Bushnell trail cameras have always been popular among ecologists and researchers alike, but their famous Aggressor range of cameras has become outdated as trail camera technology has advanced. New for 2019, the Bushnell CORE range features four high specification trail cameras with the latest technology (more about the differences between the four cameras can be found here). We wanted to test one of these new cameras to see how it performed.
We tested the Bushnell CORE DS Low Glow Trail Camera (DS standing for ‘dual-sensor’). Bushnell’s dual sensor system promises better day and night photos/videos, with one sensor dedicated to each. A 30MP image size and 920×1080 HD videos also indicate sharp, high-quality footage, but this is not always the case. The best way to see the true image/ video quality is to view sample footage from the camera.
Setting Up
We set the CORE up at a badger latrine in a wood in Devon. The camera was simple to set up, and the colour viewing screen came in very handy when trying to get the best angle. Without this feature, it can be very difficult to ensure that the camera is pointing in the right direction. The screen also displays a simple and user-friendly settings menu which was easy to navigate and check. The settings we used in this instance are as follows:
Mode: Video
Video Size: 1920×1080 (30fps)
Video Length: 15 seconds (the videos below are trimmed from originals)
Interval:3 seconds
TimeStamp: On
Video Sound: On Sensor Level: Auto Camera Mode: 24 hrs
As we were leaving the camera in a public woodland, we secured it in place with a compatible Python cable lock. The No Glow equivalent might also be a camera to consider if you are setting a camera up on public land and you want extra security.
What we found
The Bushnell CORE caught several videos over the one evening that it was set up. These clips can be viewed in the video below. The black and white IR footage was very impressive. We found it beautifully clear and very smooth, even at 30 fps (the camera has an option of 60fps). The IR flash illuminated the subject without any wash-out whilst remaining bright enough to reveal plenty of detail. The low-light and day colour footage wasn’t as crisp but was still lovely and smooth. The fast trigger speed was especially apparent in a clip showing a herd of deer running across the river. The first deer are barely halfway across the screen before the video starts, despite the speed at which they were running.
Our Opinion
We were impressed with the Bushnell CORE DS Low Glow Trail Camera, especially with the night videos. The front-facing colour screen was a key feature that made set-up and camera positioning much easier and is something that we think can either make or break a filming session. The dual sensor is definitely worth the price difference for the night videos. The colour videos were not as crisp but the camera is still excellent quality with an outstanding trigger speed and perfectly suitable for the needs of most researchers and ecologists.
The Bushnell CORE DS Low Glow is available on the NHBS website.
To view the full range of Bushnell CORE cameras, along with other ranges of trail cameras, visit www.nhbs.com. If you have any questions on camera trapping or would like some advice on the best camera for you then please contact us via email at customer.services@nhbs.com or phone on 01803 865913.
Award winning Blue Planet II and Planet Earth II cameraman Gavin Thurston took some time to sign copies and answer our question about his new book, Journeys in the Wild and his adventures filming the world’s most charismatic animals in spectacular and remote locations.
1. Could you tell us a little about your background and how you got interested in filming and photographing wildlife?
My first childhood memories are when growing up in Petersfield in Hampshire. A green and leafy part of England. My sister and I used to go and stay with my grandparents who lived near the village of Selbourne close to the South Downs. This was home to the 18th Century literary naturalist Gilbert White. My Granny had a shared interest in nature and had great knowledge of the wildflowers, butterflies and trees of the area. I believe it was her enthusiasm that set the seed to grow a passion for nature in my inquisitive young mind. As a young frustrated artist, I found an outlet in photography, and later on, in moving images, combining the two passions to spend much of my career filming wildlife.
Mostly due to my career. I have had so many wonderful experiences and adventures around our planet. I have witnessed more of nature’s wonders than anyone has the right to do. When I told stories to family or friends the most common response was ‘You should write a book!’. So, before I got too decrepit to remember the details, I tried to get on with it. It’s only when I was contacted out of the blue by commissioning editor Emily Barrett, from Orion Publishing, with a book offer, that I signed a contract and then had to bloody well get on and finish it!
