Author Interview – Page 10 – Hoopoe

Author Interview: Mike Toms and Garden Birds

The latest addition to the New Naturalist series is a timely study of the ways in which birds use our gardens. Garden birds provide a connection to nature and wildlife and a huge increase in the use of feeders and nest-boxes is a testament to their value. Author, Mike Toms has worked with the BTO since 1994 and his work on projects such as the Garden BirdWatch scheme makes him the perfect author for Garden Birds

Mike Toms has taken the time to signed a limited number of first editions hardbacks of Garden Birds and answer a few questions about his work for the BTO and his interest in garden birds.

Can you tell us a little about your background and how you got interested in garden birds?

When I joined the BTO back in 1994 I had been working on owls, hence the earlier New Naturalist volume on the subject, but after working on a range of topics I took on the BTO’s Garden Ecology Team in 2001. Over the following years, through long term projects like BTO’s weekly Garden BirdWatch and the seasonal Garden Bird Feeding Survey, plus some one-off targeted surveys, our team began to explore how birds use gardens and the resources that they provide. This work, which in more recent years expanded to examine the impacts of diseases, such as trichomonosis and paridae pox, and the broader urban environment, has resulted in a great deal of new information, much of which is presented in the book. Gardens have always fascinated me because they are the place where people most often encounter elements of the natural world. Garden birds are common currency for conversation for many people, just like football or music are for others. This means that we have an opportunity to understand birds lives through citizen science surveys, and to inform decisions about how we garden and how we shape our urban environments for their benefit.

What are the biggest changes to populations and distributions of garden birds within the last ten or twenty years?

As our recent paper shows, the communities of birds using garden feeding stations have changed dramatically since the 1970s, when we first started monitoring them through BTO surveys. The provision of a growing range of foods now presented at garden feeding stations has increased the diversity of birds visiting, with feeders no longer dominated by just a handful of species. Changes to feeder design have also played their part, providing access to species that were previously unable to take advantage of them. Long term figures, viewable on the BTO Garden BirdWatch and Garden Bird Feeding Survey (GBFS) web pages reveal the winners and losers over time – GBFS data show the long-term decline of House Sparrow and increase of Woodpigeon particularly well. Perhaps the most dramatic change has come from the emergence of finch trichomonosis, a disease that brought about the sudden collapse in Greenfinch populations. We have been able to monitor the emergence of this disease, and its impacts at a population level, thanks to those who participate in BTO surveys.

What single thing or activity can be a hinderance to birds living in, or wanting to live in gardens?

Gardens include both opportunities and risks for wild birds and it would be wrong to single out a single factor, not least because the system is fundamentally more complex than this. We need to remember that gardens are an artificial environment, and it is the opportunistic and generalist species that tend to do best in them. As the book explores in its early chapters, the garden environment can alter bird behaviour, breeding ecology and survival in many different ways.

What role can citizen science play in surveying and monitoring garden birds?

Citizen science is absolutely central to the work being done to survey and monitor garden birds. Gardens are private in their ownership, so if we want to find out what is happening within them then we need to involve the owners of those gardens in collecting the information needed. Through BTO surveys like Garden BirdWatch we have been incredibly successful in this, but as the recent Gardenwatch projects – carried out in partnership with BBC, Open University and BTO – have shown, there is a huge army of citizen scientists out there, willing and able to help us increase our understanding of birds and the garden environment.

While writing your book; was there one surprising fact or discovery that you didn’t previously know that you’d like to tell us about?

There was an interesting study of House Sparrows breeding on an off-shore island that surprised me in its relevance to how birds cope with the built environment. We know that background noise can impact on urban birds, and indeed those living close to airports and roads, but it can be difficult to test such impacts experimentally. The House Sparrows breeding on this island varied in their breeding success, with pairs nesting close to the island’s generators showing reduced breeding success. The noise from the generators reduced the ability of the parent birds to respond to the food begging calls of their chicks, reducing the amount of food provided and lowering chick survival. The generators only ran for part of each day, so the researchers were able to prove the impacts of the noise by watching how provisioning rates changed depending on generator activity.

What are your hopes for the future for garden birds?

There is still a great deal that we need to understand about birds living within the built environment. We need, for example, to understand the impacts of urban living on birds (and other wildlife) so that we can minimise the impacts that planned towns and cities have on biodiversity, but we also need to better understand the impacts that providing supplementary food has on their populations. Evidence relating to the latter is mixed, with some work showing negative impacts on wild birds and some showing positive benefits. Given the scale of food provision in the UK, this is something that we urgently need to address

Do you have any new projects in the pipeline that you’d like to tell us about?

I am currently working with YOLOBirder on a project that is seeking to raise funds for BTO and RSPB research into red-listed Birds of Conservation Concern. The book brings together an artist and a writer for each of the 67 red-listed species. As well as contributing a text, I am putting the book together and, with luck, it should be out in time for Christmas.

Garden Birds: New Naturalist Series Volume: 140
Hardback| July 2019| £52.99 ~~£64.99~~ (limited signed copies)
Paperback| July 2019| £27.99 ~~£34.99~~

We have a limited number of signed, first edition hardbacks, allocated on a first-come-first-served basis, so order now to reserve your copy.

Author interview – Dave Goulson

Dave Goulson is a Professor of Biology at the University of Sussex and nature writer, with a particular passion for bees. Bee Quest and A Buzz in the Meadow were bestsellers, and his latest book, The Garden Jungle is all about the wildlife that lives with us: in our gardens and parks, between the gaps in the pavement, and in the soil beneath our feet – an insight into the the wildlife that lives right under our noses.

