Author interview with Gabriel Hartmann: Atlas of Feathers for Western Palearctic Birds, Volume 1: Introduction

This book (or rather book series, since it will be more than just one book) has been an incredibly long time in the making, and the sheer scale of the project alone makes it a huge achievement. What were the main challenges you came across and how were they overcome? 

Our project began in 1998 when the French publisher Delachaux et Niestlé requested us to create a new feather identification guide based on colour photos. The illustrations of feathers in our Atlas are arranged according to a unique, recognisable pattern on a standardised grey background, each of them depicting the feathers of an individual bird, which allows readers to grasp the essence of different feather types at a glance. We use a method of directly scanning feathers on a flatbed scanner that was developed at the University of Amsterdam. But printing costs were prohibitive. Print-on-demand technology made it possible to produce smaller, more affordable print runs. We used this technology to produce our first collective work of the Feather Research Group titled The Tail Feathers of the Birds of Central Europe. We also produced two feather calendars with a series of colour plates that were composed for our Atlas of Feathers for Western Palearctic Birds as a test run to see how the colours came out in print.     

In 2009, after 10 years of intense work, we produced a DVD with 1,280 colour plates featuring illustrations of feathers for 330 Passerine species. This compilation from many sources resulted in a wave of interest in our project. Meanwhile, the number of Passerine species for which colour plates were ready had nearly doubled to more than 600 species. We decided to publish our collective work under the name The Featherguide rather than any individual names. In this way, everyone in our group can identify with this eponym and no one needs to feel that anyone is adorning themselves with borrowed plumes.  

Hansen Feather Template.
Hansen Feather Template.

The most time-consuming aspect of our work is the composition of feather images for bird species that are not found in any feather collections. Thanks to the kind support of the Feather Identification Laboratory at the Smithsonian Institution, and generous curators at Natural History Museums, it was possible to develop a technique that allows us to extract depictions of isolated feathers from photographs of bird skins. The missing part of the feather that remains in the skin is digitally added in a seamless way. A single colour plate produced in this way from many different puzzle pieces takes up to one week. With 1,350 bird species to be covered in our Atlas and our goal of illustrating all important plumages, you can imagine how many months and years this adds up to. We thank readers for their patience and interest.  

Our project has inspired a number of off-shoots that will be welcome by most readers. For example, the French feather identification book by Cloé Fraigneau, which is now available  under the title An Identification Guide to the Feathers of Western European Birds, emerged from the initial planning sessions we had with the director of Delachaux et Niestlé. The series of books on feather identification by Professor Hans-Heiner Bergmann was inspired by our flyer distributed at the International Ornithological Congress in 2006. A book titled Feathers: Displays of Brilliant Plumage by worldrenowned photographer Robert Clark features several photographs of original feather sheets that were mounted for our Atlas of Feathers for Western Palearctic Birds, each depicted on a full double page. Even Audubon Magazine featured a series of photographs of original feather sheets from our Atlas of Feathers for Western Palearctic Birds. The Feather Atlas for North American Birds, published online by the Forensics Laboratory of the U.S. Fish and Wildlife Service, was inspired by our original project description in the Conference Proceedings of the International Bird Strike Committee. The Featherbase website, which gets several million visitors per year, adopted the same grey background colour that we had chosen for our illustrations and also adopted the idea of depicting wing and tail diagrams in the way that we presented in our original project description.

Group photograph of the Feather Research Group in 2016.
Group photograph of the Feather Research Group in 2016 © Jessica Louise Wright.

The study of feathers has an obvious application for species identification, particularly when dealing with bird remains. But can a study of feathers also provide us with an insight into bird evolution and taxonomy, or indeed other areas of research? 

Yes, indeed, much can be learned on these topics through the study of feathers. Subtle variations in the phenotype constitute the raw material for natural selection to act upon. Through the study of feathers, we can gain a deeper understanding of evolution. The high amount of phenotypic plasticity in bird wings is a clear example of evolution in progress. Many species exhibit subtle fluctuations in the extent and depth of emarginations on their primaries, resulting in different numbers of slots in their wings between different individuals. Another area of phenotypic plasticity is unusual variations in the number of flight-feathers. Our Feather Research Group compiled a large body of such variations from scientific literature and from our own research. 

While feathers were not unique to birds, emarginations are. Birds as we know them today are thought to have evolved from Mesozoic stem birds that coexisted with feathered dinosaurs. The only line that survived the cataclysmic event on Yucatan 66 million years ago evolved emarginations in their wings. If we consider birds as a class of their own, then the feature that distinguishes birds from feathered dinosaurs is the presence of emarginations. The evolution of emarginations can bring clarity into today’s scientific discussion on the origin of birds, which largely portrays birds as living dinosaurs, thereby blurring the line between reptiles and birds. Emarginations make birds unique. Neither bats nor insects nor pterosaurs have emarginations in their wings. Not all bird families living today have emarginations in their wings, giving rise to the question whether these bird families never evolved emarginations or whether their emarginations disappeared during the course of evolution. Emarginations can be lost either through the evolution of very narrow, pointed wings or through devolution into flightlessness. 

Whether our findings have any relevance for taxonomy is up to taxonomists to decide. In the past, taxonomy was entirely based on phenotype, while today it is largely based on  genotype. Phenotypic variations do not play a significant role in current taxonomy, unless one is interested in the possible inheritance of epigenetic switches that regulate the expression of the genotype into the phenotype. For example, it is not clear whether the fine-tuning of the gradient in retinoic acid that is linked to two genes on the sixth and eighth chromosomes (and is responsible for the regulation of the vane width of feathers) was already inherent in the genome of Mesozoic stem birds and was activated through one of these epigenetic switches, giving rise to emarginations in modern birds. This question may be possible to answer by looking at the genome of bird families that appear to have never evolved emarginations so far, such as rails. 

Close up of an orange feather.
Feather by Quinn Dombrowski, via flickr.

Who do you think these books will appeal to and who will benefit from such a comprehensive and high-quality atlas? 

Anyone who visits the Featherbase website and finds the scans of feathers depicted there to be useful or interesting will also benefit from our work. If only 1% of the millions of visitors to this website see any value of having a printed Atlas with feather images of similar or even higher quality, this will make our  Atlas of Feathers for Western Palearctic Birds worthwhile.  

Many of the scans shown on the Featherbase website are from the collection of Dr. Wolf-Dieter Busching, the former director of the Naumann Museum in Köthen, Germany, who built up the largest scientific feather collection in the world, comprising feathers of around 2,500 bird species. During the time of the former communist regime in East Germany, it was difficult for Dr. Busching to obtain paper of a consistent colour for mounting the feathers in his collection. Therefore, his feather specimens are mounted on paper of many different colours, sometimes blue, sometimes red, sometimes yellow. Since the vanes of feathers are semi-transparent, the colour of the paper they are mounted on influences the colour of the feathers. In addition, the feathers in Dr. Busching’s collection often overlap each other, thereby hiding parts of the neighbouring feathers. In our Atlas of Feathers for Western Palearctic Birds, we show all feathers on the same standardised grey background and without overlap. In this way, each feather is fully visible and the colours of the feathers can be reliably compared.  

Of course, the production of a series of books with high-quality colour plates is more expensive than running a website. The cost of such a series in printed form will limit the number of potential buyers compared to the number of visitors to the Featherbase website. We will keep the cost as low as possible to maximise the  number of people able to afford our series in printed form.  

Close up of black and white rooster feathers.
Rooster feathers by Ruth Hartnup, via flickr.

 

The first volume in the series provides readers with a global overview of feather characteristics. Were there any particularly surprising data or revelations that resulted from compiling such a comprehensive collection? 

There were several surprises indeed. Two of the most peculiar discoveries, or rather rediscoveries, were made in the families Tityridae (tityras, becards and allies) and in the family Trochilidae (hummingbirds). In the families Tityridae, two genera, Tityra and Pachyramphus, have a small, crippled primary number 9 in between normally-sized neighbours in the wings of adult males, while females and juveniles have normally formed wings. The function of the reduced-sized P9  may be related to sound production (sonation) during the display of adult males, but so far, we could not find any references in the scientific literature that would substantiate such an assumption. Amazingly, this peculiar phenomenon had even escaped the attention of Dr. Wolf-Dieter Busching, who devoted his entire life to the study of feathers, and none of our other collaborators in the Feather Research Group noted this phenomenon. 

There are currently three mounted feather specimens of adult males of these two genera on the internet, one of them from the collection of Dr. Busching and two from other feather collections. In each of these three feather collections, the reduced-size P9 was mistakenly glued in front of P10 rather than in its correct position between P8 and P10, indicating that the respective feather researchers had no clue where this feather belongs and seem to have misjudged it to be a reduced outer primary, as is found in many passerines. However, when we consulted an older publication on feathers from 136 years ago, it turns out that this odd, reduced-size feather was already noted by Hans Gadow in 1888, at least in the genus Tityra, while its presence in the genus Pachyramphus seems to have escaped his attention, too.  

The second peculiar discovery in the family of hummingbirds concerns the presence of emarginations at the tips of the outer primaries in males of 22 species from five genera. Most of us in the Feather Research Group had assumed by default that none of the hummingbird species have any emarginations, based on our experience with the many species for which we had examined feathers. The great majority of the 377 extant hummingbird species do not have any emarginations, as in the related family of swifts. So, it would have been easy to miss these exceptional few species if the effort had not been made to look at every single hummingbird species based on photographs of live birds. Again, the fact that only males of these exceptional species have emarginations, while females are missing them, leads to the assumption that these emarginations have something to do with the display flight of males. In this case, there is indeed a scientific paper dating back to 1983, which confirms this assumption for just one of the 22 hummingbird species in which males have emarginations. The only feather experts who knew about this study are Professor Lukas Jenni and Dr. Raffael Winkler from Switzerland. The authors of this study found that males create noises with their emarginated primaries and that these noises are used to protect nectar resources. Filling the slot between emarginated primaries with a glue film or clipping the distal 2–3 mm of these primaries caused males to sing more to protect their territories. We can deduce that the other hummingbird species in which males have emarginations use them in a similar way to produce sound. There is, however, a sixth genus of hummingbird in which males have inverse emarginations at the base of the primaries, not at their tips. This phenomenon of emarginations at the feather bases instead of at their tips does not make any aerodynamic sense, so it is likely that these inverse emarginations have some type of ornamental function in males.  

These two discoveries, or rather rediscoveries, in the families Tityridae and Trochilidae teach us to remain open and not adhere to preconceived ideas. They also teach us to consult old literature that may have been forgotten or considered outdated.  

Hansen Feather Template.
Hansen Feather Template.

The first volume will initially be published in black and white to make it affordable to as many people as possible. The online database of feathers is also available to everyone in the hopes that citizen scientists and members of the public will help to verify and correct the results. Given that birdwatching is such a popular pastime, do you think that there is a large body of untapped knowledge within the birding public? 

There definitely is a large body of untapped knowledge within everyone, not only within the birding community. The key is to allow everyone to express their inner potential themselves. We are in favour of encouraging birders to publish their own data under their own names. Professor Peter Finke, who advises our Feather Research Group, calls this approach of empowering citizens to publish their own data Citizen Science Proper. What has been prevalent so far is Citizen Science Light, in which so-called experts scoop off the knowledge of the public and make a name for themselves with borrowed plumes, so to speak. Professor Finke published a book titled Citizen Science: The Underestimated Knowledge of Laymen (, which answers this question in much greater depth, giving many examples for birdwatchers in particular.  

