Author Interview – Hoopoe

Author Interview with Dan Bagur: Pine Martens

Offering new insights into how they grow, learn and live, Pine Marten delves deep into the secretive behaviour of one of our rarest and most elusive mammals. Packed with stunning candid images and a library of behaviours and vocalisations, this groundbreaking book provides insight into Pine Marten social interactions, courtship, mating, nesting and kit rearing, feeding and diet, as well as their relationships with other wildlife.

Having spent several years watching and filming Pine Martens in the forests of Austria, Bavaria and Ireland, Dan Bagur has developed an in-depth understanding of their habits and behaviour. He has written or contributed to over 26 books on nature, and his wildlife photography, artwork and articles are published all over the world.

We had the opportunity to speak to Dan about Pine Marten, including his inspiration for the book, his hopes for the future of Pine Martens in the UK and more.

Can you start by sharing how you first came to work with Pine Martens, and what was the journey that led to the publication of this book?

Before answering, I was pleased when my publisher told me that you wanted to interview me. I’m a lifelong admirer of the NHBS. I used to get your catalogues delivered as a teenager back in the early 90s when you were still a mail-order book catalogue – I’ve bought and enjoyed many books from you over the years.

Back to your question. Yes. As a nature lover, I’ve always wanted a house surrounded by wildlife. When I moved to Ireland, it finally became a reality. The first time I viewed the house, I found a Pine Marten scat in the garden! It’s a dream for someone like me to be surrounded by these endangered mammals and I’ve been watching their behaviour ever since. Being so elusive, they represent a significant challenge to the wildlife photographer/filmmaker, it occurred to me that Pine Martens would be one of the toughest land mammals to study in the wild – observing them is so rewarding precisely because it’s so difficult. You must earn every new insight.

Direct observation is the best way to learn; the animals themselves are the primary source after all. It starts with interest but quickly becomes, well, the word that comes to mind whenever I think about exactly how to define it is joy. Joy can be very addictive. It’s hard to let go of that feeling. Being plugged directly into the Pine Martens and their daily lives is exciting.

Pine marten at night — Pine Marten at night. ©Dan Bagur 2025

A long field study enables you to get a much clearer picture of what’s really happening: you get to confirm and reconfirm your initial assumptions, connect to individuals and see their interactions and behaviour over an extended timescale. I’ve been observing wild Pine Martens for over five years now – I’ve spent many thousands of hours following, watching and photographing them. I’ve encountered many individuals and seen them climbing, courting, growling, chattering, hunting, feeding, fleeing, fighting and rearing their young. Every month I learned something new and understood them a little better. It’s a great help too that Pine Martens fit nicely around a full-time job – most of the action takes place at dawn and dusk, or during the night. I got drawn into their world. I often wonder what they’re doing while I’m not with them.

As Pine Marten populations slowly begin recovering, interest in them is growing and I thought that my observations could be of interest to other naturalists. Conservation relies heavily on public sentiment and if people don’t know about Pine Martens, they will be less likely to help them. Introducing this animal to others was something I felt I could do. Hopefully, after reading this book, the reader might offer Pine Martens their much needed support. I put the focus of the book on Pine Marten behaviour. It’s aimed at amateur naturalists or anyone who is interested in learning more about these incredible animals, and contains lots of new information and photographs that will be interesting to those who already know Pine Martens well.

What was the most surprising or exciting thing you learned in the process of writing Pine Marten?

I think it’s exciting that you can still go out into the woods and make new discoveries about British mammals. Although I studied biology at university, and have always worked in conservation related roles, I don’t work with Pine Martens professionally. That’s part of the magic of direct observation – anyone can do it. There are still many new discoveries out there just waiting to be made, all that’s required is consistency and patience.

I think the most surprising things are how vocal Pine Martens can be and how exciting each sighting still is – even after many years watching them. When they show up it’s always an ‘oh wow!’ moment. I still freeze with awe when I see one.

The most fascinating thing is their intelligence. Watching them solve problems and consider their next move, getting to know many individuals and seeing how unique each animal is – their personality and behaviour are highly individual. Often, I could tell who had visited simply by the signs they had left behind. They’re exceptionally charismatic animals. As I explain in the book, they’re also deeply connected with our historic wilderness landscapes, icons from our lost ancient wildwood.

This book has an impressive selection of imagery displaying a range of behaviours, interactions and life stages. How long did these images take to compile and what are some of your most effective strategies for spotting these elusive creatures?

Thanks. Yes, capturing Pine Marten behaviour isn’t easy. For every photo there were many failed attempts, you have to be comfortable in failure with Pine Martens. Over time, patience brings results and consistency is the key. The situation is made especially testing as it’s often at night and it can be very cold. You have to be willing to spend many thousands of hours sitting quietly in the woods and waiting for the occasional glimpse! For this reason, you have to really want to do it. You need to be passionate about understanding them.

I’ve taken over 10,000 photographs of Pine Martens over the last five years. Each year I understood a bit more about when and where I might see some new behaviour. Because they’re so elusive, learning to track them is essential. It’s vital that you wait as close to the right place as possible. It’s a waiting game – many quiet hours watching the forest, followed by a few seconds of heart racing panic as they emerge from the undergrowth and then quickly disappear again. Over time, it’s possible to build up a behavioural picture from many of these fleeting encounters. The harder something is, the greater that feeling of accomplishment.

Aside from sitting and watching, I also use trail cameras and camera traps to enable me to capture as much behaviour as possible. As you say, I’ve included over 200 photographs in the book because I felt that it was important to show the reader the behaviour that was being described. No number of words beats seeing behaviour in a photograph (or series of photographs as is often the case in this book). Young Pine Marten. ©Dan Bagur 2025

Can you tell us more about your new discoveries in Pine Marten behaviour and biology?

I didn’t set out to discover anything new. Initially, I didn’t plan to write a book. I just wanted to watch them and understand as much as possible – I was curious about how they lived their lives and what they got up to. As previously mentioned, I’ve spent over five years sitting quietly and observing wild Pine Marten behaviour. It took many months before I even knew where to wait for them. I love being alone in nature, so even the downtime in the forest has its own magic. My efforts were rewarded much later when I realised that some of my findings were new discoveries, including a new understanding of the function of the famous Pine Marten wiggle, retromingency in Pine Martens, the true cause of the scat curl and the use of the marten maze. I don’t want to give too much away, but they are all described (along with many other aspects of Pine Marten behaviour) in this new book.

Chapter 5 has an extensive library of field recordings. Why did you feel this was important to include and can you tell us about the process of gathering these?

It’s important to record what you’re seeing while watching wild animals, if you don’t then you can’t share your findings with others. Over the last few years, I’ve built up a large collection of film footage, photographs and sound recordings. Few people have ever seen a wild Pine Marten, let alone heard one. Their calls are an important part of what makes them what they are. Pine Martens (like many other Mustelids) make a surprisingly diverse range of calls – they grunt, growl, purr and scream. I felt it was important to include these. They are quickly and easily accessed by scanning QR codes using your phone. I wanted the reader to get as close as possible to Pine Martens via this book.

I realised that the recordings I had built up were unique – the Pine Marten sound library in this book is the most comprehensive yet published. My recordings have been included in the British Library sound collection and have been published in the ground-breaking book Sound Identification of Terrestrial Mammals of Britain & Ireland by Pearce, Middleton, and Newson.

What does the future look like for Pine Martens in the UK? And how can we work to secure a brighter future for this species?

In short, hopeful but worrying! Sadly, much of this is our own doing. Urban sprawl and habitat loss are an obvious problem, climate change, biodiversity decline and a persecution driven genetic bottleneck add to these issues – among others. Apathy is also a big concern. We still prefer the comfort of fool’s paradise over the often-harsh difficulties of reality. We need to get our heads out of the sand – and fast! Reality will inevitably have consequences we are no longer able to hide from – not just for Pine Martens. As Tew et al stated in a 2024 paper on the future of UK woodland biodiversity, a ‘major cultural shift’ is urgently required.

