Interview – Hoopoe – A blog by nhbs

Author Q&A: Peter Fretwell and Lisa Fretwell – The Penguin book of Penguins

A Fellow of the Royal Geographic Society, Dr. Peter Fretwell, like the subjects of his new book entitled The Penguin book of Penguins, spends the majority of his time in the cold. As a senior geographic and remote sensing scientist, Peter has been responsible for leading many projects that further our understanding of the Polar regions and the wildlife that inhabits the area. Establishing and contributing to key projects to help better understand predators in the polar region by using satellite imagery has assisted in crucial conservation efforts.

For this book, Peter has joined forces with his wife Lisa who provides a unique selection of illustrations throughout the book. As an artist of over 30 years, Lisa draws on a wealth of experience having exhibited her works in London and New York.

Peter and Lisa Fretwell. Courtesy of the authors

We were lucky enough to catch up with Peter and Lisa recently to talk about the new publication.

What inspired you to write “The Penguin Book of Penguins”? Why penguins?

Peter: Strangely, there has never been a book titled The Penguin Book of Penguins, so when we were asked to write it, it was an opportunity we couldn’t turn down. I had previously written the Antarctic Atlas, published by Penguin Random House in 2020 and I have worked with penguins and on penguin science for twenty years. These small charismatic creatures are such a delight to be involved with, and they are a major part of working in Antarctica. Working at the British Antarctic Survey you pick up stories and anecdotes about them almost by osmosis, so having a chance to relay those narratives to a wider audience is a real privilege. We all love the jovial nature of these unique birds and their amazing adaptations to survive and thrive in some of the most challenging environments on Earth, but there is a more serious message that I also wanted to convey about the challenges that many of the species now face with climate change, pollution, habitat loss and overfishing. Communicating these challenges to a wider audience is one of our main drivers, whilst keeping the message light and not too “preachy”, to engage and inspire that wider readership. What was more, we decided we wanted to include drawings rather than photos, so my wife, Lisa, who is a professional artist joined the author team to bring the illustrations to life.

How has your work as a cartographer and scientist at the British Antarctic Survey influenced your writing and perspective on penguins?

Peter: I really started researching penguins through my work on mapping and remote sensing. I started my scientific career as a geographer and got a job in the British Antarctic Survey as a cartographer. I have always loved maps, especially mapping the natural world around us, but I also loved the science and was soon not just making maps but helping with the geospatial analysis. The British Antarctic Survey is a wonderful and diverse place for environmental science and to help the scientist analyse their data was fascinating – you never knew what you might be working on; one day it could be mapping and analysing volcanoes, and the next it might be cuttlefish distribution. In 2008, whilst making a map for our pilots, I discovered that we could see emperor penguin colonies in freely available Landsat satellite imagery. At the time, we didn’t know how many emperor penguin colonies there were or their distribution, so it was a groundbreaking discovery.

Peter Fretwell nose to nose with a wild Emperor Penguin.

How has the use of satellite imagery revolutionised the study and conservation of penguin colonies?

Peter: Fast-forward 17 years and we now know that there over double the number of colonies that we thought there were. We track their locations each year and do annual population assessments using satellite imagery. We have also used the technology to discover unique, previously unknown behaviours and traits, and we have witnessed and recorded the struggles and calamities they suffer as the continent warms and the sea ice diminishes. The Earth observation methods that we developed for emperors have been transferred to many other species of penguins and other types of wildlife around the world. My job itself has changed dramatically, from a scientific cartographer to a remote sensing expert and an expert on penguins and other polar vertebrate species that we track from space.

What were the major obstacles or challenges you’ve come across during your study of penguins?

Peter: Using satellites is a brilliant way to study these animals as most of the colonies are in extremely remote locations, where on-the-ground research is almost impossible. Even now the resolution of the most powerful satellites is still not good enough to see every individual adult and chick. We still need to get out there to calibrate our satellite counts and see how accurate they really are, but getting to emperor penguin colonies and synchronising ground (usually a unmanned aerial vehicle or UAV) counts with satellite data is really challenging, not just for emperor penguins, but for all the wildlife that we study from space. One of our current technical challenges is to improve the methods.

Lisa: Finding the inspiration and imagery for the more temperate penguins was quite challenging. The Antarctic and sub-Antarctic penguins were easier, as Peter had taken hundreds of photos of all the species throughout his career that I could work from. We had also visited New Zealand and seen many of the penguin species, like the adorable little blue penguin, there. On his travels, Peter had also photographed penguins on the Falklands and South America, but there were still some species that we had to trawl through published sources to get good reference images for. You have to be careful as what you see on the internet is not always correct, but it helps when you are married to a penguin expert!

Adélie penguin leaping out of the water. Lisa Fretwell

Many people feel rather enamoured by penguins. Why do you think that is?

Peter: I agree, and it’s hard to put your finger on the reason. Maybe it is a combination of their comic trusting nature and the fact that they are one of the few animals that stand upright on two legs, which makes them look a bit like us. It is really hard not to anthropomorphize penguins and compare them to little people with similar habits and social structures. Like us they often live in huge congregations, sometimes hundreds of thousands strong, they have complex courtship routines, bicker with their neighbours and do daily commutes to look after the family. They are also very tame, curious and often clumsy, which makes them quite endearing. Add their incredible, unique abilities in response to their challenging environments and you have an animal that really is quite engaging.

What are the biggest misconceptions about penguins that you would like to clarify?

Peter: There are many. Firstly, and perhaps obviously, penguins are a bird. They have feathers, not fur. Secondly, not all penguins live in Antarctica. A minority, only four of the eighteen species, breed around the coasts of the Southern Continent, but it’s fair to say that almost all (except for a few hundred) live in the Southern Hemisphere and most of them would call the waters around the Southern Ocean home.

What are the primary threats to penguin habitats, and how can these be mitigated?

Peter: It’s not just their habitats, but we can start there. Over the years, penguins have been eaten, killed for their feathers, had their eggs collected in their millions, been squashed and boiled down for their oil, and had their nesting habitats dug up and destroyed for fertiliser. In more recent times, urbanisation and land clearance has affected some of the more temperate birds, and the introduction of non-native species has had a devastating impact on many of the island-living species that are endemic to just one small group of islands.

Today, the main threats to the temperate species of penguins that live close to humanity are pollution from oil spills, overfishing and bycatch in their foraging grounds. But even in Antarctica and the remote island homes of penguins that no one ever visits, the influence of humans is affecting populations. Climate change is a global, man-made phenomenon that cannot be averted at a regional scale and is starting to have dramatic effect on many species. Although it is fair to say that in a warming environment, there will be winners and losers, at the moment, it looks like we will see more losers than winners.

BAS scientist Peter Fretwell in the field. Snow Hill, Antarctica.

What conservation efforts have been most effective in protecting penguin populations?

Peter: Around the world there are many amazing people and organisations helping penguins, from re-homing little penguins in New Zealand and Australia to the fantastic efforts to save African penguins from oil spills. In South America, there has been a great effort to protect breeding colonies from predation and on many sub-Antarctic islands there have been great programmes to eradicate non-native species that eat eggs and chicks, and trample breeding sites. There are fantastic efforts in many places that are saving penguins from the brink of extinction that anyone who loves or admires these birds should be grateful for.

Personally, what thoughts and feelings were you left with after this study of penguins?

Peter: Writing the book has not only highlighted how much we love penguins and how our culture has embraced these charismatic birds, but also the paradox of how badly we have treated them over the years and how threatened they are from human activity. Today most of those threats are indirect, but they are still caused by us and can still be solved by us.

Lisa: In terms of illustrations, I had to re-draw the ‘Penguin Digestor’ numerous times, because it made me feel a bit queasy just thinking about it. If you look at the original image it is very expressive and full of angst! I left those images of how we had mistreated penguins, like the Digestor and the Egg Collector until the very end when I could summon up the will to re-engage with them.

Emperor Penguin with chick. Lisa Fretwell

How do you envision the future for penguins?

Peter: For many species, it is a worrying time. Several are on the brink of extinction; some, like the emperor and chinstrap, are on a worrying trajectory caused by climate change that can only be solved at a global level. But there is hope. So far, we have not made any species of penguin extinct and there is still time to save all of the wonderful types of these birds, but the window for doing that is growing narrower every year.

What are the most important impressions you would like the reader to be left with after reading “The Penguin Book of Penguins”?

Peter: We hope readers will come to understand how wonderful and loveable these birds are and how invested into our culture they have become. When we think about the future of penguins, it can be a little depressing, but we are not there yet and that future is not yet written. If people care about a subject, then maybe they have it within their power to alter the future so that the worst predictions never come to light. If this book does anything, we hope it will enthuse people to help save penguins.