With regards to the global survey of emarginations in all bird species of the world, that became possible on the basis of photographs of live birds, which citizen scientists generously share on the internet. Our approach of opening our research findings on the number of emarginations in all bird species of the world by listing the internet links of the original photos that were used for this study is a way of thanking  these many thousands of photographers. They all deserve to be mentioned as co-authors of our study. By sharing our findings and providing the original links to the photos that were used, we offer these photographers a way to give us their feedback on what we discovered thanks to their generosity. Anyone else who likes to share their observations on the photographs of live birds and scans of feathers that were used for our study is also welcome. We greatly value this interaction with birdwatchers and the general public. 

close up of grey and brown feathers,
Photo by Tina Hartung, via unsplash.

 

How many volumes will the series eventually comprise, and do you know when they are due to be published? 

After our last meeting in 2016, the World Feather Atlas Foundation purchased ten large scanners for our Feather Research Group. Five of these scanners went to the Featherbase team to support their endeavour of creating a World Feather Atlas. The remaining five were given to other collaborators in our group. The Featherbase team adopted the same grey background for newly mounted feather specimens as we adopted in 1998 for our Atlas of Feathers for Western Palearctic Birds. This unified the backgrounds on all scans,  creating the basis for a potential cooperation to speed up the work on our Atlas of Feathers for Western Palearctic Birds 

The production of colour plates for the passerines took 24 years because they were all produced by only one person. If the work on the colour plates for the non-passerines is divided up by the holders of these ten scanners, it will be possible to produce the remaining colour plates more quickly. At the same time, the holders of these scanners can use them for their own projects.  

Most important to us is to respect the copyrights of everyone who produces scans of feathers. Any contributions to our Atlas of Feathers for Western Palearctic Birds must be based on mutual respect for everyone’s free will. Those who contribute scans of feathers are treated at an equal level to those who contribute text. In the past, illustrators of bird guides were often underappreciated compared to the authors. All too often, illustrators were not even mentioned on the book cover. We feel that this relationship between illustrators and authors needs to be amended. Illustrators deserve to be cited alongside authors. In our Atlas of Feathers for Western Palearctic Birds, the work of those who produce scans of feathers is even more important than those who write the texts, because the texts can only be written on the basis of these scans. 

The Full Edition of our Atlas of Feathers for Western Palearctic Birds will comprise a total of ten volumes including the introductory volume. Each of the subsequent nine volumes will cover about 150 bird species, adding up to a total of about 1,350 bird species. The Concise Edition will consist of two volumes. . The most precious thing we have to offer are the large-size colour plates in the full edition. The illustrations of feathers in the Concise Edition will be a cut-down version of the original colour plates and considerably smaller.

 

Atlas of Feathers for Western Palearctic Birds book cover.

Atlas of Feathers for Western Palearctic Birds, Volume 1: Introduction is available to pre-order from our online bookstore.

Author interview with Richard Rickitt: Beekeeping for Gardeners

Beekeeping for Gardeners book cover showing a beehive in a garden behind a rose bush.

This beautifully illustrated book provides a comprehensive gardener’s guide to sustainable beekeeping. It reveals the pleasures and benefits of keeping bees in gardens of all sizes in both rural and urban areas, explains the practicalities of this widely enjoyed hobby and lists the top performing plants that will help your colony thrive. Beekeeping for Gardeners also discusses the hobby of beekeeping within the wider environment and questions how it can meet the needs of all species of pollinators, as well as it’s potential contribution to the local ecology.

Richard Rickitt portrait.Richard Rickitt is an award-winning author as well as co-editor of the UK’s best-selling beekeeping magazine BeeCraft. He has been an avid beekeeper for over 20 years, maintaining numerous hives for both commercial and private clients as well as his own, looks after the bees at the National Arboretum, and teaches beekeeping courses across the UK as well as abroad.

Richard recently took the time out of his busy schedule to talk to about Beekeeping for Gardeners, including what inspired him to write a book aimed at gardeners, what the future of Honey Bees in Britain looks like and more.


Bee getting pollen from a blue flower.
© Richard Rickitt

Firstly, could you tell us a little bit about yourself and what prompted you to write a beekeeping book aimed specifically at gardeners? 

I grew up on a Somerset smallholding, so my heart is in the countryside. I always loved wildlife and my bedroom was like a miniature Natural History Museum filled with bird’s nests, animal skulls and a menagerie of frogs, newts, caterpillars and anything else I could catch and keep. One day I peeked through a garden hedge to spy on an old beekeeper at work. The white hives, sparkling clouds of bees and puffing smoker seemed mysterious and magical. I suspect that I have a very romanticised image of the scene in my mind, although even now when tending my bees I am often struck by what a bucolic activity it can be. Later, I learned beekeeping at my secondary school which had an excellent rural studies department – I’m not sure if such things exist anymore, which is a terrible shame. I went on to work in film and television special effects, but after moving from London to Wiltshire about 18 years ago, I took up beekeeping again. I became increasingly involved in the beekeeping community, eventually becoming co-editor of BeeCraft, the UK’s bestselling beekeeping magazine, which is now in its 105th year.   

I wrote a book aimed at gardeners because many of the people attending my beekeeping courses are already gardeners and want to know more about the bees that they see visiting their flowers. By starting out as gardeners, new beekeepers are already doing one of the most important things that anyone can do for bees; providing them with the resources and habitats that they need. But sometimes a little extra knowledge and small changes in the way you garden can make a huge difference to the sustainability of your local bee populations. For example, some species of solitary bee depend on a single, specific variety of flower.  

Keeping honey bees dovetails very nicely with gardening; it’s a seasonal activity done mostly in good weather in spring and summer. Time spent in the garden can be time spent tending both plants and bees, enjoying watching them develop and interact through the year. Gardeners enjoy choosing what plants best work in their garden and if you are a beekeeper there can be the added pleasure of planting specifically for bees and seeing them make use of what you have provided. There are practical benefits too; fruit and vegetable crops will be better pollinated, resulting in more and higher-quality produce. And, of course, there can be the reward of a crop of delicious honey and even wax with which to make candles or cosmetics. Like gardening, beekeeping is a lovely hobby to share as a couple or family – each person often finding their own areas of interest, and sharing the work, discoveries and pleasures. 

So, my book is for anyone who loves gardens and is interested in learning about and helping bees of all kinds. They might want to create a beautiful garden with the most appropriate plants, habitat and nesting opportunities for wild bees, or take things further and keep a hive or two of honey bees. 

Beekeeping for gardeners internal page showing an image of a solitary bee on a flower on the left hand page and text about solitary bees on the right hand page.

I really liked how the book provided not only a comprehensive guide to beekeeping on a small scale but is also an exceptional resource of information on growing flowering plants and creating habitats for bumblebees, solitary bees and insects of all kinds. Do you think traditional beekeeping advice has tended to be very focused on the Honey Bee itself with less of an emphasis on providing the habitat it requires to thrive? 

Beekeepers have always very carefully noted which plants flower near their bees, as well as the quality and quantity of honey that their bees produce as a result. However, the presence of such resources has generally been taken for granted; the beekeeper only having to look after the bees while it was assumed that nature would provide the rest. Increasingly, because of habitat loss, climate change and pollution, the necessary resources aren’t always there. Today’s beekeepers therefore have to think not only about caring for their bees, but also about caring for the environment in which their bees live. That includes growing more of the right plants but also considering whether their bees might have a negative impact on the local environment and the other species it supports. Most beekeepers begin their hobby for environmental reasons and try have a positive impact. 

How do you think beekeeping fits within the broader context of conservation, given that the honey bee is considered by some as not native to Britain and may spread diseases to or compete with other important wild pollinators? 

This is a great question involving several complex issues, so I’m afraid it requires quite a long reply. 

The first point is the erroneous but increasingly commonly held belief that the honey bee is not a UK native species. The oldest fossil of a true honey bee (Apis species) comes from Germany and is about 25 million years old. The distribution of such bees, along with all species of plant and animal, will have fluctuated drastically over the millennia in response to changes in geography, environment and climate. However, when the ice retreated at the end of the last ice age, some 10,000 years ago, what is now called Britain was still connected to the European continent. This allowed the spread northwards of animals and plants. Honey bees naturally live in tree cavities and undoubtedly would have spread into Britain as trees began to grow here. Then, when sea levels rose about 6000 years ago, Britain became an island. This is the cutoff point at which species already established and subsequently isolated here are generally considered to be native. That would certainly have included honey bees as well as the hundreds of other species of bumblebee and solitary bee that we now consider to belong here. So, I think there is no doubt that honey bees are in fact native. Indeed, there is archaeological evidence of the presence of honey bees in Britian dating back thousands of years. For example, the remains of venison cooked with honey were found in Bronze Age artifacts recently unearthed in Peterborough. There is no such archaeological evidence for the presence of any species of solitary bee or bumblebee in Britain at that time, although I wouldn’t question that most of those are also native. For more about the evidence of the honey bee as a native species, I would recommend reading an academic paper by Norman Careck of Sussex University. 

Bee flying to land on a yellow flower.
© Richard Rickitt

Many of the bumblebee and solitary bee species found in Britain are also found on the continent and are considered native in both places. However, the honey bee, also naturally present on both sides of the channel, is currently claimed by a few people to be non-native in Britian. This contradictory claim only seems to have come about in the last decade or so and is perhaps partly because of a history of commercial importation of honey bees from the European mainland into Britian. Such imports have been made for three reasons; firstly, because in the early twentieth century many of our wild and managed honey bee colonies died as a result of a disease then known as the Isle of Wight disease – so much so that the production of pollinated farm crops was thought to be threatened; secondly, it was thought that the slightly different genetic traits of honey bees from elsewhere could be used to produce more disease-resistant and productive honey bees in the UK; and thirdly, because commercial beekeepers whose bees pollinate crops in spring often require new queens to replace those that have died over winter – and the British climate makes it impossible to raise new queens here until later in the season. The result has been an influx of honey bee queens from Europe. These bees are the same species as has existed here for thousands of years (Apis mellifera) but they have evolved into regional subspecies because of the slightly differing environmental conditions where they live. Honey bees living in Italy will experience a very different climate and flowering plants to those living in Scotland, for example. The result is that many of our honey bees now have a mixture of genes hailing from different places.  

Some hobby beekeepers today are against the importation of honey bees and increasingly favour what are known as local bees. These are bees raised from colonies that survive and thrive in a relatively small geographical area, without the addition of new genetic characteristics from bees imported from abroad or elsewhere within the UK – they are ecotypes. The actual genetic makeup might be a mixture of all sorts, depending on what is already in an area, but studies have shown that, over time, the native genetic element tends to dominate. There are some areas of the UK where the genetics of local honey bee populations are very highly native. However, as climate change worsens, adaptability will be key to the survival of all species of animal and plant; it might be that genetic traits from imported honey bees are what eventually give our honey bees the ability to survive in unstable climatic conditions. In my book, I urge beginner beekeepers to buy new bees and queens from a local beekeeper who has kept the same bees in the same place for decades, these honey bees will probably be best suited to your area. 

Now for the second part of the question, which is also complicated but I will try to keep things brief. There are several diseases that appear to be shared in one form or another by various types of bee. Research into these diseases, their effects and transmissibility, is at the early stages with very few definitive conclusions at the moment. One disease, called nosema, is a kind of fungus that affects the gut of a bee. This is found in both honey bees and bumblebees. It is thought that this first evolved in butterflies, and has since been passed on to bees, which can be spread from one species to another perhaps by sharing the same flower resources. One of the biggest threats to honey bees is the presence of varroa, a tiny parasitic mite that can spread various pathogens when feeding from the bodies of developing honey bee pupae. It’s not yet clear which of these pathogens can spread to other species of bee which are not in themselves hosts to varroa.

