Wilder Sensing: An Interview with Geoff Carss

Wilder Sensing, founded in 2021, is bringing innovative techniques to conservation, providing additional insights into biodiversity. This promising tech start-up featured on Springwatch this Wednesday (12th June), showcasing the applications of this innovation. We had the opportunity to chat with Geoff Carss, CEO of Wilder Sensing, on the organisation, its role in conservation and the future of technology in the field.


Can you share with us why Wilder Sensing was founded and what the company is involved in? 

Wilder Sensing was founded to ensure that anyone can collect high-quality, long-term biodiversity data. There are many different ways of doing this, but we focus on sound. By recording 24/7 for weeks, or even months, you can build up a very rich picture of what is present in an environment. The technology we use is low-cost with limited bias, and it is easy to use, even for non-professionals. It’s not perfect, especially because we are focusing on birds at the moment. Not all birds make much noise – some make very subtle noises which we can’t pick up – but for most species it works well. 

Can you tell us about the capabilities of Wilder Sensing technology and the insights that it can provide for a given environment?

We work with our customers to agree on survey patterns and how many recorders should be deployed on each site. The customer uploads their audio files to our website, and once they have arrived, we automatically process them using machine learning. It takes us around 20 seconds to process an hour-long file, and we can process many in parallel. During this, the technology checks every three seconds to see if a sound has been detected – every sound gets a species match, and a probability is assigned. So, for instance, the technology will be 92% certain that it has detected a Robin. Through this, we can give a species richness assessment, which is a species list at the moment. Our technology is currently unable to tell us how many individuals there are in a given space – there could be one very noisy bird, or ten very quiet ones.   

However, bioacoustic surveying technology does not remove the need for ground truthing. It is still important to get the baseline. Ecologists will find species that we don’t pick up. And the converse is true as well. We can find 20-30% more species when combining acoustic and traditional surveys. We are also working on other approaches for the future, like triangulation, which could identify exactly where a sound is coming from. 

Over 45,000 records were species-matched in the Peruvian Amazon. Image by Wilder Sensing.Can you tell us about the current projects that you are involved in and the role that bioacoustics played in conservation?  

We’re involved with a whole raft of different projects. We are working with environmental consultancies, Wildlife Trusts and NGO’s using acoustic technology for long-term surveying. Wendling Beck in Norfolk is a site that we have been working on for around 18 months. We realised that Skylarks are using one small part of the site, but you don’t see this until you look at the data – when you are just walking around, you don’t make that connection. If you look at some species, you might think that you have a ubiquitous habitat, but when you start looking at the distribution of birds and their calls, you may find that there are many times more calls in one part of the site. If you were to redevelop an area, you would probably lose some species altogether, but going into a development project, knowing that’s a likely ecological consequence, is really important and that is why acoustic technology is so valuable. 

What is the future for AI in conservation? Where do you think its applications could take us over the coming years??

I think it has a lot to contribute. To get good, accurate data you need highly skilled ecologists, people that really understand bird sound – it takes years to build those skills. I think the role will change so that ecologists will get more involved in survey design and interpreting the data to understand the consequences of a project. It becomes much more evidence-based and more quantitative. We have some customers who deploy up to 20 recorders, and you can get a quarter of a million acoustic records on each device. With that amount of data, you can start to ask different questions and we can see all kinds of behaviours that we couldn’t see before.   

In the South-west, some farmland was purchased to develop into allotments and after digging, they found that Skylarks were nesting on-site. Biodiversity Net Gain (BNG) does not look at species, so a habitat survey would not record Skylarks in the area. If acoustic recorders had been deployed on site, ecologists would know they were present – so well-rounded data will also help developers plan better, mitigating issues from the onset of construction. The BNG survey was designed to be consistent and relatively easy to use, and species surveys could prove to be more difficult because of inconsistencies and methodologies etc. With AI we can move to a new level of understanding. If you just stick the recorder out, it is consistent in how it works and removes bias.

Over 4,000 calls were detected from Meadow Pipits at Wendling Beck. Image by Kev Chapman via Flickr.

For those interested in bioacoustics, it is worth noting that you will be holding webinars from July. What can we expect from these sessions?  

We have three sessions lined up. The first one is on 7th July and is about measuring nature using sound. It’ll dig into both how the technology works and how it compares against other methods, and hopefully we’ll have an open discussion around its strengths and weaknesses. The session is intended for people who are interested in the subject, and we will go through some examples. 