Lisa: I also hope that my illustrations enhance and portray these amazing birds in a true light. I tried to capture their personalities, particularly their behaviour, which I think is absolutely fascinating! The infographics should enable the reader to differentiate between each species, which for some penguin families, especially the banded penguins, is very subtle. I wanted to portray how endearing and intelligent these birds are. They have evolved to survive against the odds and their quirky nature is often fundamental to whether they breed successfully, survive extreme weather conditions and ultimately sustain their populations, and I wanted to reveal these quirks visually to enhance the reader’s experience.

What future research or projects are you planning on currently?

Lisa: I am planning to enhance my penguin illustrations with colour and exhibit them at a number of galleries. I have already been asked to create some other wildlife illustrations for the Arts Society Youth Fund locally, and I hope to illustrate or even write more books in the future.

Peter: I am currently leading multiple projects on penguins and other polar wildlife. My penguin-themed projects include mapping and monitoring seabirds on South Georgia, recording and improving the methods, carrying out population surveys of emperor penguins, and counting chinstrap and Macaroni penguins on the remote South Sandwich Islands. Results from all these studies should be coming out over the next year.

The Penguin Book of Penguins is available as a limited edition signed hardback book, while stocks last, from NHBS here.

From waste, to resource – an interview with Waterhaul

NHBS is delighted to be working with Waterhaul, a company turning harmful marine debris into valuable resources. Their commitment to tackling ocean plastic and promoting sustainable practices aligns closely with our own mission to protect wildlife and the natural environment.

Earlier this year, NHBS arranged a beach clean using Waterhaul products, giving us first-hand insight into their quality and effectiveness. After seeing them in action, we’re excited to now offer Waterhaul’s beach cleaning range through NHBS.

To learn more about the inspiring work behind the brand, we spoke with Jon Green at Waterhaul and asked a few questions about their mission, processes, and impact.

Waterhaul collecting “ghost gear” from across the UK coastline. Photo credit: Waterhaul

You primarily create your products from recycled “ghost gear”. What is ghost gear? and have you set your sights on any other forms of marine pollutants for future projects?

‘Ghost gear’ refers to any fishing gear that has been abandoned, lost, or discarded in the ocean. Once separated from fishing vessels, this gear continues to drift in the ocean, entangling marine life and damaging habitats. Ghost gear is a subset of marine litter but is particularly harmful due to it being designed specifically to trap and kill marine animals, combined with its extreme durability.

Unfortunately, around 640 000 tonnes of lost or discarded fishing gear end up in our oceans every single year, making it the most harmful and abundant plastic – there is certainly enough of it to keep us busy! That being said, in the past we have worked with other forms of plastic, for example our ‘ReTask The Mask’ campaign where we recycled PPE from the NHS post-COVID-19 into litter picking components.

How and where do you find the nets needed to supply your products?

Being a team of ocean users all passionate about protecting what we love, we often can be found out and around the Cornish coastline physically collecting reported ghost gear ourselves; from remote corners requiring boats, paddling or swimming to in plain sight on some of our busiest beaches following storms.

As well as collecting ourselves, we have a dedicated Impact & Recycling team who have established strong relationships and partnerships with local fishermen, harbours, organizations and waste management companies such as Biffa, providing an end-of-life solution and preventing the gear ending up in landfill.

We often hear stories of plastic packaging that has lasted for an age in our waters, only to wash up in recent times. Is there a particular piece of netting that stands out from your time working with marine plastic?

The most prominent one/example that comes to mind happened on September 21st 2023 where the Raggy Charters crew spotted a juvenile humpback whale in Algoa Bay, South Africa, exhausted and entangled in fishing gear and fighting for its life.

The whale was struggling under the weight of heavy plastic ropes cutting into its flesh as well as two large orange buoys, a small yellow buoy, and a huge amount of 20-mm nylon cable wrapped around its caudal fin.

A rescue operation, led by the South African Whale Disentanglement Network took hours of painstaking effort involving multiple rescue boats and a coordinated team where they were able to free the whale who swam away, shattered but alive.

The ghost gear that ensnared the humpback was recovered and through collaborative links with the World Cetacean Alliance (WCA), made its way to us, where we saw an opportunity to create something unique and share this near-tragedy as part of our ‘Rescue to Recycle’ Campaign. An initiative that transforms harmful marine debris into products that drive change and supports ongoing conservation efforts.

Gathered plastic marine debris is recycled for manufacturing. Photo credit: Waterhaul

What percentage of your total product is made from ocean-reclaimed materials?

100% of all plastic components across our entire product range are made from Traceable Marine Plastic (TMP), our material feedstock derived from lost, abandoned and discarded fishing gear. Our eyewear frames are also made 100% from TMP.

Do you partner with any marine conservation or environmental organizations?

Waterhaul was founded with a background in and ethos of marine conservation and environmental direct impact, ultimately initiating the mission we are on. We are incredibly proud to be supported by and have partnered with organizations such as Surfers Against Sewage, The Wave project, Sea Shepherd, The RNLI, Cornwall Wildlife Trust, Canal and River Trust, and many more.

Can you explain the process of transforming ocean plastic into your final products?

Every single piece of ghost gear, whether collected by ourselves or the end-of-life fishing gear we have received from the source, is taken to our processing unit here in Cornwall.

The gear is then separated by polymer type and recycled in the UK through a mechanical process of shredding and washing. The plastic is then extruded into pellets and becomes our fully traceable raw material, Traceable Marine Plastic (TMP).

We then injection mould this plastic into our range of purposeful products. This is the stage where we give new value to plastic ‘waste’. Our impact is driven further by our extensive network of partners, from stockists to product partners and more.

What’s the best way for someone to get involved in helping your mission, any tips for how everyone can make a difference?

Aside from the conscious purchasing of products that make a direct impact and questioning the materials of where our products come from, getting out there is the most efficient way of making a difference. Grab a litter picker and whether it’s a 2-minute beach clean, a litter pick around your nearest green area or picking up rubbish you pass on the street, it all makes a huge difference in protecting our planet’s ecosystem and wildlife! Spending a few extra minutes to sort out recycling from domestic waste will also play a huge role. Finally, talking about and sharing stories on this often-overlooked topic will also spark conversations and inspire others to go out and do the same thing!

Waterhaul ocean friendly litter picking kit made from recycled marine debris. Photo credit: Waterhaul

Browse the Waterhaul products available through NHBS here

Visit the Waterhaul website to learn more about their work here

Dave Ellacott – Reserves Warden for Wild Planet Trust

NHBS has teamed up with the Wild Planet Trust as part of our ongoing commitment to support wildlife and conservation. We have donated over 30 habitat boxes alongside wildlife cameras for use both on their local reserves and zoo sites.

We recently had the opportunity to speak with Reserves Warden Dave Ellacott, who is responsible for both the Primely and Clennon reserves. This week, we chatted to him about the work of the trust, his plans for the donated boxes and what successes and challenges he faces in his work.

Firstly, can you tell us a little bit about Wild Planet Trust, what you do and how the organisation began?

Wild Planet Trust – previously called the Whitley Wildlife Conservation Trust – operates zoos, but we also manage nature reserves. I look after two of them: Primley and Clennon. Primley is what remains of the old garden and parkland that surrounded Primley House, the former estate of the Whitley family and residence of the zoo’s founder, Herbert Whitley. In 1995, the first warden was brought in to transform it into a local nature reserve and public open space. It’s been a popular spot for locals ever since. Clennon serves a slightly different purpose. For the most part, there is no public access. This allows us to safeguard the habitat from disturbances caused by human presence. However, Paignton Zoo’s Nature Trail, which zoo visitors can access, offers the public the opportunity to experience a small corner of this reserve, including our traditionally managed coppice woodland. Both reserves play their part in supporting local ecosystems while offering people genuinely rewarding places to connect with nature.

What are you hoping to achieve with the installation of our habitat boxes across your three nature reserves?

These sites already have considerable natural assets – caves, some magnificent veteran trees, and areas we deliberately leave undisturbed. The habitat boxes should provide those additional ecological niches that might otherwise be absent. It’s about creating opportunities for species that need very specific conditions for nesting or shelter. Every habitat has its gaps, and these installations should help fill some of those spaces. We’re curious to see what takes up residence and how it might shift the balance of wildlife we’re already supporting.

A large part of the work that Wild Planet Trust does is focused on educating the next generation on the natural world. Why do you think this is so important?

