Cold Weather Soundscapes; from Arctic Coasts to Alpine Valleys

Cold-Weather-Webinar_800x300_2024-01-10-151956_zlmv

Researchers are using bioacoustics to study how animals in cold-weather environments hear and process sound, why they vocalise, and whether acoustic tools can help mitigate conflicts. Meanwhile, artists are documenting the impact of climate change, recording the sound of melting glacial ice to curate immersive exhibits.

How are their efforts drawing attention to fragile ecosystems? Find out at the Wildlife Acoustics FREE webinar at 3pm (GMT) on 8th February!

Click here to register your place.

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The Cry Wolf Project: Bioacoustics & Carnivores in Yellowstone National Park

Come and learn about how bioacoustics are being used to study wolf vocalisations in the remote and often wintery locations of Yellowstone National Park. We’ll cover the use of wildlife recorders for studying the function of wolf vocalisations, generating population estimates, and mediating wildlife-livestock conflicts. We’ll also demonstrate how Kaleidoscope Pro classifiers were used to find wolf vocalisations in large recording datasets. Most importantly, we’ll have fun listening to never-before-heard wild wolf sounds, recorded non-invasively in 2023.

Un Suono in Estinzione (A Sound in Extinction) – Adamello Glacier, Italian Alps

Hear the results of an experimental research project aimed at monitoring the implications of climate change on Alpine glaciers through the analysis of sound expressed in educational, artistic, and scientific activities. Un Suono in Estinzione (A Sound in Extinction) began in 2020 with researcher and sound artist Sergio Maggioni, around whom a team of professionals from different fields was created in a short time. Learn about the results of this fascinating bioacoustics project and its inspiration.

Acoustic Sensory Ecology of Diving Alcid Seabirds & Potential Noise Impacts

Alcid seabirds like the Atlantic Puffin are important components of holarctic coastal ecosystems and may derive important acoustic cues from the surrounding natural soundscape. As people increasingly utilise Arctic coastal areas, it is essential to characterise these soundscapes as a baseline for understanding seabird acoustic biology so that we can quantify the effects of human activity on their acoustic ecology over time. Learn how passive acoustic monitoring was used to document and describe the aerial soundscape dynamics of puffins and other Alcids seabirds such as Common Murres and Marbled Murrelets, and explore how these soundscapes may be related to their acoustic sensory biology.

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PRESENTERS

Jeff Reed, PhD
CEO | Grizzly Systems
Montana, United States

Jeff Reed, Wolf Researcher

Jeff Reed was born and raised in the Greater Yellowstone Ecosystem in southwest Montana, United States, and owns Reedfly Farm in Paradise Valley, Montana. After obtaining a PhD in computational linguistics and history, Jeff spent 30 years in the technology industry, working on linguistics and artificial intelligence solutions, and now builds visual and audio tech solutions for wildlife managers. He is an executive committee member of the Upper Yellowstone Watershed Group and Wild Livelihoods, promoting the coexistence of people and wildlife (though he considers people wildlife, too!).

Sergio Maggioni (NEUNAU)
Lead Artist | Un Suono in Estinzione
Adamello-Presanella Alps | Lombardy, Italy

Sergio Maggioni (aka NEUNAU), Researcher and Artist

Sergio Maggioni is the mastermind behind NEUNAU, an artistic sound research project born in Val Camonica, Italy, in 2015. The artist’s namesake is engraved on a rock in Loa, a place of worship from the Iron Age. NEUNAU’s investigations begin with the details a sound source expresses, first capturing and then exploring the sound to compose audio tracks, documentary films, specific performances, and installations that tell the story of the sound’s origins. In 2020, Sergio became the lead artist of Un Suono in Estinzione (A Sound in Extinction), an experimental research project that monitors the implications of climate change on Alpine glaciers through sound analysis in collaboration with universities, institutions, and partners.

Adam Smith, PhD
Postdoctoral Investigator | Dept of Biology Marine Bioacoustics
University of Southern Denmark | Syddanmark, Denmark

Adam Smith, Alcid Researcher

Adam Smith, PhD, grew up in a small town in South Dakota, United States, but became fascinated with the ocean and marine biology through National Geographic magazine articles and Discovery Channel documentaries. As an undergrad, he volunteered to help with research projects on acoustic communication in frogs. This experience hooked him on studying bioacoustics, a field that naturally combines his two great interests: music and nature. In 2011, Adam received his PhD in Zoology from the University of Hawaii at Manoa, where he studied hearing and echolocation in marine mammals. He then spent the following year on a Fulbright Fellowship studying the acoustic sensory ecology of Atlantic Puffins in Iceland. Adam is currently a postdoctoral investigator at the University of Southern Denmark, where he continues to research seabird acoustics and studies the auditory dynamics of biosonar in toothed whales.

Author Q&A with Derek Gow: Hunt for the Shadow Wolf

Renowned rewilder Derek Gow has a dream: that one day we will see the return of the wolf to Britain. As Derek worked to reintroduce the beaver, he began to hear stories of the wolf. With increasing curiosity, Derek started to piece together fragments of information, stories and artefacts to reveal a shadowy creature that first walked proud through these lands and then was hunted to extinction as coexistence turned to fear, hatred and domination.