This will be followed by two in the autumn, which are more technical and are perhaps more suited to professional ecologists. These sessions will be touching on some of the technology behind Wilder Sensing and some of the ways it should and shouldn’t be used.

What is Wilder Sensing hoping to achieve over the next decade?  

I am hoping to move onto other taxa, the obvious ones being insects and bats. We would also like to look at triangulation as well – if we can triangulate how birds and bats are using a landscape, we can use this to help inform better environmental management. I think this data will be used with other environmental data in the future. People doing nature restoration or project planning need to understand the water quality, air quality, the climate etc. to get a better environmental outcome. And even forward-looking companies, we can look at their supply chain as well.

An acoustic sensor deployed at Honeygar Farm. Image by Wilder Sensing.

Increasingly the media are reporting on the quietening of British soundscapes, a symptom of the biodiversity and climate crisis we are facing. How do you think Wilder Sensing will adapt to an increasingly quiet environment? Will technology need to adapt to keep up?  

Wilder Sensing technology will quantify exactly what is happening in the biodiversity crisis. I have a copy of the iconic Silent Spring by Rachel Carson, which was published 60 years ago, and we haven’t learned from that. I think this type of technology will hold a mirror up to people to show exactly what is going on. I would love to get a good quality recording from 50 years ago, maybe two or three hours of dawn chorus in woodland, and go back to the same time of year in the same place (assuming it still exists) and compare it. Showing exactly that this is the difference in diversity.   


To find out more about the innovative work by Wilder Sensing, their blog features some interesting case studies on the applications of their technology and they are also active on LinkedIn. For more information on Wilder Sensing and their product, email info@wildersensing.com.   

 

Meet the new Song Meter 2 ultrasonic and acoustic recorders

Wildlife Acoustics are renowned for their attention to customer feedback which they use to refine their products and ensure they are of the highest quality.  It also means their products are some of the easiest and most flexible to use which makes them favourites with researchers around the world.

The latest additions to their range are the second-generation Song Meter Mini 2, Mini Bat 2 and Micro 2. In this blog you’ll find out exactly what’s new in these improved models and which of the original excellent features have been retained.

What’s new?

Increased battery life

• The Mini 2 with AA batteries will now record for up to 625 hours (when using 8 x AA batteries). This is more than twice the amount of the original Song Meter Mini.

• The Mini 2 with Lithium-ion batteries offers up to an incredible 1,565 hours of recording time, making it ideal for use in difficult to access locations.

• The Micro 2 will now record for up to 240 hours with just 4 x AA batteries – a huge 33% increase over the original Micro.

 

Improved weatherproofing

All Song Meter units are now tested to IP67 standards. This means that, not only are they protected against typical weather conditions, they can also be dropped into water up to a meter deep for 30 minutes without any water ingress. Perfect for the toughest conditions in the field.

New hinged enclosure

The casing has been completely redesigned so that the lid is hinged to the body and opens using a simple latched mechanism. With purposely designed holes to fit cable locks and/or padlocks, you can leave your equipment unattended, safe in the knowledge that your recorder is secure and cannot be accessed by anyone else.

New tripod mount

Further flexibility in siting has been achieved by the addition of a standard tripod mount. The Mini 2 and Micro 2 can now be quickly and easily attached to any item that has a standard tripod connector.

What has stayed the same?

All the Song Meter second-generation recorders still include a low-noise microphone that produces high-quality sound files. The same companion app, available for iOS and Android, is used to programme the recorders, ensuring that you can quickly and easily update them with your existing recording schedules. Finally, all recorders come with the same 2-year warranty, offering you peace of mind when you buy.

Head to nhbs.com to see the full range of Song Meter 2 recorders and associated accessories, or contact our customer services team for advice on choosing the product that’s right for you.

Free Webinar: Cold Weather Soundscapes; from Arctic Coasts to Alpine Valleys

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Researchers are using bioacoustics to study how animals in cold-weather environments hear and process sound, why they vocalise, and whether acoustic tools can help mitigate conflicts. Meanwhile, artists are documenting the impact of climate change, recording the sound of melting glacial ice to curate immersive exhibits.

How are their efforts drawing attention to fragile ecosystems? Find out at the Wildlife Acoustics FREE webinar at 3pm (GMT) on 8th February!

Click here to register your place.