There are a lot of uncertainties, and it is by no means clear that honey bees are a significant disease danger to other species of bee, or the reverse. However, it highlights the importance of beekeepers fully understanding the biology and lifecycle of honey bees, and their diseases and predators. This will enable them to keep healthy bees that are better able both to resist diseases and minimise the chances of spreading them to other species. Reading my book is a good way to begin understanding how to keep healthy honey bees, and indeed if beekeeping is really for you. After that, I strongly suggest joining your local beekeeping association and signing up for a training course.   

Finally, and referring to the first part of your question, you asked about where beekeeping fits into conservation more broadly.  The fact is that because beekeepers generally do a good job of looking after them, honey bees are not currently under threat – despite being subject to many of the same pressures as solitary bees and bumblebees. There was a great deal of worry some years ago when huge numbers of honey bees died for largely unknown reasons, but those problems are now generally under control. We shouldn’t be complacent, however; there are still a great many threats to honey bees and the climate crisis poses lots of potential problems. 

I consider honey bees to be the ‘gateway bee’. Many people who have never had a very close relationship to wildlife or the natural world are attracted to beekeeping as a fascinating and rewarding hobby – sometimes at first they don’t even understand the difference between honey bees and other bees. Once they are acquainted with honey bees, such people often want to learn more about the other species of bee, ultimately taking part in conservation measures and becoming bee ambassadors, spreading the word about the importance and fragility of bee populations generally and appreciating the importance of plant life and biodiversity in general. 

Beekeeping for Gardeners pages 176-177.

Beekeeping within the UK appears to be a thriving pastime and, throughout the Covid pandemic in particular, it seems that many were inspired to take it up as a hobby. Could we reach a situation where we have too many beekeepers? 

It’s thought that in the UK there are about a quarter of the number of honey bee colonies there were in the 1950’s, and far fewer than might have been present naturally a few thousand years ago – a natural density of about one colony per square kilometre is estimated by renowned bee scientist, Professor Tom Seeley. But although we may have fewer honey bees now, we also have a hugely degraded environment that is much less capable of supporting bees of all kinds.   

There was a huge drop in the number of beekeepers and bee colonies in the mid-1990s, with membership of the British Beekeeper’s Association (BBKA) dropping to just 7000. When the media began to highlight the problems being experienced by honey bees, particularly due to so-called colony collapse disorder, the number of beekeepers began to rise again. As you say, numbers increased somewhat during the pandemic, too. Today there are about 27,000 members of the BBKA. That number seems to be levelling off and I wouldn’t be surprised if it has reached a peak. There are new beekeepers every year, of course, but people also drop out of the hobby at about the same rate as they join.  

I think it is unlikely therefore that we will have too many beekeepers overall, but I do think that the distribution of beekeepers and their bees is a matter of possible concern. Beekeeping has become popular in large cities, and although suburban areas with their dense patterns of small gardens containing a wide variety of plants – not to mention parks, allotments and railway embankments – can provide plenty of bee habitat, city centres are often extremely poor places for supporting bees and other pollinators. The trend for putting beehives on top of city centre office buildings is highly questionable when there are so few flowering plants nearby. There are also a few rural areas with particularly fragile populations of rare bee species where it might be unwise to keep honey bees. A very high density of honey bees in any area could increase the chances of disease transmission – as discussed in the previous question. These are all issues discussed in my book. 

Overall, I believe that thoughtful beekeeping is environmentally beneficial. Although you can place bee hotels in your garden and plant gardens to attract bees, there is nothing quite like learning about and witnessing the extraordinary lifecycle of a honey bee colony for opening people’s eyes, minds and hearts to the breathtakingly complex and beautiful natural history of bees and pollinators in general.   

Bumble bee on a pink flower.
© Richard Rickitt

With constant monitoring in place for the arrival of pests such as Tropilaelaps mites as well as the current spread of the Yellow Legged Hornet (commonly referred to as the Asian Hornet), are you broadly optimistic for the future of Honey Bees in Britain? 

It seems likely that the Asian Hornet (Vespa velutina) might finally have a toehold in the UK and we could have a small breeding population. Until now, APHA (Animal and Plant Health Agency) and the National Bee Unit have done a great job tracing nests and destroying them, but if the population increases exponentially, it will be impossible to control – as has been the case in France and other places.  

It is hard to say exactly how the arrival of the Asian Hornet will affect British beekeeping although, as with the arrival of Varroa Mites in the 1990s, I suspect there will be a steep decline in the number of people keeping bees. Chris Packham recently said that having Asian hornets might only mean the loss of a few teaspoonfuls of honey, but I strongly disagree with this sentiment. One nest of Asian hornets can consume 11.5 kg of insects in a season – that’s hundreds of thousands of insects. Perhaps people don’t mind if those insects are honey bees, but when the honey bees run out, other bees, wasps, flies, butterflies and so-on could become the target prey. Imagine how that might affect birds and other animals that rely on those insects – not to mention the crops that they pollinate. And bear in mind that one Asian hornet nest can produce 300 queens resulting in hundreds of new nests the following year.  

Tropelaelaps, and particularly Small Hive Beetle, are two other potentially very problematic invasive pests. They haven’t been found here yet and there are import controls and a system of sentinel apiaries to try to prevent or detect their arrival. There are contingency plans to prevent their spread should they arrive but there are a lot of unknown factors. Climate change makes the possible arrival and spread of these exotic species more concerning.  

I’m broadly optimistic about the future of beekeeping in the UK but there will be challenges and changes. 

Beekeeping for Gardeners, page 92-93 showing a close up of bees on a hive.

Finally, although I’m sure your job as editor of BeeCraft magazine, as well as your public speaking engagements must keep you incredibly busy (alongside the actual beekeeping of course!), we’d love to know if you have plans for further books? 

I have lots of ideas for other bee-related books, some practical and some a bit more esoteric. Whether I’ll ever find time to write them, and in particular take the photographs for them, is another matterAt the moment, I’m glad to have finished this book and I am enjoying watching bees and visiting gardens without feeling the need to make notes and take photosalthough my camera is never very far away…


Beekeeping for Gardeners book cover showing a beehive in a garden behind a rose bush. Beekeeping for Gardeners is available from our online bookstore.

Author interview with Ed Drewitt – Bird Pellets

Bird Pellets book cover showing a barn owl stood on a wooden fencepost with a mouse in its mouth, the title Bird Pellets in cream and images of 15 bird pellets below this.This is the first comprehensive guide to bird pellets showcasing a wide range of pellets produced by different species, including owls, hawks, waders and various garden birds. Author Ed Drewitt offers a methodical introduction to pellets, outlining what they are, how they’re formed, dissection methods, analysis and common findings, accompanied by an array of detailed illustrations and photographs. Bird Pellets provides a closer look at those produced by each species in turn and outlines how to identify the remains of small mammals, which can be an important tool for discovering what a bird feeds on, understanding dietary change over time and other aspects, making this an invaluable resource in ecology.

Image of author Ed Drewitt from the waist upwards wearing a grey waterproof coat stood in front of a hedge, holding a pair of binocularsEd Drewitt is a professional naturalist, wildlife detective and broadcaster for the BBC who specialises in the study of birds and marine mammals. He studied Zoology at the University of Bristol, before working at Bristol’s Museums, Galleries and Archives for numerous years. He is now a freelance learning consultant who runs bird identification courses, provides wildlife commentaries on excursions, writes for wildlife magazines and is involved in bird ringing studies. Ed is also the lead researcher in a study focusing on the diet of urban-dwelling peregrines in the UK and author of Urban Peregrines.


Firstly, can you tell us a little bit about yourself and how you came to write a book about bird pellets? 

I have been interested in wildlife, particularly birds, since I was six or seven. Back then I would love collecting feathers and skulls, and bird pellets. I remember being excited at finding a Sparrowhawk pluckingperch in the woods where I lived in Surrey and finding small pellets – packed full of small feathers – from the hawk. Much of my career has involved developing and delivering learning workshops and resources for school-aged students and my public engagement work involves communicating science in plain English. Therefore, I am well versed in writing a book that appeals to families, schools and researchers alike. For several years I worked part-time in the teaching laboratory for the School of Biological Sciences at the University of Bristol. Each spring I would help oversee students dissecting several hundred Barn Owl pellets; I also arranged for a live owl and Kestrel to come in, to bring the practical ‘alive’. I have also been studying what urban-dwelling Peregrines eat (and am author of Urban Peregrines and Raptor Prey Remains) over the past 26 years. Therefore, I was in a brilliant and timely position to tap into my own pellet and bone collection, and source more material from others across the country and beyond, to write the ultimate bird pellet book!

A child stood at a table dissecting pellets with a pair of green tweezers.

Most people are aware that owls and raptors produce pellets, but are there any pellet-producing species that we’d be more surprised to hear about?

Absolutely – any bird that eats something that is indigestible and unable to pass through the intestines and out the other end, will produce a pellet. People are always surprised when I explain that even Robins and Blackbirds produce pellets, often made up of bits of woodlice and beetles. Interestingly though, two raptors, that you might expect to produce pellets do not: the Osprey and the Honey Buzzard. Both eat foods that either are digested or picked at, meaning harder parts, such as bones, are not swallowed.

I was interested to read in your introduction to the book that pellets can be used to study what birds were eating thousands or even millions of years ago. Are bird pellets generally well represented in the fossil record?

The brilliant thing about pellets is that, while their general structure may break down, their contents, for example, mammal and bird skulls, may accumulate in one area, even if they get buried over time. While some bits will slowly decay or move over time, others may remain in situ and intact. Palaeontologists and archaeologists often study how animals decay; it is known as taphonomy. It can also be applied to pellets. While complex, researchers can work out which species has produced a pellet and what happens to its contents with time. In turn, researchers can determine previous assemblages of prey species, such as small mammals, and how these have changed over time depending on environmental and ecological conditions. This type of study can also work out which species are more (or less) likely to be found in such accumulations and therefore how the fossil record may be biased towards particular prey species.

Close up of a Water Vole skull.

Many of us will be familiar with the technique of using the visual observation of bones and other remains in pellets to study what was in a bird’s diet. But are there more advanced laboratory methods that are now being used to study them in more detail? 

Yes, although I don’t think they are quite as fun or smelly! In essence, taking swabs from pellets can reveal the DNA of what has been eaten, including things that may not otherwise be detectable, although some of these items may have been eaten by the prey itself, if the DNA is intact enough. It can work the other way though; well digested food remains may mean the DNA of prey is undetectable or so degraded it cannot be assigned to a species or taxa, while traditional visual techniques may be able to confirm its identity.

Can pellets be useful for studying the presence of pollutants in the environment, such as plastics and microplastics? 

Absolutely, and this is not a new thing, although it is now more topical in the media. Some seabirds, such as terns and gulls, have been producing pellets with polystyrene particles going back to the 1970s. However, now we have a better idea of just how much plastic is in our environment, we are now looking for it more in the stomachs and pellets of birds. Dippers are a very good example. Small invertebrates, such as stonefly larvae, ingest microplastics. They are then eaten by Dippers and the plastics accumulate in the pellets they regurgitate. Of course, the cumulative health effects that ingesting plastic has on birds such as Dippers is difficult to ascertain. Even Barn Owl pellets may contain microplastics, ingested from the stomachs of small mammals they are eating.

Pellet produced by a Long-eared owl containing bones, hair and skin.

What is the most surprising or unusual thing you have found in a bird pellet to date?