While education isn’t really my area – I’m more focused on the practical side of habitat management – I can see how these reserves function as living demonstrations of what healthy ecosystems actually look like. When families explore the Nature Trail at Clennon or spend time wandering Primley’s varied landscapes, they’re experiencing woodland, meadow, and wetland habitats firsthand rather than just reading about them. There’s something valuable in that direct encounter with nature that you simply can’t replicate in a classroom. People need to feel that connection before they truly understand why conservation matters.

What conservation challenges have you faced over the past few years?

Ash Dieback has been particularly challenging – it’s an ongoing process of assessment, removal, and replanting that’s fundamentally altered the character of our woodlands. You’re constantly weighing safety against habitat value and planning for a very different canopy structure than what was there before. Then there’s the perpetual balancing act between maintaining public access and protecting sensitive habitats – you want people to engage with these places without compromising their ecological integrity. But we’re increasingly seeing the impact from climate change too, which adds another layer of complexity. From gradual shifts in species behaviour and plant communities, to the sudden loss of our 230-year-old Lucombe oak in Primley during Storm Kathleen last year – we’re continuously having to adapt our management approaches while working within realistic resource constraints. All of this means being strategic about where you can make the most meaningful impact.

Halting species decline and preserving vital ecosystems is a key aspect of the work you do. Do you have a favourite success story that you can share with us?

The transformation of Primley’s meadowland over the past three decades is probably our most satisfying long-term achievement. It’s been a simple but persistent approach – removing the annual hay crop to gradually reduce soil fertility and allow a more diverse plant community to establish. What was once a rather monotonous sward dominated by aggressive grasses has evolved into diverse wildflower meadow. The change has been incremental but vital for native biodiversity, supporting insects, birds, and small mammals. It’s a perfect example of how patient, consistent management can restore ecosystems, even if the results take decades to fully appreciate.

Finally, are you working on any other conservation projects at the moment that we can hear about?

Maintaining what we have certainly keeps us occupied, but we’re also developing some thoughtful enhancement projects. We’re planning watercourse improvements across both sites – installing leaky dams and other features that should improve flood resilience while creating diverse wetland habitats. The Ash Dieback situation, while challenging, has also created opportunities to diversify our woodland structure with more resilient native species. We’re thinking carefully about connectivity too – how these reserves can better serve as stepping stones in the broader landscape for wildlife movement. It’s about working pragmatically with the challenges we face while looking for those opportunities to genuinely improve what we can offer.

Interview with RSPB: A Night of Nature

In a first for Europe’s largest conservation charity, the RSPB (Royal Society for the Protection of Birds) is bringing the spectacle of the natural world to the big screen. Coming to London’s Troxy on 6th September, ‘A Night of Nature’ will blend cinema with the immediacy of a concert, thanks to live music synched to stunning footage of natural habitats and species, performed by string quartet Vesper and multi-million selling vocal group G4.

Ahead of the event, NHBS colleague Laura had a chat with Emma Marsh, the Executive Director for Digital Technology and Communications for the RSPB. In our interview, Emma shared details about this one-off live event, including its importance, what it represents and what she hopes people will take home and remember long after the concert is over. She also offered insights on her role, as well as the priorities and challenges for the charity.

Firstly, can you tell us a little bit about yourself and your role at the RSPB?

I was brought up on a farm in the Midlands (of England, UK) where my dad was a farm worker. I spent my childhood days exploring the fields, hedges and trees. I remember such a sense of freedom and the abundance of nature. That all changed as I grew older. Agricultural practices intensified and I watched the depletion of wildlife in front of me. That feeling of loss stayed with me and has driven my passion for conservation ever since.

My route into a conservation career was definitely not ‘standard’. My parents wanted me to be the first member of our extended family to go to university and a degree in International Relations, including the international politics of the environment, was my next step. I then navigated a route through the public sector, the commercial world in technology and finally landed in charity. I spent ten years in the waste and recycling sector, focusing on delivering behaviour change around food waste, which led to where I wanted and needed to be – in nature conservation and the incredible RSPB.

I joined RSPB in early 2016 as the Director for the Midlands, overseeing our network of landscapes, reserves, fundraising and comms, moving to be Director for the whole of England in 2019. In late 2022 I was able to bring together all of the experience I’d gained over the years, from Technology, to campaigning, to conservation, becoming the Executive Director for Digital Technology and Communications, sitting on the Executive Board.

Every day is different. One day I can be immersed in helping my team gear up our technology and media to deliver big events (such as Big Garden Bird Watch), the next pivoting and scaling up our comms and campaigning to unexpected legislative threats to nature, to speaking on the Radio 4 Today programme or R5Live about the incredible successes our teams have had with bringing threatened species like the Crane back from the brink of extinction. Another day I’ll be deeply immersed in developing the RSPBs strategy and reporting impact against it, the next working with Trustees, and when I’m really lucky it will be spent at one of our incredible 200+ nature reserves, seeing the spectacular conservation delivery and engagement that our teams do so well. It’s such a varied, dynamic and interesting role leading and working with some brilliant people – I’m incredibly lucky.

The RSPB has been around since 1889, and over the years it has developed and grown significantly. What would you say are its current priorities for nature, and where do you see the organisation going?

Emily Williamson, Etta Lemon and Eliza Phillips started the RSPB in the late 19th century, and the campaign they ran to ban the plumage trade (which was putting 60 bird species at risk of extinction) took three decades before it bore fruition. The tenacity and determination they demonstrated, when societal norms were stacked against them, was inspirational. When they started their campaign, women didn’t even have the vote, but they were convinced they could put an end to the trade, and they did. For me this determination and tenacity runs through the RSPB to this day. They used every tool at their disposal, just as we do today, campaigning with the public to drive awareness and support, engaging with politicians to drive legislative change and using science to gain credibility.

Our world-leading research allows us to take a bird’s eye view of the overarching problems facing nature and then pinpoint solutions that make a real difference. The world around us and the threats to birds and wildlife has changed significantly since the RSPB was created and so we have had to constantly evolve and change. Today we’re the UK’s largest nature conservation charity, with nearly 1.2 million members. We manage more than 200 nature reserves across all four countries of the UK, covering an area the size of 250,000 football pitches, making us the UK’s 5th largest landowner. Across those landscapes over 18,700 different species have been recorded. 85% of our workforce are volunteers, spending 1 million hours acting for nature every year. And we now have over 130 local groups spread right across the UK, connecting people and progressing conservation projects. We want to grow the number of people engaging with us as members, supporters, donors, volunteers, all taking action so that we can achieve a shared world where wildlife, wild places and all people thrive together. To do that we need to protect and restore habitats and landscapes, save species, help end the nature crisis, and inspire others to do the same. That’s a big ask but if anyone can do it, we can.

In particular in the UK our priorities are around demonstrating the art of the possible in terms of conservation on our nature reserves, and influencing nature-positive management at scale through partnerships in our Priority Landscapes; Internationally working with and through the BirdLife International partnership to deliver significant positive conservation impacts around the world; working to reduce the harmful impacts of selected fisheries around the world and marine development in the UK; getting the most important places protected through strengthened policy, and tackling threats to priority species; working tirelessly to secure the future of threatened species; working in partnership with the farming community across the UK, providing evidence-based advice to farmers, Governments and businesses, demonstrating good practice and developing and promoting policy frameworks that would enable a fair transition to nature-friendly farming; advocating for new income streams for nature so more can be invested in species and habitat recovery; and continuing to engage and empower more, and more diverse, people to take meaningful action alongside us to achieve all this. Ultimately, just like back in 1889, we think and act big. We deliver conservation you can see from space.

The Night of Nature concert seems like a new and exciting direction for RSPB engagement events. What inspired you to branch out?

Whilst Night of Nature is a bit of a first of its kind event for the RSPB, we nonetheless have a rich history of collaborating with voices from across the arts in order to bring nature to ever wider audiences. Back in 2022 we worked with international choreographer Sadeck Waff and agency 89up to create a ‘human murmuration’– a choreographed performance inspired by the stunning display birds put on as they flock together in a dance-like movement, emphasising the importance of working together to create impact. The murmuration was shown at COP15 where the Global Biodiversity Framework was agreed at the 11th hour. One of our current conservation milestones is the 50th anniversary of the re-introduction of White-tailed Eagles to the UK. To celebrate this achievement, we’ve partnered with acclaimed musician and sound artist Alice Boyd, who has just released a new track ‘Return of the White-Tailed Eagle’ (now streaming here) in tribute to the species. Alice also features – alongside RSPB ambassadors Dave Sexton and Nadeem Perera – in a forthcoming RSPB short film, ‘Return’, which documents the decades of conservation work by RSPB and our partners to bring the species back from the brink of extinction. ‘Return’ will release on August 29, with the trailer now streaming here.