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FEATURING

The Cry Wolf Project: Bioacoustics & Carnivores in Yellowstone National Park

Come and learn about how bioacoustics are being used to study wolf vocalisations in the remote and often wintery locations of Yellowstone National Park. We’ll cover the use of wildlife recorders for studying the function of wolf vocalisations, generating population estimates, and mediating wildlife-livestock conflicts. We’ll also demonstrate how Kaleidoscope Pro classifiers were used to find wolf vocalisations in large recording datasets. Most importantly, we’ll have fun listening to never-before-heard wild wolf sounds, recorded non-invasively in 2023.

Un Suono in Estinzione (A Sound in Extinction) – Adamello Glacier, Italian Alps

Hear the results of an experimental research project aimed at monitoring the implications of climate change on Alpine glaciers through the analysis of sound expressed in educational, artistic, and scientific activities. Un Suono in Estinzione (A Sound in Extinction) began in 2020 with researcher and sound artist Sergio Maggioni, around whom a team of professionals from different fields was created in a short time. Learn about the results of this fascinating bioacoustics project and its inspiration.

Acoustic Sensory Ecology of Diving Alcid Seabirds & Potential Noise Impacts

Alcid seabirds like the Atlantic Puffin are important components of holarctic coastal ecosystems and may derive important acoustic cues from the surrounding natural soundscape. As people increasingly utilise Arctic coastal areas, it is essential to characterise these soundscapes as a baseline for understanding seabird acoustic biology so that we can quantify the effects of human activity on their acoustic ecology over time. Learn how passive acoustic monitoring was used to document and describe the aerial soundscape dynamics of puffins and other Alcids seabirds such as Common Murres and Marbled Murrelets, and explore how these soundscapes may be related to their acoustic sensory biology.

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PRESENTERS

Jeff Reed, PhD
CEO | Grizzly Systems
Montana, United States

Jeff Reed, Wolf Researcher

Jeff Reed was born and raised in the Greater Yellowstone Ecosystem in southwest Montana, United States, and owns Reedfly Farm in Paradise Valley, Montana. After obtaining a PhD in computational linguistics and history, Jeff spent 30 years in the technology industry, working on linguistics and artificial intelligence solutions, and now builds visual and audio tech solutions for wildlife managers. He is an executive committee member of the Upper Yellowstone Watershed Group and Wild Livelihoods, promoting the coexistence of people and wildlife (though he considers people wildlife, too!).

Sergio Maggioni (NEUNAU)
Lead Artist | Un Suono in Estinzione
Adamello-Presanella Alps | Lombardy, Italy

Sergio Maggioni (aka NEUNAU), Researcher and Artist

Sergio Maggioni is the mastermind behind NEUNAU, an artistic sound research project born in Val Camonica, Italy, in 2015. The artist’s namesake is engraved on a rock in Loa, a place of worship from the Iron Age. NEUNAU’s investigations begin with the details a sound source expresses, first capturing and then exploring the sound to compose audio tracks, documentary films, specific performances, and installations that tell the story of the sound’s origins. In 2020, Sergio became the lead artist of Un Suono in Estinzione (A Sound in Extinction), an experimental research project that monitors the implications of climate change on Alpine glaciers through sound analysis in collaboration with universities, institutions, and partners.

Adam Smith, PhD
Postdoctoral Investigator | Dept of Biology Marine Bioacoustics
University of Southern Denmark | Syddanmark, Denmark

Adam Smith, Alcid Researcher

Adam Smith, PhD, grew up in a small town in South Dakota, United States, but became fascinated with the ocean and marine biology through National Geographic magazine articles and Discovery Channel documentaries. As an undergrad, he volunteered to help with research projects on acoustic communication in frogs. This experience hooked him on studying bioacoustics, a field that naturally combines his two great interests: music and nature. In 2011, Adam received his PhD in Zoology from the University of Hawaii at Manoa, where he studied hearing and echolocation in marine mammals. He then spent the following year on a Fulbright Fellowship studying the acoustic sensory ecology of Atlantic Puffins in Iceland. Adam is currently a postdoctoral investigator at the University of Southern Denmark, where he continues to research seabird acoustics and studies the auditory dynamics of biosonar in toothed whales.

Supplier interview with Fran Tattersall from Wildlife Acoustics

Wildlife Acoustics creates world leading wildlife acoustic monitoring tools, specially designed to help scientists make impactful discoveries that expand our understanding of this biologically diverse planet.

A passionate and innovative group of technologists, operational experts, wildlife enthusiasts and conservationists, they have a zeal for helping their customers succeed in their research —understanding their needs and creating wildlife audio recording and analysis tools specially designed to help them conduct research across the globe.

We recently chatted with Fran Tattersall about the history of the company, their latest products, and the incredible ways that they are enabling researchers to collect vital data.