Dave visited NHBS to meet the team and sign a few copies (now sold out) of The Garden Jungle. He also answered a few questions about the inspiration behind his new book and his hopes and ambitions for the gardens of Britain.

How did your interest in the natural world begin?

I’ve no idea! I have been somewhat obsessed by wildlife, particularly by insects, for as long as I can remember. When I was only five or six years old I remember collecting cinnabar caterpillars from the weeds on the edge of my school playground and rearing them up on my bedroom windowsill in jam jars. I never grew out of my interest, and have been lucky enough to find a way to make a living out of it.

2. Could you tell us a little about the research that went into writing The Garden Jungle?

I’ve been both gardening and studying insects for all of my adult life. The two go hand in hand, for if you grow the right plants, and garden in the right way, you can attract all sorts of insects to your garden. I’ve often done my scientific experiments from home, for example studying bee behaviour and the flowers that they choose. I also try out many of the techniques that are said to help wildlife for myself; my garden is full of more than twenty homemade bee hotels, two ponds, nine compost heaps, four or five log piles, a wildflower meadow area, half a dozen ‘hoverfly lagoons’ and more.

3. What fauna and flora gives you the most pleasure to see in your garden?

It is hard to beat the excitement of seeing the first brimstone butterfly of the year, a flash of bright yellow usually seen on the first warm day in late February or March, a sure sign that spring is coming. But bees are my real obsession, particularly bumblebees, colourful, furry, and endearingly clumsy insects that bring the flower borders to life with their buzzing activity.

4. Are you a keen gardener yourself?

I love gardening. When I’m not at work or asleep, I am somewhere in my two acre garden in the Sussex Weald, growing veg, fruit and flowers, and looking after the birds and the bees. It is my own little piece of heaven.

5. Have there been any changes over the past fifty years – either for the benefit or to the detriment of wildlife in the way people view their gardens?

There has certainly been a great increase in interest in encouraging wildlife into our gardens, for example via bird feeders, tit boxes, bee hotels and by planting bee-friendly flowers. Many of us believe that gardens can be places where people and nature live in harmony. On the other hand there have been many detrimental changes too; Astroturf lawns, decking, hard paving, and a huge increase in the number of chemicals available for use. Gardening has become big business; nowadays many people’s idea of gardening is to drive to some vast garden centre and fill the back of their car with annual bedding plants grown in peat-based composts, drenched in pesticides and sold in disposable plastic pots. There is nothing green about that approach to gardening.

6. If someone wanted to link gardens together for the benefit of wildlife, what would be your advice to enlist the neighbourhood’s cooperation?

Often the best way to convince people to change is to show them the alternative. If your garden is wildlife-friendly, invite your neighbours round for a coffee and show them the butterflies nectaring on flowers, the bees busy stocking their bee hotel, and the flowers in your not-too-tightly-mowed lawn. Offer them some seeds or cuttings of bee-friendly flowers; I give comfrey roots to anyone willing to grow them, it is one of the very best plants for bumblebees and I’m trying to encourage everyone to have a clump of it somewhere.

7. Do you have any new projects in the pipeline that you’d like to tell us about?

With colleagues at Sussex University I recently launched the Buzz Club, a nationwide organisation which is working with the public to do experiments to test interventions for garden wildlife. For example, we are asking people to test out creating a ‘hoverfly lagoon’, miniature ponds intended to provide homes for the offspring of some types of hoverfly. Find out more here: https://www.thebuzzclub.uk/.

Signed copies

A very limited number of The Garden Jungle, signed by Dave Gouslon are available from NHBS. *Signed copies are now sold out*

The Garden Jungle
Hardback | July 2019| £14.99 ~~£16.99~~

The wildlife that lives right under our noses, in our gardens and parks, between the gaps in the pavement, and in the soil beneath our feet.

Discover other titles by Dave Goulson, on special offer until the end of August 2019

Bee Quest
Paperback | April 2018
An endearing account of the search for rare bees. – The Observer £7.99 ~~£9.99~~

A Buzz in the Meadow
Paperback | April 2015
A fascinating look at the insect world found in one field in France – NHBS
£7.99 ~~£9.99~~

A Sting in the Tale
Paperback | April 2014
A very readable introduction to the remarkable world of bees and bee conservation. – Good Book Guide
£7.99 ~~£9.99~~

All prices correct at the time of publication.

Author interview: Simon Barnes

When writer Simon Barnes heard a Cetti’s Warbler sing out at a house viewing, he knew immediately that he had found his new home. Their new garden backed onto an area of marshy land which he and his wife purchased and began to manage it as a conservation area, working with the Wildlife Trust to ensure it became as appealing as possible to all species.

On the Marsh is his account of a year spent surrounded by wildlife. Part memoir, part nature guide, this is a vivid and beautifully written account of the wonders that can sometimes be found on our doorsteps, and how nature can transform us all.

We asked Simon a few questions about the inspiration behind writing his new book and his hopes and ambitions for the wildlife of Britain.

1. Can you tell us a little about your background and how you got interested in the natural world?

I received David Attenborough’s Zoo Quest for a Dragon as a junior school prize, the Natural History Museum every Saturday and the trees of Streatham Common to climb. After education and four years on local papers I ran away to Asia, when I worked as a gonzo journalist and re-found my taste for wildness.

I returned home and started writing about sport and wildlife, with columns in The Times on both subjects; I was chief sports writer for 12 years. I have written a number of books on wildlife, including the Bad Birdwatcher trilogy.

2. What was your inspiration to write a more auto-biographical work than your previous books?

I suppose it was the marsh itself. I wanted to write, not just about the few acres of Norfolk marshland we are lucky enough to own, but also about living with the place: sharing it: being a part of it.