We know just how important the voices of the creative community are to articulating the stories that drive our conservation work, and we’re thrilled to develop this relationship even further with Night of Nature.

Can you tell us a bit about the concert and what people can look forward to?

Night of Nature will blend live music with a cinematic celebration of nature. Stunning footage of the incredible species and habitats that we’re working to safeguard will be showcased on the Troxy’s big screen, synched to performances from #1-charting vocal group G4 and the Vesper string quartet. The evening will be hosted by RSPB Ambassador, actor/director Samuel West.

Think of this as a red-carpet experience—without the red-carpet price tag. With tickets starting at just £28, guests can enjoy an unforgettable show, mingle with our team, and even pose for a photo on the red carpet. It’s excitement, and entertainment—all within reach.

You have some exciting names attached to this event, how did they come to be involved?

G4 was a natural choice for Night of Nature. With their stunning harmonies and emotive performances, they bring a powerful sense of atmosphere to every stage they grace. But beyond the music, what really drew us to G4 was their genuine appreciation for the natural world. That really matters to us.

As a group that tours extensively across the UK and Ireland, G4 have had the chance to experience some of the country’s most breathtaking landscapes—from the dramatic coastlines of Scotland to the peaceful beaches of Devon, the wild beauty of Ireland, and the rolling hills of Yorkshire. Along the way, they make a point of pausing to soak in the scenery and observe the wildlife around them—often sharing these moments and photos with their fans on social media. It’s a window into the quieter, more reflective side of life on tour, and a reminder of how closely nature and creativity are intertwined.

With families of their own, the band feel a deepening responsibility to protect these places—not just for today, but for the generations that follow. When invited to take part in Night of Nature, they were immediately drawn to the idea of using music to celebrate the beauty of our world and support the vital work of the RSPB. For G4, this event is more than a performance—it’s a chance to help inspire others to cherish and protect the natural world.

Samuel West is an actor (currently playing Siegfried Farnon in All Creatures Great and Small on Channel 5) and director, and a keen birder for nearly twenty years. Speaking about his connection to RSPB and its work, Samuel says; “Until birds get their act together and organise their own pressure groups, I suppose we’ll just have to do it for them. With nature under unprecedented attack, the RSPB shows those in power what a huge and vocal nature lobby can do to change things. Our two young daughters love nature, and watching birds in particular. But the world they’ll inherit is in trouble. Half of all bird species worldwide are in decline. Biodiversity isn’t just a nice thing to have, it’s essential for the survival of humanity and the planet.”

Accessibility and connection to nature appear to be key inspirations for this event. What are you hoping to achieve with the Night of Nature concert?

In essence, Night of Nature is our way of saying a very heartfelt ‘thank you’ to all our members and supporters for their backing, without which we wouldn’t be able to deliver the vital work needed to protect and maintain the stunning array of species and habitats you’ll experience up on the Troxy’s big screen.

But we also know that we need more people to join us in taking action for nature. So we hope this also inspires even more people to come along and be a part of something bigger. Whatever you do – big or small – matters. It all joins up to create real and lasting change. Furthermore, research also demonstrates that connection to nature is in turn good for our own mental & physical well-being. Good for people and good for nature.

It’s our hope that Night of Nature galvanises even more of us to join the fight against biodiversity loss and work to tackle the climate crisis, as we strive towards a shared world, where wildlife, wild places and people all thrive alongside each other.

Tickets are on-sale now via Dice: A Night of Nature Tickets | From £28 | Sep 6 @ Troxy, London | DICE.

Author interview with Seán Ronayne: Nature Boy

An inspiring story of love, connection and the healing power of nature, author Seán Ronayne recounts his journey to record all the regularly occurring species of birds in Ireland. He also tells the stories of his adventures across the Sahara Desert, the jungles of Nepal, and the streets of Thailand, revealing the wonders of the natural world.

Seán Ronayne is an ornithologist and naturalist who was born in Cork, Ireland. He spent his childhood exploring the fields and woodlands around his hometown, before studying Zoology at University College Cork, followed by a Master’s in Marine Biology. He secured his first ornithology role in 2017, before relocating to Barcelona with his partner where he began recording local wildlife and birds in earnest. Upon their return to Ireland in 2020, Seán embarked on a project to record all of Ireland’s birds, some of which are on the cusp of extinction, and he now has only three species left to record.

We recently had the opportunity to speak to Seán about Nature Boy, including what first sparked his interest in nature, which equipment he uses for sound recording and more.

In your book, you talk about how nature has been a constant source of comfort and curiosity for you. Do you remember when the natural world first began to resonate with you? Was there a key event which sparked your interest?

Yes! I have two standout moments, both of which are particularly special in different ways. I was a very active child, and I really mean that. I was always on the go, and if I couldn’t be on the go, I was wriggling, squirming, and crying – longing to be free. My father quickly learned that a foray into nature was the cure. He would take me to our local nature reserve and imitate the sounds of all the wildlife around us. I would belly laugh at his attempts and give him my best guess. It was a great game to me, but it was also an education in disguise – Dad was teaching me to listen to nature, and to get to know my neighbours by ear.

The other is my first memory of a bird. I was very young, around 2 years old off the top of my head, and the bird was pointed out to me by my Dad’s father – Pops. He loved birds too. I’ll never forget that first view of a magpie, with its regal pied plumage, draping long tail, and green and purple shimmying iridescence. Pops died not long after. I did not understand, but today, every time I see a magpie I see Pops, smile and thank him for the journey he sent me on.

Can you share with us what equipment you use for recording and what your decision process was for selecting it?

I am not a technical sound-recordist. I follow my ears, and my heart, and then I record the sounds that call to me with whatever tools I have at my disposal. I learned my skills through trial and error (mostly through error), but you know the phrase – even a broken-down clock is right twice a day! For isolating birds and getting a close intricate recording, I use a Dodotronic Hi-Sound parabolic reflector, paired with a second-hand Olympus LS-12 recorder – the Nokia 3210 of the sound recording world. To capture really intimate moments, or for longer, all weather deployments, I used a Song Meter Mini II. The sound is superb, and the device can be hidden easily, allowing birds to approach close and whisper into the mics unbeknownst to themselves. This provides intimate chitter-chatter I’d never otherwise get the opportunity to capture, and the Song Meter runs for weeks and can survive all manner of weather conditions! I guess these two pieces are my go-to tools.

Bioacoustics is one of the fastest-growing industries in the ecological sector. Are there any technological advances you’d like to see in this field?

I am really happy with where it’s at, to be honest! I can see that AI software to auto-identify birds is being worked on, but I don’t really care for that. I absolutely adore pouring through raw audio with a fine-tooth comb myself. In doing so, I enter that world, and I learn so much – a fast summary response kills the magic and learning for me. Perhaps others will disagree with me, but for my needs I am happy with where the technology is at, and the constant need for ‘progress’ in today’s world has a lot to answer for in terms of ecological, climate, and planetary degradation, after all.

While watching your documentary, I was very moved by your recording of the last known pair of Ring Ouzels in Ireland. Can you describe what it felt like to capture that moment, knowing you were recording a piece of history?

It was utterly devastating, and highly stressful. We’re talking about a bird that has been visiting our uplands each summer for hundreds, even thousands of years, wiped out in a heartbeat, with the majority of people not even knowing it existed at all. The stress came into the equation because I felt a strong desire, responsibility even, to capture its voice to show people the sonic beauty of what we are erasing, and what we need to stand up and fight for. With just one known pair remaining I was unsure if I had time to give this bird a voice, and if I didn’t capture it I’d have been doubly devastated – I’d have felt like I left it down, leaving it to die out in silence, unheard and forgotten. That did not happen though, at least.

Birdsong seems to have the ability to engage and move people in a way that perhaps other facets of nature don’t. Why do you think this is?

Well, I think it’s hard not to love it, isn’t it? Birdsong is nature’s melody! The dawn chorus is nature’s orchestra. It’s always there, it’s such a treat to listen to and it’s completely free. We have evolved in tandem with it. We hear birdsong, and everything is right with the world…we don’t hear birdsong, and something has gone terribly wrong. Right? A forest has been felled, a river has been covered, a bog has been drained, a city has enveloped, a motorway has drowned it out.

In your book, you talk about the importance you placed on your first bird ID guide as a child. Do you have any go-to books for bird identification?

This is easy – the Collins Bird Guide (the bible), and of course the legendary Sound Approach collection.

With your recent book, tour and documentary, you’ve made a real push to engage with the public and remind them of the natural world. What do you hope people take from your work?