3. What contribution does wildlife photography and filming make to conservation?
Hopefully the films I work on help to instill in viewers both an interest and then a passion for the natural world. Just as my Granny did for me by showing me the beauty and intricacies of nature firsthand. Once someone takes an interest in what wilderness and wildlife we have left, then there’s more chance that they will take measures to reduce their impact on Earth. The more passionate and driven viewers may well then go on to either donate, campaign or volunteer on conservation projects. It’s only once we know what is out there and why we stand to lose it, that an informed audience can then make a choice on how to stop the decline of habitat and biodiversity.
4. If someone was inspired to pursue a career filming wildlife, what advice would you give them to get started?
Spend as much time observing nature as you can. Get outside and see it for yourself. Explore and discover. Take photographs, or if you have the talent, then sketch the natural world. Britain has an amazing variety of species. Animals and insects are playing out life and death dramas all around us daily. Teach yourself how to document these engaging stories. Most teenagers have a smart phone these days, and most of these phones have pretty good cameras for photos and videos. Get out there and use them. Discover the natural world and your hidden talent.
5. What is your favourite habitat to film in and why?
I can’t say I can pin down a favourite habitat. I love nature’s variety. Whether that’s dark, dense tropical forest or a rugged coastline, snowy Arctic expanse or vast sandy desert. All I can say is that I’m a big fan of truly wild places. The less human influence or signs the better.
7. When writing your book and looking back over your career, was there one incident or animal encounter that stood out as exceptional?
I have experienced many extraordinary animal encounters, so it is difficult to single out one. There are a few in my book, so read ‘Journeys in the Wild’ and judge for yourself!
8. Have you got any future projects planned that you can tell us about?
In this age on non-disclosure agreements I can’t say too much about future projects. I can hint though at one project I’ve been working on for the last year with Sir David Attenborough. It is conservation led, and hopefully will have far reaching influence on how we humans need to change our habits to try and restore natural balance on our planet. Watch this space…
As we enter the warmer spring months many of the UK’s mammals become more active as they establish territories, build nests and find mates. Despite all this activity, observing and surveying these animals is often a challenging task. Trail cameras offer an easy, effective and non-invasive solution in many of these situations, earning their place as an essential kit piece for any ecologist or wildlife enthusiast.
Listed below are a selection of new models and old favourites from each of our trail camera ranges. The primary features we find useful to distinguish between models are:
– whether the camera has a colour viewing screen for reviewing footage in the field
– whether the camera has low glow LEDs (better flash range and video quality) or no glow LEDs (totally invisible to the human eye)
– trigger speed (how quickly the camera takes a still image once the infrared is triggered
– recovery speed (if known, how quickly the camera takes a second picture)
– video quality and framerate (video footage at 60fps is noticeably smoother)
Browning trail cameras
Browning trail cameras boast a fantastic quality of workmanship, designed and developed in the US they are deservedly popular and very reliable. A key feature of this brand is the ‘Smart IR technology’ which automatically adjusts the IR flash, ensuring crisp quality night photos.
The video below demonstrates the fantastic quality of these cameras.
Browning Command Ops Elite Perfect entry level camera with a superb image and video quality with audio recording and and time-lapse features
Command Ops Elite
* 18MP images * 1280 x 720p HD videos with audio * Low glow LEDs * LCD screen with Black Text * 24m Flash range * Good trigger speed of 0.3s
Strike Force HD Pro X This compact mid-range camera has a fast trigger speed and an excellent picture/video quality ensuring you capture every moment in fantastic quality.
Strike Force HD Pro X
* 20MP images * 1600 x 900p HD videos with audio * Low glow LEDs * Full-colour 1.5-inch LCD screen * 37m Flash range * Fast trigger speed of 0.22s
* Programmable stop/start timer to control when the camera triggers
Browning Spec Ops Elite HP4 A high-end camera with excellent images and video quality thanks to a framerate of 60fps.