I started writing with that idea in mind: and at once, my younger son Eddie made an entrance. I hadn’t really planned that, but he and I spend a lot of time out there, so it had to happen, I suppose. He’s just turned 18 and has Down’s syndrome. I started off wanting to write about vulnerable places: I ended up writing about vulnerable people as well.

3. Do you believe intervention in the form of land management is important to keep places like the marsh just as they are?

In land-management, doing nothing is a powerful form of action. Mostly I have left the marsh do what it wanted, but I have made sure the dikes are kept cleared and some trees have been cut down. I now manage an adjoining few acres rented from the parish: I am trying to keep this place open with the help of a local grazier. Nice contrast.

What’s natural? What’s unnatural? What’s imposed? Sterile questions: what matters is life.

4. The Barn Owl is often described in your book; would you say that it was the totem species on the marsh, or would you give that accolade to something else?

I am slightly surprised by this question, because so far as I am concerned, the marsh harriers steal the show. Marsh harriers: extinct as breeding birds in this country in the 19th century, making a comeback after WW1, then reduced in 1971 to a single pair – and now they skydance and hunt and food-pass over our bit of marsh: the powered flight just above stalling speed, the long glide with the wings held in that dihedral, and above all, the sense of ownership… because the marsh harriers own the marsh. I have the immense privilege of looking on.

5. While observing the marsh, was there one surprising fact or discovery that you didn’t previously know that you’d like to tell us about?

I was given a moth-trap for my birthday. I am pretty ignorant about moths, but on the first day I used it, the first moth I found was the moth on the cover of my moth ID book: an Elephant hawk moth, big enough to count as an honorary bird. So I read it up: and apparently it’s common. Well, maybe so: not commonly seen. It was a classic through-the-wardrobe moment.

6. What are your hopes for the future of such special and bio-diverse places?

My hope for the future is that they have one. I have long given up optimism, because I’m not daft, but pessimism is no way to live. Will we win the battle? Or will we lose? Such questions no longer matter. What matters is fighting on the right side.

7. Do you have any new projects in the pipeline that you’d like to tell us about?

I’m working on a big fat book called A History of the World in 100 Animals. It’s about the interface between human and non-human species: starting with Lion (we humans were originally a prey species), moving on to domestic cat (did we take them into our home because they purr?) and then to Gorilla (did you know there were just 46 years between King Kong terrorising New York and David Attenborough romping with Gorillas in Rwanda? That’s revisionism for you…). After that, Galapagos Mockingbird, American Bison, Oriental Rat Flea… you get the idea.

On the Marsh: A Year Surrounded by Wildness and Wet
Hardback | June 2019| £13.99 ~~£16.99~~

How the rewilding of eight acres of Norfolk marshland inspired a family and brought nature even closer to home.

All prices correct at the time of publication.

Author Interview – Stephen Rutt

In this moving and lyrical account, Stephen Rutt travels to the farthest corners of the UK to explore the part seabirds have played in our story and what they continue to mean to Britain today. From Storm Petrels on Mousa to gulls in Newcastle and gannets in Orkney, The Seafarers takes readers into breath-taking landscapes, sights, smells and sounds, bringing these vibrant birds and their habitats to life.

To get to know Stephen Rutt and his new book, we asked him a few questions on his inspiration, advice and some interesting facts he’s discovered on his journey while writing The Seafarers.

Can you tell us a little about your background and how you got interested in seabirds?

I’ve been birding since I was 14. I grew up with two dominant interests: birds and books. Circumstances funnelled me towards studying literature and after university I was unhappily living in London with a job I didn’t enjoy. When I was 22 I saw an opportunity to get out, by volunteering at the bird observatory on North Ronaldsay, the northernmost of the Orkney islands. I was expecting to fall in love with migratory birds, but found myself in one of the slowest, least-exciting springs for them. That focused my attention instead on the unfamiliar terns, the tysties (black guillemots) and fulmars. I fell in love with seabirds there. The Seafarers is my love letter to them.

2. If anyone wanted to observe or study seabirds themselves, what would be your advice to getting started.

Britain is brilliant for seabirds. Even if you can’t get to the coastline, there are kittiwakes – a proper sea-going gull – nesting in Newcastle city centre, and terns migrating overland. If you can get to the coast then there will be a colony of something not too far away, whether it is terns or fulmars or gannets or auks. Find a place and a species that suits you and spend some time watching – it’s a heady, hypnotic, fun thing to do. Some books will help. The Collins Bird Guide is a great field guide to help you work out what you’re looking at, particularly with the tricky common/Arctic tern, and a book like Shearwaters by R. M. Lockley will guide you through the thought processes and the joy of observation. If anyone reads The Seafarers and is inspired to go birding or seek out a seabird, I will consider it a success.

3. Seabirds face many threats to their survival; in your opinion, what is the number one threat they face?

Climate change. Plastic pollution is an obvious and alarming threat, but I fear it is easy to be distracted by a problem that’s much more visible, emotionally involving, and straightforward for individuals to have an effect on. Global warming threatens everything: not just the birds but the eco-systems they live in. It is not an original thing to say, but it is the number one threat with which we live. Problems are amplified by apathy. I wrote the book to bring the sight, the sound, and the smell of the species and landscape to the reader. I want people to fall in love with seabirds like I did.

4. Each chapter tends to focus on a different seabird; are you able to say which bird had the most profound effect on you?

