Tag: Books

Author Interview: Andrew G. Duff, Beetles of Britain and Ireland Vol 3

In our latest Q&A we talk to Andrew Duff, keen naturalist and author of the new book Beetles of Britain and Ireland Volume 3, which joins a monumental 4-volume identification guide to to the adult Coleoptera of the Republic of Ireland, the United Kingdom of Great Britain & Northern Ireland, and the British Crown Dependency of the Isle of Man. By bringing together reliable modern keys and using the latest taxonomic arrangement and nomenclature, it is hoped that budding coleopterists will more quickly learn how to identify beetles and gain added confidence in their identifications.

Andrew has taken his time to answer our questions about his book and about the fascinating world of beetles.

 Aside from the most conspicuous species, beetles seldom seem to attract as much attention as some other insect orders. What is it that has drawn you to study this group? 

My initial attraction to beetles was by coming across some of the larger and more colourful species, as you might expect. The first occasion was in about the late 1970s. I was out birdwatching with my oldest and best friend, the Ruislip naturalist Mike Grigson, when he found a species of dor beetle. These are large black beetles, often found wandering in the open on heaths and moors. They have the most striking metallic blue undersides. Picking one up, Mike said to me: “beetles are really beautiful ”, and I can still picture him saying it. The next occasion was when I was assistant warden at the Asham Wood reserve on the Mendip Hills in Somerset, in the summer of 1982. The warden, Jim Kemp, was an expert mycologist with a side interest in beetles. One day we were on the reserve and he pointed out a black-and-yellow longhorn beetle sat on an umbel. I thought it was very exotic-looking, every bit as worthy of a naturalist’s attention as butterflies and orchids! So I resolved to find out more about the beetles found in Asham Wood. Bristol Reference Library had a copy of Norman Joy’s Practical Handbook of British Beetles and it was obvious that I needed to buy it. Once I had my own copy of ‘Joy’, there was no stopping me. I started finding beetles and was able to identify most of them. The more you study beetles, the more you realise that all of them have their own special kind of beauty, and this is what ultimately led me to become a coleopterist. That, and the intellectual challenge of identifying small brown beetles, are what continue to inspire me. 

 What motivated you to write and publish Beetles of Britain and Ireland?

Joy’s Practical Handbook of British Beetles was the standard beetle identification guide for at least two generations of British coleopterists, ever since its publication in 1932. Joy’s book provided concise keys to every British beetle in a handy two-volume set, one volume of text and one of line drawings. The trouble with this idea is that the keys were oversimplified and misleading because of all the detail that wasn’t included. By the 1980s ‘Joy’ was already long past its ‘best before date’. Talk started about somebody producing a successor set of volumes and the late Peter Skidmore made a start—after his death I was fortunate to obtain his draft keys and drawings, and in particular have made much use of his drawings in my book. Peter Hodge and Richard Jones then published New British Beetles: species not in Joy’s practical handbook (BENHS, 1995). This was a fantastic achievement because it brought together in one place a list of the species not included in ‘Joy’, as well as notice of recent changes in nomenclature and of some errors in his keys. But it was still only a stop-gap measure.

By around 2008 still nothing had been produced by anyone else. I reckoned it might be achievable and began to discuss with other coleopterists the idea of writing a new series of volumes. The turning point was a discussion with Mark Telfer at a BENHS Annual Exhibition in London. My main concern was over the use of previously published drawings in scientific papers, but Mark reassured me that provided the drawings were properly credited and that the book was clearly an original work in its text and design then it should not fall foul of any copyright issues. By 2010 I’d already made a start on Beetles of Britain and Ireland and in the summer of that year took early retirement so that I could work on it more or less full time. My own professional background is as a technical author in the world of IT and from the 1980s onwards I’d had extensive experience of what used to be grandly called desktop publishing, what we would now call simply word processing! I’d decided to go down the self-publishing route so that I could ensure the production values matched what I thought coleopterists would want: a book which was laid out clearly and would stand up to a lot of wear. It’s really for others to judge whether my volumes meet the needs and expectations of most coleopterists, but so far I’ve been pleasantly surprised at how well they’ve been received.

 How did production of this book compare to the previous volumes in the series? Was it difficult to bring together information on so many families exhibiting such a diversity of life histories?

As this is the third volume to have been completed I’d already learnt a lot about the best way to collate all of the material and summarise it, while trying to make as few mistakes as possible. The previous two volumes (vols. 1 and 4) were written in a rather erratic fashion, so that at any one time some sections would be more or less complete while others would not even have been started. This time I was determined to be more disciplined by starting with the first family, completing a draft which included the family introduction, keys to genera and species, and all of the line art illustrations, before going on the next family and doing the same again. In a way, having many families was an advantage because it meant I could use a ‘divide-and-rule’ strategy by breaking down a fauna of 1088 species into 69 smaller chunks. The fact that there are so many families in this volume didn’t generate any special problems, indeed families with only a few species like the stag beetles, glow-worms and net-winged beetles are relatively straightforward to document. But some of the family introductions were a challenge, insofar as some families are poorly defined taxonomically and hard to characterise in a way which would be accessible to amateur coleopterists. For example the darkling beetles (Tenebrionidae) exhibit a bewildering diversity which makes it well nigh impossible to say why a particular species is or is not assigned to this family. I made extensive use of the two-volume American Beetles (Arnett et al., 2002), which contains succinct summaries of nearly all of our beetle families, and this made my job a lot easier. But at the end of the day, the family diagnoses are not as important as the keys to genera and species. Most coleopterists won’t be coming to a particular family chapter as a result of methodically working through the key to families in volume 1. I imagine that in most cases people start by comparing their beetle with the colour plates, getting a shrewd idea as to what family it belongs to, and then going straight to the keys to genera and species. Picture-matching will always have its place in natural history, and I hope that Udo Schmidt’s 473 colour photos in this volume will be put to good use.

 This volume covers some of our most familiar beetles – the ladybirds and chafers, for example. What advice would you give to anyone seeking to extend their interest beyond these well-known families to the more ‘obscure’ groups? 

I would say that it largely depends on what kind of naturalist you are. What I mean by this is that there are two main ways of studying beetles, and you have to decide which path is right for you. On the one hand, many naturalists take photographs of beetles and by using the Internet or an expert validation service such as iRecord (www.brc.ac.uk/irecord/) they can usually achieve reliable identifications, at least to genus level, for medium-sized and large beetles. Some spectacular finds of beetles new to Britain have been found by general naturalists posting their images on the Internet, a very recent example being the flower-visiting chafer Valgus hemipterus, first posted to iRecord in April 2019 and already given the full works treatment in my volume 3. The problems start as soon as you try to identify smaller and more obscure beetles, because most of them are simply not identifiable from photographs. It’s not their small size and lack of bright colour patterns as such, so much as the need to view the underside, or the fore legs from a particular angle, or the head from the front, or the body orthogonally from directly above to ascertain the precise shape, which makes field photography impractical as a way to identify small beetles. So what you need to do is to go down the second path and start a beetle collection. This enables you to examine your specimen with a bright light source under a good stereomicroscope, turn it over to examine the underside, stretch out its legs to look for the pattern of teeth and spines, straighten it to measure its length and width, and if you’re feeling brave dissect out the genitalia which often provide the only definitive way to arrive at a species identification. Many naturalists balk at the thought of collecting beetles, but I would argue that the scientific value of having a comprehensive species list for a site outweighs any squeamishness I might feel about taking an insect’s life. In any case, my guilt is assuaged by the fact that insects are being eaten in their trillions every day, everywhere, by all manner of insectivorous animals and plants, so that the additional negative effect of my collection on beetle populations is vanishingly small.