Spec Ops Elite HP4
*22 MP images * 1920 x 1080p HD videos at 60fps with audio * 4 powerful long range no-glow LEDs * Full-colour 2-inch LCD screen * 27m Flash range
* Adjustable 0.2s – 0.7s trigger speed * Programmable stop/start timer to control when the camera triggers
Browning Patriot This high-end model features unique ‘dual lens technology’ which ensures that all of your captured footage is of the highest quality in the day and at night
Browning Patriot
* 24MP images * 1920 x 1080p HD videos at 60fps with audio * No glow LEDs * Full-colour 2-inch LCD screen * 34m Flash range
* Programmable stop/start timer to control when the camera triggers * Adjustable trigger speed and detection range
Bushnell Cameras
With an extensive history and a range of professional and entry-level models available, Bushnell trail cameras offer a reliable choice for quality and durability.
Bushnell Prime
A fantastic entry-camera with an impressive trigger speed.
* 24MP images
* 1280 x 720p HD videos with audio
* Low glow LEDs
* LCD Text display
* 30m Flash range
* Fast trigger speed of 0.3s
Bushnell CORE DS Low-Glow This high-end camera has a fantastic trigger speed and recovery speed, as well as an extremely high picture and video quality. It uses two sensors, one for day and one for night conditions, which together ensure footage is always sharp.
Bushnell DS CORE Low-Glow
* 30MP images
* 1920×1080p HD video with audio
* Low glow LEDs
* Front-facing Colour display
* 30m Flash range
* Fast trigger speed of 0.2s
* Dual Sensor for day and night recordings
* Also available as a no-glow model
SpyPoint Cameras
Renowned for their lightning fast trigger speeds and recovery speeds, SpyPoint cameras ensure you never miss a wildlife moment.
SpyPoint Force-Dark A robust and compact mid-range camera with a wealth of adjustable settings so you can take the best footage possible.
SpyPoint Force-Dark
* 12MP images
* 1280 x 720p HD videos with audio
* No glow LEDs
* Full-colour 2-inch LCD screen
* 27m Flash range
* Fast trigger speed of 0.07s
* 16GB SD card and card reader included
SpyPoint Solar-Dark Builds on the Force-Dark by adding a solar panel which allows you to gather footage indefinitely when placed in sufficient sunlight.
SpyPoint Solar-Dark
* 12MP images
* 1280 x 720p HD videos with audio
* No glow LEDs
* Full-colour 2-inch LCD screen
* 27m Flash range
* Fast trigger speed of 0.07s
* 16GB SD card and card reader included
* Compact solar panel attached to the top
Ltl Acorn Cameras
These compact cameras utilise three different motion sensors to ensure footage is taken at the optimum moment. They also feature a cellular module which when used with a SIM card allows you to receive captured images to a mobile or email address.
Ltl Acorn 5310 A great mid-range camera with excellent picture and video quality
Ltl Acorn 5310
* 12MP images
* 1920 x 1080p HD videos with audio
* No glow LEDs
* 15m Flash range
* Trigger speed 0.6s
* Colour LCD screen
Reconyx Trail Cameras
These high-end trail cameras are a benchmark of high-quality and reliability.
Reconyx UltraFire XR6 Trail Camera A robust camera with excellent video quality and a number of impressive features.
Reconyx UltraFire XR6 Trail Camera
* 8MP images
* 1920 x 1080p HD videos with stereo audio
* No glow LEDs
* Full colour LCD screen
* 25m Flash range
* Compatible with Buckview Advanced Software, to organise and map stored images.
Accessories
A number of accessories can be bought to help mount and secure your trail camera your camera in the perfect position.
Python Mini Cable Lock
Python Mini Cable Lock Compatible with all of our retailed trail cameras. This versatile lock has been designed to be extremely resilient to damage and picking, protecting your camera from any potential theft.
Security Boxes Many of our trail cameras can be contained within a matching security box which provides maximum protection when in the field. All of our security boxes can be locked using a standard padlock or python cable. Make sure when purchasing a security box that it will fit the intended trail camera.