Fulmars. I had been travelling the best part of 24 hours by public transport (two trains, four buses), when I finally got the ferry across to St Margaret’s Hope on the Orkney archipelago. It was blowing a gale and I was worried about the flight to North Ronaldsay being cancelled, stranding me in an unfamiliar place. I stood on the deck anyway, clinging to the handrail, fulmars carving up the breeze, turning it into their plaything. Their ability at flying elegantly in the strongest winds is exceptional. The wind continued for my first few days on North Ronaldsay. Fulmars were everywhere. At times they were close enough that it felt like I could reach out and touch them (though obviously I didn’t!). That was glorious. They were my welcome committee and they made the transition feel like absolutely the right thing to do.

5. While writing your book and observing seabirds; was there one surprising fact or discovery that you didn’t know previously that you’d like to tell us about?

I learned so much while researching the book, both how astonishing seabirds are and the distressing effects we are having on them. But let’s be optimistic! One of my favourite discoveries was in relation to the Arctic tern that were GPS tagged on Northumberland’s Farne Islands. It took the birds just a month to migrate to the sea off the coast of South Africa’s Cape of Good Hope. It took them just a month to return from there in spring, as well. The speed and the distance they are capable of is just incredible.

6. What are your hopes for the future of seabirds?

That they have one – which is depressing but true. Beyond that, I hope that we can take their conservation seriously, and that they can thrive as we continue into the Anthropocene, and a future of plastic pollution and global warming.

7. Do you have any new projects in the pipeline that you’d like to tell us about?

I do! I have just finished my second book. It’s about geese, winter, and the twin pull of Scotland and East Anglia and should be published this autumn by Elliott & Thompson. In the meantime, I’m looking forward to going birding again.

The Searfarers: A Journey Among Birds
Hardback | May 2019| £14.99
Takes readers into breath-taking landscapes, sights, smells and sounds, bringing these vibrant birds and their habitats to life.

You can discover more about the lives of seabirds, shorebirds and wildfowl by browsing our complete selection.

Author interview: Peter Marren

Written with Peter Marren’s usual wit and insight, Emperors, Admirals & Chimney Sweepers takes you on a journey back to a time before the arts and science were divided. When entomologists were also poets and painters, and when a gift for vivid language went hand-in-hand with a deep pre-Darwinian fascination for the emerging natural world.

Peter took the time to answer some of our questions about his new book and the origin of butterfly and moth names.

Tell us a little about your background and how you got interested in the etymology of species names?

I’m a natural history writer (in the sense that I’ve written a lot about natural history) with a background in nature conservation in Britain. I’ve loved butterflies and moths since boyhood, and I suppose I must have realised even then that many of them have unusual names. What the hell was an eggar? Or a lutestring? Probably like most people I didn’t think too much about it – weren’t names just labels? – until, out of curiosity, I went into the name of the Red Admiral, Vanessa atalanta, and discovered a real Vanessa and a real Atalanta. And then I realised that even Latin names weren’t randomly chosen but had a particular resonance with that particular species. Names hid a whole new world of allusion, poetry and wordplay. I discovered that those who named our Lepidoptera, in English and Latin, were equally educated in the arts and the sciences. They knew their myths, and they knew about colours and designs, and they were completely fascinated. I feel a strange empathy with that vanished world.

What was the original inspiration behind Emperors, Admirals & Chimney Sweepers?

It started as a kind of sequel to my book Rainbow Dust, about how and why butterflies and moths inspire people. Names were confined to a single chapter in that book, but there was so much more to say, not only about the names themselves but the social ambience that spawned them: the world of Georgian London with its clubs and field excursions, its gorgeous illustrated books and the sense that nature was all the more wonderful for being 1) divinely inspired and 2) almost completely unknown.

The lightbulb moment came when I thought of dealing with names not as an entomologist might do, by families and related groups, but by themes: species named after animals, birds, moods, occupations, jewels and so on, all laid out alphabetically. I loved the fact that certain fine moths were named after weddings, focussing on bridal underwear worn in eighteenth century Sweden!

Emperor, Admiral and Chimney Sweeper are, of course, names of a butterfly and two moths.

If you could name a new species of moth or butterfly, how would you go about it?

Well, it ain’t a blank slate. There are written rules for scientific names and unwritten ones for common names. I’d love to call it Marren’s Glory but it would not be approved. I’d have to stick with the established vocabulary. So if it resembled, say, a wainscot moth, it would continue to be called that, distinguished by whatever word best caught its character. Overlooked Wainscot? Lenitive Wainscot? Look-alike Wainscot?

What would be your advice for any budding entomologist out there?

There’s more to the natural world than pure science. Keep your eyes, and your mind, open. And enjoy yourself. And don’t say, “Oh that’s a Lenitive Wainscot, a Schedule 7 species graded as Least Concern in the latest IUCN Red List.” Just the name will do.

What is your most memorable butterfly or moth name, and why?

There are lots, but let’s go with the poor little Narrow-bordered Bee Hawk-moth, whose Latin name, tityus, commemorates the most hideous giant in all mythology. The giant’s poor mum exploded at his birth and when full grown his body covered nine acres. What do they have in common? Well, the old name for hawk-moths was Sphinx, and the Sphinx was a monster. Ergo (Linnaeus thought), hawk-moths should be given monstrous names. And the bee hawk accidentally got the worst of them because of its place on the list, wedged between two other appalling creatures.

I quite like Zygaena, the name of the burnet moths which they share with the hammerhead shark. For reasons too convoluted to go into here (but it’s in the book).

Any new books/projects in the pipeline?

I will have to find another project for it’s in the DNA. I suspect it will involve nature and childhood. Trouble is, others are on to it.

Other works by Peter Marren

Peter writes frequently in as ‘Twitcher’ in the British Wildlife column ‘Twitcher in the Swamp’ and has had a string of successful publications including Chasing the Ghost (now in paperback), Rainbow Dust and the first volume in the British Wildlife Collection series. Click here for more books by Peter Marren.