I just hope that people realise how inexplicably beautiful, educational, nourishing, wondrous, and ever-giving nature is. But I also need them to know that it’s in freefall. Because of our own very actions. And inactions. My work is a call to arms, with hope and beauty being my primary weapons – with a brief but sharp slap of loss and despair. The latter is necessary, but it is my secondary weapon. Love and hope outgun loss and despair always.

You currently only have 3 species left to record to complete your mission to record every Irish bird. Do you have any plans for afterwards?

Of course. I will be on this journey for as long as I’m gifted time on this earth. Recording all of these birds was never intended to be a tick and run exercise. Every time I listen to a given species or individual I learn something new. I capture a new voice. The more I listen, the more I realise how little I know. And that’s gorgeous, isn’t it!? This is what I mean when I say that nature is ever-giving. And to answer you in more direct terms, I fully intend to write more, and to work on more film projects. I’ll also tour my talks, stories and sounds until people have had enough of me, which I hope never happens (haha)!

Nature Boy: A Memoir of Birdsong and Belonging by Seán Ronayne is published by Hachette Books Ireland in Trade Paperback and is available from nhbs here.

Salford Swift Street Initiative

Placed on the IUCN Red List in 2021, Swifts are now recognised as one of Britain’s most endangered bird species, having suffered a staggering population decline of around 60% in just 25 years. These incredible birds return to the same nesting site each year after migrating from a summer in Africa, however due to urban development and land use changes, their natural nesting sites are rapidly disappearing, which is accelerating their already concerning population decline.

Suzanne and RSPB Community Engagement Officer Roshni Parmar Hill on installation daySuzanne and RSPB Community Engagement Officer Roshni Parmar Hill on installation day. — Suzanne and RSPB Community Engagement Officer Roshni Parmar-Hill on installation day.

In 2024, over 40 residents of two neighbouring streets in Swinton, Salford decided to take action and create their own ‘Swift Street.’ This community-led project saw the creation and installation of over 100 specialist nest boxes, providing essential nesting spaces for their local swift colony. The Swift Street initiative is part of a wider effort to transform Manchester into a Swift City and ensure the long-term survival of these endangered birds.

In this blog, resident Suzanne Pendleton and RSPB Community Engagement Officer Roshni Parmar-Hill tell us about their journey to create the largest Swift Street in the north-west of England.

My Swift Street Experience – Suzanne Pendleton

My name is Suzanne Pendleton, and I am a mum to two girls, Molly and Tess. I have lived in Houghton Lane in Swinton, Salford with them and my hubby for 30 years, and have been involved in the Greater Manchester Swift Street initiative since August 2024.

During lockdown, I started to value spending more and more time in our little garden as so many people did, and whilst I was outside, I spotted a number of birds zooming around, screaming and flying over our house. At first I wasn’t quite sure what they were, so I asked my friend Kathleen and she enlightened me that they were Swifts! Swifts are migratory birds, so when summer ended they left Swinton and headed back to Africa, but every year I eagerly anticipate their return.

Over time, my understanding of this species grew, and I learnt of their declining population numbers – whilst also developing a stiff neck constantly looking up to the sky to watch their incredible manoeuvres! I am privileged to live in a friendly community on Houghton Lane, so I messaged our community group and asked if anyone knew about our Swift population, or where they may be nesting. Initially we were unsuccessful in locating their nesting sites, however we struck gold in Spring 2024 with the help of the Swift Mapper app and discovered we had four nest sites on Houghton Lane and its surrounding roads.

In this time, I’d also discovered that there was another small colony located less that 1/4 mile away, and a resident of this local road got in touch to tell us that Roshni from the RSPB had been to visit their colony and help establish their Swift Street – she then asked if we would be interested in developing our own Swift Street on Houghton Lane. I think we are so privileged that these incredible urban birds choose to nest on our lane, and as their nesting sites are often threatened by redevelopment, having the means to install boxes provides us with a wonderful opportunity to support them.

Residents Suzanne Pendleton and Kathleen Sides holding up the Swift boxes made by The Skills Company, Trafford.

This project has been a whole-community effort, superbly guided by the wonderful Roshni. With her incredible support and guidance, we used our community group to share the news of the development and launch of our own Swift Street, and we were overwhelmed by the local response. So many families were keen to support our Swift population, and we received requests for over 80 boxes. In January, we were blessed with some bright days, which allowed us to visit each home that had requested a Swift box and advise the families in selecting a suitable aspect and position for their box. As we chatted to more residents about the project I grew in confidence talking about Swifts, and increased my own knowledge too.

Roshni also gathered support from a local college who built our Swift boxes, whilst a local resident, Haldis, made our nest cups. Roshni and several Swift Ambassadors (volunteers who work alongside communities to raise awareness of Swifts and encourage positive action to protect them) then visited our Girl Guiding group to lead some Swift-themed activities which captivated the girls’ interest. They loved learning about the species and contributing to the project by painting our boxes with bird-friendly materials recommended by the RSPB. Saturday 8th March was our first installation day, and local roofer Ryan put up 25 boxes. Since then, we have now installed over 80 along the street, and we are ready for the first wave of our Swift populations to return!

Ryan Cawdron installing boxes on Houghton Lane.

It’s been an absolute honour to be involved in this project, and I feel so lucky that our community can do something practical to support our local Swifts.

RSPB Community Engagement Officer – Roshni Parmar-Hill

I’ve been so privileged to work alongside individuals as passionate and energetic as Suzanne whilst bringing the Swinton Swift Street project to life. This truly is a community endeavour – proving that, to misquote a famous phrase ‘it takes a village to save a Swift’. From Suzanne’s tireless recruitment of her neighbours’ support along her street, and the hard work of her Girl Guide pack painting and waterproofing the nest boxes, to the students of independent skills provider The SkillCentre in Trafford who constructed the boxes, it’s been a joy to see so many people pull together to take positive action for nature.

Swift boxes being carefully stored at Haldis Corry’s house (a Swift Champion who lives nearby)

The screaming calls of migratory Swifts are what first drew Suzanne to this species and fostered her connection. If we want to keep welcoming them back screeching overhead every summer, then they need our help now more than ever to create and protect safe nesting habitats. This incredible species travels a whopping 3400 miles to reach the UK from East Africa every year – crossing 25 countries over the course of 4 weeks in their journey to reach us. Swifts spend most of their time in the air – feeding, sleeping and even mating all whilst in flight! – only landing to nest, which is where Suzanne and her neighbours come in.

Swifts return to the exact same nesting spot every year, but increasingly these nesting sites have been hit by property renovations and the removal of old buildings. This has contributed to a 62% decline in Swift numbers between 1995 and 2020, and the species have now been added to the UK’s Red List of Birds, meaning its amongst our most endangered. However, with the installation of over 80 nest boxes on Suzanne’s street, we intend to grow another new urban Swift colony and build on wider ongoing work to develop Manchester into a Swift City. This project is supported by the expansion of our network of brilliant ‘Swift Champions’ who are leading the development of nesting sites at scale, manufacturing swift boxes and raising people’s awareness and engagement of the project and species through walks, talks and workshops.

Roshni and Seamus making Swift Egg cups on a cold January day.

As Suzanne and her neighbours now prepare for a special Swift Homecoming Street Party to officially declare it a Swift Street and welcome their bird’s home, all eyes will be fixed on the skies for a glimpse of the street’s feathered residents moving into their new addresses…

If you feel inspired to bring your own community together in support of Swifts, or want to find out more about all things Swift, including Swift Champions, nest boxes and the Swift Mapper app, then head to https://www.rspb.org.uk/whats-happening/news/how-the-species-volunteer-network-is-supporting-volunteers-and-communities-to-help-save-swifts

Explore our range of swift boxes here.

Author interview with Jon Stokes: Trees of Britain and Ireland

This comprehensive guide to tree identification features over 3,000 photos and illustrations of more than 300 native and common non-native species. It includes detailed keys, distribution maps and seasonal charts, alongside ecological insights, habitat information and conservation advice on each species, making it an invaluable resource for those interested in British and Irish tree species.

Jon Stokes is one of Britain’s leading tree conservationists and has been studying the world of trees for over thirty years. He is the Director of Trees, Science and Research at a UK based charity The Tree Council, which aims to bring everyone together for the love of trees, and has authored or co-author ten books focusing on trees.

We recently spoke to Jon about Trees of Britain and Ireland, where he told us how he decided which species to include in this book, what his hopes are for the future conservation of our native trees and more.

How did you first become interested in tree biology and ecology, and why did you decide to write the latest WILDGuides identification book?