Could you tell us a little about the process of compiling keys for the identification of the more challenging species? Were you able to draw upon the existing literature, or did you have to create them from scratch?

Some of the genera treated in this volume have been giving problems for coleopterists ever since the scientific study of beetles began. These are genera with a number of very similar, small and plain species that appear to have few distinguishing features. Nine genera in particular stand out for me as being conventionally ‘difficult’: Contacyphon, Dryops, Cryptophagus, Atomaria, Epuraea, Carpophilus, Meligethes, Corticaria and Mordellistena. It was always going to be a challenge for me to provide workable keys to these ‘nightmare nine’ genera, but I was keen to give it a go. It helps that I take a perverse interest in very difficult identification challenges, so I was motivated to come up with keys which would work. Fortunately I was able to pull together information from a variety of different sources until I had draft keys which could be put out for testing. The testing went through a number of iterations and by reworking the keys—for example adding my own illustrations, simplfying or reorganising couplets, or adding new couplets to account for ambiguous characters—they were gradually improved until I was happy with them. A second source of difficulty concerned the aphodiine group of dung beetles. The formerly very specious genus Aphodius was recently broken up into 27 smaller genera, and our leading dung beetle expert, Darren Mann, recommended to me that we should adopt the new taxonomy. This meant that I needed to construct a completely new key to genera, and that took a great deal of time and effort searching for characters. Incidentally I’d like to pay special thanks to Steve Lane and Mark Telfer for their advice and help with these difficult genera; I owe them both a great deal for their encouragement and support. The keys to challenging genera in this volume will certainly not be the last word on the subject, but I believe they are an improvement on previous keys.

 When gathering information on habitat and biology of the various families, did you notice any glaring omissions? Are there any families that could particularly benefit from further study?

Some of the families treated in this volume are well understood, in terms of their identification, ecology and distribution in Britain and Ireland. The scarab beetle family-group, jewel beetles, click beetle family-group, glow-worms, soldier beetles, ladybirds, oil beetles and cardinal beetles are all popular groups and have been reasonably well studied, while the ladybirds have received a huge amount of attention! But that accounts for just 13 of the 69 families treated in volume 3, and the remaining 56 families are in general much less well known. Modern identification keys in English already existed for some of the other families but for most the information is very basic. I would say that the biggest gap in our understanding concerns the synanthropic and stored-product beetles. Not only do amateur coleopterists rarely come across these species, but the information that has been gathered (mostly by food hygiene inspectors) has not been made publicly available. In a few cases it’s not even clear which country a species has been found in, and all we know is that it has been found at some time, somewhere in Britain. I would like to think that this group will one day be much better documented.

A particular favourite of mine are the silken fungus beetles (Cryptophagidae). This family contains two of the ‘nightmare nine’ genera: Cryptophagus with 35 species and Atomaria with 44 species. I’ve tried hard to produce workable new keys for these two genera, but their identification is never going to be easy and it will be necessary to validate records for a long time to come. But I hope that at least this family will begin to benefit from a greater level of interest, on the back of my new keys.

 There will be one more volume to come before this monumental series is complete – are you able to provide an estimation as to when that will come to fruition?

Volume 2 covers just one huge family: the rove beetles (Staphylinidae). This has been left until last for two good reasons. Firstly, the subfamily Aleocharinae, and in particular the hundreds of species in the tribe Athetini, are so poorly understood that it’s just not clear where the generic limits are drawn. This means I will have my work cut out trying to construct a new key to Aleocharinae genera. Preferably the key won’t involve dissecting out the mouthparts and examining them under a compound microscope, as we are expected to do now! Secondly, it has to be admitted that rove beetles are not the most exciting to look at. As publisher as well as lead author of my series of volumes it was always going to be difficult to sell a book which didn’t contain a lot of colourful plates. My plan all along, then, was to leave the rove beetles until last, in the hope that people would buy the book in order to complete their set! Volume 2 has already been started, and Udo has been working hard on the colour plates, but there is still a mountain to climb to complete the Athetini keys and illustrations to my satisfaction. My best estimate currently is that it will be published no later than 2024. Once that is done, and if I still have my wits about me, I suppose I’ll have to think about revised editions of the earlier volumes!

 

Beetles of Britain and Ireland: Volume 3 Geotrupidae to Scraptiidae

By: Andrew G.Duff
Hardback | Due July 2020| £109.00

 

 

 

Browse the rest of the Beetles of Britain and Ireland series on the NHBS website

 

All prices correct at the time of this article’s publication.

 

Palace of Palms: Tropical Dreams and the Making of Kew: an Interview With Kate Teltscher

Daringly innovative when it opened in 1848, the Palm House in Kew Gardens remains one of the most beautiful glass buildings in the world today

In Palace of Palms, Kate Teltscher tells the extraordinary story of its creation and of the Victorians’ obsession with the palms that filled it: a story of breathtaking ambition and scientific discovery and, crucially, of the remarkable men whose vision it was.

Cultural historian and author, Kate Teltscher kindly took some time  to answer our questions about her new book.

Can you tell us something about your background and what motivated you to write Palace of Palms?

I’ve visited Kew since my childhood and have always loved the Palm House.  It’s such a magnificent building, and just astounds you, the moment that you enter the Gardens.  It’s so sleek and elegant, and modern-looking.  As soon as you push open the door, the heat hits you, and you’re inside this tropical world.  The architecture and plants combine to form this astonishing spectacle. The whole Gardens are landscaped around the Palm House, and the three long vistas at the back mean that you’re always catching sight of the Palm House as you walk the grounds.  I wanted to find out why the Palm House was at the centre of Kew.  Why was it the first building to be commissioned when Kew became a public institution?  As a cultural historian, I was interested in the story that the Palm House could tell about Britain and botany, about palms and empire.  And then in the course of my research I became fascinated by the characters that I discovered: the ambitious first Director, the self-taught engineer, and the surly yet devoted Curator.

The historical period in your book has been described as ‘The Golden Age of Botany.’ Do you think this description is justified?

The period certainly saw the birth of modern botany and many plant collecting expeditions, but the idea of a ‘golden age’ seems outdated now. The phrase tends to obscure or gild botany’s connection with commerce and empire.  From its very foundation as a public garden, Kew had close links with colonial gardens across the empire. John Lindley, the botanist who wrote a government report on Kew, proposed that the colonies would offer up their natural resources to Britain to aid ‘the mother country in every thing that is useful in the vegetable kingdom’.  Kew was seen as the co-ordinating hub of a network of colonial gardens in India, Australia, the Indian Ocean and the West Indies, that would exchange information and plants across the globe.  Transplanting medicinal plants, economic and food crops across continents, Kew engineered environmental and social change worldwide.

Why were palms so important to the Victorians?

The Victorians inherited the great Swedish botanist Carl Linnaeus’ notion that palms were the ‘princes of the vegetable kingdom’.  They were regarded as the noblest of all plants, far surpassing all European vegetation. For the public educator, Charles Knight, they combined ‘the highest imaginable beauty with the utmost imaginable utility’. They provided every necessity of life: food, drink, oil, clothes, shelter, weapons, tools and books.  They were so bountiful that Linnaeus imagined that early humanity had subsisted entirely on palms. As Chambers’s Edinburgh Journal put it: the question is not ‘What do they afford us? But what is there that they do not?’