Author Interview – Heather Buttivant

Sometimes the most extraordinary nature stories and scientific revelations lie in plain sight. So familiar that unique stories of survival are overlooked. Rock Pool is an eye-opening, enchanting journey into the miniature worlds of rock pools with a new author who will change the way you view even the most ordinary creatures – from crabs to barnacles, blennies to anemones – forever.

Educator and award-winning blogger, Heather Buttivant kindly took some time out of her rock pooling schedule to answer our questions about her new book.

Your passion for the marine environment shines throughout Rock Pool, where did your passion stem from?

Like most children growing up by the sea, I liked to pick up seashells, but for me it became an obsession. Back then I couldn’t name everything, but the variety of shapes and textures and the vibrant colours fascinated me. The longer I looked into rock pools, the further I was reeled in. It’s a passion I have no intention of out-growing: no matter how much I know, there is always more to learn.

What was the original inspiration behind your book?

It has always seemed a shame to me that there is so little nature writing available about our incredible intertidal wildlife. When I created a website as part of my MA in professional writing with Falmouth University, I struggled to imagine why anyone would be interested in my ideas for a novel, but the thought of opening up the little-known world of the rock pools filled me with excitement. My Cornish Rock Pools site took off faster than I expected and when the site won the BBC Wildlife Magazine Blog of the Year Award, it came to the attention of the lovely people at September Publishing and this was the perfect opportunity to bring my love for nature writing and for seashore together as a book.

You’ve selected a fascinating range of marine creatures; how did you choose them from such a biodiverse environment?

My identification guides to the seashore contain thousands of species, so narrowing this down to just 24 animals felt like a near-impossible task. Most of the animals I’ve selected can be found all around the UK and Ireland and together they tell an incredible story of survival. I have aimed to convey the experience of animals living in different zones of the shore and in the range of different environments from mud-flats to seagrass beds. Some of the creatures, like barnacles and limpets, are familiar yet have remarkable abilities that are unimaginable to us land-dwellers. Others, like corals, sharks and cephalopods, are animals that most people assume can only be seen by divers but with luck and perseverance they may be seen by rock poolers too.

Rock Pool is full of exciting encounters you have had at the seashore, but which was your most surprising?

I find something new almost every time I visit the shore, but one day, whilst dangling my feet in a pool, with all my attention focused on a tiny sea slug in a petri dish on the rock beside me, I noticed movement in the water. When I glanced down I realised that a substantial lobster was inching towards my toes! I nearly dropped my camera. ‘Bob’, as I now know him, has become quite a legend in our family and his location is a secret that is closely guarded by all those who have met him.

Do you have any tips for a successful rock pooling session?

My top tip is to join a rock pooling event where you can learn and explore with the experts. This is a great way to see amazing animals and to find out how to keep yourself and the wildlife safe on the shore. The key to spotting creatures is to slow right down and take the time to look closely at the small things. Most rock pool animals are masters at hiding in plain sight. A single rock may be densely packed with keel worms, sea squirts, sponges and crustaceans, but at a quick glance you’d think there was nothing there. Always check the tide times first and leave everything as you found it – gently replacing stones the right way up.

Finally, do you plan to write any more books in the future?

Our rock pools are so incredibly diverse that I might never run out of material for more books. However, I’m also passionate about the importance of giving people, especially children, better opportunities to connect with the natural world. We protect and care about the things that we love, so it’s vital that we all feel that we are a part of the ecosystems on which we depend. Perhaps that will be my next writing project?

A limited number of signed copies are available at NHBS, order now to avoid disappointment!

If you’re feeling inspired to go out rock-pooling, we have created a selection of essential books and equipment to help you get started!

Author Interview: Kate Bradbury

If you want to attract more bees, birds, frogs and hedgehogs into your garden, look no further than Wildlife Gardening for Everyone and Everything. Award-winning author and journalist, Kate Bradbury offers tips on feeding your neighbourhood wildlife and explains how you can create the perfect habitats for species you’d like to welcome into your garden.

Kate kindly took some time out to answer our wildlife gardening questions, to help us get our gardens wildlife-friendly for summer!

Can you tell us a little about your background and how you got interested in the natural world?

I grew up in a house with half an acre of garden out the back. I spend my early years out there, grubbing around in the soil looking for worms, watching the birds. I started gardening from a very young age and the natural world has always been a part of that, for me.

What interests you about gardening for wildlife?

I’ve always been a softie and I’ve always championed the underdog. I love garden wildlife but I’m also passionate about looking after it, and can see the potential our gardens have for saving so many species. Wildlife gardening is all about the power of the individual. There are so many things going on in the world we might feel powerless to change, but simply by planting flowers and caterpillar foodplants we can make a difference for local wildlife species.

I get particularly excited if I find a slow worm in the garden. What animal gives you the most pleasure if you see it visiting, or making a home in your garden?

I couldn’t pick just one! In my new garden I’m desperate to see a toad. They’re so rarely seen these days – I’d be honoured if they found their way to my garden. I’m lucky enough to have hedgehogs so I love seeing them. And a grass snake would be pretty special!

If you could pick just a single thing or activity anyone could implement in their garden that would benefit wildlife, what would it be?

Grow a few native plants. Just one native tree can support hundreds of different species – providing flowers for pollinators, leaves for caterpillars and then seeds or fruit for birds in autumn. Not to mention shelter! Non-natives have a great role in gardens – especially for pollinating insects. But it’s the natives that attract the leaf munchers – the caterpillars, leaf miners, things that need leaves to breed. And, being at the bottom of the foodchain, these are hugely important to anything from hedgehogs to frogs, toads, newts, birds and bats.