Gull pellets are often the most interesting, mostly because of the litter they contain, from plastic particles and bags to condoms! On a more natural note, the most spectacular pellet I have found was on the Flannan Isles, a remote island west of the Isle of Lewis, Scotland. The pellet was from a Great Skua, and it contained a whole Leach’s Petrel, which also live on the island. The petrel had gone down into the stomach where it had been digested. It was then regurgitated as a pellet, pretty much as a whole bird including intact wings, just minus any flesh! Skuas and Great Black-backed Gulls will also do the same thing with young rabbits and Puffins. Pellets can also be useful for finding the rings of wild birds and discovering that a bird has eaten another bird with an interesting origin of ringing, such as Norway or Russia!

Finally, what’s keeping you occupied this summer, and do you have further books in the pipeline that we can look forward to?

During the summer I am busy taking people out to see wildlife, especially in the Forest of Dean, where I live. I especially love birdsong and helping others to hear it. I am also working with the RSPB on the Gwent Levels, doing some training courses on identifying saltmarsh plants and wildlife. My wife, Liz, and I have two children, aged four and seven, so we will also be busy keeping them occupied! They love the outdoors and enjoy seeing wildlife just like we do. I have some papers in the pipeline as I am halfway through a part-time PhD at the University of Bristol. My 26-year study of the diet of urban-dwelling peregrines has given me plenty of data to analyse and write into chapters for my PhD. 


Bird Pellets book cover showing a barn owl stood on a wooden fencepost with a mouse in its mouth, the title Bird Pellets in cream and images of 15 bird pellets below this.

Bird Pellets will be published by Pelagic Publishing and is available to pre-order from our online bookstore.

The NHBS Guide to UK Amphibian Identification

The UK is home to seven native species of amphibian. Over the winter, these frogs, toads and newts have all been hibernating, but it will soon be time for them to venture out to their breeding ponds and pools. If you’re lucky, you will be able to spot them when you’re out and about.

In this blogpost we will provide you with some of the key characteristics of each species which will help you to identify exactly what you’re looking at. For those of you who are keen to find out more, we have also provided a list of field and identification guides at the bottom of the page.


Newts

Newts are members of the salamander family and have a lizard-like body shape. They are semi-aquatic, spending part of the year on land, returning to the water in spring to breed. Eggs are laid in the water where they hatch into tadpoles and then proceed to develop front and back legs, along with gills for breathing. They leave the water in late summer once their gills have been lost.

The three species of newt which are native to the UK are the Smooth Newt (Lissotriton vulgaris), the Palmate Newt (Lissotriton helveticus) and the Great Crested Newt (Triturus cristatus).

Smooth Newt:

Image by gailhampshire via Flickr (CC BY 2.0)
Look for the pale spotted throat. Image by gailhampshire.

• Size: Grows to around 10-11cm in length.
• Colour: Males brown/olive; females light brown. Belly is usually yellowy orange with black spots. The throat is pale with darker spots.
• Skin Texture: Smooth
• Habitat: Spring to early summer in ponds and pools (frequently found in garden ponds). Late summer under logs and stones near to water.
• Other notes: The male has a wavy back crest during the breeding season.

Palmate Newt:

Image by Laurent Lebois via Flickr (CC BY 2.0)
Look for the pale throat without spots and a dark stripe through the eye – this can help you to distinguish it from the smooth newt. Image by Laurent Lebois.

• Size: Grows to around 7-11cm; slightly smaller than the smooth newt.
• Colour: Males olive brown; females yellowish brown. The throat is white/pale pink and does not have spots or speckling. The eye has a dark stripe running horizontally through it.
• Skin Texture: Smooth
• Habitat: During the breeding season (early March to late May) in shallow ponds, often in heathland bogs. During summer in woodland, ditches and gardens near to water.
• Other notes: During the breeding season, the male palmate newt has a ridge running along its back and a tail which ends in a filament. Its back feet are also webbed.

Great Crested Newt

Much larger than the smooth or palmate newt, the male has a large crest which is broken where the tail meets the body. Image by Chris H.

• Size: Up to 15cm in length. Females may be even larger than this.
• Colour: Dark brown or black with white/silver dots on sides. Underside is orange with black spots. Pale throat.
• Skin Texture: Warty
• Habitat: March to May in deep ponds with vegetation. Great crested newts often range further than smooth or palmate newts during the summer and can be found in gardens, ditches and woodland.
• Other notes: The male has a very distinctive crest during the breeding season which is broken at the point where the tail meets the body. The crest also has a silver stripe.


Frogs

Frogs are short-bodied, tailless amphibians that largely lay their eggs in water. These eggs hatch into aquatic larvae, known as tadpoles, before metamorphosing into froglets and then adults.

There are two native species of frog in the UK: the Common Frog (Rana temporaria) and the Pool Frog (Pelophylax lessonae).

Common Frog

Keep an eye out for dark patches behind the eyes and dark barring on the back legs. Image by Erik Paterson.

• Size: Adults grow to 6-9cm in length.
• Colour: Olive green to yellow-brown. Usually spotty or stripy with dark patches behind the eyes and darker barring on hind legs.
• Skin Texture: Smooth and moist.
• Habitat: From late February to early October in all sorts of ponds and pools. Common in gardens.
• Other notes: Moves by hopping. Common frogspawn is gelatinous with black embryos and tadpoles are initially black but turn speckled brown. (This is a useful way of distinguishing them from toad tadpoles, which remain dark until development).

Pool Frog

• Size: Adults grow to 6-9cm in length.
• Colour: Usually brown with dark spots. Light yellow back stripe.
• Skin Texture: Smooth and moist.
• Habitat: Currently only present in localised spots in East Anglia.
• Other notes: Males have prominent vocal sacks on the side of the mouth.


Toads

Toads are characterised by dry-looking, warty skin and short legs. They usually move via a lumbering walk, as opposed to the hopping motion used by frogs. As with frogs, most toads lay their eggs in water. These hatch into tadpoles before growing legs and metamorphosing into the adult form.

Within the UK there are two native species of toad: the Common Toad (Bufo bufo) and the Natterjack Toad (Epidalea calamita).

Common Toad

The common toad moves with a lumbering walk and has distinctive bulges on the back of its head. Image by stanze.

• Size: Females grow up to 13cm whilst males are smaller and usually reach only 8cm.
• Colour: Brown to grey-green. Paler on the underside.
• Skin Texture: Dry-looking and warty.
• Habitat: From late February in damp, shady spots near to breeding ponds. During the summer in woodlands, gardens and fields.
• Other notes: The common toad has amber eyes with a horizontal pupil. Moves with a lumbering walk or small hop. Eggs are laid in strings in a double row. Upon hatching the tadpoles are dark and, unlike frog tadpoles, remain so until they develop. 

Natterjack Toad

The natterjack toad has a yellow stripe down the spine. Image by Bernard Dupont.

• Size: Females grow up to 8cm whilst males are slightly smaller.
• Colour: Pale brown/green, often with brightly coloured red or yellow warts. Yellow stripe down the spine.
• Skin Texture: Dry-looking and warty.
• Habitat: Coastal dunes and lowland heath, often in open, unshaded habitats. The natterjack toad is very rare in the UK.
• Other notes: The natterjack toad has amber eyes with a horizontal pupil. Moves with a running motion, rather than hopping. Lays strings of eggs in a single row.


Further reading:

 

Amphibians and Reptiles

Amphibians and Reptiles
A comprehensive guide to the native and non-native species of amphibian and reptile found in the British Isles. Professor Trevor Beebee covers the biology, ecology, conservation and identification of the British herpetofauna, and provides keys for the identification of adult and immature specimens as well as eggs, larvae and metamorphs.

 

 

Britain’s Reptiles and Amphibians
This detailed guide to the reptiles and amphibians of Britain, Ireland and the Channel Islands has been produced with the aim of inspiring an increased level of interest in these exciting and fascinating animals. It is designed to help anyone who finds a lizard, snake, turtle, tortoise, terrapin, frog, toad or newt to identify it with confidence.

 

FSC Guide: Reptiles and Amphibians

A Guide to the Reptiles and Amphibians of Britain and Ireland
This laminated pamphlet is produced by the Field Studies Council and covers the 13 species of non-marine reptile and amphibian which breed in Britain, as well as the five species which breed in Ireland. These include frogs, toads, newts, snakes and lizards.

 

Field Guide to the Amphibians and Reptiles of Britain and Europe
This excellent field guide covers a total of 219 species, with a focus on identification and geographical variation. The species text also covers distribution, habitat and behaviour. Superb colour illustrations by talented artist Ilian Velikov depict every species.

 

The Amphibians and Reptiles of ScotlandThe Amphibians and Reptiles of Scotland
This book is designed to be an interesting and informative guide to the amphibians and reptiles that are found in the wild in Scotland. The authors have focused on those species native to Scotland, plus those which are non-native but are breeding in the wild.

Author Q&A with Kat Hill: Bothy

Bothy book cover showing a colourful artistic impressionist painting of a small bothy between mountains.Join author Kat Hill on a journey across England, Scotland and Wales to explore 15 remote bothies, and uncover the beauty, history and stories of these wild shelters. In this stirring book of adventure, peace, wilderness and refuge, she intertwines her own story of heartbreak and new purpose, while taking into consideration the environment, what we owe to it, and why we all crave escapes into the remote.

Portrait photograph of Kat Hill wearing a grey woollen jumper, stood in front of a Scottish bothy with mountains, lakes and trees in the background.
Kat Hill by Nicholas J. R

Kat Hill is a Senior Lecturer in History at Birkbeck College, London, and her current research project is focusing on questions of landscape, people, and heritage in the bothies of the Scottish Highlands, as well as non-conformist religious communities in Europe, America and the Global South. She holds a PhD from the University of Oxford in 2011, where she also received a British Academy Postdoctoral Award, and she authored the prize-winning book, Baptism, Brotherhood, and Belief: Anabaptism and Lutheranism, 1525-1585. 

We recently chatted with Kat about what inspired her to write this book, how technology is changing the bothying experience, what she thinks the future holds for bothies and more. 


Firstly, could you tell us a little bit about yourself and how you came to write a book about bothies?  

I’m a writer and researcher living on the northern tip of the Isle of Skye. If I am not reading or thinking up project ideas, I am either out in the hills or beavering away at my other role, working with local communities for Highlands Rewilding. In my past life I was an academic historian (as well as an international Brazilian Jiu Jitsu competitor), but last year I took voluntary redundancy from academia to pursue my writing and creative practice more fully, as well as aiming to do something good for the world in an age of climate crisis and environmental breakdown. That need, to work on something to do with the living world, was part of the inspiration for writing Bothy. I’d grown weary of academic life, and London in particular, my personal life was a mess, and I felt disconnected and unsettled. And then I got invited to a bothy, Cadderlie to be precise, on the edge of Loch Etive.  

When I first went to Cadderlie, I never intended to write a book about bothies. But I loved the whole experience, and the more I found out about them, the more drawn I was to these shelters. They embodied so many things I was interested in – landscape, our connection to place, environmental histories, material histories of people and the living world, and just generally being active and outside. Finally, the plans I had for quite some time to change direction and escape the life I was living came to fruition. Especially with that weird caesura that Covid provided, I had space to make notes and think, and in that time, I found the ability to write in a way I had not thought possible. I did an MA in Environmental Humanities alongside my job, kept chipping away at the work and was lucky enough to find an amazing agent. This book is not a memoir per se, though there’s quite a bit of my life in it, but I would say it’s a personal response both to the challenges of my own life and to the crises we see around us.  