Batteries The batteries you use in your trail camera can influence its performance in the field. Lithium-ion batteries are one of the most popular choices because they produce a high voltage per cell (1.6v) giving a brighter LED flash and a greater flash range. Rechargeable alkaline batteries offer a more economical and environmentally friendly alternative, however, when in use their voltage decreases over time and they produce proportionately darker LED flashes and consequently, photographs/videos are less illuminated. Standard alkaline batteries are also a suitable economic alternative.
SanDisk Class Cards Ensuring you use a high read-write speed SanDisk Class card is highly advised for all of our trail cameras. Be sure to check the maximum SD or SDXC card capacity for your intended camera as these can vary between models and brands.
Solar panels Where sufficient sun is available, the addition of a solar panel to your trail camera can extend its recording life indefinitely. Browning, Bushnell, SpyPoint and Ltl Acorn all offer compatible solar panels for their trail cameras.
All of our trail cameras can be purchased as starter bundles which include an SD card and all the batteries you need to power the camera. The complete trail camera range can be found at www.nhbs.com
This is part two of our series that looks into different ways of filming wildlife in your back garden. In this part, we will take a look at nest box cameras and how to choose the right one for you. For tips on how to choose the right trail camera, check out part one of this series.
There is a whole world of wildlife in our back gardens, but often these creatures can be elusive or hidden away. Our range of wildlife equipment can offer you an amazing insight into their world from the comfort of your house, without the risk of disturbing your wildlife.
Come early spring, our garden birds will begin their breeding season. Placing a nest box in your garden will not only give breeding pairs a helping-hand in finding somewhere safe to have their young. But it also provides an opportunity for you to get up close and personal with the goings-on inside with the use of a nest box camera. There are several options and kits out there and a few things to think about when it comes to picking a nest box camera. Here, I will offer some advice and options to ensure you can find the kit that is right for you.
A glimpse into the nest box by Simon Redwood via Flickr (CC BY 2.0).
Wired, Wireless or WiFi?
The difference in nest box cameras come mainly in the way that you receive images from the camera itself. These are either wired, wireless or WiFi. Standard Definition Wired kits and High Definition Wired kits can provide better, higher quality, more reliable images, but are sometimes not as convenient as Wireless or WiFi kits.
IP nest box cameras are also wired cameras, however they are powered and transmit footage via supplied Ethernet cables. These cameras have a great video quality as well as the ability to remotely view your footage on a computer or smartphone.
Note that Wireless and WiFi cameras still require power from either the mains (extension leads are available to buy separately) or from an external rechargeable battery.
Kit Contents
If you are completely new to nest boxes and nest box cameras, complete kits are available with a nest camera and a nest box. Alternatively, if you are looking to purchase a nest box camera, but you already have a nest box, then you can buy nest box cameras separately.
Viewing your footage
You can view your footage in a variety of ways depending on what camera or extra equipment you have.
Standard Definition Wired – These plug straight into your TV with an AV cable. However if you want to view and record footage on your laptop or computer, you can buy a USB video capture device for both Windows and MacOS. The software included with these USB devices also allows you to set up motion detection or schedule recordings.
High Definition Wired – These cameras use a HD Converter which, when plugged into a monitor or TV, can show a live-feed from your nest box in 1080p HD quality. Theses cameras can be plugged into a USB capture device, however they can only transmit standard definition video when used in this way. These cameras do not record audio.
Wireless – These cameras transmit their footage to a receiver which can then plug directly into your TV using the provided AV connectors, or into your PC or laptop via a USB capture device.
WiFi – These cameras transmit their footage over their own WiFi connection. This means you can connect your smartphone, tablet or PC to the camera’s WiFi to view or record footage.
IP – These cameras transmit their footage via long Ethernet cables which are plugged either directly into your router or into a wifi booster on the same network. Once set up on a PC or smartphone app, you can watch live footage of your nestbox from anywhere in the world.
Wired HD Outdoor Camera– These cameras use the same technology as the wired HD nest box camera, but in a weatherproof housing. They are perfect for installing in an outdoor space, particularly near areas of activity such as bird feeders or nest box entrances. These cameras do not record audio.