What can cause the greatest harm or damage to wildlife living in, or wanting to live in your garden?

Erecting new fences and walls. If wildlife can’t get in to your garden, you’re closing off feeding and breeding habitat to them and potentially blocking off more gardens, too. Make sure wildlife can access your garden and chat with your neighbours so they know this too. Hedgehogs need just a four inch gap beneath or cut into a fence.

If your outdoor space is very small, what are the best ways to make even a tiny outdoor space a home to wildlife?

Grow a mix of nectar- and pollen-rich plants for pollinators, plus native plants for caterpillars. In a small garden you might have room for only one tree – try a Silver Birch or standard Hawthorn, which are great for wildlife. In courtyard gardens and balconies grow forget-me-not, primroses and foxgloves. These provide nectar and pollen for pollinators but also leaves for caterpillars to eat.

Do you have any new projects in the pipeline that you’d like to tell us about?

I’ve got an exciting project coming up that I can’t talk about yet – you’ll have to wait and see!

Kate Bradbury has authored many popular gardening books and the wonderful The Bumblebee Flies Anyway. See below for a list of her books available at NHBS.

Wildlife Gardening: For Everyone and Everything £14.99

With handy charts tailored to the needs of every size and style of garden, this easy-to-use book also includes practical projects such as making bee hotels or creating wildlife ponds, compost corners and wildflower meadows, as well as fact files for the UK’s most common garden species.

The Bumblebee Flies Anyway: A Year of Gardening and (Wild)Life From £9.99

Finding herself in a new home in Brighton, Kate Bradbury sets about transforming her decked, barren backyard into a beautiful wildlife garden. She documents the unbuttoning of the earth and the rebirth of the garden, the rewilding of a tiny urban space.

The Wildlife Gardener £16.99

The Wildlife Gardener is a book which helps you to create wildlife habitats in your very own garden, and is very handily split into sections on shelter, food and water.

We have also made a collection of our favourite wildlife gardening books and equipment to get your garden a wildlife haven.

Author interview with Benedict Macdonald, Rebirding: Restoring Britain’s Wildlife

Did you know that 94% of Britain isn’t built upon, that Snowdonia is larger and emptier than the Maasai Mara National Reserve, or that Scotland’s deer estates alone cover an area twice the size of Yellowstone National Park? Britain has all the empty space it needs for an epic wildlife recovery. So what’s stopping it from happening in our country – and how can we turn things around?

Rebirding: Rewilding Britain and its Birds is a bold roadmap to reverse the decline of bird populations in Britain, suggesting we need to restore ecosystems, rather than modify farmland.

Author, Benedict Macdonald offered his valuable time to answer our questions about his important new contribution to the discussion of rewilding.

What inspired you to become so passionate about restoring natural ecosystems?

In 2014, I began writing Rebirding in the certain knowledge that conservation in this country is failing, the birdsong around us is dying out every year, yet we have all the resources, skill and wildlife lobby to turn things around. I hope that in its small way, Rebirding will do for the UK what Sir David Attenborough’s Our Planet is beginning to do for worldwide conservation – to make people realise that nature is essential, profitable and saveable, even now – and that we have all the resources and skill to do so.

Tell us a little about your background and how you became interested in the natural world?

I never remember the moment of first being fascinated by nature, but I do remember that by the time I was five, I would make weekend visits to Berkeley Castle Butterfly Farm and was entranced by watching the butterflies drinking salts from my fingertips, and I began a collection of ones passed to me by the lady running it – after they had died. Then early trips to the Welsh coast, and Norfolk, transformed that interest into a lifelong love of birds as well. From there, their plight has drawn me into understanding and studying ecosystems and a far wider understanding of protecting nature. Since then, my love of the natural world, both as a naturalist and a TV director, has now taken me to over forty countries.

At 14, I first remember telling someone at a dinner party that I wanted to work in wildlife television. Since graduating from university, I’ve been lucky to work on a range of programmes such as Springwatch, The One Show and The Hunt for the BBC. Last week, aged 31, I attended the premiere of Sir David Attenborough’s Our Planet for Netflix, launching in the Natural History Museum in London. This is the largest conservation series ever made. I work as the researcher and a field director for the Jungles and Grasslands episodes, directing a number of sequences including desert-nesting Socotra cormorants, the secret life of the Alcon Blue butterfly, and the remarkable lives of the world’s only tool-using Orangutans.

In your opinion, what is the most detrimental practice to the wildlife of Britain?

We are often sold the untruth that what happens to British land is necessary for food production. This is almost entirely untrue. Only the profitable arable farms of the south, and east of our island, provide a bounty of food for our children. Dairy lawns and sheep farms in fact create tiny volumes of our daily diet relative to the land area they use. For example, 88% of Wales grows lamb, an optional food resource.

Of the epic wastage, however, the grouse moor is the ultimate. Eight percent of Britain’s land is burned for the creation of 0.0008% of its jobs and a contribution of just 0.005% to our GDP. For hundreds of years, thousands of beautiful wild animals have been removed, just so that Red Grouse can be turned into living clay pigeons and killed in their thousands once a year. Even hunters from other countries find this wasteful and disgusting. This area covers an area twice the size of Yellowstone National Park – blocking jobs and wildlife alike on an epic scale. Hunting estates in Finland or Sweden, by contrast, juggle the ambition of hunters to shoot a few animals with ecosystems of immense beauty and variety.

Wildlife and commerce are often presented as being in conflict, do you think this is a fair assessment, or can land stewardship that favours biodiversity over profit be of economic benefit?