With bitingly funny but also tender stories, Hunt for the Shadow Wolf is Derek’s quest to uncover the true nature of this creature because, as we seek to heal our landscape, we must reconcile our relationship with it. Before we can even begin to bring the wolf back, we need to understand it.

Derek recently took time out of his busy schedule to talk to us about Hunt for the Shadow Wolf, including how his fascination with the wolf began, what role it could play in Britain’s landscape and more.


As well as being packed with personal stories and fascinating snippets of wolf biology and behaviour, Hunt for the Shadow Wolf is an incredibly well-researched history of the wolf, told through the myths and legends that abound throughout our lands. How and when did your fascination with the wolf and its history in Britain begin? 

Hunt for the Shadow Wolf Chapter 3 sketch. if a wolf baring its teeth in a graveyard.

My personal interest in the wolf story began early. I remember quite clearly my grandmother, who was a slight, erect, sprightly soul, telling both myself and my bored brother on a long car journey to Dundee the story about a place called wolf clyde which was near to where we lived in the Scottish borders at that time where the last wolf in Scotland was killed. It was just nonsense about a woman with children being attacked by the wolf which she brained in response with a pancake griddle, but nevertheless it began a slow smoking interest in the old myths which given the opportunity I was keen to explore further.  

Why do you think that an understanding of the historical culture, myths and legends surrounding a species has relevance to its conservation and role in our ecosystems today? 

A factual understanding of the history of this much maligned species in Britain is very important as the lies we made up in the darkness of our ignorance to try to twist the cultural character of the wolf into one of loathing and repulsion still sway the responses of a phenomenal number of individuals and organisations to this day. Despite the very best of our advanced understandings of what wolves are and what they do, this toxic taint is still bubbling strongly.  

Hunt for the Shadow Wolf Chapter 6 sketch of a wolf baring its teeth at a woman who has a sword in her hand and is trying to protect her sheep from an attack.Even in children’s tales, the wolf invariably represents a character of fear, violence and threat. Do you think these types of stories have a significant role to play in the development of our feelings towards wolves as adults? 

Absolutely as they reflect only the darkness in the minds of the adults who wrote them and by so doing chose to corrupt a bad reputation without thinking into an even darker evil to infect the minds of the young. Nowadays it’s gratifying to see in so many good environmental centres throughout Europe, within the wolves expanding range, more understanding and compassionate explanations about both their history and the reality of living with them.

Britain is in a unique position compared to mainland Europe in that wolves will never be able to repopulate of their own accord. Do you think that a reintroduction project will ever occur, and what are the key challenges that stand in its way? 

I think we should reintroduce the wolf and prepare the way for even more of our lost beasts. Farming has had it all its own way without balance of any sort. If a species gets in our way, we kill it. It’s what we are doing to badgers right now. In the past we inflicted so much heartbreakingly visible cruelty. Now, we destroy on a scale that’s colossal without thinking about the smallest of creatures and those tinier still that inhabit the soil. It’s a viciously unnecessary process.

Eurasischer Wolf sniffing a moss covered rock, taken by C Bruck.
Eurasischer Wolf (Canis Lupus) by C. Brück

What role do you think the wolf could have in healing the landscapes of our currently denuded Britain? 

I think they would both move deer considerably and by doing so disrupt their grazing patterns for the betterment of forest understory regeneration. I think they would make those that keep sheep consider their worth and then, if these animals are of value, protect them better. I think their very presence, wild but unthreatening, would more than that of any other creature enable all of us now living on this island to establish, if we wished to do so, our relationship with the natural world.  

As well as travelling widely to locations where wolves live in the wild, you have also had the incredible experience of hand-rearing wolves in a wildlife centre. What is your most memorable first-hand experience with a wolf or wolf pack? 

Naida, one of my tame cubs, ate my car keys. I only had one set and had to wait for what seemed an eternity for them to pass through her before picking my way through her enormous turds to get them back.

Title page for Hunt for the Shadow Wolf showing a map of Great Britain with different wolf locations labelled across the country.Finally, what is occupying your time this winter? Do you have plans for more books? 

Lots of things. The last of bits of farming feeding my cows. Dog walks and avoiding the rain. Trying to develop a foundation to help us breed even more threatened British species for reintroductions. And books? Well, on long dark evenings I have been researching the intriguing history of the European Bison. not the bits of sadness that brought the species to its knees in the early 20th century, but the complicated individuals who for a time held its future in the palms of their hands. Great characters like the 11th Duke of Bedford, who assembled breeding herds of threatened species on his Woburn estate, and tyrants like Hermann Goering, who used slave labour to create vast parks within which he hunted. It’s an intriguing slant that’s little known but it saved the species for a time when the world for them has become a better place where they can roam in peace, a range that is vast. There might be a book in that!! 


Explore other titles by Derek Gow here.