Although it’s important to face our problems and act, it’s also important to remain positive. There is real cause for hope – important work is being done to help Pine Martens. A few of those making a huge difference are Johnny Birks, Jenny MacPherson, Stuart Edmunds and John Martin, but there are many others. When great people come together fantastic things can be accomplished. The UK and Ireland have plans to increase their much-depleted forest cover over the coming years, and Pine Martens are slowly coming back. There are ways we can all contribute by donating or volunteering. Even small acts, like rewilding our own gardens, can collectively have an impact. Writing in 1992, the acclaimed science writer Edward O Wilson stated that ‘The next century will, I believe, be the era of restoration in ecology’. I hope that he’s right – wouldn’t that be a fantastic thing to witness after the global habitat and biodiversity decline of recent years.

Finally, what’s next for you? Will there be more books in your future?

Yes, I hope so! I had a column on rock pool life in the local newspaper while I was at university and I’ve been writing in one form or another ever since. I’m always working on the next project. Writing forces you to read everything and really understand your subject deeply, and that brings its own reward.

I would like to do something with Puffins in the future. I’m inspired to continue spending time out in nature and see what else is waiting to be discovered. Whatever comes next, I will always be grateful for this time with the Pine Martens – so many wonderful memories and experiences. The Pine Martens will remain with me for the rest of my life. Once you get to know a family of Pine Martens there’s no going back. They’re incredible animals and we’re extremely lucky to have them living alongside us.

Pine Marten is available from the NHBS website here.

Author interview with Susan Young: Night Vision and Daylight Camera Systems for Wildlife

This comprehensive guide describes how wildlife can be monitored and recorded in a non-intrusive way using well-developed and reliable technology. Detailing key techniques for capturing high-quality footage of a range of species, from nocturnal mammals to elusive birds, this practical resource is ideal for both professional ecologists and amateur naturalists alike who are seeking to enhance their understanding of the natural world.

Susan Young is a photographer and writer based in South Devon, who has a wealth of experience in wildlife photography. She has authored several books, including CCTV for Wildlife Monitoring and Wildlife Photography Fieldcraft, and is currently carrying out research with Natural England, the Woodland Trust and Mammal Society on the use of remote cameras for wildlife monitoring.

We recently spoke to Susan about her latest book, where she explained how she first started working with visual systems, how ecological and wildlife-watching camera systems differentiate, and more.

Firstly, could you share a little bit about yourself and your background working with visual systems?

My background is in physics and engineering, but I have had a keen interest in wildlife from a very early age. Since moving to Devon some years ago, I developed my interest in photography and wrote several books on various technical topics. I used trail cameras before they became ‘famous’ and finding some aspects frustrating, moved to bird box cameras – I then became interested in using security cameras with separate recorders as they had more useful features.

In 2015/2016 I started as a volunteer with Natural England and the Woodland Trust where I was encouraged to develop my ideas for portable CCTV systems, which led to the discovery of three calls of Barbastelle Bats not previously recognised. Further work with dormice, otters, deer, small mammals and birds showed just how well the systems performed, being much richer in features than trail cameras and much less expensive than thermal systems.

Your previous book, CCTV for Wildlife Monitoring was published in 2016. What inspired you to revisit the topic for a second book, and what advancements or changes does your latest title encompass?

My book in 2016 was more of an introduction to CCTV technology, which was just taking off and becoming more readily available. Since then, the technology has advanced dramatically, with HD cameras giving very high-quality images, and recorders becoming available with solid state drives making them very portable.

There are many other features not found in other visual systems – in particular, security recorders have inbuilt video analysis which can be controlled by the user, greatly reducing the amount of video data to analyse. My book has detailed step-by-step instructions for all aspects of the night vision camera systems with the aim of flattening the learning curve.

Night Vision systems are commonly associated with ecological research and wildlife watching, how do the camera systems you describe differentiate from them?

The systems I describe have a raft of features, as described above, making analysis much easier. They can also be left outside unattended and are particularly useful for remote areas. They are also relatively low cost and portable.

Why did you feel that it was important to include a section on public engagement and education in this book?

Public engagement is important for raising awareness of the plight of our wildlife, as well as for attracting funding. High-quality videos from security camera systems, particularly of protected or rarely seen species, have proven successful. My book gives step-by-step instructions to encourage the use of this technology without the need for costly specialists.

Regarding schools, introducing children to technology at an early age makes use of the systems less daunting in later life.

Have you come across any emerging or under-utilised applications for this technology that you believe hold potential?

Many of the applications I have developed using my camera systems are new and I believe hold great potential. Because the systems can be set up and left for long periods, it means little or no disturbance to wildlife – for example monitoring breeding birds of prey in remote habitats, observing dormice behaviour in dormouse boxes, or surveying bats in hazardous environments.

Have you encountered any particularly memorable or exciting wildlife captures? Can you share any highlights from your experience?

On the conservation front, discovering new Barbastelle calls was very exciting, as was viewing previously unseen dormouse behaviour. On the naturalist level, filming four young Fallow Deer running round and round my rural garden in play was very heart-warming.

Finally, what’s next for you?

I am planning some research using my systems for small mammals which are often under-recorded. I am also producing educational material for the Mammal Society.

Night Vision and Daylight Camera Systems for Wildlife is available here.

Interview with WILDGuides Publisher Rob Still

The award-winning WILDGuides collection is a series of comprehensive and practical natural history titles. Ranging from photographic field guides covering the wildlife of Britain, Ireland and Europe, to visitor guides and reference works on wildlife across the world, this authoritative, easy-to-use series contains some of the best identification guides to date.

Robert Still is the co-founder and publishing director of WILDGuides, and has contributed to more than sixty titles in the series. In his spare time, he is a prolific natural history author, ecologist and graphic artist. We recently had the opportunity to speak to Rob about the WILDGuides collection, including how each volume is produced, which titles are due to be published over the next few years and more.

Firstly, can you tell us about the history of WILDGuides and how the collection came to be?

I (Rob) had been working as a designer, using photoshop and producing somewhat rudimentary montages and cutouts for adverts since 1991. When the programme’s features really took off in the late 90s, my thought was whether these new capabilities could be used to produce ‘best birding’ moments, such as idealised scenes of multiple tanagers in the same tree, or a Sueda bush chock full of vagrant Phylloscopus.

From there, it was a short transition to figuring out if the technology could be used for field guides – hence the birth of WILDGuides, which started with a guide to Galápagos wildlife by Andy Swash published in 2000, followed relatively quickly by Whales and Dolphins of the European Atlantic (2001) and Britain’s Butterflies (2002) – this covered a relatively small number of species and all were easy to cut out. Britain’s Dragonflies (2004) followed and was the first book written by Andy prior to the expansion into the other taxa groups as seen today, alongside multiple evolutions/editions of the first titles.

For anyone unfamiliar with the collection, how would you describe them, and who are they intended for?

The books are intended for anyone who wants to put a name to something they encounter in the field. I would describe them as a guided, primarily photographic pathway that hopefully helps in that process.

Each work in the collection is a passion project of dedicated scientists, conservationists, and researchers. How long does it take to produce a title from start to finish and what kind of work goes into creating them?

It varies a great deal. Some have taken a good 10 years from concept to fruition, others have taken just a couple of years. However, a title typically requires a couple of photography seasons, as a significant number of the images in each book are commissioned and the specific image requirements often don’t come to light until the design process is underway.

How do you decide what makes a good subject for WILDGuides? What are you looking for when creating new volumes?

A good subject is really any group or taxa within a defined region – WILDGuides is looking to work with any experienced specialists to present that group in the WILDGuides way.

One of the strengths of the WILDGuide collection is the use of a unique ‘roadmap’ for each published topic, allowing users to navigate identification, and the book itself. Can you elaborate on the process of these roadmaps, and why you feel they are so important for these guides?

Sure, it is a relatively straightforward process insofar as it is simply the production of an identification pathway from start to finish. This is slightly disingenuous, as on occasion, it can be harder than one might think to unequivocally achieve this. It requires a team that really knows the subject being prepared, who is able to combine their field experience to focus on what really matters in the identification.