This is surely the greatest imaginary conflict of our time, successful insinuated, perhaps, by the damaging economies that prevent nature from reaching its full economic potential in our country. In truth, wildlife IS commerce. Nature IS money.

Every year, even without a single charismatic megafauna such as Bison, Elk or Lynx running wild in our country, without a ‘Yellowstone’ or ‘Maasai Mara’, the English adult population make just over 3 billion visits to the natural environment each year, spending £21 billion as they do so. In Scotland, nature-based tourism is estimated to produce £1.4 billion per year, along with 39,000 FTE jobs.

In contrast, the current models of upland farming demand money from us to survive, but they do not reciprocate jobs, income or natural capital – this is life on benefits and there is no future for young people in it. In contrast, wherever nature is allowed to flourish, it’s capital potential is wondrous. In 2009, the RSPB’s lovely but very small reserves brought £66 million to local economies, and created 1,872 FTE jobs. This is more than all of England’s grouse moors, but in just a fraction of their land area.

Right now, however, we are just seeing snapshots of how nature can power and rekindle communities. In Rebirding we often look to other countries to see how true ecosystems could transform economies on a far greater scale. The final myth that we kick into touch is that Britain is short of space, 94% of our country is not built upon. Most of this area does not create essential food supplies – and is jobs-poor.

Is there one single practise or cultural shift that would be of most benefit to restoring natural ecosystems?

The Forestry Commission is the largest single land manager in Britain. It now needs to split its forests in two – rewilding key estates like the New Forest and the Forest of Dean: cutting down the spruce and replanting with native trees, then, crucially, leaving large native animals such as Beavers, Elk, cattle and horses to become the foresters. Economies in these forests would be driven through ecotourism revenues and perhaps some hunting. Elsewhere, timber forests would remain. It is hard to think of one single decision that could effect a greater transformation on British land than a decision to return Britain’s once world-class oak-lands to our nation. Another, however, would be if Scotland’s deer estates, which again cover an area twice the size of Yellowstone, could be incentivised to rewild and regrow their trees. Hunting could remain – but in this regrowing wilderness would be the potential for Elk, Lynx, Wildcats and a huge expansion in woodland species like Capercaillie.

Are you optimistic for the future of Britain’s wildlife?

Yes – but only if our conservationists act with the same pragmatism and determination as those who have prevented land reform for decades. In my closing chapter, I’ve argued that whilst farming unions behave with absolute conviction and coherence, our nature charities often simply say that a few more Skylarks would be nice. Only if we can unlock the economic arguments of nature, and harness the millions of voices effectively, will we see large areas rewilded in our country. It is the social and economic transformation that nature provides that needs to be realised – but for that, you need space, and power over land. At that moment, things will change. In my lifetime, I genuinely believe that after many fierce battles, we will see Dalmatian Pelicans flying over Somerset, and huge areas of Scotland, Wales and upland England slowly returned to a wilder state. But without absolute conviction this is possible, it will never come to pass.

Benedict Macdonald’s book is out now as part of our Spring Promotion

To discover further reading on the past, present and future of the British countryside, browse our collection.

Rocky Shores: an interview with John Archer-Thomson and Julian Cremona

Rocky Shores is the seventh installment of the popular British Wildlife Collection.

The exciting environment of the rocky shore receives a space in the limelight with this new volume. The authors guide the reader through all aspects of the rocky shore including geology, ecology and natural history. It would make a fantastic addition to any naturalist’s book shelf.

John Archer-Thomson and Julian Cremona have spent their lives in environmental education and conservation. They are a former deputy head and head respectively of the Field Studies Council’s Dale Fort Field Centre in Pembrokeshire. John is now a freelance coastal ecologist, photographer, writer and tutor, while Julian is the author of several books on exploration, nature and photography.

To introduce the authors and their book, we took the opportunity to talk to them about their inspiration for this volume and ask for tips for how we can get involved with rocky shores. Both authors will be signing copies which are available to pre-order on the NHBS website.

What drew you both to this habitat and inspired the production of this fascinating book?

As we say in Chapter 1, we were both born near the coast and grew up loving the sea and so were always drawn to the intertidal, especially as many of the inhabitants are quite weird. From the earliest days with the Dorset Wildlife Trust John enjoyed communicating his love of the shore and the importance of its conservation and the need to respect the natural world. As a child Julian collected all manner of natural material from the shore and after graduation taught seashore ecology in Dorset. We see Rocky Shores as an extension of this mission.

How did you even begin to write this book on such a wide-ranging topic?Forty years of running inter-tidal field courses tends to focus attention on making shores accessible to newcomers, we approached the book from a similar standpoint. John particularly likes molluscs, seaweeds and lichens; Julian, all types of invertebrates especially insects, and as ecologists we love the way the component parts of the system interact, John is also particularly interested in how humans are affecting the shore while Julian has spent much of his life travelling the coast of the British Isles. Thus certain chapters suggested themselves!

What was your most exciting find on a rocky shore that people should look out for in the future?

For John it has to be echinoderms in general and Julian likes the more microscopic life living amongst seaweeds in rock pools. We don’t quite know why, but the little pseudoscorpion called Neobisium maritimum always causes excitement for both of us. They are tiny, only a few millimetres long, quite uncommon and may be found by observing the Black Lichen Lichina pygmaea in which they sometimes hide.

I recommend this book as a fantastic in-depth overview, but what would you suggest readers do to further their rocky shore learning?