Your book is full of intrigue, exploration and innovation. During your research was there one fact or event that stood out as been particularly remarkable?

I was particularly struck by the change in status of palm oil between the 1840s and today. Industrial chemists had recently discovered the properties of palm oil that would, in our own time, make it one of the most ubiquitous of vegetable oils.  In the nineteenth century, palm oil was used as axle grease on the railways and, combined with coconut oil, as a constituent of soap and candles. The oil palm grew in the areas of West Africa previously dominated by the slave trade.  The trade in palm oil, it was argued, was the most effective means to combat human trafficking.  In contrast to current fears that palm oil production is a major cause of deforestation and involves child and forced labour, the Victorians viewed palm oil as an ethical product, with unlimited manufacturing possibilities.

How do you envisage the future of the Palm House, the finest surviving Victorian glass and iron building in the world?

I understand from Aimée Felton, the architect who compiled a report on the Palm House, that despite the constant humidity of the interior, the actual structure is in reasonably good shape. These days, I guess, the Palm House does not look so big. Some of the tallest palms can never reach maturity because the Palm House roof is not high enough; they have to be cut down so that they don’t break through the glass. Obviously modern plant houses, like the Eden Project biospheres or the Norman Foster-designed Great Glass House at the National Botanic Garden of Wales may be larger or wider.  But what I find interesting is that these plant houses, like the Palm House, are daring, experimental structures.  The Palm House really functioned as the model for glasshouses across the globe throughout the nineteenth century: in Copenhagen, Adelaide, Brussels, San Francisco, Vienna and New York.  From a contemporary point of view, the Palm House is often seen as a forerunner of twentieth-century modernism.  It offers a perfect union of form and function, with its clean lines and organic shape.  In recent years, the Palm House has provided the inspiration for one of London’s current icons: the London Eye.  I expect that it will go on inspiring architects and engineers for years to come!

Are you working on any new projects you can tell us about?

I’m hoping to work more with Kew, in particular a project to digitise an early record book that documents all the plants that were received and sent out from Kew at the end of the eighteenth century.  Since Kew was the first point of entry for many plants into Britain, and also sent plants to colonial botanic gardens all over the world, this record book is central to our understanding of the circulation of plant species, both nationally and globally. Kew really is a place of infinite riches, for the visitor and historian alike!

Palace of Palms: Tropical Dreams and the Making of Kew
By: Kate Teltscher
Hardback | July 2020| £19.99 £25.00

The extraordinary history of the magnificent Victorian Palace of Palms in the Royal Botanic Garden, Kew.

 

Further Reading

Discover more about natural history explorers and their discoveries in our selection of books.

All prices correct at the time of this article’s publication.

Faber Independent Alliance: Publisher of the Month

Launched in 2006, The Independent Alliance  has been a vital platform for nature writing to flourish. Authors such as: Patrick Barkham, Stephen Moss, Richard Mabey and John Wright all feature in this rich and varied list.

We are delighted to announce Independent Alliance as our Publisher of the Month for July: a chance in these challenging times to immerse yourself in eloquent, knowledgeable and thought-provoking writing.

We have price-offers on our top fifty Independent Alliance titles and have showcased our top ten below:

A Natural History of the Hedgerow: and Ditches, Dykes and Dry Stone Walls
By: John Wright
Paperback| May 2017| £8.99 £11.99
Tells the story of hedgerows past and present, encompassing their long significance in the life of the countryside.

 

Wild Child: Coming Home to Nature
By: Patrick Barkham
Hardback | May 2020| £13.99 £16.99
Patrick Barkham  explores the relationship between children and nature.

Read our author interview here.

 

The Accidental Countryside: Hidden Havens for Britain’s Wildlife
By: Stephen Moss
Hardback | February 2020| £13.99 £16.99
Stephen Moss journeys the length and breadth of Britain to find the wildlife that is thriving amidst our urban landscape.  Read our author interview here.

 

The Cabaret of Plants: Botany and the Imagination
By: Richard Mabey
Paperback | Oct 2016| £8.99 £10.99
Mabey puts plants centre stage, and reveals a true botanical cabaret: a world of tricksters, shape-shifters and inspired problem-solvers.

 

The Vital Question: Why is Life the Way it is?
By: Nick Lane
Paperback | April 2016| £8.99 £10.99
Why is life the way it is? If life evolved on other planets, would it be the same or completely different…

 

 

The Orchid Hunter: A Young Botanist’s Search for Happiness
By: Leif Bersweden
Paperback | April 2018| £6.99 £8.99
In the summer after leaving school, a young botanist sets out to fulfil a childhood dream – to find every species of orchid native to the British Isles.

 

Notes from an Apocalypse: A Personal Journey to the End of the World and Back
By: Mark O’Connell
Hardback | April 2020 | £11.99 £14.99
Where environmentalists who fear the ravages of climate change and billionaire entrepreneurs dreaming of life on Mars find common ground…

 

Becoming Wild: How Animals Learn to be Animals
By: Carl Safina
Hardback | April 2020 | £14.99 £18.99
Safina demonstrates that the better we understand the animals with whom we share this planet, the less different from us they seem.

 

Darwin’s Most Wonderful Plants: Darwin’s Botany Today
By: Ken Thompson
Paperback | July 2019 | £6.99 £8.99
Ken Thompson establishes Darwin as a pioneering botanist, whose close observations of plants were crucial to his theories of evolution

 

Gods of the Morning: A Bird’s Eye View of a Highland Year
By: Sir John Lister-Kaye
Paperback | Oct 2019 | £8.99 £10.99
Sir John Lister-Kaye follows a year through the seasons at Aigas and the Highland animals, and in particular the birds – his ‘gods of the morning’ – for whom he has nourished a lifelong passion.

Browse all Independent Alliance books at NHBS

All prices correct at the time of this article’s publication.

WILDGuides: Publisher of the Month

WILDGuides publish a wide array of practical, durable and authoritative natural history titles. Ranging from photographic field guides that cover the wildlife of Britain and Ireland, to visitor’s guides and reference works on wildlife regions around the world.

With a prodigious amount of new and forthcoming titles published this year and all at fantastic prices, now is a great opportunity to discover WILDGuides comprehensive and authoritative publications.

Bestsellers and new titles

Britain’s Ferns: A Field Guide to the Clubmosses, Quillworts, Horsetails and Ferns of Great Britain and Ireland
By: James Merryweather
Flexibound | Just Published! May 2020| £14.99 £19.99
A comprehensive, lavishly illustrated and user-friendly photographic field guide to all the pteridophytes of Britain.

Britain’s Birds: An Identification Guide to the Birds of Great Britain and Ireland
By: Rob Hume, Robert Still, Andy Swash, Hugh Harrop and David Tipling
Flexibound | Just Published! May 2020| £14.99 £19.99
Four years after the successful first edition, Britain’s Birds returns in a second edition.

 

Europe’s Dragonflies: A Field Guide to the Damselflies and Dragonflies
By: Dave Smallshire and Andy Swash
Flexibound | Just Published! May 2020| £19.99 £24.99
With over 1200 colour photos, Europe’s dragonfly fauna is given the WILDGuides treatment.