Fran works as the European Business Development Consultant for Wildlife Acoustics and is passionate about the environment and conservation. She is incredibly knowledgeable about the company and their products, and we were grateful to her for taking time out of her busy schedule to answer our questions.


Could you tell us about the history of Wildlife Acoustics? What inspired its creation?

Wildlife Acoustics was founded by Ian Agranat, an engineer, technologist, and nature enthusiast who is still the company’s CEO.

On a family hike in the early 2000s, Ian’s brother-in-law wondered aloud about creating a device for recording and identifying birds by their songs. Wildlife Acoustics’ first product, Song Sleuth, was launched shortly thereafter. Long before we were familiar with such tools, Song Sleuth used AI to identify North American bird species by their calls!

The US Geological Service was intrigued by the possibilities and asked Ian to develop a reliable, programmable recorder and software to help identify bird calls. This led to the invention of the Song Meter SM1, the first commercially available, built-for-purpose acoustic wildlife recorder, and the Song Scope software. Biologists now had a fully integrated, cost-effective, weatherproof solution for monitoring and analyzing the vocalizations of birds, amphibians, and terrestrial animals. (The first SM1 is still in the field today!)

Can you tell us more about the people that use Wildlife Acoustics’ products and what they use them for?

We have products for anyone who wants to record vocal wildlife, bats, or soundscapes!

Our recorders and sound analysis software are used for research projects at universities and NGOs around the world. For example, Bat Conservation International used a Song Meter SM4BAT-FS to re-discover the Hills Horseshoe bat in Rwanda—an endemic species once thought to be extirpated.

Song Meter recorders are also used by ecological consultancies working on everything from large infrastructure projects, such as HS2 and wind farms, to individual householders replacing their roofs.

Our Echo Meter Touch 2 bat detector, which allows people to use their Android devices to hear bats echolocating in real time, has been particularly popular with the general public and is a great engagement tool on bat walks. More recently, our Song Meter Micro has gained popularity with birders who want to record nocturnal migration flyovers.

What are some of the most interesting ways you have seen Wildlife Acoustics’ products being used?

In February, we will be hosting a webinar on the use of our recorders in cold places, and one of the speakers is monitoring glaciers with a Song Meter SM4. I’m looking forward to learning more about that!

More usually our recorders are listening to wildlife. Mammals are my personal favourite species group. We have people recording Maned Wolves, Manatees, elephants, Okapi, moose, Rock Hyrax, and many more.

Interestingly, it’s not just bats that use ultrasound to communicate. Our “bat” recorders have been instrumental in finding and monitoring the invasive White-toothed Shrew in northeast England and discovering that Indonesian Slow Loris use ultrasound to avoid predators. We even have a customer who records lab rats “laughing” when tickled.

Our customers are always finding fascinating new ways to use our equipment!

The new Song Meter Mini 2 and Song Meter Micro 2 are due to be launched soon. How do the new versions compare to their predecessors?

We’ve listened to customer feedback and improved the enclosure, extended battery life even further, created separate AA and Li-ion versions (18650 batteries) for the Mini 2 and the Mini Bat 2, and added a quarter-inch, 20-thread-per-inch tripod mount.

The ergonomics of the closure mechanism have been improved, using a hinged lid that can be secured with a simple cable lock. No more having to keep track of a separate lid. And the whole thing is now IP67-rated and built to withstand even the most rugged terrestrial deployments.

AA battery life has been significantly improved thanks to a larger battery tray that doubles the capacity from four to eight batteries. So for a Mini Bat 2, that means up to fifty 10-hour nights of recording, and for a Mini 2, it’s 420 hours of acoustic recording! (And best of all, the price of the AA versions remains the same.)

On the Micro 2, in addition to housing improvements, we improved the design by making room for an additional AA battery, which extends recording time by 33 percent.

Which of the new products is your favourite and why?

I enjoy exploring the new science of acoustic indices and soundscape analysis and am looking forward to using the Song Meter Micro 2, which has a flatter frequency response than its predecessor, making it eminently suitable for this type of work.

It’s also a great little device to take on wildlife holidays because it is so small—perfect for recording dawn choruses, nocturnal soundscapes, and finding that elusive bird. It’s always exciting to look at the contents of your SD card in the morning and hear what’s been around!

What can you tell us about plans for new features or products in the future?

Only that we’re not resting on our laurels. Our engineers are working on new ideas all the time, and NHBS will be the first to know when we’re ready to make announcements!