If you need to use a wireless camera, a Digital Video Recorder kit is also capable of live-streaming. The wireless receiver can be plugged into the DVR which can be connected to your internet router to enable live-streaming. The DVR itself allows you to set up motion-detection or scheduled recording. You can also add up to four cameras to the DVR which may be useful if you want to watch from multiple angles or from multiple nest boxes.
You may have a particular species of bird in mind that you are hoping to capture on your nest box camera. Our nest box camera kits with boxes are aimed towards common garden birds. The species of birds that you may attract depends on the entrance-hole size.
A 32mm hole, such as that of the Gardenature Nest Box Camera System, is suitable for House Sparrows, Nuthatches, Blue Tits, Coal Tits, Marsh Tits and Great Tits. It also has a removable front panel that is ideal if you are looking to attract robins or wrens.
Nest Box Camera Kit
The Nest Box Camera Kit has a removable 29mm plate that can attach over its 32mm hole meaning it is capable of attracting a range of species. If you are looking to attract anything larger or a more ‘picky’ species, then you may want to buy a species-specific nest box and fit one of our separate nest box cameras to this.
The Hedgehog Camera Kit
The Hedgehog Camera Kit – Wired camera
If you are lucky enough to have hedgehogs in your garden, why not see what they’re up to alongside giving them a safe place to nest? Our Hedgehog Camera Kit includes a high-quality wooden hedgehog nest box, designed and tested by the Hedgehog Preservation Society. It also includes a tiny camera that can easily be screwed to the roof or side of the box with no modifications required. Available with wired, wireless or Wi-Fi cameras.
Suggested Reading
CCTV for Wildlife Monitoring – An Introduction
For a collection of handy tips, tricks and ideas, Susan Young’s book CCTV for Wildlife Monitoringis an ideal guide for photographing wildlife in your garden. Whether you are an experienced trail camera user or a newbie looking to order your first nest-camera, Susan Young’s book will offer a wealth of information to help you get even more out of your equipment.
If you wanted to read more about how to make, monitor and maintain your bird box, Nestboxes: Your Complete Guide is a great book that will guide you through everything you need to know about your nest box and its inhabitants.
Would you like some more advice on which trail camera or nest box camera is most suitable for you? Contact us on +44 (0)1803 865913 or email customer.services@nhbs.com . Alternatively, reply below and we will get back to you.
Susan Young – Author of CCTV for Wildlife Monitoring
Susan Young is a writer and photographer with a background in physics and engineering. She is the author of the fantastic CCTV for Wildlife Monitoring published earlier this year. This great handbook provides lots of practical information on the use of CCTV for survey and research.
Your book on CCTV for Wildlife Monitoring, published earlier this year, is packed full of practical information for the researcher or amateur naturalist interested in using CCTV to monitor wildlife. Could you explain a little bit about your professional background and how you came to write this book?
I have had a very varied career and have always tended to look for new ways to do things. After graduating, I worked using applied physics in the manufacture of aero engines, and later, after a Masters in Engineering Management, worked in a large electronics company. For the last 15 years I have been a writer and (mainly) wildlife photographer, and found my experience of great value with the more technical aspects of photography.
After using various photographic systems for recording wildlife, I came to believe that CCTV had many applications for both the amateur and professional naturalist. As I have always enjoyed doing something different, I spent the last few years researching CCTV systems for use with wildlife.
I wanted to test CCTV in more formal environments and thus I volunteered for Natural England and the Wildlife Trust. With Natural England I have been researching the use of an underwater system for studying fish in rural rivers, and have also developed a system for monitoring rock pool life. With the Woodland Trust I have developed a portable CCTV system for bat monitoring, which is being used for a research project at the moment, and which can greatly reduce the need for night emergence surveys.
With this research I became convinced that there were many applications where CCTV could be of great benefit, but that the lack of clear, relevant technical information was a barrier to wider use. The more I discovered about CCTV, the greater my enthusiasm for the subject, and the greater the number of applications that became apparent. For this reason I decided to write CCTV for Wildlife Monitoring with the aim of encouraging wider use of what I believe is a valuable tool.