Their importance to the guide, I believe, is that they are an amalgamation of this ‘hands-on’ experience and so the pathway is both realistic and pragmatic.

Can you speak on the process of updating editions in the collection?

Obviously, nature is dynamic and lists of taxa within a region change. New, reliable field identification features come to light, improvements are suggested by our users and the exponential rise in available images means that there is now a good chance that better pictures (in terms of quality and showing the key identification points) become available. Consequently, we keep an update file covering all of these areas, and will update these editions when the time is right to do so.

What can we expect from the collection over the next couple of years? Are you able to share any new titles that are on the way?

Yes, the existing collection should improve over the coming years with the feedback and new images mentioned. WILDGuides is also looking to expand the series into other taxa not already covered to match the increasing diversity of species groups that people are looking at, with the hope that more accurate records are sent to organisations managing citizen science databases.

On the near horizon are updates to Britain’s Spiders and, at some stage, Britain’s Birds as well as new titles covering Britain’s Trees, Birds of East Africa and Birds of Madagascar, each in the style of Europe’s Birds. Further down the track we are looking at gaps, particularly in Britain’s series, that are relatively obvious to spot – so if any reader of this piece wants to be a potential part of that expansion, we’d love to hear from you!

Explore the full WILDGuide collection here

Author interview with Richard Lewington: Pocket Guide to British Spiders

Featuring 130 of the most common and readily available spider species, Pocket Guide to British Spiders is the ideal companion for both beginners and more experienced enthusiasts alike. Detailing identifying features, webs, egg cocoons and behaviour, these accounts are interspersed with beautifully illustrated spreads showing similarities and differences at a glance, making this introductory guide the perfect companion for use in the field.

Richard Lewington is a renowned wildlife illustrator, whose beautifully detailed drawings feature in a wide array of identification guides including The Butterflies of Britain and Ireland, Field Guide to the Moths of Great Britain and Ireland, and Field Guide to the Bees of Great Britain and Ireland. In 1999, he was awarded Butterfly Conservation’s Marsh Award for the promotion of Lepidoptera conservation, as well as the Zoological Society of London’s Stamford Raffles Award for contribution to zoology in 2010.

We recently had the opportunity to speak to Richard about his latest book, including how he first became an author, why he chose to focus on arachnids and which techniques he uses to create these stunning illustrations.

Firstly, can you tell us a little bit about yourself, and how you first became an author and illustrator?

I became a freelance wildlife illustrator soon after leaving art college in the 1970s. I’ve always had an interest in the natural world, particularly butterflies and moths, so invertebrates were the subjects I concentrated on right from the start. I’ve always worked in collaboration with various experts, until about 25 years ago, when I wrote and illustrated my first book How to Identify Butterflies. Since then, I’ve written and illustrated five books, though most of the books I work on are collaborations with authors with specialist knowledge of the subjects.

Pocket Guide to British Spiders is your 29th identification guide published since 1979. What inspired you to focus on arachnids for this book, and how did you choose which of the 680 British species to include?

I’ve had an interest in spiders for many years and have a collection of paintings, some of which I did about 50 years ago. I thought they would form the basis of a pocket guide, and I added more illustrations in the last few years to go with those I already had. The aim was to include common, well-known and easily identifiable species – about 130 in total. As many spiders are very small and similar to each other, it is necessary to examine them through a microscope to identify many of them, which is the next step up for those who want to study them in greater detail.

I was surprised to learn about the somewhat limited conservation efforts being undertaken to protect endangered spider species across Britain. What are the largest threats to spiders, and how can we protect these vital invertebrates in the future?

As with much of the natural world, spiders are under threat from habitat loss and pollution, but because they don’t have the same appeal as some other groups, they receive less attention. However, they are just as important, helping to keep the balance in ecological systems by eating and being eaten by a vast number of other creatures. Gardens are becoming more important, and we can all help spider well-being by not being too tidy in the garden to encourage a good variety of mini habitats in which they can live.

Pocket Guide to British Spiders includes a vast amount of detail on nomenclature, structure, anatomy, mythology, identifying features and more. What was the most interesting thing you learned while researching this book?

Probably their diversity. They vary hugely in size, shape and colouring, and can be found in every habitat from mountain tops to beneath the surface of water. Many also occur throughout the year when many other invertebrates are dormant.

Having illustrated many guides throughout your career, can you give us an overview of the techniques you use to create such detailed works of art, and explain how your painting style has evolved over time?

I start by doing a detailed, measured drawing on layout paper. This is transferred to watercolour paper and, using Designers’ Gouache paints, I apply washes, gradually building the colour intensity and the effect of light and shadow. Details such as textures and highlights are added to give a three-dimensional appearance. More recently, I’ve been scanning the artwork before sending it to the publishers, so that I can adjust, enhance and touch-up the images using a tablet and image enhancing software.

What were the most difficult aspects of illustrating spiders, given their intricate and often microscopic features?

Spiders can’t be preserved in museum collections like butterflies and beetles, as they have soft bodies which shrivel after death, so working from live specimens or from detailed photographs are the best options. This means going into the countryside to find specimens and asking other spider enthusiasts to help. I like to take my own macro photographs from the exact angle to avoid any distortion, I can then work using the photos and the live specimen, observing it under my microscope. It’s also necessary to have a good knowledge, so that the subjects can be correctly identified, as some are very similar.

Finally, what’s taking up your time at the moment? Are you planning to write or illustrate any more books over the coming years?

My next book will be a field guide to Orthoptera, which I completed several years ago but has been long delayed. After that I shall be working on a project about my work as a wildlife illustrator, concentrating mainly on British moths, butterflies and their caterpillars.

Pocket Guide to British Spiders is available from our online bookstore.

Author interview with James Shipman: Identifying Bats of Britain and Ireland

Packed with insider information, Identifying Bats of Britain and Ireland offers expert guidance on how to identify bats in the hand for beginners and field ecologists alike. Filling a gap between introductory books and more technical volumes, this humorous guide uses detailed images, diagrams and tables to communicate, in simple terms, the fundamentals of bat ecology, survey equipment, techniques required when training for a bat licence and the key features that distinguish one species from another.

James Shipman is an ecologist and bat enthusiast who loves to inspire and motivate future bat workers. He works as a senior ecologist and is involved in numerous bat-related projects. In 2016 he was recognised with the Bat Conservation Trust’s Pete Guest Award for outstanding contribution to bat conservation.

We recently chatted with James about his inspiration for the book, which challenges he faced when constructing a detailed identification guide and more.

Can you tell us a little about yourself, your history of working with bats, and why you chose to write this book?

Originally I planned to work as a game ranger in South Africa, but after returning to the UK, I studied zoology, met my wife and fell into landscaping as my first career and passion. A roofer and a builder both mentioned that I may ‘like’ working with bats, as I’m an animal person, so I explored the idea of them as a hobby!

After a few events I was gripped, and I have now volunteered with bats for nearly 15 years with the intention to install passion, enthusiasm and fun into everything bat-related for volunteers and professionals! Within this time I have helped to train over 50-75 individuals (could be more, I don’t count!) and after nearly 20 years in the landscaping sector, I now work in ecology as a professional.

During my years of training, I found that the more serious and technical books available out there made it hard to learn, and that digestible guidance that was fun, relatable and easy to work with would be beneficial! A lot of my trainees suggested the idea for the book originally, and other bat authors with Pelagic mentioned to the publishers that I would bring a nice approach to ID for ecologists – so here we are.

You have taken a relatable, and oftentimes humorous, approach in the way Identifying Bats of Britain and Ireland was written. Why did you feel this was important, and with that in mind who is this book designed for?

Who said science, research and volunteering can’t be fun! If you enjoy what you do, it’s more fun and you usually get more out of it!

I thought it was important to bring my open, welcoming personality to bats and volunteering into the book, as well as an understanding of how hard it can be to learn in the world of ecology.

Public opinion of bats is often contested, and their associations with rabies and vampirism contribute to this negative perception. This guide contains a section on the myths and rumours of bats – why did you feel it was important to debunk these misconceptions?