John runs a “Rocky shore invertebrates” course for the Field Studies Council at Dale Fort Field Centre. This looks at the ecology of the shore, zonation patterns, adaptations of organisms to this extreme environment and of course the ‘plant’ (and planktonic) life that supports this biodiversity: come on this. Alternatively, there are fold out (FSC) keys for a more do-it-yourself approach, in fact, two of these have been produced by Julian’s daughter Clare Cremona including the Rocky Shore Trail. In 2014 Julian produced a large book called Seashores: an Ecological Guide, which has a huge number of photos to help with the identification of commonly found species and explains how they interact on the shore. A Complete guide to British Coastal Wildlife by Collins and the excellent A student’s guide to the seashore by Fish & Fish. For a more academic, but still very readable, account try The Biology of Rocky Shores by Little et al, Oxford Press.

Although adaptable, rocky shore inhabitants are not invincible, what do you think is the biggest threat to the rocky shore ecosystem and are some species more at risk than others?

That’s easy: us. There are too many human beings gobbling up habitat, consuming resources, changing the climate, raising sea levels, acidifying the ocean, over-fishing, polluting with plastic, agricultural and industrial chemicals and so on. Stressed ecosystems tend to be species poor but there are often large numbers of a few fast growing, tolerant species that do well. Northern, cold water species are already suffering range contractions as the climate warms, whereas the opposite is true of southern, high temperature tolerant forms, including invasive species from warmer climes.

Staying on the theme of the future, what is next for you both – another book perhaps?

For John this would be intertidal and sublittoral monitoring and photography. Running courses for the FSC. Talks for local natural history groups. Magazine articles and an update of “Photographing Pembrokeshire” by John & Sally Archer-Thomson, Apple iBooks. Julian has a trio of specialist photography books being published by Crowood press. The first two on extreme close-up photography have already appeared and the third will be published at the beginning of April. He continues to develop new ways to photograph wildlife, especially the “very small”. Coupled with this 2019 includes running further workshops, lecturing and travel – for the wildlife!

Other books by Julian Cremona

Extreme Close-Up Photography and Focus Stacking – Julian Cremona

Beyond Extreme Close-Up Photography – Julian Cremona

Rocky Shores is published by Bloomsbury Publishing and signed copies are available for pre-order, while stocks last.

Field Guide to the Ladybirds of Britain and Ireland:

To the general naturalist, ladybirds are arguably the most familiar group of beetles and an up-to-date field guide has been long overdue. Now, after exhaustive research and diligent illustrations, this brand new field guide covering all 47 species of ladybird occurring in Britain and Ireland is finally available.

The authors Helen E. Roy and Peter Brown and illustrator, Richard Lewington signing the hardback edition exclusively for NHBS. Available while stocks last…

They also found time to answer a few questions regarding the making of this definitive field guide to the ladybirds of Britain and Ireland.

With all the research, detailed illustrations, and accessible format design of this guide, how long has this project been in the making?

As the illustrations of the adults, larvae and pupae were all made from living specimens, collected in the wild, we needed at least two seasons to collect them all, and for Richard to illustrate them.

Ladybirds are a niche set of organisms which can be often overlooked, where did the inspiration to produce this field guide come from?

The brightly coloured ladybirds are an extremely popular group of insects but the small so-called inconspicuous ladybirds are under-recorded. Similarly, the larvae and pupae of ladybirds are less well known. We hope that this field guide, adding to the popular series of field guides published by Bloomsbury, will encourage recording of all ladybirds in all life stages. It is also a celebration of the amazing contributions to the UK Ladybird Survey from so many people.

Field guides can provide an essential tool to assist monitoring and conservation efforts of species. Could you explain why our ladybirds may need to be monitored?

Ladybirds, like all insects, respond to environmental change in different ways. Some species are expanding in range but many others are struggling. Understanding these patterns and trends is extremely important for informing conservation and decision-making. Many species of ladybird are beneficial, providing pest control of common garden and agricultural pests such as aphids and scale insects, and so it is important to consider the changing dynamics of these important species. How ladybirds are responding to climate change is another important aspect that the monitoring data will show.

Each illustration is so detailed, what is the process for reproducing a ladybird so accurately?

Detail and accuracy are the two most important considerations when producing illustrations for a field guide and working from actual specimens, rather than from photographs, is essential. Only then can measured drawings be made for correct anatomical details. Photos can be used as a supplement and museum specimens are also helpful if live material is unavailable.

With each book or field guide you hear of unexpected challenges. What was the biggest challenge in creating this field guide?

As the larval and pupal stages of ladybirds are quite short in duration, the main challenge for Richard was having to illustrate them as soon as he received them, often by post. The larvae also needed to be fed, at the same time ensuring the carnivorous species were kept apart, as many are cannibalistic. The inconspicuous species were the most challenging to illustrate as they are tiny, most around 2–4mm long, and covered in minute hairs, which often form diagnostically important patterns on their wing cases.
It has been such a pleasure to work together – we have all learnt from one another along the way. It has been inspiring to hear from Richard about the microscopic details of some of the little ladybirds that had previously gone unnoticed by us.

Helen E. Roy (Author)

Peter Brown (Author)

Richard Lewington (Illustrator)

Professor Helen Roy’s research at the Biological Records Centre focuses on the effects of environmental change on insect populations and communities, and she is particularly interested in the dynamics of invasive species and their effects on native biodiversity.

Dr Peter Brown is an ecologist and senior lecturer in zoology at Anglia Ruskin University in Cambridge. His research focuses on three main areas: ladybirds, non-native species and citizen science.

Richard Lewington is regarded as being one of the finest wildlife illustrators. His meticulous paintings of insects and other wildlife are the mainstay of many of the modern classics of field-guide art, including the Field Guide to the Moths of Great Britain and Ireland and the Field Guide to the Bees of Great Britain and Ireland.