All of Wildlife Acoustics’ products are available at nhbs.com. For more information or advice tailored to your specific requirements, please contact us and speak with one of our technical advisors.

SM4/SM4BAT SD Card Compatibility Fix

This is a Technical Support Bulletin from Wildlife Acoustics regarding problems that can occur when using the SM4 family of recorders with certain SD cards.

Overview

A number of customers have recently reported deployment problems when using SanDisk Extreme and SanDisk Extreme Pro SDXC flash cards with their Song Meter SM4 family recorders. The issue can affect all Song Meter SM4 family products including the SM4, SM4TS, SM4BAT-FS, SM4M, and SM4MU (but excluding SM4BAT-ZC).

The failure generally manifests with schedules that make continuous back-to-back one-hour recordings and can result in recordings being lost. Corrupted .WAV recordings with a 256KB length and/or many .sm4dump files on the card are both indications. The issue only rarely affects schedules with short duty cycle recordings such as 10 minutes on the hour, or on triggered recordings on the SM4BAT-FS.

Note: Many of the above symptoms are normal at the end of a deployment as batteries fail. What is unique to this issue is it can occur while the batteries are fresh.

Solution

Wildlife Acoustics have released firmware version 2.3.3 that corrects this problem and may improve interoperability with other flash cards as well. We strongly advise customers to update to this latest version as soon as possible whether you are seeing issues or not. The firmware is available on the Wildlife Acoustics website after you log in to your account here: https://www.wildlifeacoustics.com/account/downloads/sm4.

Firmware version 2.3.3 also fixes an unrelated issue, introduced with firmware 2.3.1, which could result in corrupted cards that are formatted in exFAT and have the “dirty bit” set (this indicates an issue with unmounting the card previously).

Note: If you experience card corruption, Wildlife Acoustics have tools that can possibly recover recordings off the card. Contact their support team using the details below for more information.

Contact Wildlife Acoustics

Please contact support2021@wildlifeacoustics.com if you have any questions or concerns.

NHBS In the Field – Echo Meter Touch 2

First released in 2017, the Echo Meter Touch 2 (EMT2) and Echo Meter Touch 2 Pro (EMT2 Pro) from Wildlife Acoustics are highly popular bat detectors for naturalists and professionals alike. By plugging the units directly into your phone or tablet, your device is transformed into a fully functional, full spectrum bat detector. The free Echo Meter app (available on the App Store and Google Play Store) allows the user to watch live, real-time sonograms as bats pass above.

The EMT2 Pro can be purchased as either an iOS model (with a lightning connector) or an Android model (with a USB-C connector), but the EMT2 is now only available as an Android model. We highly recommended checking the list of compatible devices on the Wildlife Acoustics website before purchasing your EMT2 (see compatibility of phones and tablets here for Android). This list is not exhaustive and is continually updated as further models are tested.

When using in conjunction with an Android device with a USB-C connector, an adapter will be required. As of 2021 these are now included for free with all Android Echo Meters, an addition we are sure will be greatly appreciated by customers going forward.

The EMT2 Pro is very similar to its counterpart, however additional features and a higher quality microphone make this option more suitable for professional ecological surveys and acoustic analysis. Adjustable gain (Low -12dB, Medium or High +12dB) is one particularly helpful addition. For a full break down of the differences between the EMT2 and the EMT2 Pro please see Wildlife Acoustics’ comparison page.

We plan to further test and compare the EMT2 and EMT2 Pro for a future post. On this occasion we only tested the EMT2 – but the set up and use is fundamentally similar for both models.

How we tested

During August 2020 we took several EMT2 units to a nearby woodland to survey for the presence of bats. The Android units were used in conjunction with a Samsung Galaxy Tab S3 (requiring the micro USB to USB-C adapter) and the iOS units used with an iPhone SE 2020.

The EMT2 is incredibly lightweight and small, weighing just 20g and measuring 48 x 35mm. Supplied in a small pouch, the detector is perfectly pocket-sized. For peace of mind, we connected a keychain to the pouch to keep it safely clipped to the inside of our bag.

Set-up was incredibly easy; we simply downloaded the free application, plugged in the device and immediately began recording. It is worth noting that, when plugging the EMT2 into the phones without an adapter, the phone cases had to be removed in order to allow proper connection.

We made sure that the Trigger Minimum Frequency was set to 12kHz, the level recommended by Wildlife Acoustics in order to stop noise recordings while not missing any species of bat. On the ‘Auto ID Selection’ tab, we chose the correct region and country allowing the impressive auto-ID feature for UK bat species to be enabled (see video below on how to change these settings).