I have always been fascinated by trees. I love their huge size, their great age and their amazing ability to live for centuries in one spot, coping with everything the world throws at them. To truly understand trees, however, I believe it is vital to understand the other species that depend on them. Oaks, for example, support more than 2,000 other species.

When the opportunity arose to write the WILDGuides tree book, it felt like an amazing opportunity to produce something new – a book that not only allowed the identification of all our diverse and varied native trees and shrubs, but one which also described the ecology of the trees and some of the species which live within them.

What was the greatest challenge you faced when writing this guide, and did you have any specific issues in relation to seasonality?

One of the many challenges in producing this book was our desire to photograph flowers, leaves, fruit and winter twigs – to show how to identify trees all year round. This obviously meant returning to each species a number of times, in all seasons, in all weathers, across the length and breadth of the country. We also wanted to show trees in their natural environments – all of which just made the project a little more complex! Despite the challenges, it was a joyful journey of discovery which took me from the top of Ben Lawers in Scotland; to sea level in Cornwall and Ireland; from sand dunes to heathland; from dense woodland to ancient wood pasture, and occasionally to some very scary cliff edges, looking for Whitebeams.

Trees of Britain and Ireland provides a comprehensive overview of the interdependent relationships between trees and a variety of plant, animal, fungal, and lichen species. Why did you think it was so important to highlight these relationships, and how did you decide which additional species to include?

The web of life that surrounds our trees is truly astonishing, from tiny wasps to bats, from fungi to Ospreys – they all live in and on trees. Selecting the range of species to illustrate was difficult and, of course, there was also a bit of personal preference in the final choices! In some cases, the selection process was very difficult. To my surprise, the biodiversity of some species, like Wild Cherry, doesn’t appear to be well studied – something I hadn’t realised until working on this book.

It was evident throughout the book that this is a clear, easily digestible guide suitable for readers of all abilities. How important do you think nature accessibility and education is for future generations?

I have had the pleasure of spending my working life engaging people with nature. From guided walks, to lectures and talks, I love showing people new aspects of the world around us. Life is fascinating and every day is a school day. For example: Why are leaves green? How do trees grow? Why is that tree, that shape? These are the questions that enthral me daily. I guess this is a long-winded way of saying that I believe learning about nature is vital to all of us, all the time, and at any age. I hope this book sparks an interest in learning more about my beloved trees. I hope it sparks a desire to go out and explore other aspects of our beautiful islands and the wealth of wildlife we have here.

What patterns did you notice whilst researching conservation status in the UK, and what are your hopes for the future conservation and protection of our native trees and plants?

This is a really interesting question. I now realise that, before researching this book, I hadn’t really thought about the conservation status of many of our trees and shrubs. Yet, Britain and Ireland actually have many rare and globally endangered species growing exclusively here, like many of the endemic Whitebeams and the Wild Cotoneaster. Our knowledge of our rare trees is sometimes scant. In the last twelve months, new information has emerged about our elm trees, suggesting there may be new and rare elm species hiding in plain sight.

So, what are my hopes for the future of these rare species? Well, if nothing else, the development of the book allowed me to clearly articulate the importance of these rare trees in my work. More importantly, I hope a better understanding of the importance of these rare trees will allow better protection to be developed for these globally rare species growing in these islands.

What’s taking up your time at the moment? Are you working on any other books or projects that we can hear about?

In terms of projects, there is one current Tree Council project that is very important to me. This project draws on work undertaken twenty years ago when, with my fellow authors and photographers, we had the privilege of writing a number of books on our ‘Heritage Trees’ – trees that are as important to the nation as some of our great stately homes and castles. From 2000-year-old yews, to astonishing old broadleaved trees like the Bowthorpe Oak, we featured a range of these iconic trees to show the amazing living heritage we have in Britain and Ireland. Now 20 years on, we are revisiting the trees to see how they have fared over the last two decades and the results of this will be published later in the summer. It’s already clear that while some of the trees have thrived over this time, others have not done so well. Our aim is for this project to lead to the development of new guidance on how to better protect our most important trees, to ensure that we can marvel at these ‘Green Monuments’ and hear their stories for many decades to come.

Trees of Britain and Ireland is available from our online bookstore.

Hazel Dormouse Conservation Handbook: Author Interview

The third edition of the Hazel Dormouse Conservation Handbook is based on the most recent research and practical experience available on the ecology of Hazel Dormice. It provides information on best practices for conservation, whilst a separate publication, the Hazel Dormouse Mitigation Handbook, offers further information for those involved in development projects across the UK that may affect Hazel Dormouse populations.

We recently had the opportunity to speak to authors Simone Bullion, Rob Wolton and Ian White about the most recent volume, including the latest updates, how they became interested in Dormouse conservation and more.

Firstly, can you tell us a bit about yourself and how you became interested in Dormouse conservation?

Simone Bullion:

It was 25 years ago, when I had newly started a job with the Suffolk Wildlife Trust, that two events acted as a catalyst for my great interest in dormice. Firstly, I was approached by my friend, Pat Morris, to support the National Dormouse Monitoring Programme by helping to increase the number of people with dormouse licences. At the same time, there was a release of captive-bred dormice into a Suffolk woodland close to where I was living, giving me the opportunity to study them first hand. A series of funded projects followed, which helped increase our knowledge of their distribution across the county – this then initiated conservation action to restore vital linkages by planting kilometres of hedgerows. However, through time, the more I found out about dormice, the more it seemed they hadn’t read the book. Habitats that I felt quite certain would support dormice often resulted in several attempts to confirm their presence. Clearly, there were better places to nest than in the boxes and tubes I was offering them, so that led to my interest in footprint tunnels as an alternative detection method. There is still much to learn about dormice, but working with such an interesting and charismatic species has been a privilege.

Rob Wolton:

My fascination with dormice, and indeed with hedges themselves, really started when I noticed strange round nests in the hedges on our farm in Devon. As a keen birdwatcher, I could not place them. Until, one day about 30 years ago, a dormouse popped out! My first. That was the prompt that made me start to look seriously at hedges and at their wildlife, a passion that remains with me to this day. Each autumn I must admit to becoming more than a little fixated with trying to spot dormouse nests in our hedges as I walk around the farm, checking the stock or walking the dog. For several years my wife Paula took care of one, a three-legged female, no longer fit for captive breeding at Paignton Zoo. Dora, as we named her, was a huge draw, a natural lead in to talk about the farm’s wildlife and how we were encouraging it. There are few such endearing and engaging mammals.

Ian White:

I had always had an interest in conservation, but after university I worked in the retail sector. I then embarked on a new career path in my 40’s, thinking that I would become a wildlife ranger. During a training course I was asked to put together a presentation on a British mammal – I chose shrews, and so started an interest in small mammals. I was fascinated by the fact that many were considered common, but based on what? It appeared that very little was known about this group compared with larger mammals. My initial interest in dormice was somewhat biased in that, due to their conservation status, they were the only small mammal that anybody was likely to pay me for. Now after over twenty years working with dormice, I think that they are a fabulous ambassador for many other species, and they still fascinate me now as much as they did when I first saw one.

The Hazel Dormouse Conservation Handbook marks the third edition of this vital text; what can we expect from this updated volume?

Much research has been undertaken on various aspects of dormouse ecology since the release of the second Dormouse Conservation Handbook in 2006. As a result of several PhD theses and other studies, much more is known about their habitat requirements, hibernation ecology, population biology and genetics. New survey techniques are also included to aid with detection of this sometimes very elusive species.

Unlike previous editions which integrated conservation, mitigation and the effects of development within one title, the third edition presents this information into two distinct handbooks. Why was it necessary to separate this information into two guides?

Landowners, land managers and the voluntary sector continue to have a significant interest in dormouse ecology and habitat management. Separately, there is a professional interest in this protected species in the context of land use planning. Specialist knowledge has also increased, in terms of understanding best practice approaches to minimise the impacts on dormice from development. Consequently, it was decided to separate these areas of interest into two books. It is envisaged that the Hazel Dormouse Conservation Handbook will be useful to anyone with an interest in dormice, as it covers their ecology, survey techniques and habitat management. The Hazel Dormouse Mitigation Handbook will be essential as an additional and complementary reference to support the work of professional ecologists and others involved in planning.

Hazel dormouse (Muscardinus avellanarius) by Frank Vassen, via flickr.

Since the 1996 publication of the first Dormouse Conservation Handbook, how have Dormouse populations and their conservation status changed?

Sadly, Hazel Dormice have continued to decline. The ‘State of Britain’s Dormice 2023’ reported a 70% decline of dormice in monitored populations since 2000. If the observed annual rate of decline of 5.7% were to continue unabated, then dormouse counts would be expected to have fallen by more than 90% by 2034. It is also believed that there has been a loss of the species from 20 English counties over the past 100 years. Consequently, they are currently considered a vulnerable species and in danger of further localised extinction in Britain.