Well spotted! It’s one of my favourite parts of any walk, talk, training or even in the book itself. Bats have such a negative view through media – whether it’s Halloween, Covid or other diseases, the positives (not just bats but anything in life) are very rarely talked about! So let’s try and win one for the bats – 2,000 less mosquito bites a night is a good seller!

This guide also features vagrants and species that are extremely rare in the UK. How did you navigate writing about species that you may not have met? And did you find it challenging to construct identification guidance for these scarcer species?

Fortunately I have handled and seen these species abroad in my years of volunteering and training (which I will touch more on in your last question), and I have even been lucky to handle one or two of these in the UK too!

The hardest part of it all was trying to address the elephant in the room (or maybe I should say vagrant in the sky!). I believe there are now 21 species found in the UK – some of these are not proven residents, but are not far off – plus a few others that I chose not to include at the time of publication as records were too scarce!

Were there any other challenges that you came across in the process of writing this book?

As previously mentioned, mental health is important in all areas of life, and I felt that slight delays in finishing this book were due to anxiety of judgement on the final product. However, many close friends and ex-trainees assured me that more positives will come of this work than negatives.

The book is aimed at any level of bat worker and should taken with a light hearted approach. It’s important to address these things when discussing books and publishing – it’s a hard process, and without friends, family and a decent publisher (plus the bats) you can sometimes feel isolated. Luckily, I had the best support from all of the above!

What’s your advice for those just getting started in this field?

Well I could say read the book (haha), there are some good sections about starting out with bats. In short, don’t give up, persist, find bat workers who are open, friendly and passionate with no judgement (they are out there, I’m one of them), and most importantly have fun!

Finally, what’s next for you? Do you have plans for more books in the future?

Um… a break! It’s harder than I ever imagined. However, I would love to eventually write a similar book for bats of Europe! But it may take a while to compile some new jokes!

Identifying Bats of Britain and Ireland is available from our online bookstore here.

Author interview with Peter Marren: Rare Plants

Featuring hundreds of stunning photographs, the 14th volume in the British Wildlife Collection explores the meaning of rarity in our changing world and climate. It discusses the importance of these species in our landscape, provides an overview of different conservation techniques, examines the justifications for intervening in the life of a wild species and more.

Peter Marren is a natural history writer and conservationist whose wildlife-centred writing portfolio includes newspaper journalism, obituaries, book reviews and humorous opinion pieces. He was a regular contributor to British Wildlife magazine for 33 years and is the author of more than 20 books, including Bugs Britannica, After They’re Gone, and Mushrooms – the first title in the British Wildlife Collection series.

We recently chatted with Peter about Rare Plants, where we discussed how he first became interested in botany, why he chose to focus on rare species, what inspired him to return to the British Wildlife Collection and more.

Firstly, can you tell us a little bit about yourself, and how you became interested in botany?

I have been interested in wild flowers since boyhood. I was lucky enough to have had a rural childhood, but my first serious attempt to track down rarities was during my gap year when I tried to find every British species of orchid. I failed.

What I love about flowers is that they evoke so much about our surroundings, the colour and texture of the landscape, its land-use and history, and its seasonality. Rare flowers in particular express the fine tuning of nature, and their presence suggests that here we are standing in a special place – one that, for whatever reason, has changed less, has perhaps preserved more of its naturalness, more stability. They are also wonderful in themselves. Orchids, for instance, trick and confuse insects into doing their bidding. Our alpine flowers are living links with the Ice Age. Bluebells have a scent that is impossible to reproduce chemically. These are some of the reasons why I love field botany.

Your first contribution to the British Wildlife Collection was the first monograph in the series, Mushrooms, which was published in 2012. What inspired you to return to this renowned series for the 14th volume?

I returned to the series because Katy, who edits the titles, asked me to! In the 1990s I wrote a book in association with Plantlife and the then English Nature, titled Britain’s Rare Flowers (1999). The rights are now owned by Bloomsbury, who publish the British Wildlife Collection, and she suggested that I revise the book for the series. It didn’t take long for a revision to turn into a completely new book, and I broadened the scope from angiosperms to wild plants in general, including pteridophytes, bryophytes and algae, and to Ireland as well as Great Britain – hence, Rare Plants. I dedicated it to my old friend, the plant photographer Bob Gibbons and his partner Libby, and half the 300-odd images are his.

Cottonweed (Achillea maritima) by Liam Lysaght, via flickr.

Why did you decide to focus on rare plant species for this book?

I concentrated on rarities partly because they are the focus of conservation efforts, and partly because they are the highlight of any excursion (as botanical trips are known). Rare plants have more ‘geography’. If only you knew enough, you could probably place yourself exactly where you are in the landscape without recourse to a map simply by looking at the plants. Britain is that kind of place: intimate, complex, infinitely varied. Above that, there’s the eternal thrill of tracking down a rarity, whether it’s a flower, or a bird, or a Ming vase. If you love plants, then setting your eye for the first time on an elusive species you have long known about and pictured in your mind is a moment to savour. As I hope I communicated in my book, Chasing the Ghost.

This is an incredibly well-researched and detailed book that covers all aspects of Britain and Ireland’s flora, from the uniqueness of some species and details on why plants become rare, to their role and representation within our culture. What was the most interesting aspect of researching this book?

What I enjoyed most when researching Rare Plants (and it was quite an enjoyable book generally) was the impressive new work on apomictic plants, that is, the ones that do without sex and so perpetuate minute differences. It helps that whitebeams and hawkweeds are not only beautiful in themselves, but tend to grow in beautiful landscapes. I was also enthralled by all the activity in the world of mosses and liverworts, mapping them in the same detail as ‘higher’ plants and getting them onto the conservation agenda. Some species have incredibly narrow niches, confined to lead mining spoil or lime kilns, or china-clay pits. Both are the work of relatively small groups of specialists who combine biological know-how with the ability to communicate to wider audiences – and to take brilliant photographs. I could say the same about lichens, but they aren’t really plants. So someone else will have to do them.

Eyebright by Donald Macauley, via flickr.

In the first chapter of the book, you discuss the IUCN’s criteria and red list. How accurate do you think this assessment is, and are there any disadvantages to using this method of classification to determine the rarity, and future protection, of any given species?

The IUCN criteria are only as good as current knowledge allows. Conservationists love to list and pigeon-hole; it creates a kind of order. But, in a rapidly changing world, the vulnerability of species is itself changing. Government and officialdom haven’t yet caught up with climate change and its implications for our flora. I think the most endangered plants are now our northern and arctic-alpine species, especially those that need long, cold winters with plenty of snow. It isn’t outright habitat destruction so much as the subtle consequences of a warmer but wetter and windier climate. The other problem with pigeon-holing is that it is boring. It creates the idea of fragile ‘things’, like pieces of china, and diverts our eyes from the marvels of the living plant with its ability to meld with its habitat, compete with its neighbours, and find necessary partnerships to survive.

The same idea of plants as passive ‘things’ has led well-meaning conservationists to substitute gardening for conservation. Plant conservation is under-funded and, alas, also under-expertised. Academic botany is in decline (count the university courses – not many).

Lady's-Slipper Orchid - Cypripedium calceolus by Bjorn S, via flickr. — Lady’s-Slipper Orchid – Cypripedium calceolus by Bjorn S, via flickr.

Finally, what’s taking up your time at the moment? Are you planning on working on any future volumes in the British Wildlife Collection?

I doubt I’ll be writing any more books for this series. They take a long time and I’m getting on a bit! Besides, these are hard times for writers who aren’t footballers or chefs, or others who have become famous from constant exposure in the media. While the natural history bookshelf has never been more bountiful, some of us are working for less than the minimum wage! I’ve recently finished a book (my 27^th, I think) about the world’s most noxious plants called The Devil’s Garden, which was fun, and I hope will be fun to read. I love plants that defend themselves with alchemy, vicious thorns and stings, horrific poisons, or play mind-games with their pollinators; in short those with a wicked reputation. They provide an antidote to the idea of plants as passive and compliant.