 

Britain’s Hoverflies: A Field Guide
By: Stuart Ball and Roger Morris
Flexbound | April 2015| £19.99 £24.99

A beautifully illustrated photographic field guide to the hoverflies of Britain

 

Britain’s Mammals: A Field Guide to the Mammals of Britain and Ireland
By: Dominic Couzens, Andy Swash, Robert Still and Jon Dunn
Flexibound | April 2017| £13.99 £17.99
A comprehensive field guide to all the mammals recorded in Britain and Ireland.

 

Britain’s Reptiles and Amphibians: A Guide to the Reptiles and Amphibians of Great Britain, Ireland and the Channel Islands
By: Howard Inns
Flexibound | July 2009| £13.99 £17.99
A detailed guide to the reptiles and amphibians of Britain, Ireland and the Channel Island.

 

Britain’s Day-Flying Moths: A Field Guide to the Day-Flying Moths of Great Britain and Ireland
By: David E Newland, Robert Still and Andy Swash
Flexibound | July 2019| £13.99 £17.99
A photographic guide to the moths you are most likely to see during the day.

 

Britain’s Plant Galls: A Photographic Guide
By: Michael Chineryh
Flexibound | Sept 2011| £12.99 £16.99
Aims to help both beginners and experts alike to learn more about the galls and what causes them in the first place.

 

Forthcoming

Britain’s Orchids: A Field Guide to the Orchids of Great Britain and Ireland
By: Sean Cole and Michael Waller, Sarah Stribbling (illustrator)
Flexibound | Due August 2020| £15.99 £19.99
Combines nearly 100 illustrative plates with over 1000 colour photos

 

Britain’s Spiders: A Field Guide
By: Lawrence Bee, Geoff Oxford and Helen Smith
Flexibound | Due September 2020| £19.99 £24.99
This fantastic photographic guide is coming as a second edition, with nine more species and updated information

 

There are even more books from WILDGuides planned for later in 2020, such as: Britain’s Habitats and Britain’s Insects – you can browse the full selection of WILDGuide titles here.

All prices correct at the time of this article’s publication.

 

Author Interview: Neil Middleton, Is That a Bat?

Neil Middleton is the owner of BatAbility Courses & Tuition, a training organisation that delivers bat-related skills development to customers throughout the UK and beyond. He has studied bats for over 25 years with a particular focus on their acoustic behaviour. Neil is the lead author of the popular Social Calls of the Bats of Britain and Ireland (2014) and in 2016 he wrote The Effective Ecologist which tackles the challenges facing ecologists as they endeavour to perform to the highest standard within their working environment.

His latest book, Is That a Bat?, published in January, provides a technical, yet accessible, guide to understanding and categorising non-bat sounds. Including a downloadable audio library, this ground-breaking book is designed to help bat workers be more confident in analysing their recordings, and also discusses the wider conservation benefits of studying non-bat sounds.

We recently caught up with Neil to chat about the book and about nocturnal sounds and their analysis.

……………………………………………………………………………………………………..

Where did the idea for this book come from? And do you feel that this is a subject/area of study which has been largely overlooked?

The idea came from a number of different directions during the years prior to my starting work on this project. As someone doing lots of sound analysis for bats and also seeing the kind of queries that would get sent to me, it was apparent that bat workers spent at least some time, unproductively, trying to work out what species of bat it was, when it turned out not to be a bat at all.

Additionally, whilst working in darkness we often hear other sounds that get ignored or written off as ‘of no interest’. These sounds (eg a Schedule 1 bird species) could actually be very relevant to the project we are working on and the reason why ecologists are being sent to a site in the first place.  Saying ‘I don’t know. It’s not a bat, so it doesn’t matter’ isn’t really the best approach to take. When people see something, they tend to react more positively, as opposed to when they hear an unfamiliar sound. In darkness, however, sound is usually all you get. So, this put ‘in the frame’ the thoughts I had regarding audible sound encountered during darkness.

Finally, I had been asked many times over the years, questions such as, ‘do mice make high frequency sounds?’  Until relatively recently I didn’t have a proper answer to that question and probably, to be honest, didn’t even think that I cared or that it mattered when it came to doing bat work. I could not have been more wrong.  Not only mice, but all of our small terrestrial mammals make ultrasonic sounds that can get picked up by bat detectors, and many produce sounds that are quite similar to some of the echolocation pulses or social calls produced by bats.

Having written this book (and completed the immense amount of research that it has inevitably involved) do you now find yourself looking at and treating your own recorded data differently?

Oh yes, most definitely. I am now very nervous about being certain about anything slightly unusual. When I deliver presentations, I often use the expression, ‘You only know what you know’.  I feel this underpins my whole thought process now, as it also follows therefore that ‘You don’t know what you don’t know, and how much there is still to find out’. I honestly think, in some respects, we are only scratching the surface when it comes to our knowledge of bat-related sound, as well as all of the other species and things that make noise within a bat’s soundscape. I think we are sometimes far too sure of ourselves for our own good.

Following on from that, it also has consequences to our, sometimes misguided, reliance on automated classifiers. I get quite unsettled when I hear some people talking about complex stuff (eg separating Myotis species with high degrees of confidence) in such an authoritative manner. I have always preferred a more cautious approach, and even more so now. If anything, having now done this project, I would say that I have backtracked, in some respects quite far, from stuff that I once thought I knew reasonably well.

How do you feel about auto-ID software? Do you have concerns that it gives users a false sense of confidence in their results? And do you feel that, as technology becomes more advanced, it might be at the expense of expertise in both fieldcraft and analysis?

To answer the last part of this question first, yes on both accounts. I go into quite a lot of detail within the book as to why I think this way. The pages in the book regarding these areas were written and revisited many times during the process. When I look at my first draft of those pages (which I still have) it is interesting for me to see the journey I have been on and how my thinking changed during the process.

My viewpoint on automated classifiers at the start was quite negative in all respects. In some respects, the classifier challenge isn’t related purely to bats. If only it was, it would be so much easier. I was horrified to find classifiers confidently identifying lots of non-bat-related sounds as bats. This was the point for me where this work moved well into the ‘essential reading for bat workers’ category, as opposed to a ‘nice to know’. I remember that day extremely well. I was in a hotel room, near Gatwick, doing analysis of harvest mouse calls. They looked a bit like common pipistrelles, and the three classifiers I used that day all agreed! After publication, I was especially pleased to see that some of the reviews have very much labelled it as ‘essential reading’, for a number of reasons (ie not just the scenario discussed here).

But putting all that aside, for the moment, my final conclusion (for the time being?) is that there are definitely better classifiers than others, and there are different ways in which classifiers do things that will produce different results. I also feel that classifiers used sensibly, by experienced people (ie those who possess all the ‘essential’ knowledge), with audits in place, can be extremely powerful and useful. However, just like a human, a classifier has got so many things loaded against it arriving at the right answer (much of which is discussed in the book). So, it is fair to say that classifiers can come up with completely wrong answers. It is also fair to say that humans, even with experience, can also come up with completely wrong answers.