Which factors pose the greatest threats to dormice in the present day, and what conservation strategies are being employed in an attempt to mitigate their effects?

Whilst dormice are can live in a wide range of woody habitats, they thrive in the mid-stages of successional regrowth of woodland after coppicing, in networks of sensitively managed hedges and in scrub. However, woodland management has declined during the last 100 years; only half of our hedgerows are in favourable condition and scrub is much maligned. Dormice are also particularly vulnerable to habitat fragmentation. To be effective, dormouse conservation therefore requires landscape-scale thinking to deliver the necessary increases and improvements in their habitat, and to restore connectivity. This will also help remaining dormouse populations become more resilient to localised changes, as well as the negative impacts of unfavourable weather and climate change.

However, there are parts of their former range where natural recolonisation of dormice is extremely unlikely. The dormouse reintroduction programme, administered by the People’s Trust for Endangered Species, focuses on consolidating the current range of dormice, working to restore dormice at landscape level to create robust metapopulations.

Muscardinus avellanarius by xulescu_g, via flickr.

Dormouse research relies heavily on the work of volunteer dormouse monitors, demonstrating the essential role of volunteers in conservation. What does this volunteer role entail, how does it support conservation, and how can the public get involved?

The National Dormouse Monitoring Programme (NDMP) has been running for over 25 years and is a powerful tool in monitoring population trends. As it relies on volunteers, it also provides an opportunity for people to interact with wildlife and see a dormouse close up – something that rarely happens in the wild. As dormice are a highly protected species, checking boxes for their presence must be undertaken by a trained licence holder. This training can take several years to complete, and numbers of trainees are often limited by the sites available, so sometimes there can be a waiting list to start. However, non-licence holders can also assist with putting up boxes, helping record the data and undertaking winter repairs to the boxes when they are unoccupied.

Other ways people can also get involved is to volunteer with one of your local conservation charities to help manage habitats to benefit dormice.

What do you hope the reader can learn from the Hazel Dormouse Conservation Handbook?

Dormice act as umbrella species for our native wildlife. Their habitats are home to a broad range of other species and retention of their populations is a strong indicator of habitat integrity at a landscape scale. Put simply, if we get it right for dormice, we get it right for many other species as well. We therefore hope that this handbook will help to aid the recovery of this important species.

Hazel Dormouse Conservation Handbook is available from our bookstore here.

Interview with Devon’s Living Churchyard Project

Over the last 6 months, NHBS has had the opportunity to work alongside Devon’s Living Churchyard Project by donating a number of bat and bird boxes to be installed in a range of churches across Devon to support local wildlife. This initiative aims to manage churchyards while also encouraging wildlife, biodiversity and promoting sustainable management practices.

We recently spoke with David Curry, former Voluntary Environmental Advisor at the Living Churchyard Project, about his role, the importance of preserving these habitats and more.

Firstly, can you tell us a little bit about yourself and how you first became interested in biodiversity, particularly within churchyards?

I began my career working as Keeper of Natural History at Plymouth Museum and Art Gallery, and later St. Albans museums in Hertfordshire. I am now retired, having worked mainly in local government for 50 years, where I first worked in heritage departments and planning.

My main role in planning was as an enabler – working with community groups in developing and managing wildlife sites – these ranged from changing derelict chalk stream cress beds into chalk wetlands, to planning and establishing community orchards ranging in size from 1ha to 72ha.

I’m an old-fashioned naturalist, today it’s called biodiversity.

In 1986 the Living Churchyard Project was set up by the Arthur Rank Centre to encourage the use of churchyards as a community environmental resource and to raise environmental awareness. I took an active interest in the project and began to visit and record churchyards in my area. I then lead the Devon Living Churchyards Project in a voluntary capacity for the Church of England’s Diocese of Exeter, while working in partnership with the national charity Caring for God’s Acre project.

18 leaves etc. Danson Park by Brian Toward, via flickr.

What does the role of a voluntary Environmental Advisor entail?

September 2023 saw the publication of the 4th State of Nature (SON) Report.

The report provides the most comprehensive overview ever of species trends across the UK, laying bare the stark fact that nature is still seriously declining across a country that is already one of the most nature-depleted in the world.

The data shows that since 1970, UK species have declined by about 19% on average, and nearly 1 in 6 species (16.1%) are now threatened with extinction. This is a timely reminder, if we needed it, that the nature crisis isn’t restricted to far-off places like the Amazon or Great Barrier Reef – it is right here, on our doorstep. We are losing familiar wildlife that we cherish including the Hazel Dormouse and Skylark.

SON goes beyond the bare statistics to assess the evidence behind these differences, it also identifies the actions that are needed to recover nature. To quote the report; “We have never had a better understanding of the State of Nature and what is needed to fix it.”

Exeter Diocese

The Diocese of Exeter is part of the Church of England and covers the whole of Devon. There are over 600 churches in the diocese, many of them rural, and there are over 2,000ha of glebelands (areas of land owned by the Church of England) which are used as a source of income through rents etc.

Opportunities

So, what are the issues that that needed to be addressed? And what are the opportunities to address them?

Evidence from the State of Nature report, and elsewhere, points to four big on-the-ground changes that we can take to accelerate nature recovery:

Improve the quality of our protected sites on land and at sea. These places have been chosen because they are special for nature, and wildlife should be thriving within them, yet too many are currently in poor condition.
Create more, bigger and messier places for wildlife. Our wildlife needs more space, and we know that many species can benefit from habitats that are quick to create such as ponds, scrubby habitats and un-trimmed hedgerows.
Reducing pollution on land (notably pesticides and excess fertilisers) and reducing the pressure on marine environments. This means more wildlife-friendly farming, forestry and fisheries.
Targeted species recovery action. This can be very effective when applied to a high proportion of a species’ population, and is also key to bringing back lost species.

Churchyards and their unique habitats provide a recipe for recovery in that they can be used to create more, bigger and messier places for wildlife. But also, the local communities must have the chance to be part of these changes. Establishing a Nature Recovery Network of ‘honeypot’ churches has been key. A pilot scheme working with the South Devon National Landscapes Life on the Edge project and Buglife has surveyed churches along the South Devon B Line from Wembury near Plymouth to Brixham (2023/2024). From the data collected, we will be able to provide churchyard management action plans to improve the biodiversity of each site, creating ‘honeypot’ churches.

In Conclusion

The picture of ongoing nature loss painted by the SON report is stark. This isn’t just sad – nature loss undermines our economy, food systems and health and wellbeing. So, we owe it to nature, and ourselves, to make sure that it is the last State of Nature report to chart continuing decline. Churchyards, in particular the Living Churchyards project, can make a positive contribution towards nature recovery in Devon and ensure that the next SON report can document the start of nature bouncing back.

“Nature’s recovery in Devon is not something we can achieve alone. It needs the support of individuals, communities, businesses and schools.” Devon Wildlife Trust

Monterey Cypress (Cupressus macrocarpa) by Peter O'Connor, via flickr. — Monterey Cypress (Cupressus macrocarpa) by Peter O’Connor, via flickr.

Why do you think creating new habitats, and restoring old ones, is important for these spaces, and which species are you hoping to attract to the area with the installation of our habitat boxes?

Encouraging a diversity of species on a site is important. Installing the NHBS habitat boxes will provide both shelter and protection to various species such as bats, swifts, and bees.

Why do you think these vital areas of biodiversity are so often overlooked, and how do you think we can work to improve their future preservation?

Mention churchyards to anyone and they will usually shrug their shoulders.

A churchyard is many things to many people;

A pleasant, reflective place for the congregation and visitors
An environment in keeping with the function of burial and the scattering of cremated remains
A respected and cared for part of our environment

No one mentions its potential as a sanctuary for wildlife. That’s the problem. People will walk past a church cemetery without giving a thought to looking inside, after all it’s a cemetery containing graves and memorials for the dead.

Raising awareness about the wildlife in the churchyard or the peace and tranquillity takes priority. We need to make the entrance more welcoming with appropriate signage.

‘People protect what they love’ – Jacque Yves Cousteau. This quote encapsulates the basic human instinct that drives us to safeguard and preserve the things that hold a special place in our hearts. Whether it be our loved ones, our communities or nature. At its core, this quote highlights the importance of connectiveness. Our modern culture has disconnected us from nature, and as ambassadors for nature we need to reconnect people, encourage people to understand and love nature and to be motivated to protect it.

Nature can also trigger positive emotions, reduce stress, increase prosocial behaviour, and improve health and wellness.