Do you feel that there is a need to bridge the knowledge gap between manufacturers/engineers and the individuals using field equipment? As an extension of this, do you feel that it would improve the quality of research or survey data if people had a better understanding of the functions and limitations of their kit?
In meeting both professional and amateur naturalists, I have often heard it said that manufacturers/engineers do not understand their problems. Without that understanding, they are unable to advise on the areas of use. In addition, the biological sciences are not generally taught with an emphasis on technology, which can leave graduates unfamiliar with technical language. Companies such as NHBS and, hopefully, books like mine, can help to bridge what is a very large gap in communication.
I feel very strongly that there could be great steps forward in research and survey methods if people were more aware of the possibilities of their equipment, together with an understanding of the limitations. For the keen naturalist, there is also a great number of applications for filming for pleasure.
We have found trail cameras to be extremely popular both with amateur naturalists and researchers. How do you feel these compare with CCTV systems and in what types of situations would you recommend each of them?
This is a difficult question to answer briefly!
I have used trail cameras for many years and without doubt they are of great value for indicating the presence of wildlife, especially in remote areas, but their short filming time makes them less practical for monitoring. CCTV is much more flexible and responsive, and has the capability of giving higher quality images, especially at night. CCTV can be used with underwater cameras, and with cameras that fit into small spaces such as bird or mammal boxes.
One of the main advantages of a CCTV system is that it can be set up to record at certain times as well as being triggered by motion or event. The wide range of CCTV cameras means that variable focus lenses can be used, allowing one to zoom in to the subject, noise reduction can produce clean images and features such as ‘smart IR’ prevent over exposure of nearby objects, a problem with night images with trail cameras.
If mains power is available, the advantages of CCTV become more apparent. Recent technology means that HD cameras can be used, giving high quality HD videos, and images can be viewed live on a monitor. If the internet is also available, images can be viewed remotely by smartphone, tablet or PC.
HD analogue video (AHD or, more recently, HD-TVI) is an amazing step forward in CCTV, giving videos of great quality at a reasonable cost and without the complexity of more traditional HD methods which require some knowledge of computer networks.
You have a vast amount of experience in the field using CCTV and must have collected huge amounts of footage from this. How does it make you feel when you are reviewing your videos and come across something amazing? Do you have a single favourite video or image?
There is nothing to beat the excitement of coming across a video of something unexpected. The otter swimming underwater was caught by accident while filming fish and is very short, but still very exciting, and something I never really expected to get, although I was always hoping. I try to plan a CCTV session to reduce the number of ‘empty’ videos and to make sure that I review small numbers without letting them build up over days. That way, the excitement is always there.
Finally – if you could set up a CCTV system anywhere in the world, where would you choose?
I would choose the UK. UK wildlife is very elusive and offers a great challenge. I am an ‘otterholic’ and would love to set up cameras on the Shetland islands. I have photographed otters with a DSLR, but there is nothing to beat the excitement of filming otters in action.
Our third and final interviewee is Paul Souders, who won the Underwater World category in 2011.
You won the Underwater World category in last year’s competition with “The grace of giants” (left). Can you describe the special challenges, and special appeal, that underwater photography must have?
I come from a long line of Pennsylvania dirt farmers here in the US. We are, by our very nature, sinkers not swimmers. I’ve been a professional photographer all of my working life, but it was only in 2005 that I learned to dive and then to photograph underwater. It was an entirely new world, with a vast array of new subjects to shoot and new techniques to learn.
I’ve enjoyed the opportunities it’s presented to expand my view of the natural world and the discipline it has required. Photographing large, unpredictable subjects like a giant walrus in ice-cold sea water at the edge of the world is not for the faint of heart. I can’t imagine that more than a handful of people have deliberately gone swimming with a walrus in the Arctic oceans, but it’s an amazing privilege to witness the sight of them gently gliding in their natural environment.
Could you reveal a bit about the photo and how you got the shot?