Vivat flores!

(Long live the flowers)

Rare Plants is available from our online bookstore here.

Author interview with Richard Broughton: The Marsh Tit and the Willow Tit

Marking the first monograph for either species, Richard Broughton’s The Marsh Tit and the Willow Tit reveals the remarkable lives of these wonderful little birds. Compiling decades of personal research, as well as a detailed review of external studies from across both Europe and Asia, it explores each species’ taxonomy, food and foraging patterns, social organisation, challenges and conservation, alongside more than 150 illustrations, maps, charts and photographs.

Dr Richard Broughton is a research ecologist with a wealth of experience across birds, mammals, forests and farmland in Great Britain and Europe. He has studied Marsh Tits, Willow Tits and their habitats for over 25 years, and prior to this he completed a Master’s degree in GIS as well as a PhD in Marsh Tit ecology, before joining the UK Centre for Ecology & Hydrology in Cambridgeshire.

We recently chatted to Richard about his inspiration for the book, which challenges he faced when developing such a detailed study of these two species and more.

You have studied Willow Tits and Marsh Tits for much of your career. What initially captivated you about these charismatic birds, and what inspired you to write a book about them?

I had Willow Tits on my local patch in Hull when I was a youngster at school, and I had Marsh Tits and Willow Tits around my first office near Huntingdon when I started my science career. Both species were always a bit special and enigmatic – not so common that you saw them every day, but when you did it was like seeing parallel lives going on around you. They’re a lot like us, mostly preferring to live as couples in stable relationships, with busy social lives and a close attachment to their neighbourhood.

From a research perspective, Marsh Tits and Willow Tits are fantastic species to study. They are widespread from Britain to Japan, they’re territorial and they don’t migrate, so the same birds are present all year round and you can really get to know them – how they communicate, organise themselves within their communities and solve the problems of living in different types of woodland, it’s all really fascinating. And there’s so much that we still don’t know, with lots of discoveries to be made, but also some urgency. We don’t fully understand exactly why they’re declining in many areas, so the inspiration for writing the book was partly to bring together all that we know about their ecology and what pressures they’re facing. If Marsh Tits and Willow Tits are struggling, then we need to listen to what this is telling us about our woodlands and forests.

Both species have suffered severe range declines – how can the general public work to better support these birds amid habitat loss and climate change?

The main thing is to know where Marsh Tits and Willow Tits are still hanging on, and where they are declining – taking part in surveys and reporting sightings to the county recorders and BirdTrack are great ways of helping to monitor both species. Protecting and expanding their habitat is essential, but for that we need to know where they are, and in what numbers.

It’s also important to realise how we can unintentionally make things harder for Marsh Tits and Willow Tits when we do favours for their competitors. There is growing evidence that increasing numbers of Blue Tits and Great Tits could be harming Marsh Tits and Willow Tits by taking over their nests and dominating their foraging space. The vast scale of bird-feeding in gardens, woodlands and nature reserves is changing our woodland bird communities, and it really boosts the dominant species, which can then put extra pressure on Marsh Tits and Willow Tits. For this reason, it’s important to consider the unintended negative impacts of well-meaning interventions, such as bird-feeding and nestboxes, on more vulnerable species like these.

I was surprised to learn about the ineffectiveness of nest boxes in supporting Marsh and Willow Tit populations in relation to competition. Do you think this is also the case for other species across the UK, and what alternatives could we use to mitigate this issue?

The problem with nestboxes for Marsh Tits and Willow Tits is that they’re far more likely to increase the densities of their dominant competitors, especially Blue Tits. If you add more nestboxes to a woodland then you will get more Blue Tits, but Marsh Tits and Willow Tits don’t work that way.

This is because they have much larger territories, and you could fit 15 pairs of Blue Tits into a typical Marsh Tit or Willow Tit territory. These large areas contain enough natural nest sites for Marsh Tits and Willow Tits, and so these species are limited by the area of woodland habitat and not by tree cavities or deadwood for building their nests. As such, adding nestboxes cannot increase the numbers of Marsh Tits or Willow Tits like it does for Blue Tits.

This shows how it is important to fully understand a species’ ecology for any conservation actions to work. A better solution is to promote diverse, wilder woodlands that have plenty of opportunities for Marsh Tits, Willow Tits and other woodland species at more natural densities. If not over-managed, woodland can quite quickly develop enough nesting sites on its own.

Within the book you mention the woodland restoration projects being undertaken in Scotland, which are striving to establish woodlands to support native species, including Marsh Tits and Willow Tits. Can re-establishing these complex habitats truly help to encourage population growth? And what would be your main recommendations for large-scale restoration projects with these species in mind?

Expanding woodland habitat is a good way to help buffer Marsh Tits and Willow Tits from population declines, as the losses in Britain are greatest in areas of more fragmented habitat. In Finland, too, logging and habitat loss is driving population declines. Increasing the amount of woodland reduces habitat fragmentation, which in turn helps birds to disperse across the landscape and provides space for more breeding pairs, so it can only help. The natural range of Willow Tits, and probably of Marsh Tits, once covered much of Scotland, and so restoring forest cover in that country could help to re-establish their populations.

Looking ahead, Scotland could eventually provide an important refuge for Marsh Tits and Willow Tits, being further from the intensive agriculture, urbanisation and more intense warming of southern Britain. We can look to other natural and regenerating forests in Europe to see what this restoration could look like in Scotland and elsewhere in Britain – varied tree density and structural diversity, lots of standing and fallen deadwood, and plenty of water in streams, pools and soils. Where we still have such places in Europe, like in Poland’s Bia?owie?a Forest, then Marsh Tits and Willow Tits both find places to live in different parts of the same woodland.

The Marsh Tit and the Willow Tit is very thoroughly researched and includes an extensive breadth of information. Did you encounter any challenges when developing such a detailed study of these two species?

I was lucky that there have been major studies of Marsh Tits and Willow Tits in Europe over the past century, and I have been involved with several of them in recent decades, so I was familiar with their findings. For other studies, it has never been easier to find and access published papers and reports online, and even to translate them automatically.

Nevertheless, it was still quite challenging to find many studies from Asia, which is where more than half of the world’s Marsh Tits and Willow Tits are thought to live, along with their closest relatives, the Black-bibbed Tit, Caspian Tit and Sichuan Tit. This is slowly changing, as more research is being done in China, Japan and South Korea, but there are still large gaps. In Europe, too, we still know relatively little about Marsh Tits or Willow Tits in some regions. Even in Britain, the recent discovery of a previously unknown population of Marsh Tits in the Scottish Borders shows that we still have things to learn!

What have been some of your favourite moments while researching this book? And did any of your discoveries surprise you?

It’s been a great pleasure to look back through all of the previous studies of Marsh Tits and Willow Tits and pay tribute to the dedicated researchers who spent so many years in the woods and forests, peering into the lives of these little birds. What shone through for me is just how connected the forest ecosystem really is. Marsh Tits and Willow Tits are part of a complex web of life, with some really surprising relationships. For example, Bison and Red Deer stripping bark from trees helps to create the cavities that are the Marsh Tit’s favourite nest sites. Meanwhile, Willow Tits forage on carrion from Wolf kills, which helps them to survive northern winters. At the other end of the spectrum, Marsh Tits and Willow Tits both drink nectar from blossom and might be significant pollinators of woodland shrubs, and they might also be seed dispersers for some woodland plants.

We’re just starting to understand these relationships, but in many parts of Europe they have been broken by the loss of forest species, such as large mammals. It’s exciting to think that nature restoration and rewilding could rebuild some of these ecological networks in our woodlands. Again, there’s still so much to learn about Marsh Tits and Willow Tits, but getting to know them opens a window into the wider forest ecosystem, and the more you look, the more you find.

Finally, what is occupying your time now? Are there new books on the horizon that you can tell us about?