A bothy nestled under some large evergreen trees on the side of a stony track going towards the Scottish mountains in the background.
Posh Bothy by Andrew, via flickr.

Were there any authors or books in particular that inspired you when you set out to write Bothy?  

There’s a real mix of things that shaped my writing, as I am sure is the case for any writer, but one of the things I most enjoyed in the process was taking inspiration from an eclectic mix of authors and books. Too many to name, but I’ll give a flavour. Nature and travel writing has always felt like such an obvious go to. I remember my mum introducing me to Patrick Leigh Fermor’s A Time of Gifts when I was younger and his combination of learned observation and vivid writing about the world captivated me. Other travel writing like Steinbeck’s Travels with Charley always spoke to me. As for more recent nature/travel writers, I love Cal Flyn’s work, Rebecca Solnit, Judith Schalansky’s books, and Nick Hayes’ Trespass, and I have immersed myself in environmental writing from so many people. To name a few – Robin Wall Kimmerer, Anna Tsing, Kathleen Jamie, Robert Macfarlane, and Andri Snær Magnason.  

But there were also personal elements to the book, and so when I was thinking how you deftly discuss your life and its meaning, it was to writers such as Deborah Levy, Amy Liptrot and Helen Macdonald that I turned. Fiction and literature shaped the work, too, novels like The Overstorey or Ursula Le Guin’s novels, short stories and essays. And I’ve always loved poetry, though I am not sure I am bold enough to write it for others – although, who knows? – and countless collections sit on my shelf, from Edna St. Vincent Millay to Alice Oswald, Rainer Maria Rilke to Liz Berry.  

At the heart, too, I have always drawn inspiration from my academic background and academic writers, mainly historians and archaeologists, for example Natalie Zemon Davis, Tim Ingold and Jane Bennett, but also philosophers. If you don’t know Timothy Morton’s book Dark Ecology, then I highly recommend it. I also always looked to those whose work is accessible beyond the world of scholarly writing. I was given a great lesson in that by my academic mentor Lyndal Roper, a historian of sixteenth-century Germany, and at the back of my mind was always the sensitive, layered, textured approach she had to writing about past lives. 

People find solace and healing in all sorts of activities and all manner of things. Why do you think bothies were the thing that helped you at a time when you needed it?  

It was a particular mix of things that made bothies so meaningful for me. I’d not been to Scotland much before Cadderlie, so part of it was being able to spend time outdoors and simply be active in beautiful landscapes. I grew up in Shropshire, so especially when I went to the Welsh bothies it felt like I was rekindling a connection to the younger version of myself. But they also stirred the historian’s interest in me because in the bothies there are visitor books which are left for anyone to sign, and these are a startling, intriguing record of ordinary lives. Given the chance to write a poem, draw a doodle or write out a life history, most people do. I’ve worked so often with archival documents that give hints of past lives and material histories of human stories that these felt like such a rich source.  

I felt an immediate connection to the people on these pages. And I loved that, because bothies arrived in my life at a turning point, when I needed that connection. It was a funny, difficult time personally for me when I found bothies. I was struggling with what direction to take, and I am not going to lie, the previous decade had been dark, difficult, and filled with depression and anxiety. On the outside everything looked great. I was doing really well in my academic career, I was living in London in Hammersmith, I was competing in, and winning, BJJ tournaments all over the world. But underneath was a bone-deep exhaustion. The long aftermath of a divorce and then the trauma of a difficult, fractious, toxic relationship had taken its toll. I found bothies as I came out of that. I entered a new relationship and prised myself away from the life that was making me unhappy, I loved some of the anonymity yet intimacy that bothies gave – you never know who’s going to be there which produces a strange kind of bond with fellow travellers- and the respite they provided from normal rhythms of life was welcome. You have to lead a pretty simple life with only camping gear and what you carry with you, even if that retreat into plain living is a manufactured choice. 

This process for me wasn’t sudden and revelatory. One thing I talk about in the book is that you don’t just go out into nature and find a cure. But there’s little doubt that the company of the living world (and finding time for connection, consideration, and above all perhaps, play) is soothing and healing. Everyone’s bothy experience will be different but for me, in these places, I was able to reshape myself after a difficult decade as someone who was once again creative, outdoorsy, adventurous, a nature lover, kind to others- someone who was happy.  

An old bothy on a hill in a grassy field with heather and gorse bushes in the foreground, and sloping hills in the background.
Aberfeldy But’n Ben by Ronnie Fleming LRPS, via flickr.

Do you think that technology and social media have changed the bothying experience? 

For example, now you can discover the details and locations of individual bothies online and then use a GPS to find your way there with ease. I never knew bothies before they were on Google maps, blogs and Instagram, so that’s always been my experience of the bothy world. But it’s certainly easier to find them now than it was in the 1970s or 1980s. It’s a different world, but I guess the key question for lots of bothy users is whether that alters or fundamentally destroys the bothy experience. Some would say yes, and I understand the frustration. Influencer posts about the same tourist spots in the world are wearying. And there is a very important debate to be had about responsible access to landscapes and environments, or the damage we can do as tourists. Working as I do in the rewilding sphere part of the time, I am often at the sharp end of these conversations about the tensions between human and non-human interests in a place, local and non-local needs. 

However, I also don’t think that all of the online stuff is bad in the bothy world. To survive, they need to be used and a new generation is part of that. Bothies are rooted in the desire for access to the countryside and in the working class ‘revolution’ for leisure and recreation in the hills that followed World War One. Expensive hotels and fancy tours were out of reach for working young men and women who suddenly had a bit more time for leisure, but bothies were free. So I find the private club notion of bothies, of pulling up the ladder after you, more than a little problematic as it seems to go against the idea of access and the right to roam.  

Some bothies have shut due to claims of overcrowding and parties – though I have never really seen raucous behaviour myself – but it’s all too easy to blame people without a voice as the culprits. Without labelling all landowners as evil either, this is really a debate about rights to the outdoors, access and how we develop responsible, caring relationships to landscapes. I think bothies can be part of that.  

Some bothies remain secret and I, for one, am not going to plaster them over the internet. But I have seen so many young people with a copy of Geoff Allan’s Bothy Bible in hand, loving the outdoors, and that makes me happy. I am sure information sharing has changed the experience of bothying but nothing is ever static in the world. Indeed, perhaps it’s a particularly human thing to be nostalgic for the moment just past, to get misty eyed about days gone by, rather than live in the present moment and to enjoy that for what it is. It makes me think of a line from an Office US episode from Andy Bernard: ‘I wish there was a way to know you’re in the good old days before you’ve actually left them.’  

White washed, stone bothy near a river or lake one some land covered in brown grass and gorse, with Scottish mountains in the far distance.
Maol-bhuidhe bothy by Dmitry Djouce, via flickr.

How important do you think isolation is to the spirit and experience of the bothy? 

 There’s a really touching story, I talk about in the book which comes from a bothy visitor book entry. A man has returned to a bothy which he used to come to with his wife, their last trip of such a kind before she died of cancer. For him, as for so many others, the bothy may be relatively remote and cut off from some of the comforts of modern life but it’s not isolation per se that makes it special. It’s fellowship, companionship, love. Of course, there is a kind of isolation. But isolation from what is the key, as it’s not from people and places in a secluded wilderness, often quite the opposite as you will normally meet a new acquaintance. Some people do love being in a bothy alone and I have had delightful, quiet evenings by myself or with just a friend, but also plenty of entertaining nights with strangers. 

But even when you are alone, you aren’t really isolated because you are connected to the place around you, from the bothy mouse to the howling wind, to bellowing stags to querulous birds. Besides, bothies only exist because these were, and are, lived, worked landscapes. To imagine you are in an isolated wilderness is to do them a disservice. 

What do you think the future holds for bothies? Will they forever be old stone buildings, or will they evolve to include less traditional and/or newly built structures?  

I’d say bothies already are evolving in new ways and there are some new MBA bothies opening up, more cottages reclaimed and restored. I’d like to think there will always be stone bothies withy smoky walls and wooden floors because they have given me so much. But the bothy idea has been taken in many different directions: such as artistic residencies run by Bothy Project, or the wonderful Taigh Whin bothy and house run by partners Sarah MacLaren and Sophie Howarth, which offers low-cost holiday accommodation for people working for the common good – carers, community workers, teachers. This place (the house of gorse, it means) is a beautiful reimagining of the idea of shelter and connection in a bothy.  

And then there’s the luxury tourism bothy which is pretty far away from a traditional bothy, but I guess in some ways draws on the ideas of simplicity and shelter. The idea of a hut, a shelter, a shieling is malleable and changing but also speaks to a basic need for refuge or rest. So, the idea continues to have power, increasingly so perhaps in a fractured and complex world. And there’s a future to the bothy there, not just a past. The delicate balance of past and present is at the heart of bothy life, the retreat from modernity whilst knowing that this retreat is in some way dependent on the contrast the simple life provides with the contemporary. If there was no city or phone signal to escape from then I think bothies would be a whole different prospect.  

That’s why I think there’s a future for humble bothies of the stone wall variety, alongside the fancier versions, as they have lessons to give us about what matters. They ask us to question what we need, what makes us happy, and what we can do without.  

 

Finally, what is occupying your time at the moment (professionally and/or personally)? And can we expect more books from you in the future?  

Life has been really busy, professionally and personally. I’ve just moved to Skye so I am enjoying settling into the new house: filling up bird feeders, painting walls and walking to the beach. In between writing and reading, I have a part time role as a community engagement co-ordinator for Highlands Rewilding so I have been learning more and more about the practical implications of changing land use, climate change and the delicate balance between people and places.  

I don’t think I can ever imagine not writing though, so there’s plenty of scribbling too, some articles and grant pitches but also new book ideas. There will definitely be another book! Having moved about 15 times in ten years, it’s wonderful to have a home again and that’s starting to shape my writing too. When I was working in academia, I did a tonne of research on Amish and Mennonite migrations, so maybe there will be something about home and finding our place in this world.  

I am also embarking on a multiyear interdisciplinary project with photographer Nicholas J R White on places of shelter and refuge across the world, places where people stay for a short while. We’ve just got back from the Shiant Isles in the Minch, a beautiful place. Soft in summer, I imagine, but we were there at the time of the season’s changing when there’s still harshness in the air, winds cold, seas wild and sun shining. It’s already provided lots of food for thought. I am also out in the US later this year for a fellowship at the IAS at Princeton, so I might find my way up to some fire lookouts à la Gary Snyder and Jack Kerouac.  

So, lots to keep me busy. Life is starting to settle again. I am in a happy place, surrounded by loving people. And I might even start some BJJ classes again. 


Bothy is published by William Collins and is available to pre-order from our bookstore.

The biodegradable dormouse tube trial

Hazel Dormouse by Frank Vassen via Flickr (CC BY 2.0)
The dormouse nest tube problem

At NHBS, the environmental impact of our products, both in terms of their manufacture and eventual disposal, is at the heart of our manufacturing business. Of equal importance is the practicality of their design and how fit for purpose they are for their users. With this in mind, we are always looking for ways to both design new and improve existing products based on current research and feedback from our customers.

Last year, we began to apply this thinking to our dormouse nest tubes. We had some concerns about any tubes that might be left behind at survey sites, thus polluting woodlands with unwanted plastic. We were also thinking ahead to the disposal of tubes that, following years of use outside, are no longer fit for purpose and which must then be thrown away.

With this in mind, our manufacturing team began developing an alternative, biodegradable version of our dormouse nest tubes.