I’d imagined this photograph for years, but it took a lot of planning and effort to make it happen. I had to charter a steel-hulled yacht in Svalbard, 600 miles north of Europe’s edge, and drag hundreds of pounds of scuba and other underwater gear from my home in Seattle through four different airports. Walrus are by reputation, large, aggressive and unpredictable. It took an enormous leap of faith to get into the water with them. But sometimes you just have to hope for the best. We’d sailed to one of their haul-outs in the Svalbard archipelago, and found a few of them swimming in the water. I quickly put on all of my gear and then, as last-minute nod to safety, tied an old piece of rope around my waist for the boat skipper to hold onto. And then I slid off the iceberg and into the water.
I could see the walrus circling below me in the depths, and they slowly came up, equal parts wariness and curiosity. They seemed impossibly big, but quite graceful and gentle as they swam towards me. One grew bold, and was soon pressing his whiskers and tusks against my camera’s glass dome. He even gave it a little tap, just to see if I was paying attention.
Apparently blue-lipped, hyperventilating photographers aren’t all that distracting after all, since they soon swam off, taking one last look at me before diving again into the depths.
And your tips for aspiring wildlife photographers?
Probably the best advice I can offer is “don’t quit your day job.”
There has never been a better time to be a nature photographer. In the last decade, we have witnessed a revolution in digital photo technology. Guided tours travel to wilderness areas that were once the sole province of National Geographic and BBC film crews.
Of course, there has never been a worse time to make a living as a nature photographer, since everyone and their dog can now go out on holiday, make amazing pictures and give them away on the internet for nothing.
The hard part for professionals is thinking of images that will show the world in a new way, to create pictures that people haven’t seen before. It requires a level of dedication and perseverance that should give any sane person pause.
Next up is Peter Chadwick, who won the Gerald Durrell Award for Endangered Wildlife in 2011 with ‘Taking off’, pictured below.
Your photograph, “Taking off”, won the Gerald Durrell Award for Endangered Wildlife last year. What did it mean to you to win in this category?
My picture of the African Black Oystercatchers taking off from the rock as a wave crashes over them really showcases the harsh yet fragile environment that these birds live in, also highlighting their need for complex social interactions. In the early 1980s their numbers plummeted to around 4500 birds and through conservation efforts the population now stands at around 6000 birds. This makes them a good ambassador for the coastal environment, showing that we can make a positive difference if we choose to. Thus the Gerald Durrell Award for Endangered Wildlife was particularly fitting as it certainly helps me showcase these endangered birds and the marine environment in which they live. As a boy my excitement about the outdoors was certainly enhanced through reading all of Gerald Durrell’s books and it is indeed a great privilege to receive the award in his name.
Could you reveal a bit about the photo and the process of getting the shot?
This particular image was taken on Malgas Island, that is found within the West Coast National Park of South Africa. The island is critical to protecting breeding populations of Cape Gannets, African Penguins, Cape, Bank and Crowned Cormorants and of course the African Black Oystercatcher. The island in fact holds the highest breeding density of African Black Oystercatchers anywhere and breeding space is harshly contested for.
The island can only be reached by boat and weather is often a limiting factor to getting onto and off the island and any trips needs to be planned well in advance. As this is a protected area, special permits are also required. All food and water has to be taken with you and all rubbish obviously has to be removed. Planning for the trip is quite considerable and time consuming but it is an incredible privilege to sit on a small island with thousands of breeding birds.
To obtain this particular image, I had been photographing the birds over three mornings at the same location and saw that they regularly met in the early mornings to strengthen pair bonds, proclaim territories and on occasion squabble with one another. The particular rock where these birds were photographed was the popular meeting point for up to sixteen birds and so I concentrated on this point, waiting several hours for the specific action to happen. In this particular series I took about seven or eight images but over the three days probably took about 75 – 100 images. Patience brings the reward!
And your tips for aspiring wildlife photographers?
I would say the most important aspect is to respect your subject – capture the image without disturbing your subject or manipulating the situation. Have patience and get to know your subject before going anywhere near a camera. Experiment and look at the work of other photographers but do not try to copy them – create your own style that makes you unique. I would say that only 20% of the image is created through technical knowledge of your equipment and 80% through your own creativity.