I’m still monitoring my Marsh Tit population at Monks Wood in Cambridgeshire, coming up to 24 years of study, and I’m busy with interesting research at UKCEH on hedgerows, woodland regeneration, sustainable farming and nature restoration. In the past year I’ve been busy as the new Editor in Chief of the BTO’s scientific journal Bird Study, helping other researchers to publish their studies. I’m also still involved with research at the Biaowiea Forest in Poland, which always has exciting opportunities, and last spring I was there finding the nests of Marsh Tits, Willow Tits and Wood Warblers. The Wood Warbler is another declining woodland bird that has lots of really fascinating and surprising behaviour, and that’s another species that I think could be worth writing about.

The Marsh Tit and the Willow Tit is available to order from our online bookstore here.

Author interview with Dr. Tim Reed: Protected Species and Biodiversity – A Guide for Planners and Ecologists

Protected Species and Biodiversity: A Guide for Planners and Ecologists is a comprehensive, accessible book that collates every key element required to gather and interpret survey data for protected species.

Progressing through individual species and group tables, and providing information on planning systems, biodiversity, government guidance and its interpretation, how to secure better quality data, biodiversity net gain and more, this guide also codifies what a planner can expect from an ecologist to ensure the effective safeguarding of protected species. As such, it is an essential reference guide for planners and ecological consultants alike.

Dr. Tim Reed has had a lifelong interest in the use of data quality and survey methods as a basis for credible decision-making by those whose actions influence landscapes and protected areas. This has included developing survey methods for waders on moorland, standardising nature reserve management plan formats, chairing development groups for national-level databases, and collaborating with the EU on data standards for directives. Over the past 20 years, Tim has helped major worldwide corporate companies establish biodiversity as part of their risk-management processes, while also working on public inquiries across the UK.

We recently had the opportunity to chat to Tim about what inspired him to write a book aimed at planners and ecologists, how Biodiversity Net Gain (BNG) could potentially affect protected species across the UK, the importance of technological advancements in accurate data collection and more.

Firstly, as someone who has spent most of their career working in planning and sustainable development, what inspired you to write this book?

Years ago, when working on immigration and extinctions in island bird communities, one of the things that impressed, but also worried me, was the extreme variability in the quality of data from year to year. Were the gaps in species records (apparent extinctions) real, or were they due to issues with data collection or recording? Moving onto protected areas and the related planning policy framework, the same problems with data quality surfaced there.

Later, when I began working on planning disputes it was clear that local planning authorities (LPAs) were staffed by good, but often overwhelmed, planners. A series of Association of Local Government Ecologists (ALGE) reports have confirmed this. ALGE reckoned there were issues of capacity (people/time) and competence (often limited specialist knowledge) that stopped LPAs doing what they wanted to do. These remain today.

Looking at the often frankly poor material dumped onto them by would-be developers, it was and is hard for planners to know how to address it, how to find out what’s needed, and where the gaps were and are. Suitable methods had been scattered across journals, books, and specialist documents, and were often hard to fathom. The absence of a recent one-stop synthesis of most of the material needed was the main driver for Protected Species and Biodiversity; trying to fill an acknowledged hole. The fact that Natural England and DEFRA’s guidance for Protected Species left much to be desired was a further problem. The idea of the guide was to try and provide an accessible way of seeing what needed doing. Something that would be suitable for planners, householders and developers’ ecologists alike – and for LPA planners to use and see if what had been claimed by applicants had been done properly, or not.

If the guide works, then the hope is that a better, more informed level of debate can take place. If so, better data will be provided and protected species and biodiversity will be the winners. The core methods section (Chapter 5) is suitable for protected species in England, Wales, Scotland and Northern Ireland.

Common Pipistrelle (Pipistrellus pipistrellus) on a gloved hand. — Common Pipistrelle (Pipistrellus pipistrellus) by J P, via flickr.

Biodiversity Net Gain is a recent development in planning and land management. How do you think the introduction of this policy will affect protected species across the UK?

As I try to show in the last bit of the guide, BNG isn’t focused at all on protected species; delivery is still expected through protected species legislation. Yet, there is clearly a hope that BNG will sneak in more of all sorts of species, some of which may be rare or protected. Duffus et al (2024) have neatly shown that the score in the area-condition metric used by BNG isn’t related to either species richness or abundance. Instead, more information is needed, along with species surveys. If so, then they need doing well – and there is a debate to be had on that in the guide too.

This book emphasises the importance of collecting high-quality data for use in planning. As data quality improves, could there be a shift in our understanding of the UK’s condition? And could the true state of the UK’s biodiversity be worse than we initially thought?

Better knowledge, better use of standardised methods, and a better understanding of what the resultant data does or doesn’t mean, along with less use of unverified mitigation techniques: all will help us understand potential impacts of planning proposals on biodiversity a little bit better than we do now.

Better data might well show problems, but could also help in some circumstances by showing that some things are better than we thought, or by waving a flag before it is too late to act. Getting consistently reliable data will allow more meaningful actions at a local and wider scale.

Great Crested Newt by Leonora (Ellie) Enking. — Great Crested Newt by Leonora (Ellie) Enking, via flickr.

Chapter 5 offers an extensive insight into the data local authorities should collate when conducting an in-depth evaluation of protected species. Did you face any challenges in keeping this section accurate?

Of course things do, and will continue to, change. Even when the first draft of the text was completed there were basic changes in NE/DEFRA guidance that required reappraisals and revisions. The species guidance was equally dynamic. So, yes, it was tricky keeping up to date. The role of the guide is to bring together what we knew at the time of writing in an accessible way. If things change dramatically, there may be a case for a revised version in 5-10 years’ time. But in the meantime, it is there and might as well help people trying to understand what needs doing, or where claims need contesting, and why.

How important do you think technological advancements, such as bioacoustic methods, will play in collecting more accurate data?

Technology is critical in helping us better interpret the environment. For example, I use a range of bat recorders, and recorders have got better, and more efficient with time.

Technological improvements are fine, but they still come with error terms. Knowing and stating the limitations of methods and data are critical to help us understand what we can and can’t do with a set of data. In Public Inquiries, I regularly saw untenable claims relating to bat data that rarely matched the reality of the technology used. Query this, and the case often began to fragment. eDNA has its own issues too. So, yes in principle to advances in technology, but yes also to clear health warnings and stated limitations in any planning submissions that use them.

Hazel dormouse (Muscardinus avellanarius) by Frank Vassen. — Hazel dormouse (Muscardinus avellanarius) by Frank Vassen, via flickr.

What do you hope readers and practitioners will take away from your book?

The main message is that good data is key to an informed discussion between developers, opponents and planners. Being able to see what is needed, how it might be done, and why the precepts of BS 42020 (Biodiversity Standard) are core to the process. Openness, transparency and knowing what is needed will help us all – and biodiversity in particular. Poor data, bad methods and doubtful claims won’t help. If this guide helps LPAs pick some of those up, then it was worth writing.

Finally, what is occupying your time at the moment? Are you working on any other projects we can hear about?

Although now largely retired, I continue to write a blog on matters that interest me: serious and whimsical. I’m standing down now from Chairing a Friend’s Group for an island nature reserve. Having written the management plan for the site, the dim and distant origins of the island intrigue me, and there are plans in the pipework for a small book on the history and ecology of the island.

Protected Species and Biodiversity: A Guide for Planners and Ecologists is available from our online bookstore.

Author interview with Ursula Clare Franklin: Mission Penguin

Following the loss of her husband, Ursula Franklin embarked on a mission to see and photograph every species of penguin in their natural habitat. In this breathtaking book, join Ursula on expeditions to some of the most remote places on earth, from the Falklands to Tristan da Cunha and Antipodes Islands, in search of these much-loved birds. Interspersed with stories from Ursula’s adventures, each chapter explores a different species of penguin, detailing their identifying features, the ever-increasing threats they’re facing, and the conservation efforts needed to ensure future generations can experience the wonder of these animals.

Ursula Franklin is a keen wildlife photographer who grew up in Yorkshire, and is now based in Somerset. She developed a keen interest in photography when she was a child and her wonderful husband supported her passion until his sudden death in 2012. As a way to process her grief and heal, alongside her husband’s constant encouragement for her to ‘do something with her photography’, Mission Penguin was born.