Therefore, neither approach is perfect, but the thing I now feel strongest about isn’t the classifiers themselves but, firstly, the lack of training people get in understanding how these systems work ‘behind the scenes’. And secondly, the lack of technical knowledge and experience of bat-related acoustics demonstrated by some of those who use these systems. I think it is too easy for organisations to give this important and often complicated work to junior members of the team, furnishing them with classifiers etc. It is then as easy for an inexperienced person to use these systems, write reports and influence decisions that are being made, without they themselves (or their bosses) appreciating that perhaps they or the classifier is getting it wrong (back to ‘You only know what you know’). Ultimately, during any project, the human decides (or at least they should). They decide what classifier to use. They decide the methods to use. They decide to blindly accept what the system is telling them, or not. They decide to do a proper manual audit of the results, or not. They decide what goes into a report and whether or not to be cautious with their interpretation. In the book I say something along the following lines:

‘Our bat detectors and associated software should be regarded as educated idiots. Very intelligent, but on occasions totally lacking any common sense. There is one part of the process, however, where ‘common sense’ needs to be applied. This is the part where a human decides what to do next. You need to keep pressing that ‘Common Sense’ button before jumping in with wrong conclusions and inappropriate decisions.’

Too many people blame a classifier for making mistakes, when in fact we should perhaps be collectively looking in the mirror. It is a tool, and like any tool there are right ways and wrong ways, right times and wrong times, to use it. ‘It’s a bad workman who blames his tools’. I think if you use a good classifier appropriately, and the methods/results are audited by an experienced person, the combination of the two, each allowing for the other’s weaknesses, can work well.

Do you think that increased awareness of the other noises recorded during bat surveys has wider implications for conservation? For example, can you provide us with a situation where bat survey recordings might be useful for other species/purposes?

Definitely. This is one of the main threads within this work and the examples are numerous. We live in a country which, relatively speaking, isn’t that diverse when it comes to night-time species (bats, other mammals, birds, insects…). But even in the British Isles we have bush crickets, moths, birds, shrews, voles etc that can all be identified either audibly or from the analysis of bat detector recordings. Now take this approach into more diverse parts of the world. We haven’t really begun to scratch many of the surfaces, as far as I can tell. Even just looking at the UK, I don’t believe for one second that ‘Is That A Bat?’ is anywhere close to the total picture of what we may encounter acoustically during darkness. There is so much more to find out and this knowledge will almost certainly lead to better decision making and associated benefits for conservation.

Bat survey technology is constantly progressing, and there is a lot of recording equipment and analysis software on the market. It’s not surprising that it can be confusing for even the most experienced ecologist. What advice would you give to an aspiring bat worker who wants to gain experience and skill?

Listen and learn from lots of different experienced people. Take all of their thoughts and blend these with your own developing technical knowledge and experience. Understanding how bat echolocation works and how this links to behaviour is an essential foundation that should be in place before someone begins to attempt to identify bat calls to a species or group level.  For example, the answer is often as much to do with where a bat is (relative to surroundings), as it is to do with what a bat is.

Be wary of anyone who tells you they can identify every bat call, or that the system they use is always right. Don’t be afraid to just call it what you know it is (eg Myotis), as opposed to trying to always get it diagnostically to species level (eg it’s a whiskered bat). In any case, for some jobs you won’t need to know the precise species on every occasion. Why risk your credibility when there is no reason to do so. When you start appreciating the reasons why you can’t identify every bat, you are beginning to become an experienced and respected bat worker. People who don’t really understand this subject are afraid not to identify everything. People who really understand this subject know that everything can’t be identified (not at this stage anyway!).

What was the most interesting, bizarre or unexpected non-bat sound you came across during the research and writing of this book?

I think my favourite is the Long-Eared Owl juvenile call, when slowed down 10 times. This is something many bat workers do with bat calls in order to make them audible, and with an unusual recording it might be how you would first listen to it before realising that it’s not a bat. It still makes me smile, for no scientific reason whatsoever.  It just reminds me of ‘Casey Jones & The Cannonball Express’ (the whistle from his steam engine). I know some of your younger readers will need to Google ‘Casey Jones’.

Finally – a question we ask all our authors – what is next for you? Do you have plans for further books?

Yes, two others. But I am scared to say too much at the moment for a number of reasons, including that once you say out loud what you are doing, the pressure is then piled on to get it done. I am just recovering from this one! So, I need some time to carefully consider which of the two ideas comes next and how to marry up the huge amount of time it takes to produce a book with other commitments.

…………………………………………………………………………………………….

Also by Neil Middleton:

Social Calls of the Bats of Britain and Ireland
#212405
Brings together the current state of knowledge of social calls relating to the bat species occurring within Britain and Ireland, with some additional examples from species represented elsewhere in Europe. Includes access to a downloadable library of calls to be used in conjunction with the book.

 

The Effective Ecologist
#226648
The Effective Ecologist shows you how to be more effective in your role, providing you with the skills and effective behaviours within the workplace that will enable your development as an ecologist. It explains what it means to be effective in the workplace and describes positive behaviours and how they can be adopted.

Author Interview: Patrick Barkham, Wild Child: Coming Home to Nature

In this wonderful new book, Patrick Barkham draws on his own experience as a parent, a forest school volunteer and from his own childhood spent roaming outdoors to explore the positive effects rekindling children’s relationship with nature can have.

Patrick has kindly answered our questions about his new book and provided a limited number of signed bookplates, which will be included with this book on a first come first served basis.

1. What made you decide to write Wild Child

Having children is obviously a life-changing moment for every parent and I found myself suddenly fascinated by children and newly keen to write about them. I was aware of all the anxiety around children being on screens all the time but I hadn’t actually fully considered this historic moment in western child-rearing. We have become an indoor species in the blink of an eye, and I wanted to explore the implications of that, and how we as parents, grandparents, teachers and guardians might give children the gift of more time outdoors. I also wanted to celebrate “ordinary” neighbourhood nature of the kind we can all encounter.

2. What do you see as the main difference between your childhood and your children’s?

I grew up in the countryside in the 1980s and roamed freely with friends on quiet country lanes and the local common. When my twins became eight, it suddenly struck me that they had never been off on their own, in the countryside, without adults in view or close by. What’s more, almost no parent would regard this as strange. In fact, allowing eight-year-olds to roam without adult supervision would be seen as a dereliction of duty, according to the values of modern parenting.

My experience is pretty universal – studies confirm that children’s “home range” has shrank to their private space – their house and garden (if they have one). Childhood is now tightly regulated by adults. This has benefits – it’s never been safer for a child – but also grave drawbacks, including a loss of creativity and a loss of opportunities for children to form their own bonds with wild nature. Our lives are much poorer without intimate relationships with other species. We are also less likely to take action to tackle the biodiversity crisis if we have no direct experience of, and feeling for, other forms of life whether plant, animal or fungi!

3. What do you think children most gain from being close to nature?

Joy, excitement, fun, ceaseless stimulation, sensitivity, companionship, solace, comfort, peace – all the things we get from it too. There’s a huge body of scientific evidence now showing the mental and physical benefits of time in green spaces, and increasing evidence that the more “wild” or biodiverse those spaces, the better they are for us. We need nature, and of course as the dominant species on the planet we need to learn to appreciate, value and protect it.

4. Are you hopeful your children will be part of a new culture where nature is part of everyone’s life, not just seen as a town and country or even a ‘class’ divide?

We have to hope, but I’m also realistic. British society is becoming increasingly urbanised. Traffic – a major and rational obstacle to children playing freely outside – is still growing. Consumption shows little sign of slowing. And yet without any real government backing, there is a newly vibrant movement to add more nature to people’s lives – the rise of the forest school movement for instance. Wildlife charities are doing heroic education work too. But we still need massive, societal changes to reconfigure our species’ relationship with nature. We need a new kind of schooling, new (government) support for urban wild spaces, and far more wildlife-friendly planning rules for new housing.