Our first interviewee is Steve Mills whose 2011 category winning photo, ‘The assassin’, is pictured below.
Your photograph, “The assassin”, won the Wildlife Photographer of the Year 2011, Behaviour: Birds category last year. What draws you to birds as a subject in particular?
For me, all wildlife is wonderful but birds are simply fantastic. For one thing they are so accessible. Close encounters with other wild animals are few and far between. They tend to be secretive creatures of the night, reluctant to be seen. It’s birds that allow us that connection with the natural world. We see them everywhere – in the garden, in the park, above the city etc. My fascination has always been more than simply ‘What bird is that?’ but rather ‘What is it doing?’ and ‘Why is it doing it?’ and I think this lifelong interest in bird behaviour has helped me enormously in my photography.
Could you reveal a bit about the photo and the process of getting the shot?
Following a week of snow cover and sub-zero temperatures in the north-east of England many birds were struggling. Snipe and woodcock, amongst others, had been forced to the coast in the search for unfrozen feeding areas. Most had abandoned any pretence of secrecy and were probing anywhere there was even the tiniest patch of grass sticking up through the snow.
I drove around the lanes near my home looking for a likely spot and came across a tiny patch of exposed grass that would allow me to use the car as a hide with the sun well-positioned. With my 500 lens balanced on the window I settled down to wait. Eventually a snipe appeared and began frantically feeding only a few metres away. This was what I’d hoped for and felt my preparation had been suitably rewarded. What happened next was where the luck came in. As with all good wildlife photography there’s preparation, understanding the behaviour of your subject, some decent kit etc., but overriding all this is whether you get lucky.
The snipe, desperately hungry, showed little regard for its exposed position and within seconds had paid the ultimate price. As I watched the snipe through the camera my left eye caught a movement. A merlin arrived at speed inches above the snow, and hit the snipe talons first. The ensuing struggle lasted only a matter of seconds. After looking up, seemingly straight at me, the merlin gave a series of rapid and violent pecks to the head of the snipe to end the uneven contest. Of the 15 shots I was able to take this image worked best.
Have you any tips for aspiring wildlife photographers?
You’ve got to be passionate because it can be frustrating. There isn’t an album in the world big enough for all the ‘almost’ photos – those missed through not quite being in the right place, not reacting quickly enough or having crucially misjudged a setting. That happens to everyone and all you can do is to try to learn from these experiences to make you more likely to get the shot next time.
Wildlife, including birds, tends to be timid, so a long lens helps enormously but if you get to know how your subject behaves you can often predict what it will do and position yourself accordingly. For example, large birds always take off into the wind so by positioning yourself well you’ve got more chance of a bird flying towards you initially. Getting to know your subject also increases your chances of getting action shots such as a bird feeding, preening, wing-stretching, interacting with others etc. This type of action can often add punch to a photo.
Whatever camera you’re using, I recommend you make sure you’re completely comfortable with its settings. Make sure you can change them without losing vital moments having to fiddle about trying to find this or that button. Understanding your camera is vital because, in wildlife photography, you often don’t get a second chance.
Use the light to your advantage. If there is bright sunlight try shooting early in the morning or just before dusk when the shadows are less harsh and the bird is lit from a lower angle.
For birds, keep your shutter speed high. This is particularly important for moving or flying birds. To do this you may have to sacrifice depth of field or ISO.
Finally, never think that you have to travel across the country or even further afield to get great shots. My wife and I run a conservation organisation in Greece – Birdwing – and this takes me to spectacular birdwatching sites where I spend days at a time behind a camera, usually in wonderful light. Ironically however, this picture was taken only yards from my house in the north-east of England, which demonstrates something I’ve learned time and again – in wildlife photography you never know what is around the corner and that extra hour in the field can sometimes be richly rewarded.
Your photograph, “The assassin”, won the Wildlife Photographer of the Year 2011, Behaviour: Birds category last year. What draws you to birds as a subject in particular?