The current plastic dormouse nest tube
A new environmentally friendly design

Dormouse tubes consist of a plastic sleeve into which slides a wooden tray that also serves to seal one end when in place. These tubes create a dark and narrow enclosure that is ideal for dormice to build their nests. By strapping a number of these tubes to horizontal branches in a suitable woodland, they can be used to determine the presence of dormice by periodically inspecting them for evidence of nests and/or inhabitants. As this is a standard survey technique within the UK, our new, environmentally friendly dormouse tubes would need to be able to be used in the same way.

Our new design would use the same wooden inserts in combination with a modified sleeve constructed from Earthboard. Earthboard is a plastic-free biodegradable material, often used to make tree guards. It is coated with a non-toxic water repellent coating which makes it suitable for use outside, lasting for up to two years before decomposing naturally. Critically, being plastic-free, Earthboard does not shed microplastics into the environment.

Its relatively slow breakdown means that Earthboard would be ideal for our purposes. It would last for more than a single survey season in the field and, if accidentally left outside, would decompose naturally over time. Any tubes that fell to the ground would take around 16-20 weeks to break down and, at the end of the season, they could be recycled in the same way as cardboard (although they are not suitable for home composting due to their relatively slow rate of natural decomposition).

In 2023, our manufacturing team produced a number of Earthboard sleeves that were compatible with our existing wooden inserts. These were sent to several of our customers and associates who kindly agreed to undertake some field tests during the 2023 survey season.

Initial field tests

At the end of the dormouse survey season, our field testers helpfully provided us with lots of feedback. Unfortunately, not all of it was good. While most were broadly positive about the intention of the product, there were some significant problems.

The most serious of these was that, after a short amount of time in the field, deterioration by the elements meant that the tube was no longer a good fit for the wooden insert. The top of the plastic tube became curved, thus creating a space into which light, draughts and moisture could enter, making the tubes much less desirable to dormice as a nesting location. Similarly, the relatively pale colour of the Earthboard meant that the interior was not as dark as that of the original plastic tubes, again making it less attractive to dormice.

After a period in the field the Earthboard tube proved a poor fit for the wooden insert and allowed light and draughts to enter the nesting space.

A further concern related to how dormouse tubes are generally used. It is typical for ecologists to collect all of their tubes at the end of the survey season and re-use them in subsequent years. It is unusual for tubes to be left in the field, unless they cannot be located for any reason. Equally, there is a cost factor involved. Although Earthboard is suitable for recycling with cardboard via kerbside waste collections, which makes their disposal preferable to traditional plastic tubes, the need to purchase new sleeves at the beginning of each season isn’t an attractive option for most ecologists.

So, what next?

Due to the lack of positive feedback, along with concerns about the practicalities and economics of these biodegradable dormouse tubes, we have decided not to continue with their development. Despite the fact that this particular project didn’t ultimately lead anywhere, however, we are incredibly proud of our continuing endeavours to improve our products and make sure they are as user friendly and environmentally responsible as possible.

We would like to thank everyone that was involved in field testing this product and taking the time to provide us with such valuable feedback. It is only through constant communication and cooperation with our valued customers that we can continue to design, manufacture and provide such high-quality products and support conservationists worldwide.

Q&A with Matt Larsen-Daw and Alana Scott: Celebrating 70 years of the Mammal Society

The Mammal Society, founded in 1954, is a UK charity formed to support evidence-based mammal conservation in Britain and Ireland. The Mammal Society is involved in promoting and enhancing conservation initiatives working to restore mammals and their habitats, with the overall mission of securing thriving populations of native species.   

The Mammal Society will be celebrating their 70th anniversary in 2024, which will be the focus of this year’s annual mammal conference. The conference will focus on the past challenges and successes of mammal conservation, and discuss opportunities for future work.  

Matt Larsen-Daw is the CEO of the Mammal Society. Having worked with WWF for some time leading education programmes, Matt is now working with the local mammal groups at the base of the Society’s work. Alana Scott works as communications officer for the Society, with a strong history in conservation biology and ecology. She also has significant achievements in the reintroduction of Water Voles in southern Cornwall.  

In anticipation of the upcoming National Mammal Week (22nd 28th April), we recently had the opportunity to talk with Matt and Alana about the successes of The Mammal Society, their upcoming 70th anniversary and goals for the future. 

Small dormouse resting on a branch in front of leaves.
National Mammal Week is an annual event encouraging awareness and conservation of mammals. Image by The Mammal Society.

Firstly, could you give us a brief insight into how The Mammal Society came into existence back in 1954? 

Seventy years ago, in 1954, The Mammal Society was formed under the name of The Mammal Society of the British Isles (TMSBI), following a meeting of prominent zoologists, naturalists and the Zoological Society of London. The aim was to link amateurs and professionals in promoting the study of mammals, and by doing so to power conservation of mammals at a time when an alarming decline in the populations of several species was already being observed. 

Three years later the society started to deliver on its remit when it published its first book – A Field Guide to British Deer. Perhaps some well-thumbed 1st editions of this vintage text are still sitting on shelves? More likely readers may have one of the beautifully illustrated 4th edition copies of this handbook, published to coincide with another significant anniversary – the 60th year of the British Deer Society – in 2023. The British Deer Society is one of several organisations (including the Bat Conservation Trust and SeaWatch) that started their lives as subgroups within The Mammal Society, until their objectives became sufficiently ambitious and broad in scope to warrant a separate charity. This highlights one of the key roles that The Mammal Society has played over the past seven decades. By acting as a lightning rod for discussion and research around the big issues in mammal science and conservation, the Society has convened experts and enthusiasts to foster collaboration and initiate vital projects at all levels of mammal conservation. From collaborative research projects to species-focused organisations and grassroots local groups, the work of the Society has helped shape the mammal conservation sector we see today.  

What do you think has been the key to the enduring success of The Mammal Society? 

A key factor in the ongoing success of The Mammal Society is the community of mammal specialists and nature enthusiasts that has formed around it in the form of our members and local groups network. The staff team at the Society has never been big – in fact we are often assumed to be much bigger than we are, due to our vibrant social channels and the large influence we have on policy and practice. Our Council of Trustees, our Committees, and our ever-growing community of local mammal champions are just as important in the achievement of our aims. We are nothing without our members, and we hope that we give plenty back to those who join us in our mission to support and protect British mammals. Members receive our acclaimed seasonal magazine Mammal News, receive substantial discounts on our trainings and events, and have the opportunity to influence the priorities and projects of the Society. Why not join, or gift membership, today?!  

At the hub of this thriving community of volunteers and supporters, the staff team arranges forums, events, training, campaigns and research projects that channel the huge energy and expertise in the wider community, while ultimately strengthening and energising that same community. 

Our small size has allowed us to be agile and respond to urgent challenges quickly and efficiently – such as the discovery of the non-native Greater White-toothed Shrews in Britain in 2022. It also means our overheads as a charity are low – ensuring that we can put every penny of membership fees and donations to good use in our work to ensure a bright future for mammals. 

A group of people smiling in a field with a wheelbarrow.
ARK (Action for the River Kennet) participants of a Harvest Mouse Survey, 2023.

The world has changed a lot in the last 70 years. Have the key purposes and goals of the charity evolved during this time to adapt to this changing world, or have they broadly remained the same? 

Conservation science is powerless without first being able to answer the questions ‘what to conserve?’ and ‘where to conserve?’; to do this we need to know, for each species, how large the population is, where it is (and was) distributed, and its status, threats and requirements. This science is exactly what The Mammal Society has been promoting since its inception, seeking to ensure that whatever the approach needed, it is undertaken in the right way – informed by science and data. 

This central remit has certainly not changed. However, the role of The Mammal Society in the conservation sector was a hot topic of discussion in the first few decades. In 1963, a resolution was passed at a meeting that the Society should be ‘a scientific body to which those in authority can turn for factual information about mammals and mammal biology’, upon which to base a judgement of the conflicting claims of different champions. To be accepted as such a body, the Society should not itself become involved in any way with […] controversial matters. In other words, The Mammal Society should gather and present scientific facts but not campaign for any particular action to be taken. This perspective shifted within ten years, with members wanting the Society to be prepared to call for action where it was scientifically justified. Nowadays we certainly consider ourselves to have a key role not only in establishing scientific evidence, but also in ensuring it is seen, understood and acted upon to bring positive outcomes for mammals. Communicating the science and advocating for its application are as important as the science itself if we want change. 

The other facet of our work that has become more important in recent years is communicating the importance and wonder of mammals to public audiences, in order to build public support for mammal conservation and encourage more engagement with life sciences – especially among younger people and communities currently under-represented in conservation. This objective is part of our remit to strengthen and energise the conservation sector. For example, our annual Mammal Photographer of the Year competition allows us to spotlight photographers who have captured beautiful and surprising images of mammals in the wild and inspire others to share in their wonder and excitement at spotting our elusive wild neighbours going about their everyday lives.  

In 1995, The Mammal Society entered a new phase when it established a network of local groups that could monitor the state of mammals in their area and respond to local issues while playing a key role in contributing to a better national picture of mammal populations. Through this process of evolution, The Mammal Society moved from connecting amateurs to professionals in mammal conservation, to providing anyone concerned about the decline of mammals with ways to get involved and directly help tackle the key issues. 

Some of these original groups are still going strong, and others have joined in the nearly 30 years since then. Led by volunteers, these groups provide opportunities for nature-lovers from all walks of life in their community to support citizen science activities that provide essential data and insight to inform mammal research, conservation practice and landscape management policy. 

Now we have more than 30 local mammal groups in the network, and their contribution to projects such as the Mammal Atlas, the Harvest Mouse Survey and many other projects cannot be under-estimated – as well as the profound impact many have had on mammal populations locally through their targeted efforts. The Mammal Society have sought to guide and support these groups over the years, but we feel there is much more we could do. 

Our new Local Mammal Groups Strategy (reflected in our new Local Groups Handbook) sets out how we intend to invest in growing, strengthening and diversifying the community of local mammal champions that participate in mammal conservation at the grassroots level through the local groups network. 

Red squirrel peeking out from behind a Silver Birch tree on the right and directly looking at a Bumblebee flying towards the tree.
The Squirrel and the Bee. Image by Garry Watson, winner of the Mammal Photographer of the Year competition, 2024.

Biodiversity loss and the climate crisis are key issues for everyone involved in conservation at present. What are your main goals for the coming years and decades?

Seventy years on, the challenges that need to be overcome to ensure a bright future for wildlife and people are just as daunting. This means that over the decades to come, our role as convener and mobiliser in the world of mammal conservation will be more important than ever. There is no doubt that reversing the loss of nature will require work from everyone, and the more joined-up those efforts are, the more positive the impact for wildlife and people. 

As we move into our eighth decade, we continue to do everything we can to foster collaboration and inclusion in mammal conservation. We aim to bring the scientific insight and expertise of our committees, members, council and staff to strengthen and support any initiatives that can help address the threats faced by our native mammals. As an active member of Wildlife & Countryside Link, we are already adding our voice to those of varied stakeholders across the nature sector to call for urgent action to address issues and redress shortcomings in policy and practice. Via European Mammal Conservation Europe, we have strengthened joint challenges on issues such as the protected status of wolves in the EU. We are active contributors to the RSPB-led UK State of Nature Report, and members of coalitions and steering groups on various species recovery strategies. We continue to engage with government to ensure that policy and priorities are informed by science. 

Our commitment to ensuring that everyone understands the importance of mammals, and can play a role in monitoring and protecting mammals, is reflected in our reinvigorated approach to supporting local groups – including an equipment loan scheme, free training for local groups, and an ambitious plan to see at least three new groups in currently under-represented urban areas by 2025. Alongside this our new school programme launches this year, creating opportunities for young people to explore and support mammals, and prioritising schools in areas of deprivation and serving communities under-represented in conservation. 