Just on class – debates about children and nature are seen as a middle-class concern, and they tend to be because poorer families are too focused on putting food on the table. But we need to give all people better access to nature and wild spaces – this is a free source of good health (and occasionally even food) and it benefits poorer people more than the wealthy who can purchase wild experiences.

5. I was fascinated to read how resistance to pathogens can be enhanced by exposure to more biodiversity; can you precis that a little here?

We are only beginning to scientifically understand the influence of billions of micro-organisms, or microbiota on our lives. We have more bacteria in our guts than human cells in our bodies. Most are harmless, some are useful and a few may be dangerous pathogens. Our immune system is rather like a computer with hardware and software but no data. Early in life, it must rapidly collect data from diverse microbial sources, learning which are harmful and which are beneficial. If our body encounters a diverse range of different bacteria, particularly when young, we are more likely to recognise and respond to novel viruses.

This is not the popular but mistaken idea that we’ve become “too clean”. Hygiene is vital for good health. But, rather, urban living does not deliver us the diversity of microbes that we need. So we’re witnessing an explosion of allergies such as hay fever and illnesses related to failing immunity or inappropriate inflammatory responses such as Crohn’s disease.

Studies have shown that people living in “traditional” ways – in the countryside, more closely with animals ­– have fewer such illnesses. Microbiologists’ prescriptions for healthier children include a varied diet including a far wider range of vegetables but also more exposure to diverse green space. Scientists have proven the benefits of exposure to soil organisms in mice but this has yet to be fully explored for humans. It is a fair hypothesis, however, to expect that more biodiverse places contain a wider range of microbiota, and be better for us than manicured monocultures.

6. Although of little comfort to the thousands of people terribly affected by COVID – 19, do you think the forced change of pace and restrictions on movement has presented any opportunities for the appreciation of nature?

For those of us lucky enough to have gardens or easy access to green space, lockdown has been a wonderful moment to enjoy wildlife. Without traffic noise, the spring dawn chorus has been sensational! Lockdown has also revealed that poorer and ethnic minority communities have less access to green space. So this is an incredible moment of revelation and opportunity. Why can’t we have monthly Sundays when we all vow not to use our cars? Why can’t a new generation of urban parks and wild spaces be part of the post-coronavirus settlement, just as National Parks were introduced after the Second World War? We can now see, hear and taste a post-peak oil world, where we consume less, travel less, and live more. It could be so beautiful.

7. Do all your friends and colleagues share your enthusiasm for forest school?

No they don’t, and this is great because it means I have to win them over! Forest School is a concept imported from Denmark in the 1990s, we have a Forest Schools Association charity, and the idea is based around principles of child-led games and education in a woodland setting, with a camp fire. But there is also a growth in other forms of equally good outdoor learning.

All these different kinds of forest school are seen as playing in the woods – nice, but hardly essential to young people’s lives, or equipping them for the global race. It is up to people like me – and hopefully you – to show them some of the evidence that children are more creative, more resilient, with improved concentration and show better attainment in conventional schooling if they are given more free play outside, and in wild spaces.

8. Would you encourage people with the time to get involved with forest school, and if so, how would it benefit them?

I began volunteering at an outdoor nursery where my children went, and I was astounded by how well I felt after a day outdoors. It delivered the kind of sustained high you get after a day walking in the mountains or really hard gardening. Most of us office-workers aren’t familiar with outdoor labour!

I still volunteer most weeks at the forest school session run by my local state primary school (despite financial challenges, many state schools are now offering pupils some forest schooling). Children are the nicest workmates – they are so honest and enthusiastic, and they respond to the outside almost universally with something like unconfined joy.

In three years volunteering at forest schools I have honestly only twice encountered seriously unhappy children, and that’s usually because they aren’t wearing enough and are cold. I would urge anyone with time on their hands to give it a try – what’s more important than educating our children? And I think you will love it!

9. I like the ‘Things to Do with Children Outdoors’ appendix at the back of the book; was there one or two favourite pastimes that were the most accessible and rewarding that you could recommend?

I’d just like to declare a basic principle: children don’t need leading, or teaching – what they most require is for us adults to facilitate free play outdoors. They need to experience wildlife themselves, without too many rules, without too much moralising, without being told “don’t touch – it’s rare/delicate/about to become extinct”. Obviously a bit of guidance is good but let them choose their own adventure. And they will.

Apart from that, my children love different things. I enjoy going nest-hunting and butterfly-hunting with Esme, collecting shells and conkers with Milly and making dens with Ted. As we play outside, we keep an eye on what’s happening around us, and something exciting – the flash of a sparrowhawk, the scuttle of a rabbit – always unfolds.

10. Are you working on any new projects you can tell us about?

I am very excited to be writing the official biography of Roger Deakin, the nature writer and author of Waterlog and Wildwood. Most of us writers lead incredibly boring lives but Roger didn’t. I’m also researching a book for a TV series about wildlife and editing an anthology of British nature writing called The Wild Isles, which will be published next spring. It has been agonising having to choose between so many gorgeous and important pieces of writing!

Wild Child: Coming Home to Nature
Hardback,  May 2020,  £13.99 £16.99

Patrick Barkham draws on his own experience as a parent and a forest school volunteer to explore the relationship between children and nature.

 

Patrick Barkham was born in 1975 in Norfolk and educated at Cambridge University. His first book, The Butterfly Isles, was shortlisted for the 2011 Royal Society of Literature Ondaatje prize. His next book Badgerlands, was hailed by Chris Packham as “a must read for all Britain’s naturalists” and was shortlisted for both the 2014 RSL Ondaatje Prize and the inaugural Wainwright Prize for Nature and Travel Writing.

Browse more writing from Patrick Barkham at NHBS

Vintage: Publisher of the Month

Launched in the United Kingdom in 1990, VINTAGE publishes work from some of the most eminent and prestigious naturalists today; providing a platform for authors such as: Peter Marren, Dave Goulson, Richard Mabey, Mark Cocker, Tim Dee and Helen Macdonald to name but a few.

We are delighted to announce VINTAGE as our Publisher of the Month for May: a chance in these challenging times to immerse yourself in eloquent, knowledgeable and thought-provoking writing.

We have price-offers on our top fifty VINTAGE titles and have showcased below our top ten across their range:

The Garden Jungle: Or Gardening to Save the Planet
By: Dave Goulson
Paperback| April 2020| £7.99 £9.99
Dave Goulson reveals how, with small changes, gardens could become wildlife havens.

Read our author interview here.

 

Birds Britannica
By: Mark Cocker & Richard Mabey
Hardback | April 2020| £39.99 £49.99
Fifteen years after the very successful first edition:  this second edition, pays homage to the strong bond the British have with birds.

 

Greenery: Journeys in Springtime
By: Tim Dee
Hardback | March 2020| £15.99 £18.99
Spring moves north at about walking pace. In his latest writing, author Tim Dee follows its moving front and tells of the animals and people he encounters on the way.  Read our author interview here.

 

Entangled Life: How Fungi Make Our Worlds, Change Our Minds and Shape Our Futures
By: Merlin Sheldrake
Hardback | Due Sept 2020| £16.99 £19.99
An immersive trip into the largely unknown world of fungi, which we at NHBS are particularly excited to read.

