In recent years, advances in portable recording equipment have led to an increase in the exploration of listening as a method of engaging with as well as studying the natural world. This blog looks at a number of different equipment options across a range of budgets and objectives while briefly outlining some of the main technical considerations.
Equipment and Technical considerations

For those interested in having a go at sound recording, a handheld recorder is a great starting point and Tascam have some great entry-level options such as the DR-05X and DR-40X both of which allow you to record uncompressed audio. The advantage of this method is that the recorders are highly portable and require very little set up – invaluable if you’re out and need something that can be used at a moment’s notice.

The built-in microphones will not compete with a professional external microphone and if recording becomes more than a passing interest dedicated microphones, such as a parabolic, can be a great way to optimise your setup for specific recordings. The right recorder should have a logical menu system and inputs that allow for a suitable upgrade path via the connection of external microphones.
A common type of field microphone makes use of a parabolic dish, effectively acting as a kind of audio zoom lens making them useful for focusing in on a particular sound source. Some of these systems require a different type of power known as plug-in power so you’ll need a recorder able to supply this via a 3.5mm mic/line input as found on the Tascam DR-05X.

The Hi-sound and Telinga PRO-X systems are good examples of plug-in powered parabolic systems. If your recorder does not have plug-in power, you can use an XLR to PiP adaptor. This connects to the XLR outputs on your recorder and converts the phantom power produced by the recorder to plug-in power which can run the microphone.
Before heading out make sure you have adequate wind protection for your microphones, as even a slight breeze can ruin a recording if it’s not what you’re after! – Parabolic windshields – Tascam DR-05 windshield .

We also feature static recording devices such as the SM4 Acoustic from Wildlife Acoustics and the Bar-LT from Frontier Labs. These waterproof units feature built-in omnidirectional microphones and can be secured to any suitable surface. The long deployment times and scheduling functions make these ideal for long-term bioacoustic studies.

Over the past few years, a number of smaller, more lightweight passive recorders have been developed. These include the Song Meter Mini Acoustic, Song Meter Micro, and the Titley Chorus. Such models are very similar in purpose to the larger static recorders however sacrifice some battery life for their reduced size. Their size and affordability make them very suited for large-scale mass deployments.

In the field
To test a small cross-section of equipment, I headed to a small forest within the Dartmoor National Park to capture the distinctive call of the Common Cuckoo, armed with a Tascam DR-40, XLR to PiP adaptor, Hi-Sound Stereo Parabolic system, and a Wildlife Acoustics SM4 Acoustic recorder.
I initially walked a narrow path that cut through a steep section of woodland, at this point the cuckoos could be heard faintly calling from lower down in the valley. Locating a suitable tree easily accessible from the path, I decided to deploy the SM4. The SM4 has been designed to be exceptionally quick to set up straight out of the box and for this field test, I set it to ‘always record’ and secured it in place with a Python Mini Cable Lock.
Static recorder in place, I then used the Tascam DR-40 whilst walking through the woodlands to capture the changing soundscapes as I moved away from the sound of the river and closer to the open moor.

The DR-40 has a clear front-facing screen that is easy to read in all light levels, pressing the record button once arms the unit allows you to see and hear the recording levels. A good pair of headphones is recommended for use with this unit as they are susceptible to a certain amount of handling noise.
I then connected the parabolic to the Hi-Sound parabolic to the Tascam using the XLR to PiP adapter.
Dropping off the path I headed towards the middle of the wood where the Cuckoos could be heard calling in the distance. The high directionality of the parabolic microphone was excellent allowing me to pick out individuals among the woodland birds present.
Late in the evening whilst preparing to pack up I was rewarded with a fantastic display as several cuckoos alighted on the trees around me, a recording of which is included below.
Summary
I highly recommend getting out and exploring natural soundscapes in your local area, especially at this time of year. As with any piece of equipment, it takes a few trips to really get a feel of what they’re capable of, but any one of these items could become a reliable piece of gear for your sonic explorations.
To view our full range of sound recording equipment please visit www.nhbs.com. If you have any questions on our sound recording range or would like some advice on the best set-up for your project please contact us via email at customer.services@nhbs.com or phone on 01803 865913.
Further Reading:
Listening In The Field: Recording and the Science of Birdsong
Hardback | May 2018
£29.99
Joeri Bruyninckx traces the development of field recording and its use in field ornithology. Drawing on expertise from experimental music to serious science, it provides a thorough and wide-ranging investigation into the power of sound and listening.
The Sound Approach to Birding: A Guide to Understanding Bird Sound
Hardback | Dec 2006
£29.95
In The Field: The Art of Field Recording
Hardback | May 2018
£13.99
Please note that prices stated in this blog post are correct at the time of publishing and are subject to change at any time.



I’m a natural history writer (in the sense that I’ve written a lot about natural history) with a background in nature conservation in Britain. I’ve loved butterflies and moths since boyhood, and I suppose I must have realised even then that many of them have unusual names. What the hell was an eggar? Or a lutestring? Probably like most people I didn’t think too much about it – weren’t names just labels? – until, out of curiosity, I went into the name of the Red Admiral, Vanessa atalanta, and discovered a real Vanessa and a real Atalanta. And then I realised that even Latin names weren’t randomly chosen but had a particular resonance with that particular species. Names hid a whole new world of allusion, poetry and wordplay. I discovered that those who named our Lepidoptera, in English and Latin, were equally educated in the arts and the sciences. They knew their myths, and they knew about colours and designs, and they were completely fascinated. I feel a strange empathy with that vanished world.
It started as a kind of sequel to my book Rainbow Dust, about how and why butterflies and moths inspire people. Names were confined to a single chapter in that book, but there was so much more to say, not only about the names themselves but the social ambience that spawned them: the world of Georgian London with its clubs and field excursions, its gorgeous illustrated books and the sense that nature was all the more wonderful for being 1) divinely inspired and 2) almost completely unknown.



the variety of shapes and textures and the vibrant colours fascinated me. The longer I looked into rock pools, the further I was reeled in. It’s a passion I have no intention of out-growing: no matter how much I know, there is always more to learn.































Perhaps the simplest survey technique to determine dormouse presence is searching for the nest box residents. 

It is a non-invasive survey technique, which does not require a licence as the chance of disturbing dormice is very low. The 40cm tube, houses a wooden platform which contains the charcoal ink and paper on which footprints are left. Compared with nest tube surveys, footprint tunnels can reduce the survey period required and provide an indication of the presence or likely absence of dormice at a site.

