We recently had the opportunity to talk to Ursula about her expedition, how she thinks we can we work to protect these vital species in the future, her favourite memories throughout this journey and more.

Plus, enter our prize draw to be in with the chance of winning one of four exclusive Mission Penguin prints here.

Having travelled around the world and seen every species of penguin in every habitat, which species surprised you the most and why?

Like many people, I had always associated penguins with snow, so it was amazing to discover that some species breed in forests, others in the desert and one species even at the equator. The species that really surprised me, however, and for a totally different reason, was the Royal Penguin. This species breeds on Macquarie Island, and in the north of the island are the rusted remains of huge digestors which were once used to extract oil firstly from seals and then when they ran out, penguins. Millions of King and Royal Penguins were slaughtered leaving just a few thousand birds when the barbaric practice was finally stopped. Having suffered years of persecution by man, I marvelled at how trusting the birds were. As I sat on the beach, groups of Royal Penguins waddled up to me, inquisitively studying my boot laces, camera bag and equipment. They were so curious and seemed utterly fearless. It was hard to imagine humankind betraying such trust. Luckily, over the last 100 years, their numbers have steadily increased and in 2022 they were finally taken off the list of near-threatened species (IUCN red list). Hopefully they will continue to increase despite the human-induced climate change crisis.

Royal penguins waddling across Sandy Bay, Macquarie Island.

You were lucky enough to witness the full, daily lifecycle of a number of penguin colonies by watching them from dawn until dusk, and I particularly loved the photographs of the Gentoo penguins on Saunders Beach at sunset. What does the typical day in the life of a penguin look like?

A day in the life of a penguin varies hugely depending on the time of year, especially during the breeding season, or when moulting. At other times of year, the birds spend their time foraging in the open ocean. During their annual moult, which usually lasts around 3 weeks, they are no longer waterproof so cannot go into the ocean to feed – instead they must stay on land living solely off their fat reserves. The breeding season is when they spend time on both land and sea. For most species, males and females share incubation of the egg/s and often take it in turns to go foraging to feed the hungry chick/s whilst the other parent stays to protect it/them. With some species, as the chicks get older, they are left in a crèche, or some stay in a burrow, allowing both parents to go to the ocean to collect food for their increasing appetites. The birds often leave at dawn when foraging, and the length of time they are away depends on how far they must swim to find food. For some species, warming ocean temperatures have shifted prey populations further from the colony leading to chick starvation and mass breeding failure. When the parents do return with food, some species engage their older chicks in long food chases before finally stopping to feed them. This is done to build up the strength of the chicks prior to fledging and is hilarious to watch. The adults then stay with their chicks at the colony overnight before the whole process starts again early the next morning.

A Gentoo penguin colony at sunset, Saunders Island, the Falklands.

You travelled around the world and have seen so many different places as a result of this project – what was your favourite memory and why?

This is such a hard question. I could say the very beginning of the mission on the Antarctic Peninsula with the sighting of my first penguin – this was a Chinstrap Penguin and has since become my favourite species, probably because the black strap under their chin makes it look as if they are smiling. Or I could go to the very end of the mission at Snow Hill Island with the Emperor Penguin colony, which was like being on the film set of the movie Happy feet and a very fitting and emotional accomplishment of Mission Penguin.

My favourite travel destination, however, is the Falkland Islands. With fewer than 4000 people, beautiful coastlines and over one million penguins of five species I’m sure you can understand why. My favourite island is Saunders Island and my favourite location there is ‘the neck’. The accommodation is very basic and although small can technically sleep 8 in 4 sets of narrow bunk beds. Incredibly, on my last visit, my friend Hazel and I were the only occupants – apart from the penguins of course! What a joy and privilege to be the only humans sharing their world and a memory that will stay with me forever.

The Neck, Saunders Island, The Falklands.

Having witnessed first-hand the negative effects of both climate change and human activity on penguin colonies, and their respective habitats, how can we work to protect these vital species in the future?

Penguins are key indicator species for the health of our oceans and the effects of global warming. Although there are no penguins naturally occurring in the Northern Hemisphere, our everyday actions here will ultimately filter down to the Southern Hemisphere and affect these animals.

One of the most threatened penguins is the African Penguin, and research suggests that this species could become extinct in the wild by 2035 unless we act now. Whilst we have little influence on African governments regarding marine ‘no-take’ zones, limiting coastal development, (oil refineries etc) can still help. For example, all of us can reduce our use of plastics (especially single use), and switch to renewable energy sources.

For more direct and immediate help we can also sponsor penguin nest boxes. African Penguins naturally lay their eggs in burrows which are dug out of layers of guano (bird poo!) laid down over hundreds of years. In the 1800’s most of this guano was collected and shipped to the UK to be used as fertiliser. As a result, there has been a 99% decline in the population over the last 100 years. As land temperatures continue to rise, penguins now nesting out in the open air are either dying from hyperthermia or abandoning their nests to save themselves, leading to mass breeding failure. Carefully researched and crafted nest-boxes that replicate the conditions of a guano burrow are proving effective – to help visit the Saving Penguins website.

A shortage of suitable nesting sites mean breeding African penguins are exposed to the full heat of the sun often with disastrous consequences.

Photographing every species of penguin is no small feat, especially alongside a full-time job! What were some of the biggest challenges you faced and what did you learn along the way?

When I announced to a friend that I was going to photograph every species of penguin in their natural habitat, I had no idea how many species there were or where they could be found. My research took me to places that I had never even heard of and to say many of them were ‘off the main tourist route’ would be an understatement! Simply getting to the required and often incredibly remote locations was definitely the first challenge. Many of these are also found in the roughest oceans in the world, and I suffer dreadfully from sea sickness. Needless to say, I was often very unwell but even that could not detract from the awe and wonder of these amazing expeditions. Once at the location, sometimes I only managed fleeting glimpses of just a few penguins of that species so not many photographs, but I appreciate how very lucky I was to actually see and photograph every penguin species on the first attempt.

The weather also presented significant challenges (especially the wind), and trying to photograph from a Zodiac (Rigid Inflatable Boat) while being tossed around in large swells was at times nigh on impossible. I also needed to keep my equipment warm in Antarctica and dry in the humidity of the Galápagos. Sunshine, although lovely in itself, also made photographing black and white birds more difficult than normal in terms of achieving correct exposure. I certainly learned to tolerate imperfections but also became a better photographer along the way. I also witnessed firsthand how tenacious and resilient penguins are – characteristics that we can all learn from.

The strong wind blowing the crests of these Moseley’s rockhopper penguins also made photographing them more challenging.

Mission Penguin came to fruition as a result of loss and grief, and throughout the book I found it heartwarming to read about the healing effects of your expeditions. How important do you think nature is in healing from grief, and what are the benefits of spending time exploring the natural world?

Nature is indeed an incredible healer. I have lovely memories of my mother taking us out on nature walks when we were young as we didn’t have much money, and nature was all around us and free! I think from that age I learned to appreciate the wonder of nature and delight in simple things, so when grief struck, getting out in nature and reconnecting with life and beauty was essential to my healing. Nature stimulates all of our senses which certainly helped me to feel fully alive even in the context of death. What inescapable joy to hear the birds singing, see the dappled light in a woodland glade, smell the flowers, taste the salty sea air, and hug a tree! Being immersed in the natural world really helps to put things into perspective and to feel part of something much greater than ourselves. In nature I feel fully grounded which gives me an inner peace and the strength to keep going, one step at a time.

Southern rockhopper penguins, Pebble Island, the Falklands.

What’s taking up your time at the moment? Are you working on any other projects or planning any upcoming expeditions that we can hear about?

Following the completion of Mission Penguin I have spent more time delighting in the natural world on my doorstep. In the last couple of years, I have finally taken up gardening, which my husband would have found hysterical having tried to persuade me all our married life! My focus however is gardening with wildlife in mind, and I think we would have had very different definitions of a ‘weed’! I am also rewilding one large area and quickly learned the hard way that rewilding is not the same as letting things go wild! I am still taking lots of nature photographs and readers can see more of my images here.