 

Chasing the Ghost: My Search for All the Wild Flowers of Britain
By: Peter Marren
Paperback | March 2019| £7.99 £9.99
Join renowned naturalist Peter Marren on an exciting quest to find every species of wild plant native to Britain.

 

H is for Hawk
By: Helen Macdonald
Paperback | Feb 2015| £7.99 £9.99
An unflinchingly honest account of Macdonald’s struggle with grief expressed through the trials of training a goshawk.

 

Our Place: Can We Save Britain’s Wildlife Before It Is Too Late?
By: Mark Cocker
Paperback | April 2019 | £7.99 £9.99
Mark Cocker attempts to solve a puzzle: why do the British love their countryside, yet have reduced it to one of the most denatured landscapes on Earth.

 

The Wren: A Biography
By: Stephen Moss
Hardback | April 2019 | £9.99 £12.99
With beautiful illustrations throughout, this captivating year-in-the-life biography reveals the hidden secrets of this fascinating bird that lives right on our doorstep.

 

Sapiens: A Brief History of Humankind
By: Yuval Noah Harari
Paperback | Sept 2016 | £8.99 £10.99
Bold, wide-ranging and provocative, Sapiens challenges everything we thought we knew about being human: our thoughts, our actions, our power …and our future.

 

Turning the Boat for Home: A Life Writing about Nature
By: Richard Mabey
Hardback | Oct 2019 | £13.99 £18.99
Richard Mabey is often referred to as ‘the father of modern nature writing.’ We currently have a limited number of signed, first editions. Read our author interview

Browse all VINTAGE books at NHBS

All prices correct at the time of this article’s publication.

Author Interview: Matthew Oates, His Imperial Majesty: A Natural History of the Purple Emperor

Matthew Oates has spent fifty years trying to unravel the ‘Emperor’s’ secrets and with His Imperial Majesty: A Natural History of the Purple Emperor,  due to be published in June, he has written an accessible account of one of Britain’s most beloved butterflies; the majestic Purple Emperor.

 

Matthew Oates has taken time to answer our questions about his book and about the beautiful and elusive butterfly, that if lucky enough, we can glimpse through fissures in its tree top world

 

  1. You describe the Purple Emperor as the most ‘cherished prize’ among Victorian butterfly collectors, while you personally have chosen to devote much of your life to studying this species. What is it about this butterfly that makes it so alluring?

This butterfly is all about mystique. It exists within a different dimension to us, but one which we desire to experience and understand. It is a unique being, capable of doing anything – which means it is unpredictable and utterly captivating. Make no mistake, the Purple Emperor is addictive – but this is a positive addiction, which provides depth of experience tinged with great humour. No one forgets their first Purple Emperor, the experience leaves you wanting more.

2. How has our understanding of the Purple Emperor changed in the half century since your first encounter with ‘his imperial majesty’?

Much of our so-called knowledge was actually mythology and assumption. Oh, the power of assumption, even in ecology! So much of what was considered true, and real, has proven to be utterly wrong; not least because the Purple Emperor, and nature more generally, continually moves the goalposts. Nothing is ever static in nature, perhaps especially with insects.

3. You tell of some of the remarkable lengths that butterfly enthusiasts have gone to in pursuit of the Purple Emperor. What is the most unusual technique you have used when searching for this species?

There is a long history of extreme endeavour here. This is the one butterfly the Victorian collectors most assiduously sought, to form the centrepiece of their precious collections. The Purple Emperor has generated some of the most extreme eccentric behaviour in human history. Collectors used to obtain specimens of this canopy-dwelling butterfly by means of the ‘high net’, a butterfly net attached to a pole often ten metres long. There is a long history of baiting Purple Emperors too, exploiting the male’s attraction to festering messes – the juices of dung, offal, and worse. I helped develop the practice of baiting for Purple Emperors using (relatively inoffensive) shrimp paste, and also pioneered The Emperor’s Breakfast (as shown on TV, several times).

4. It is heartening to read of a species whose populations are on the increase. Can the story of the Purple Emperor offer any lessons for the conservation of other wildlife in Britain?

Yes, definitely! This is proving to be a highly mobile species with good powers of colonisation and, in consequence, recovery. It is becoming a suburban species, and is certainly not the ancient forest inhabitant we once thought it was. Above all, the Purple Emperor is a good news story, at a time of horrific loss and adverse change. It provides hope at a time when we need hope.

5. What do you plan next in your studies of the Purple Emperor? Are there mysteries that you are still hoping to solve?

The journey is by no means over. My book is merely the launching pad towards proper ecological understanding. I sincerely hope it generates the necessary detailed scientific research, and have suggested areas where that need to be conducted. I’ve merely done the spade work. My job now is to help landowners and others to give this magnificent butterfly the future it deserves.

His Imperial Majesty: A Natural History of the Purple Emperor
Hardback,  June 2020,  £13.99 £16.99

Matthew Oates has spent fifty years observing and researching this beautiful and elusive butterfly.

 

Browse all our books covering Butterflies & Moths (Lepidoptera)

Greenery: An interview with Tim Dee

Tim Dee is a naturalist, radio producer, and author of Fourfields, The Running Sky and Landfill. His latest book, Greenery, is a poetic hymn to spring time, a masterpiece of nature writing that is deeply informed and profoundly beautiful.

Between the winter and the summer solstice in Europe, spring moves north at about the speed of swallow flight. That is also close to human walking pace. In the light of these happy coincidences, Greenery recounts how Tim Dee travels with the season and its migratory birds, out of Africa from their wintering quarters in South Africa, through their staging places in Chad and Ethiopia, across the colossal and incomprehensible Sahara, and on into Europe. Tim Dee has answered questions about this remarkable journey.

For those who don’t know, you have published three other major titles on green spaces and birds- Landfill, The Running Sky, and Four Fields. Following from these, how did the idea to travel with spring and its migratory birds come about? And how does Greenery differ from your previous books?

My last book was Landfill, a sort of junkyard travel-guide to the gulls that now thrive on our waste and in the middle of our towns and cities. Inevitably it was dirty and messy and botched: modern nature is like that. It has to find ways and means to live alongside us – we who are the most-botched species of all. I admire the gulls and I was fascinated by the gullers – watchers of gulls – who spend time in wretched places like landfill sites in order to connect with their quarry, but afterwards I needed some fresher air to live in and some wilder life to watch, and so the spring, which has always been my favoured season, appealed, and most especially some witnessing of the movement of passage migrant birds that make the European spring for birdwatchers. When I discovered that spring moves north through Europe at somewhere between the speed a swallows flies at and the speed we might walk at (about 4 km an hour), I knew that I had to try to follow the birds and the season for as long and as far as I could. So, I start with barn swallows in the European midwinter in midsummer South Africa and I end with the same species, who knows perhaps even the same individuals, in midsummer arctic Norway. Who wouldn’t want to have as much spring as possible?

By travelling north you poetically write about the birds that come and go; from observing redstarts in Lake Lagano, Ethiopia, to enjoying the dawn chorus in a reedbed in Somerset. What can be learned from birds in migration, and how is migration changing for them?