 

A group of children sat at a school desk dissecting owl pellets.
Owl pellet dissection as part of the new school programme.

Seventy years as a successful charity is an incredible achievement, not to mention the research, support and training you have undertaken and provided during this time. How are you marking and celebrating this important milestone? 

We’re spending 2024 looking back, and looking forward. We want to celebrate what’s been achieved over the past 70 years but also to take the opportunity to look at the challenges ahead and how we can all play a role in meeting them. 

To help us highlight this significant milestone, talented illustrator Silvie Tonellotto has designed our beautiful 70th anniversary badge, which will feature on communications throughout 2024. You can see more of her work on Instagram (@silvietonelottodesigns). 

An illustrated dormouse sat inside the number 70.
The 70th anniversary badge, designed by Silvie Tonellotto.

One of the key things we are focusing on is celebrating the people whose actions are key to ensuring a bright future for mammals, and especially to show the rich diversity of people and variety of roles people can play in supporting mammal conservation. We have therefore marked this 70th year with the launch of a new awards scheme – Mammal Champions. NHBS generously supported the prizes for the 2024 awards, and we’re delighted to have been able to shine a spotlight on some incredible volunteers, campaigners and thought leaders. 

National Mammal Week (celebrated in the autumn in previous years, but now moving to a new home in the spring) is 22nd to 28th April 2024. We’ll be celebrating the wonderful individuals shortlisted for Mammal Champions Awards, while also providing loads of opportunities for anyone in Britain and Ireland to find ways to become mammal champions in their own lives and communities. 

Learn more and get involved through The Mammal Society website.   

Interview with the authors of The Little Owl

The Little Owl, Athene noctua, is one of the most well-studied species of owl. Despite being widespread across Europe, Asia and North Africa, populations are now in decline, making studies of its behaviour and ecology all the more important. The revised second edition of The Little Owl, which vastly expands on the original, published in 2011, covers everything you could wish to know about the species. From its history, taxonomy and genetics, to details of its habits, diet and breeding, the wide-ranging text consolidates all of the current available knowledge, obtained both from the author’s personal experience and research, as well as scientific and conservation literature.

The authors, Dries van Nieuwenhuyse, Ronald van Harxen and David H Johnson generously gave up some of their time to answer our questions about the book, the issues currently affecting Little Owls globally, and their hopes for the future of this captivating species. The Q&A is also illustrated with some of the beautiful images from the book, all of which were created by scientific illustrator and graphic designer Joris De Raedt.


Firstly, can you tell us a little bit about yourselves and the work you are currently involved in?

Dries is a life-long owl researcher and statistician active in ecological method development and publication. He has authored five books on the impact of technology and statistics on the decision-making processes of organisations, and in particular brings his skills as a statistician to his ornithological work.

Ronald is Chairman of the Dutch Little Owl Working Group (STONE), and has been active in research on breeding biology and population dynamics within nest box populations and conservation of the Little Owl in the Netherlands and internationally for more than four decades.

David is Executive Director at Global Owl Project, USA and working since more than a decade on a demographic study of the Burrowing Owl (Athene cunicularia). He has worked in natural resource conservation for four decades and has written two previous books on owls, wildlife and fisheries.

Joris De Raedt is scientific illustrator and graphic designer
visualising the wonders of the natural world. He illustrated the book through a combination of graphite sketches and digital illustrations. Color and details are added on the computer using a graphic tablet. More on his workflow at jorisderaedt.com.

For anyone that enjoyed reading the first version of The Little Owl which was published in 2011, what new things can they expect to discover in this updated second edition?

The subtitle of the first edition was Conservation, Ecology and Behavior, the second edition paid special attention to Taxonomy, Population Dynamics and Management. Major improvements are the illustrations that were all created by Joris De Raedt. This allowed us to make compilations of photos of the subspecies and their habitats to obtain extremely detailed and standardised artistic plates. The fact that this edition is in colour allowed excellent drawings of the embryonic development, the evolution of nestlings in function of age and high quality distribution maps by country and globally. The global distribution map was revised with much more accurate data than even before, thanks to the internet and technological advances.

Plenty of new insights were brought in by Ronald on breeding biology, prey items and behaviour in nestboxes that were equipped with webcams. Photos led to video, and that led to online webcam data that was tagged with time, prey species and specific behavior by volunteers.

The final major evolution was the intensification of replicated experiments since the first edition. Crucial questions on the yellowness of the beak of the female in relation to breeding performance and feeding preference of female nestlings by females, and also in relation to the yellowness of the beaks of the offspring, led to major breakthroughs in our knowledge. Due to the publication of the first edition, the start of a pdf and citizen science website for data collection improved the international cooperation tremendously and facilitated access to international data bases of ringing data, geocoded pictures and vocalisations.

Historically the Little Owl has suffered due to intensive agriculture practices and abundant use of pesticides. Are Little Owls still widely affected by these issues, and do we yet have a clear idea of how they are likely to be impacted with the additional challenges posed by the climate crisis?

Little Owls are ambassadors of small-scale landscapes. In some countries they disappear due to intensification of the agriculture, while in other countries they disappear when farming is halted (grazing cattle disappear) and after forestation. Climate change is expected to have a positive impact on the species in the north and the east due to less snow cover. Increasing heavy rain during the breeding season, on the other hand, will probably have a negative impact on breeding success. Increase in desertification might not be an issue, as this typical Mediterranean species can even be found in the Sahara and the Arabian Peninsula. In Europe, most negative impacts comes from agricultural intensification, with an increase in maize leading to less grassland, increase in pesticides and rodenticides, increase in scale of the landscape with fewer parcel borders, fences or shrubs.

An important part of the book deals with management techniques that have proven to work over the long term. Reintroducing short grassy vegetation with commanding perches and provision of nestboxes can significantly help Little Owls to cope with modern agriculture. If conservation is started timely enough, this simple management can help preserve healthy populations. When densities drop too low, this might not be sufficient and, in combination with a lack of food, can lead to local extinctions.

What are the key ways in which Little Owls are surveyed? And how comprehensive is our knowledge of where they occur and their current population sizes?

The species is excellent for research due to its easy response to playback of vocalisations, historically mostly undertaken in western Europe but recently increasing in eastern Europe. Monitoring efforts have continued since the 1980s and offer a good view on population numbers. This has led to extra research on the possible impact of habitat deterioration, food availability and the increase of Stone Marten and Tawny Owls as possible limiting factors.

Since the first edition plenty of new local and large scale atlases have been published leading to a very detailed knowledge on the distribution and population numbers in Europe. The new EBCC atlas has distribution data at the 50 by 50km level, the 27 EU member states monitor Little Owl presence at the 10 by 10km level, and a number of local atlases have data available at the 1 by 1 km level.

Outside of Europe, the species is rather common but distribution knowledge remains anecdotal with population estimates largely based on local average densities and, in rare cases, on habitat modelling. More insights emerged from North Africa and the East (eg Iran and Pakistan) but much more work is still needed outside Europe. Hopefully this book can boost research in less well-studied countries, as many methods that have proven to be working simply need to be replicated elsewhere.

How effective have captive breeding and reintroduction projects been for the Little Owl so far? And is this approach likely to be an important one for their future conservation?

Not very effective. Some initiatives have been undertaken but with moderate outcomes. Reintroduction remains an emergency brake that rarely works. Supplemental feeding, provision of nestboxes and landscape improvements are much more effective, particularly when they are started in a timely manner. The key is not to wait too long before starting with small-scale management and to keep healthy populations, even in areas with intensive agriculture.

How likely are Little Owls to utilise artificial nestboxes?

Very likely, and this makes The Little Owl one of the best and easiest models for biological and conservation research. The ease of installing nestboxes with webcams and with predator protection allows data to be collected in an unprecedented manner, without special tools or tedious field work. People can observe the species seated at their kitchen table, youngsters can easily be involved in playback monitoring, nestbox maintenance and food supplementation, which eventually leads to experiments and dedicated citizen science. This make the species so special.

Finally, what’s next for you? Are there new books on the horizon?

Sure, Ronald and Dries will publish a non-scientific version of the book in Dutch for the 2000+ local volunteers to thank them for their tremendous help in collecting and digitising Little Owl data through conservation, management and ringing. David and Dries are currently preparing a similar book on the close relative of the Little Owl, the Burrowing Owl. Finally, Ronald is currently working on a book on all owl species that can be found in The Netherlands. We’ve still got some work to do.


The Little Owl by Dries van Nieuwenhuyse, Ronald van Harxen and David H. Johnson was published by Cambridge University Press in October 2023 and is available from nhbs.com.

Author Q&A with Dominic Couzens and Gail Ashton: An Identification Guide to Trees of Britain and North-West Europe

An Identification Guide to Trees of Britain and North-West Europe is a fantastic new guide to 89 of the most commonly found and easily recognised trees in the region. Suitable for everyone, from the complete novice to the experienced naturalist, the book contains lively and interesting text from Dominic Couzens, complemented by Gail Ashton’s photographs. These show details of each species throughout the seasons as well as features that are useful for identification.

Dominic Couzens is a bird expert, nature writer and the author of over 40 books. He is also a regular print columnist and writes for Bird Watching Magazine, Nature’s Home (RSPB) and Water Life (WWT). He is passionate about communicating about the natural world  and has a particular passion for writing about current threats to the planet and how they can be best addressed.

Gail Ashton is a photographer and writer with a passion for wildlife and invertebrates in particular. Well known for an incredible project where she undertook to photograph 500 UK invertebrates over the course of a year, she is passionate about encouraging everyone, young or old, to observe and appreciate the natural world.

We recently got to the chance to ask Dominic and Gail some questions about the book; about the process of compiling such a guide, the most fascinating things they learned in the process and their concerns for the future of trees in Britain and further afield.


Firstly, can you tell us a little bit about yourselves and how you came to be working together in writing this book?

DC: I am an experienced writer of natural history books and I’ve written a number of field guides, both to birds and mammals. However, in 2021 I came across Gail’s remarkable project to photograph 500 species of invertebrates in a single year. Her fabulous library was the perfect material for an insect guide, so we published An Identification Guide to Garden Insects in 2022. The project was a great success so here we are.

GA: I have always loved nature and one of my favourite ways to be outdoors is in woodland and forest. Studying insects brought me a new layer of fascination for trees as I found out just how many other organisms they support, and just how complex they are. Trees came on the back of the very-well received ‘Garden Insects’, and follows the same, beautiful format and layout.

There are numerous books available on tree identification. What do you think sets your book apart from other ID guides of its kind?

GA: Yes, there are a good number of outstanding tree guides out there – some of which I use myself. But they can be quite expansive and overwhelming, especially for those of us just starting our tree identification journey. This book is a perfect entry-level guide which introduces you to the different ways in which you can look at trees in order to recognise key features.

DC: It’s very different. For a start, while most tree guides even just to Britain have 300 or more species, we have cut this down to about 90. So it’s simplified and entry-level, including all the common wild species and some introduced ones – those that people might see. It is very far from technical and we have tried to make every species interesting and fun in its own right. We have included some really great facts about many of the trees.

I’m always fascinated by the process behind the compilation of such a comprehensive ID guide. What was the most challenging part of writing this book?

DC: Trees are complicated, with all the different parts from leaves to bark. As the writer of most of the text, even though I had a decent grasp of many British trees, it was always a challenge not to forget all the details. The other very difficult task was in selecting the species. We wanted to include all the species people will notice, including such non-natives as Magnolias and Eucalyptus, while including the bona fide wild trees. But we couldn’t find room for all the tricky willows, and in the end we just hope our choice chimes with people.