Supplier interview with Fran Tattersall from Wildlife Acoustics

Wildlife Acoustics creates world leading wildlife acoustic monitoring tools, specially designed to help scientists make impactful discoveries that expand our understanding of this biologically diverse planet.

A passionate and innovative group of technologists, operational experts, wildlife enthusiasts and conservationists, they have a zeal for helping their customers succeed in their research —understanding their needs and creating wildlife audio recording and analysis tools specially designed to help them conduct research across the globe.

We recently chatted with Fran Tattersall about the history of the company, their latest products, and the incredible ways that they are enabling researchers to collect vital data.

Fran works as the European Business Development Consultant for Wildlife Acoustics and is passionate about the environment and conservation. She is incredibly knowledgeable about the company and their products, and we were grateful to her for taking time out of her busy schedule to answer our questions.


Could you tell us about the history of Wildlife Acoustics? What inspired its creation?

Wildlife Acoustics was founded by Ian Agranat, an engineer, technologist, and nature enthusiast who is still the company’s CEO.

On a family hike in the early 2000s, Ian’s brother-in-law wondered aloud about creating a device for recording and identifying birds by their songs. Wildlife Acoustics’ first product, Song Sleuth, was launched shortly thereafter. Long before we were familiar with such tools, Song Sleuth used AI to identify North American bird species by their calls!

The US Geological Service was intrigued by the possibilities and asked Ian to develop a reliable, programmable recorder and software to help identify bird calls. This led to the invention of the Song Meter SM1, the first commercially available, built-for-purpose acoustic wildlife recorder, and the Song Scope software. Biologists now had a fully integrated, cost-effective, weatherproof solution for monitoring and analyzing the vocalizations of birds, amphibians, and terrestrial animals. (The first SM1 is still in the field today!)

Can you tell us more about the people that use Wildlife Acoustics’ products and what they use them for?

We have products for anyone who wants to record vocal wildlife, bats, or soundscapes!

Our recorders and sound analysis software are used for research projects at universities and NGOs around the world. For example, Bat Conservation International used a Song Meter SM4BAT-FS to re-discover the Hills Horseshoe bat in Rwanda—an endemic species once thought to be extirpated.

Song Meter recorders are also used by ecological consultancies working on everything from large infrastructure projects, such as HS2 and wind farms, to individual householders replacing their roofs.

Our Echo Meter Touch 2 bat detector, which allows people to use their Android devices to hear bats echolocating in real time, has been particularly popular with the general public and is a great engagement tool on bat walks. More recently, our Song Meter Micro has gained popularity with birders who want to record nocturnal migration flyovers.

What are some of the most interesting ways you have seen Wildlife Acoustics’ products being used?

In February, we will be hosting a webinar on the use of our recorders in cold places, and one of the speakers is monitoring glaciers with a Song Meter SM4. I’m looking forward to learning more about that!

More usually our recorders are listening to wildlife. Mammals are my personal favourite species group. We have people recording Maned Wolves, Manatees, elephants, Okapi, moose, Rock Hyrax, and many more.

Interestingly, it’s not just bats that use ultrasound to communicate. Our “bat” recorders have been instrumental in finding and monitoring the invasive White-toothed Shrew in northeast England and discovering that Indonesian Slow Loris use ultrasound to avoid predators. We even have a customer who records lab rats “laughing” when tickled.

Our customers are always finding fascinating new ways to use our equipment!

The new Song Meter Mini 2 and Song Meter Micro 2 are due to be launched soon. How do the new versions compare to their predecessors?

We’ve listened to customer feedback and improved the enclosure, extended battery life even further, created separate AA and Li-ion versions (18650 batteries) for the Mini 2 and the Mini Bat 2, and added a quarter-inch, 20-thread-per-inch tripod mount.

The ergonomics of the closure mechanism have been improved, using a hinged lid that can be secured with a simple cable lock. No more having to keep track of a separate lid. And the whole thing is now IP67-rated and built to withstand even the most rugged terrestrial deployments.

AA battery life has been significantly improved thanks to a larger battery tray that doubles the capacity from four to eight batteries. So for a Mini Bat 2, that means up to fifty 10-hour nights of recording, and for a Mini 2, it’s 420 hours of acoustic recording! (And best of all, the price of the AA versions remains the same.)

On the Micro 2, in addition to housing improvements, we improved the design by making room for an additional AA battery, which extends recording time by 33 percent.

Which of the new products is your favourite and why?

I enjoy exploring the new science of acoustic indices and soundscape analysis and am looking forward to using the Song Meter Micro 2, which has a flatter frequency response than its predecessor, making it eminently suitable for this type of work.

It’s also a great little device to take on wildlife holidays because it is so small—perfect for recording dawn choruses, nocturnal soundscapes, and finding that elusive bird. It’s always exciting to look at the contents of your SD card in the morning and hear what’s been around!

What can you tell us about plans for new features or products in the future?

Only that we’re not resting on our laurels. Our engineers are working on new ideas all the time, and NHBS will be the first to know when we’re ready to make announcements!


All of Wildlife Acoustics’ products are available at nhbs.com. For more information or advice tailored to your specific requirements, please contact us and speak with one of our technical advisors.