As well as writing the book, I started giving talks on Mission Penguin to local groups and this quickly expanded to other topics as they keep inviting me back for more. I now have about 6 talks in my repertoire so that is keeping me busy as well as continuing with my singing – another fabulous activity for wellbeing.

King penguins returning from a fishing trip.

I am a firm believer in making the most of every moment. We only have one life, so live it well. Fill it with friends, joy, laughter – and of course, penguins.

Enter our competition to be in with the chance of winning one of four exclusive Mission Penguin prints signed by author Ursula Franklin here – good luck!

Mission Penguin is available from our online bookstore here.

Author Interview with Guy Shrubsole: The Lie of the Land

Brought to you by the Sunday Times bestselling author Guy Shrubsole, The Lie of the Land discusses how a handful of wide-scale landowners are responsible for the destruction and degradation of our vital landscapes, painting a humbling picture of some of the most notable failures of land stewardship in Britain’s recent history. However, Guy also presents a glimmer of hope as he relays the stories of those trying to help nature recover, from small-scale farmers to community groups and individuals. In doing so he gives the public hope that we can all become custodians of the countryside once more.

Author portrait of Guy Shrubsole in a forest. — Photograph by Nick White

Guy Shrubsole is a researcher, writer and environmental campaigner who previously worked as an investigator for Friends of the Earth, and is co-founder of the Right to Roam movement. He was Policy and Campaigns Coordinator at Rewilding Britain for a number of years and has published a number of books including Who Owns England? and The Lost Rainforests of Britain.

We recently had the opportunity to interview Guy about The Lie of the Land, where we discussed what inspired him to write this book, how the privatisation of land has affected its conservation and preservation, what he hopes the reader can learn from his work and more.

Firstly, can you tell us a little bit about what inspired you to write The Lie of the Land?

I’ve been thinking – and campaigning – about the issues in The Lie of the Land for some years. Witnessing moorland being deliberately set ablaze for the purposes of driven grouse shooting was an early spark; as was reading about the landowners who drained the Fens, and the vast wet commons that once dominated Cambridgeshire which teemed with fish, wildfowl and eels. In some ways The Lie of the Land is a natural sequel to my first book, Who Owns England? – taking its analysis that half of England belongs to just 1% of the population and looking at the ecological consequences of this.

Have there been any instances where private land ownership has benefitted the environment and increased its accessibility for the public, and if so, what can be taken from this?

Absolutely, I discuss in the book how there are some brilliant nature-friendly farmers and landowners doing great work – heroes like Isabella Tree and Charlie Burrell with their rewilding work at Knepp, or Jake Fiennes at Holkham, or James Rebanks in the Lake District. But I argue that we can’t simply rely on these few ‘good stewards’ to turn the nature crisis around on their own. We need to call out bad practice (as Fiennes does in his book Land Healer) and make all landowners more accountable to the public for how they’re treating the land. Look at how England’s peat bogs – a vast natural store of carbon and a crucial national asset in the fight against the climate crisis – have been mistreated by the 150 or so estates that own them and set fire to them each October. Look at the institutional investors who own great swathes of the Fens – organisations like the Church Commissioners – and how they continue to profit from what is essentially a ‘carbon bomb’, the wasted peat soils of the fenland losing fertility and carbon with each passing year.

The trouble is, a lot of estates and lobby groups for landowners hide behind the assertion that they are the ‘custodians of the countryside’, who can be trusted to look after it without the need for public oversight or pesky environmental regulations. But as James Rebanks says, “I’m a very proud defender of good farming, but the ‘custodians of the countryside’ argument only washes if we are genuinely doing that – otherwise it’s self-serving nonsense.”

Those Blue Hills by Jim Roberts Gallery. — Those Blue Hills by Jim Roberts Gallery, via flickr.

What do you think needs to be implemented to increase the perceived viability of community land ownership and management, compared to privately owned spaces? And how do you think we can increase the quantity of community land ownership going forward?

We need to give communities the power to take ownership of more land, for starters. That means introducing a Community Right to Buy in England, like the one they’ve had in Scotland for the past twenty years – a set of powers that has led to communities buying up half a million acres of Scotland. I visit one such community buyout in the book, Langholm Moor – a former grouse moor that was bought by the people of Langholm a couple of years ago: they’re now turning it into a nature reserve. No more moorland burning, no more predator persecution: they’re going to re-wet the peat bogs and are allowing birch and rowan to naturally regenerate up the hillsides.

We need to have that opportunity in England, too. And the good news is, the new Labour government announced in its first King’s Speech that it will introduce a Community Right to Buy in England. But we’ll have to campaign hard to make sure it happens, and that landed interests don’t water it down. And we need to unlock our own imaginations, to start to dream bigger about how communities could take control of land and manage it for nature. As the Scottish land reform campaigner Alastair McIntosh has written, community ownership of land “creates a new constellation of possibility.” Let’s reach for the stars.

Les coquelicots by Dmitry Djouce, via flickr.

I particularly enjoyed your last book, The Lost Rainforests of Britain, and it really opened my eyes to the remarkable habitats around us that many people, like myself, never knew existed. Do you think landowners are aware of the importance, in some cases rarity, of the land they own? And how has the privatisation of the UK’s rainforests affected their conservation and preservation?

Thanks! I think an increasing number of landowners and farmers are now aware of temperate rainforests – after writing Lost Rainforests, one of the loveliest messages I got was from a Devon sheep farmer who had discovered the very rare Hazel Gloves fungus growing in an old hazel grove on her farm. And it’s been really encouraging to see such snowballing momentum to bring back Britain’s rainforests since the book was published – like the Wildlife Trusts announcing rainforest restoration projects from Skiddaw in Cumbria to West Muchlarnick in Cornwall, and the Cornish landowner Merlin Hanbury-Tenison doing great work on his farm at Cabilla.

Unfortunately, not all landowners recognise the importance of the habitats they own – even sometimes when they’ve been officially ‘notified’ of their existence through the land being designated as a Site of Special Scientific Interest (SSSI). In the book I tell the story of the landowner who destroyed part of the River Lugg SSSI – and how his example is sadly only one of many instances since the first SSSIs were designated in the 1950s. Ultimately, if we’re to protect our remaining habitats, I think we cannot only rely on voluntary initiatives by enlightened owners, but have to give precious habitats strong legal protections – and make sure our environmental watchdogs, like Natural England, have real teeth.

What do you hope the reader can learn from your book?

I hope that readers get angry about the problems, take inspiration from the suggested solutions, and get out there and campaign for them to become reality!

Mar Lodge Estate by John Knight, via flickr.

The final chapter of your book details your 10-step proposal. At which point during the writing process did you develop these, and how did these recommendations adapt and evolve throughout the researching and writing process of The Lie of the Land?

In all of my books, I aim to set out clear political recommendations – for me the point of writing is not just to interpret the world, but to change it! From the outset I had quite a clear sense that all my recommendations in The Lie of the Land would be about how we can democratise decision-making over land, make landowners more accountable and give all of us a greater say over how land is used. That, to me, seems to be our last, best hope of turning the nature crisis around.

My own feelings of optimism about fixing this mess we’re in were definitely boosted by the conversations I had, and site visits I made in the process of researching the book. There are loads of communities yearning to look after land, loads of river guardian groups blowing the whistle on river pollution, and plenty of examples from other countries – and from our own nation’s history – of how we can protect and restore nature and do a better job than we are currently. But we need some policy changes at a national level to unlock these energies and scale them up. As William Gibson (allegedly) once said, ‘the future is already here – it’s just not very evenly distributed.’

Are you working on any other books or projects that we can hear about?

Steady on – I’ve just written this one! Currently I’m enjoying meeting with lots of people across the country to get the ideas out there – and I am campaigning hard for these policy changes. I also work with the Right to Roam campaign (you can join our mailing list at www.righttoroam.org.uk). But I definitely would like to write more books in the future!

The Lie of the Land is available from our bookstore.