Hart's-tongue fern (Asplenium scolopendrium) by Peter O'Connor, via flickr. — Hart’s-tongue fern (Asplenium scolopendrium) by Peter O’Connor, via flickr.

What are the most interesting species that you’ve found in some of the churchyards you’ve visit?

Gosh, how long is a piece of string? Because churchyards have been oases in space and time, largely immune from activities beyond their walls, they have become sanctuaries for a wide range of species. Churchyards provide a mosaic of habitats, from meadowland to woodland edge, dense hedges, short and long grass cover and a variety of ‘cliff’ and rock habitats in the form of the church wall and gravestones. They can harbour a startling number (often many hundreds) of species and no doubt conceal rare and interesting creatures and plants. The range of rock types on headstones are of special value to lichens and other lowly plants, some of which may be very rare.

Old cob boundary walls maybe especially interesting, offering hole nesting species including many species of solitary bees with places to lay eggs. These in turn attract the inevitable parasites, some of which are often over-looked but impressively sci-fi in appearance. Part of the peregrine falcon ‘come back’ after they dwindled to near extinction was fuelled by the nest site opportunities of church buildings – they are now a regular site perched on bell towers. Likewise, the shocking decline of swifts is now being reversed thanks to the installation of nest boxes in bell towers.

Love Your Burial Ground Week, celebrated every June, is an important opportunity to raise awareness of the importance of churchyards and celebrate their natural diversity. How can the local community get involved?

Saturday 7th June to Sunday the 15th June 2025.

Love Your Burial Ground Week is a celebratory week which has been running for many years. Caring for God’s Acre has been encouraging all who help to look after churchyards, chapel yards and cemeteries to celebrate these fantastic places in the lovely month of June – in any way you choose.

We’ve seen history talks, picnics, bat walks, storytelling, volunteering work parties and even abseiling teddy bears!

Churches Count on Nature 2025 runs at the same time as Love Your Burial Ground Week, and focuses on the brilliant wildlife to be found in churchyards and chapel yards. It is a joint initiative promoted by Caring for God’s Acre, the Church of England, the Church in Wales and A Rocha UK.

In the months leading up to June we shall be working with Caring for God’s Acre to encourage church communities throughout Devon to take part in this exciting event. There is a wealth of information on how you can open your churchyard to visitors provided by Caring for Gods Acre.

Author interview with Flemming Ulf-Hansen: Exmoor

This lavishly illustrated and comprehensive book marks the 150th volume in the renowned New Naturalist series, and details the wildlife, landscapes and natural history of Exmoor to reveal its incredible biodiversity. As someone actively involved with the environment of the South-West, the author provides the reader with a scholarly yet accessible volume on this abundant area.

Flemming Ulf-Hansen is an ecologist with nearly 37 years of experience working in wildlife conservation, primarily across Exmoor and Salisbury Plain. He is the founding chair of the Exmoor Mires Project and specializes in ecological restoration, with a host of expertise in grassland, woodland, and heathland management, as well as invasive species control. He joined the Nature Conservancy Council in 1988 and was awarded a Churchill Fellowship in 2010 to study habitat restoration.

We recently spoke to Flemming about Exmoor, where he explains why a book on this area was needed, how rewilding may benefit this vital landscape, what he’s currently working on and more.

Volume 27 of the New Naturalist series, the first to explore Dartmoor, was published over 70 years ago. Why do you feel that a title on Exmoor was important to produce?

Exmoor’s wildlife has been neglected in published work for over 40 years, with perhaps the exception of the battles over heathland ploughing. Since the 1953 Dartmoor title, we have had a second volume in 2009, by Ian Mercer. Exmoor is one of the three moorlands in southern England, the other being Bodmin Moor – and one that spans the upland-lowland boundary. But it has a special ingredient – the coast! Exmoor’s somewhat remote location on the north coast of Somerset and Devon means that its wildlife has had less attention. With only Minehead, Dulverton or Combe Martin close by, there is no great supply of recorders in major towns or cities. An additional goal has been to highlight unpublished or grey literature, ensuring that this valuable information is accessible and not overlooked.

Exmoor National Park supports a wide range of habitats: blanket bogs, dry heath, scrub and peatland to name just a few. Why is this landscape so vital and what is its ecological value in the UK?

The elements of a moorland landscape you highlighted were the main reason for the designation of the National Park. Its position as an upland massif on the western seaboard gives it a distinctiveness with a disposition of low- and higher-altitude communities, perhaps unique to southwest England. The western heaths can locally dominate the landscape, and the vibrant purple and yellow colours of flowering heathers and Western Gorse are a treat in early autumn which harbour Stonechat and Dartford Warbler. Well-developed mosaics and transitions between moorland and woodland are a feature and provide structure, shelter and rich foraging habitat for wildlife, including a home for some special species, like the Heath Fritillary butterfly.

The woods should also be highlighted. Their position on the west coast of the British Isles brings moisture and a mild climate associated with the Gulf Stream. For many fungi, bryophytes and ferns these are ideal conditions, and Exmoor’s lichens reach international importance. Large sheets of western mosses and liverworts carpeting rocky ground among abundant ferns are Exmoor’s equivalent of lowland Britain’s much-vaunted Bluebell woods. They have been recently identified as temperate rainforest, placing them in a wider context.

Porlock bay by Marilyn Peddle, via flickr.

Exmoor is not typically known for its coastline – did the limited accessibility of this environment pose challenges in researching and writing Chapter 8?

It should be better known, as it is one of its high points! But yes, the steepness of the cliffs, including England’s highest at Great Hangman, combined with few rivers cutting down to the sea to allow safe access, has deterred much survey work. It has meant that, for example, cliffs are surveyed from a boat with binoculars. Spotting whitebeams is just about possible, but identifying rare or endemic members of the group is not. It was an ambition of mine – yet to be realised – to try and age cliff-edge Yews which were noted as far back as 1874 by the Midlands botanist Edwin Lees, at Combe Martin. The climbers who pioneered the Exmoor Traverse knew some of the locations well, the largest of which is probably at Wringapeak. They may well hold some surprises and form a reservoir of ancient trees and remnants of unspoilt natural woodland.

In the marine environment there is no doubt that severe tides have limited exploration. I have had to rely on old data or records from very scattered locations. There is just one place where the seashore or seabed can be reached, Glenthorne, in the 12 km stretch of remote coast between Gore Point and The Foreland on the Devon side.

Chapter 10 highlights the increasing popularity of ‘rewilding’ approaches, a prime example being the Knepp Estate in West Sussex. How do you think this method might benefit Exmoor, and what recommendations might you have for a rewilding approach?

Parts of Exmoor are of course deliciously wild, they are just not easy to see –the steep slopes and cliffs for instance. Of course, rewilding has in effect been happening on parts of Exmoor anyway, just not by design – I am thinking about originally open, marginal land transitioning to secondary woodland over the last 50–100 years.

To restore more wildlife to Exmoor, we will need to embrace fundamental ecosystem processes across larger areas of wilder, semi-natural habitats with more wetland and forest. The range of approaches is great, and we should not be too purist. In some areas active intervention may be needed, such as by introduction of beavers or other herbivores. In other areas we can adopt ‘agricultural rewilding’, which aims to restore ecosystem functions using lower-intensity human interventions, such as the management and harvest of livestock.

Exmoor by Eric de Redelijkheid, via flickr.

The Exmoor Nature Recovery Vision is an ambitious vision for a thriving, diverse landscape on Exmoor. What are the first steps to achieving this vision in your eyes, and how realistic do you think this vision is?

We can’t continue to spend time tinkering with the status quo. We need a step change and swift action. This won’t be possible with cuts in budgets of statutory bodies and the National Park Authority. For example, cuts in Natural England staff dealing with protected sites have been drastic and persistent. Projects relying on input of time have withered on the vine of neglect. Short-termism caused by short cycles of funding projects doesn’t help to achieve change in land management, which is a long-term game. Implementation is the key now, which requires partnership, appropriate tools and funding, and steadfast determination.

The vision is achievable but only with significant change in land away from the protected sites. These areas may not be perfect, but at least there are mechanisms in place to help. Exmoor’s farmed and enclosed land amounts to about 65% of the park, and much is agriculturally ‘improved’ land that has little wildlife interest. These areas could form a source of land for recovery, if the incentives and mechanisms are in place.

What are you working on next? Do you have any more writing projects lined up?

I have retired after nearly 37 years of working for the government’s wildlife body. I am going to tackle some tasks at home, as well as enjoy experiencing more nature by travelling a bit, before settling on another project.

Exmoor is available from our online bookstore here.