Studying and thinking about migration tugs at our notions of home. Migratory animals carry their homes with them. Yet, when I first saw barn swallows in South Africa I couldn’t see them as anything but away from their home. In fact, of course, they were perfectly at home: they were meant to be there and able to be fully alive there. Ever since migration has been observed, birdwatchers have ceaselessly wondered where the birds have come from, where they are going, how they know where to go and how they know how to live at the other end of the world. Migration has always intrigued – Homer makes poetry from it, Aristotle discusses it, the Bible and the Koran make parables for life from it. Nowadays we know more and more of its facts – know for example that a migrant redstart may literally return to the same tree in sub-Saharan Africa in its wintertime just as it flies to the same oak in a wooded coombe in Exmoor every spring of its life; but we also begin to understand (and face up to) how much our activities are tugging at the world’s time and making migration and a bird’s swapping of one tree for another harder and harder. This is what phenological mismatch is all about: the unseasonal time that our activities are creating.

You explore time and movement in this book. In a very fast-paced world, where few have the time to slow down and connect to the seasons, how has journeying with spring changed you? Was there anything specific you were looking for and anything you found?

To try to have more spring has been my mantra, to go looking for signs of new life even before a calendar year has ended, like a mistle thrush singing in November and thereby meaning therefore to have spring again, or rooks visiting their old nests each day from the autumn onwards with a literal view to their future; and to travel when possible both south from Britain to Mediterranean Europe where spring arrives earlier and then north towards the Arctic Europe where spring lasts longer. Hearing a pied flycatcher still singing in northern Norway when the same species are silent in their British breeding woods feels like a life-bonus, feels like more of life, which can only be good. We are only given one springtime in our own lives but the return of the season and the cyclical round or rondure of the natural year is a marvellous tonic and corrective to the linearity of our one-direction journey. Again, who would say no to that – to a bit of time travel and season stretch in order to stay with the season of becoming and of re-energy. Greenery is an anagram of re-energy: I was thrilled to discover that.

Pied flycatcher, Ficedula hypoleuca, single male singing on branch, Powys, Wales, April 2012

When most people think of spring they think of new life, new beginnings, however you eloquently write “spring means more to me with every year that passes and takes me deeper into my own autumn.” Could you elaborate more on this, what does springtime mean to you?

There’s that lyric to a song: you don’t know what you’ve got ‘til its gone…. And I think as we get older the morning of life, the world’s morning as D H Lawrence called spring, feels more and more poignant and uplifting. We are headed only one way but, hey presto, here are new shoots, and green beginnings once more, and then a chiffchaff, fetching an echo out of a wood, as Gilbert White noticed them doing in Eighteenth Century Selborne in Hampshire. My eyesight has got worse, my hearing is half-baffled, I move increasingly with a wobble, but the injection of new birds from the south, the heavenly racket of their song, and seeing them at home in their new places is a forever tonic, like an effervescing vitamin C tablet, or a pick-me-up, or a fillip – life is worth living among those that are living it most, and spring visiting birds are the most alive – active, mobile, purposeful, committed – things that I know.

As you explore life and death, love and grief through springtime, is there anything in particular you would like for people to take away from this book?

I think we all spend a lot of time ignoring time, shut away from the weather, heating our lives, conditioning our air, eating strawberries out of season, yet I know that we all, almost all of us at least, notice the spring, want it, anticipate it, lift our faces to the first splash of sun after grey skies, talk about snowdrops, look out for the first swifts, and so on… We are reminded of spring by spring itself coming around, it schools us in life and growth, in beginnings and becomings; and in my book I just want to underline that reminder and encourage us all to take in what can be taken in, and to keep in step with the passing of time and so live happily in time and on time too. Look at the birds that do that so well; I have done that and it has helped me live.

Tim Dee has been a birdwatcher for most of his life and written about them for twenty years.  As well as Greenery, he is the author of Landfill,  The Running Sky and Four Fields and is the editor of Ground Works.

 

Greenery

Hardback | Oct 2018 | ISBN-13: 9781908213624   £15.99 £18.99

 

 

 

 

John Beaufoy Publishing: Publisher of the Month

Established in 2008, John Beaufoy Publishing (JBP)  is a natural history publisher covering a range of subjects such as ornithology,insects & invertebrates, reptiles & amphibians, marine & freshwater biology, and conservation from all over the world, with a focus on South Asia, South-East Asia and tropical regions.

NHBS is pleased to announce John Beaufoy Publishing (JBP) as our Publisher of the Month for April. We have great offers on a selection of their new and bestselling books throughout the month; making this a perfect opportunity to celebrate the world’s fauna and flora by exploring their catalogue of books.

Books from JBP are written by leading experts in their fields, many notable, such as Gehan de Silva Wijeyeratne and his books on Sri Lanka’s natural history and botany. Another JBP author Bikram Grewal, of The 100 Best Birdwatching Sites in India, is a trustee of the Wildlife Preservation Society of India (WPSI) and was awarded the Lifetime Award for spreading awareness about birds and conservation in India.

JBP has an exciting programme of new titles, together with revised and updated editions of some of their most successful books. We have selected ten titles to highlight, and you can browse their full range available at nhbs here

 

The 100 Best Bird Watching Sites in India
Paperback| February 2020| £16.99 £19.99
This fully illustrated guide describes the 100 best sites for viewing both common and rare species throughout the 26 states of the subcontinent, including the Andaman and Nicobar Islands.

 

Phillipps’ Field Guide to the Birds of Borneo: Sabah, Sarawak, Brunei and Kalimantan
Paperback| February 2014| £19.99 £24.99
669 species superbly illustrated in 141 colour plates with more than 2,000 full colour bird images, including most of the sexual variants and immature forms of polymorphic species.

Wild Flowers of the Mediterranean
Paperback| August 2017| £13.99 £16.99
A user-friendly pocket nature guide to the plant world of the Mediterranean: a region is remarkable for its great diversity of species and forms.

 

 

A Field Guide to the Birds of Mongolia
Paperback| October 2019| £24.99 £29.99
Birdwatchers have long wanted a field guide to the birds of Mongolia. Featuring fantastic illustrations on 154 plates, this guide covers all 521 officially recorded species.

 

A Naturalist’s Guide to the Mammals of Australia
Paperback| November 2017| £11.99
This easy-to-use identification guide to the 300 mammal species most commonly seen in Australia is perfect for resident and visitor alike – part of JBP’s Naturalist’s Guides Series

 

The London Bird Atlas
Hardback| December 2017| £29.99 £39.99
Brings together the analyses of millions of bird records and research to tell you which birds are doing well, which ones have declined or held steady, and what the changes have been in relation to previous distribution surveys.

A Naturalist’s Guide to the Butterflies & Dragonflies of Sri Lanka
Paperback| October 2018| £9.99 £11.99
An excellent book for residents and visitors alike to learn about the commoner butterflies and dragonflies of Sri Lanka before progressing to more advanced technical books.

A Naturalist’s Guide to the Reptiles of India: Bangladesh, Bhutan, Nepal, Pakistan and Sri Lanka
Paperback| December 2017| £9.99 £11.99
High-quality photographs from the region’s top nature photographers accompany this identification guide to the 239 reptile species most commonly seen in South Asia.

Wild Philippines: The Landscapes, Habitats and Wildlife of the Philippine Islands
Paperback| August 2019| £19.99 £24.99
More than just a ‘coffee table’ book; Wild Philippines provides an authoritative and entertaining study of the wide spectrum of wildlife on the land and in the seas of this diverse country.

A Field Guide to the Birds of Malaysia & Singapore
Paperback| Due August 2020| £19.99 £24.99
Due to be published in August 2020, this is a fully comprehensive field guide to the 815 bird species of Malaysia and Singapore

 

 

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