GA: Believe it or not, the biggest challenge for me was actually finding the trees. It sounds mad, because trees are everywhere, right? But finding that perfect tree to photograph took a lot of research, walking and finding, and then the light had to be right, so I would revisit trees multiple times. Some of the trees were quite difficult to find, such as the Wild Service and Mulberry, so a lot of detective work was required to pinpoint them. I also had to make repeat visits to capture them in all their seasonal phases. There are trees from all over Europe in this book -thousands of miles and hundreds of hours! But those are the lengths I’ll go to get a great photo.

I particularly enjoyed the fascinating facts that you included for each species in the book. Did you learn anything new or particularly surprising about any of the tree species covered over the course of your research?

DC: I learnt an enormous amount. Did you know that each Holly leaf lives an average of seven years, for example? I also love the fact that Monkey Puzzles are essentially adapted to cope with browsing Sauropod dinosaurs.

GA: I became particularly fascinated with the Ginkgo – a unique throwback to the very beginnings of life on Earth; a tree which is neither conifer nor broadleaf, but somewhere in between.

A big part of conservation and land management is knowing what species are where and how many there are. How much do we currently know about the trees present in Britain and their population sizes?

GA: According to Forestry Research, only 13% of the United Kingdom is currently wooded. That’s such a small percentage compared to a few thousand years ago. Our ancient woodlands have all but disappeared, replaced by farmland, urban development and plantations. Veteran trees are our most important, as they support more communities and sequester more carbon than young trees. It’s essential that our remaining veteran trees and woodland fragments are fully protected to ensure the health of our future natural landscapes.

DC: The recent Atlas of British Flora means that we are well covered in these terms. For some of the rarer trees, such as Black Poplars, we know how many individuals there are of each sex.

Within this guide you include information on the months when leaves, flowers and buds might be seen for each species. Do you have any information or a feel for how rapidly climate change is impacting these features?

DC: Trees are a good early-warnings system, and you don’t need to write a book on trees to see that many are coming out earlier than they used to – hazel catkins in December, for example. However, it was very difficult to get any accurate figures for the book because it varies so much from year to year, and we were also covering Northern Europe as well as Britain. However, we certainly got a feel for the potential problems. Birch catkins are coming out earlier in response to warming, but might be approaching the earliest they can cope with physiologically. Oak budburst will affect both the caterpillars that feed on it and the Blue Tits that feed on the caterpillars. On a wider scale, temperature changes will affect the whole distribution of trees through the country, with northern species retreating. We could lose some specialists such as Dwarf Willow, and the climate will also become easier for introduced trees.

GA: I think that trees are more difficult to use as indicators than insects as trees have a much longer generational turnover, and they don’t move; however monitoring the emergence of blossom and leaves in spring and the falling of leaves in autumn is a great citizen science tool to establish changing trends.

Are there any trees in the UK for which the future seems particularly bleak?

DC: There are well known problems for ash trees and to a lesser extent oaks, and we simply don’t know how far their respective diseases will go. But as a warning, remember that the Field Elm, in its various forms, used to be lowland England’s most abundant tree. Paintings by our forebears of the countryside were often dominated by elms – now they are a shadow of their former selves. And as mentioned above, the warming climate will impact upon our more northerly species.

GA: Ash dieback is currently decimating younger adult trees, though there is a glimmer of hope in that veteran ash are currently immune to the fungus. Juniper is in massive decline across the UK due to loss of suitable habitat.

Finally, what are you both working on now? Do you have plans for further books?

DC: We have co-written two books on insects recently: A Year of Garden Bees and Bugs and An Insect a Day, both of which are published by BT Batsford and are narrative-style books.

GA: I am currently working on upcoming books about invertebrates. I have an exhibition of my photos planned, as well as workshops, talks and podcasts.


An Identification Guide to Trees of Britain and North-West Europe was published by John Beaufoy Publishing in April 2024 and is available from nhbs.com.

Neil Middleton on the 4th edition of Bat Surveys for Professional Ecologists

The 4th edition of Bat Surveys for Professional Ecologists: Good Practice Guidelines is the latest update of the Bat Conservation Trust (BCT) Guidelines and features new content on biosecurity, night-vision aids, tree surveys and auto-identification for bat sound analysis. Several key chapters have been expanded, and new tools, techniques and recommendations included. It is a key resource for professional ecologists carrying out surveys for development and planning.

Neil Middleton is a licensed bat worker and trainer. He is the Managing Director of BatAbility which offers bat-related and business skills development courses and training throughout the UK and Europe. He kindly agreed to take the time to write an article for us which will help ecologists and bat workers assess some of the key content and changes within the 4th edition of the Bat Survey Guidelines, and evaluate how this is likely to impact you, your colleagues and your business.


I have been asked to write this blog for NHBS regarding the recently published 4th edition of the BCT Bat Surveys for Professional Ecologists: Good Practice Guidelines. Straight away I feel I should say that, broadly speaking, we (BatAbility) are supportive of the overall spirit of intent that these new guidelines are seeking to achieve.

The contributors to the finished work and the editor of the final draft will have, I’m sure, had much debate about the final wording of the guidelines. It certainly cannot have been an easy task to come up with approaches that a broad range of experienced people, each with different backgrounds, were able to fully agree upon (or at least not disagree). In addition to which, these guidelines need to cater for all the component parts of the UK, where differences in legislation, planning, licensing etc. apply.

What follows are my thoughts on why you need to be up to speed with what’s happening. When I discuss some of the points you need to be aware of, it’s not that I am criticising or disagreeing with what has been produced, it is more that I am encouraging you to think about things that may not immediately be apparent when it comes to impacting (positively or negatively) upon your daily business operations.

Broadly speaking, these Good Practice Guidelines are what we all need to be referring to now for guidance and, barring any new properly released formal material direct from BCT (i.e. it doesn’t matter what someone says on a social media post or during a webinar) that either updates, changes or gives additional explanation to what is in the 4th edition, this is where we, as a community, are at. BCT have confirmed that a few changes to the text will be made by way of an amendment document and this, in conjunction with printed Q&A material resulting from BCT webinars (November 2023 and February 2024), will prove to be essential complimentary reading for everyone relying upon these guidelines during their day-to-day work.

At this stage, I feel that it is also important to say, and BCT have been very keen to emphasise this point (e.g. during their webinars on the subject), that the guidance is very clear about deviating from its approaches where specific cases and/or experienced, professional judgement suggests that a different approach can be taken for good reason, provided that it is fully disclosed and discussed within generated outputs (e.g. reports going to local planning departments). The material produced is described as ‘guidelines’ after all, and should not be used prescriptively when common sense, good scientific rationale or proportionality, as examples, suggests otherwise.

These updated guidelines were keenly awaited by bat workers for some time leading up to their publication.The driving force behind the update was thought mainly to be the integration of Night Vision Aids (NVAs) into our bat survey approach, as initially described within an Interim Guidance Note published in May 2022 and covered in this article on the BCT website.

I mention this for two reasons. Firstly, it’s what I feel almost everyone was genuinely expecting. Secondly, these revised guidelines don’t (as anticipated rightly or wrongly!) fully address some of the specific aspects of where the NVA debate is going to finally arrive. Regarding this aspect of bat work, the finer detail around this matter is now being tackled by a review panel, and BCT will inform us as/when they are in a position to do so. In the meantime, the Interim Guidance (2022) remains as an additional, essential point of referral. Having said that, within these new guidelines there are regular pointers, reminders and requirements that NVAs should be incorporated within survey design.

So, why do we need to pay any attention to these new guidelines? If they are not telling us about the specifics of the NVA approach, then you may very well think that there’s not much value in getting your own copy and reading through, yet again, what was there before. Yes, you may very well think that. Yes, you would be very wrong.

There is so much in here that is going to make your life as a bat consultant different to how it was up until last year (2023). There are undoubtedly elephants potentially in some people’s rooms. But an hour after sunset when it’s too dark to see, some people may not be aware that elephants lurk (well not unless they have an NVA, and it’s pointing in the right direction). There are resourcing implications, cost implications, tendering implications, health and safety implications – there are all of these and more that you need to be aware of. And by implications I mean a mix of positives and negatives. It is a classic situation whereby in solving a range of issues and making clarifications on others, new issues and opportunities inevitably arise.

From a surveyor’s point of view, the dreaded dawn work is mostly redundant, although I feel there are still going to be occasions from a bat behaviour point of view, and from a health and safety point of view (e.g. working within busy town centre areas) where dawns could still occasionally be a better, or even a desirable approach. The guidelines certainly don’t say you should never do a dawn survey again, full stop.

From a business owner’s perspective there are matters that will need serious consideration and budgeting for. This could impact (again negatively or positively) upon your turnover, your approach to tendering, resourcing, the deployment of staff and equipment, as well as the careful balancing of your team’s time at their desks versus time in the field. All of this, of course, needs to be considered against the benefits to bat conservation. The challenge on the business model is not necessarily a bad thing, provided you are fore-armed and have seriously thought through how these changes impact upon your organisation.

Please don’t construe that I am not supportive of what these guidelines are seeking to achieve. In many respects, from a conservation perspective, I feel things have moved closer to where they should be. Balanced against this, however, I urge you to be aware that you need to get your head around the new approaches as a matter of urgency, and build into your day-to-day workings methods of adapting to the changes.

There is neither the time nor the space to cover it all here, and to do so would merely be to repeat what was contained in the guidelines in any case. What I am seeking to do is alert you to the fact that, despite how much you may have seen on social media etc. relating to the NVA debate, there are arguably equally as BIG matters contained within the new edition that don’t relate to the use of NVAs.

Here are some key points of where things have really changed, in my view:

  • Dawn surveys are pretty much redundant, as we are now pressed to doing dusk surveys with NVAs. This is great from a work-life balance, but it also removes up to 50% of the previously available time slots on your survey calendar.
  • NVAs are to be deployed on pretty much every emergence survey, covering the survey subject as fully as possible, with the associated implications for reviewing all that footage and storage of data. Video footage is much larger than the pure audio that you will have been accustomed to.
  • A licenced bat worker is required to be present for any field work where a licensable situation could occur, no matter how likely or unlikely, be that structures or trees. Following the definite statements in the 4th edition, there is no longer any ‘wiggle room’ on this issue.
  • Bats and Trees – aerial assessment (be that by ladder, rope or MEWP) is pretty much the desired approach, meaning that this will be a greater part of these jobs and, in conjunction with this, licensed bat worker(s) will need to be present.
  • Due to the increased requirement for licensed bat workers to be present far more often than previously was the case, and the increase in tree climbing work where licensed bat worker(s) should also be used, there are resourcing implications that need to be considered when it comes to training in these areas. It is important to be aware that not every licensed bat worker within a business is either capable of or desires to climb trees. Also, in some business models, the licensed person/people are in more senior positions where their presence in the field conflicts directly with the role they are being asked to perform for the business (e.g. team management, client meetings, tendering, business process improvement). So, for some businesses, depending upon their current resources of licensed bat workers, there may need to be a rethink.

What I have described above is most definitely not the full suite of changes, but hopefully it’s enough to demonstrate that you need to get on top of what’s in there.

The key message is, if you haven’t already got yourself a copy and read it through in detail, then as a matter of urgency you should do so. Then you will be able to consider how you are going to achieve what is required.


The 4th edition of Bat Surveys for Professional Ecologists is available as a downloadable non-printable version direct from the BCT website.

Also available as hard copy from nhbs.com – remember to use your BCT membership number to get a 20% discount.