The EMT2 then automatically recorded any bat activity detected above 12kHz and applied a suggested species identification based on the waveform and frequency. The app offers several ways to share these recordings, but we chose to directly plug our phones/tablets into a computer to transfer the files directly.

What we found

The Echo Meter is incredibly intuitive and easy to use, so certainly suitable for beginners and professionals alike. Any questions or issues can easily be resolved via the User Manual, found under the Information tab on the app and offered in English, French and German. Personally, we preferred this digital option rather than having to flick through a paper copy during a dark evening survey. However, copies of the user manuals can be found here, for those who would prefer to print a hard copy.

The on-screen live sonograms were particularly impressive and allow surveyors to get an idea of the potential species present while still in the field. While waiting for the bats to emerge, we enjoyed watching the calls of birds and crickets (see our blog post here on monitoring Orthoptera using bat detectors) – an unexpected advantage of the EMT2. It is certainly understandable why the EMT2 is so often used for community engagement at bat walks and BioBlitzs around the country.

We found that, for the species common in our area, such as Common Pipistrelle (Pipistrellus pipistrellus), Soprano Pipistrelle (Pipistrellus pygmaeus) and the Noctule (Nyctalus noctule), the auto-ID feature appeared mostly accurate. Although, on one occasion before dusk we found that a bird call triggered a Common Pipistrelle identification. It is important to note that no Auto-ID feature can be 100% accurate, and Wildlife Acoustics make it clear that users should always manually verify the identification.

The automatic triggered recording worked very smoothly and did not appear to miss any bat activity. Despite this, it was reassuring to know if we noticed something we wanted to record, we also had the option to manually trigger recording – another feature that would be useful if wanting to listen to non-bat species. Each recording was GPS tagged, a neat feature that tracked our transect throughout the evening. When sorting through recordings, the option to sort by species was helpful to move noise and ‘No ID’ audio clips.

The only limitation we found with the EMT2 is how quickly our batteries drained. This is of course not a fault with the EMT2 itself and is to be expected with continual recording, but it is worth considering your phone or tablet’s battery life may impact your use of this detector.

Overall, the Echo Meter Touch 2 is a fantastic detector that is very affordably priced for the number of features it offers. The free app is continuously updated, and newly developed species classifiers added.

Common Pipistrelle (left) and Soprano Pipistrelle (right) recorded and identified on the Echo Meter app.

The Echo Meter Touch 2 and Echo Meter Touch 2 Pro are available from the NHBS website.

Visit nhbs.com to view our full range of bat detectors. If you have any questions about our range or would like some advice on the right product for you, then please contact us via email at customer.services@nhbs.com or phone on 01803 865913.

Song Meter Mini and Mini Bat firmware update

A new firmware update is available for the Song Meter Mini and Song Meter Mini Bat. Version 1.4 will introduce the following changes:

  • Mini Bat now reports scheduled recording period to the app correctly.
  • Mini Bat now correctly increments the recording counter in zero-crossing only mode.
  • Improvements for battery performance.
Instructions for updating the firmware

To upgrade the Song Meter Mini or Song Meter Mini Bat firmware:

  1. Download the firmware file.
  2. Copy this file to the top-level directory of a flash memory card. There must be only one firmware file on the card.
  3. Insert the flash memory card into the SD card slot of the Song Meter Mini.
  4. Turn on the Song Meter Mini.
  5. Press the FUNCTION button two times to select the ‘LOAD’ function.
  6. Press and hold the FUNCTION button until the ‘LOAD’ LED begins blinking.
  7. When the process is complete, all four LEDs will blink green three times and the recorder will reboot with the new firmware.

Kaleidoscope Pro annual subscriptions now available

Kaleidoscope Pro is now available as an annual subscription, providing an economical way to access the excellent analysis features of this software.

A discounted package is also available for students or academics who buy a subscription using an official university purchase order.

Each subscription will give you access to the software for 366 days and an automated email will remind you to renew at the beginning of the month that your current subscription is due to expire.

For customers who have purchased a copy of Kaleidoscope Pro in 2017, Wildlife Acoustics are offering you the chance to convert this to an annual subscription. Depending on when your software was purchased, you will be entitled to a one, two or three-year subscription (see the table below). This offer is valid until the 31st January 2018.

To take advantage of this offer: When Kaleidoscope Pro 4.5 is launched, you will receive a popup window notifying you of the conversion offer. You will be able to accept or decline at this time. If you choose to accept, your permanent license will be deleted.