Geoffrey Kibby: Publisher of the Month

With the recent arrival of Autumn, the fungi season is now upon us. And so, NHBS is delighted to announce Geoffrey Kibby as our Publisher of the Month for October.

Geoffrey Kibby is one of Britain’s foremost experts on identifying mushrooms in the field, and his privately published books on how to identify British mushrooms pass on many of those skills. Kibby’s user-friendly books contain an enormous amount of information, are fully illustrated and are aimed at everyone, from the fungi enthusiast to the expert mycologist. The wealth of detail includes vital features to look for when identifying wild mushrooms and the important identification characteristics when using a microscope, often an essential tool in mycology.

These books are also an essential guide to identifying edible mushrooms and are valuable handbooks when mushrooming anywhere in western Europe.

We asked Geoffrey to tell us about how he originally became interested in mycology, and what he hopes to achieve with his wonderful books:

I was 13 when I first became aware of fungi: an intensely violet toadstool, unlike anything I had ever seen (Laccaria amethystina) and from that moment, I was hooked. I bought my first little mushroom guide, then another and another and more through the years until my bookshelves started to groan under the weight of books about fungi. Now, more than 50 years later, I am writing my own books, trying to produce the sort of works that I would have wanted as an aspiring young mycologist. My books are based on my years in the field, hopefully capturing the essence of each species. I have also made a conscious point of illustrating species not readily available in other guides and trying to give the most up-to-date names in what is an ever-changing science. Mycology is an inexhaustible field of study at whatever level your interest lies. With over 4000 species of larger fungi in Britain, you will never run out of species to find or new facts to discover.

Browse Geoffrey Kibby’s entire range below, including the fantastic Mushrooms and Toadstools of Britain & Europe series.

 

Mushrooms and Toadstools of Britain & Europe, Volume 3: Agarics, Part 2
Hardback | £41.99

Volume 3 is the second to cover agarics in which over 680 common and rare species are covered, containing photographs and paintings to highlight important characteristics, including microscopic features.

 

 

Mushrooms and Toadstools of Britain & Europe, Volume 2: Agarics, Part 1
Hardback | £41.99

A total of 750 species and varieties illustrated with a key to major groups, dealing with the mainly white-spored agarics. The introduction to each section includes photographs, as well as useful illustrative paintings to highlight important characters that are sometimes difficult to ascertain from a photograph.

 

 

Hardback | £44.99

Volume 1 illustrates the non-agarics, including puffballs, stinkhorns, earthstars, coral fungi, polypores, crust fungi, chanterelles, tooth fungi, boletes, Russula and Lactarius. A total of 650 species are illustrated via watercolour paintings, along with drawings of the spores and other useful microscopic features.

 

 

British Boletes: With Keys to Species
Spiralbound | £22.99

Boletes are some of the most popular fungi around the world, both because they are often choice edibles and because of their frequently exotic colours and large size. There are approximately 80 species in Britain and British Boletes provides user-friendly identification keys and descriptions to all the known species, along with colour photos of the majority of species.

 

British Milkcaps: Lactarius & Lactifluus
Spiralbound | £22.50 

The Milkcaps, the species of Lactarius and Lactifluus, are a popular group of fungi distributed throughout the world and with over 70 species in Britain. This guide presents colour photographs of all these species, many with highly detailed photos of their spores, readily accessible keys and up-to-date information on their distribution and ecology.

 

The Genus Russula in Great Britain: With Synoptic Keys of Species
Spiralbound | £26.99

This guide provides an easy-to-use keying system to identify the nearly 160 species of the genus Russula found in Great Britain. Each species is fully described, including a further 29 from Continental Europe and Scandinavia that have not yet been found here but might be expected to, with over 120 full-colour photographs provided.

 

The Genus Agaricus in Britain jacket imageThe Genus Agaricus in Britain
Paperback | £19.99

This guide describes all of the known British species in the genus Agaricus and provides easy to use synoptic/pictorial keys to the species and includes over 50 photographs illustrating the majority of British species

 

 

The Genus Amanita in Great BritainThe Genus Amanita in Great Britain
Paperback | £19.99

This guide presents a broad view of the British species in the genus Amanita, plus some extra-limital species that might be found here. It contains photographs of many of the commoner species and some of the rarer and more obscure species that are normally rarely shown.

 

 

The Genus Tricholoma in Britain
Paperback | £16.99

This guide provides identification keys to the species of the genus Tricholoma known in Britain, plus others from mainland Europe which may be found here in the future.  Full descriptions and discussion of the species are provided along with nearly 60 full-colour photographs of the majority of the British species.

All prices correct at the time of this article’s publication.

New Networks for Nature: Q&A with Amy-Jane Beer

Amy-Jane Beer talking with musician Feargal Sharkey about rivers © Holly Wilkinson

Amy-Jane Beer, a biologist, writer, editor and member of the steering group for New Networks for Nature, kindly took the time to talk with us about the work they do and the importance of their annual event, Nature Matters.

We discuss the role of the creative arts in engaging with the natural world, the political priority of wildlife and how best to get involved.


Firstly, could you tell us about the work that New Networks for Nature does?

Our entire focus is an annual event called Nature Matters: not quite a festival, not a conference, not a symposium, not an exhibition, not a variety show… but with elements of all these. It is two days and one evening of hugely varied dialogues, debates, readings, performances and displays about and in concert with nature. Our contributors are writers, artists, poets, filmmakers, activists, scientists, naturalists, musicians, photographers, conservationists and sometimes politicians and entrepreneurs. Our audiences contain many more of the same, plus publishers, journalists, producers, campaigners, representatives of major NGOs who use the opportunity to make new connections.

Sir John Lister Kaye © Holly Wilkinson

You are a relatively new charity, founded in 2009 and registering in 2016. How did the charity start and what are your hopes for its future?

The first event, held in 2009, was the brainchild of our founders: Jeremy Mynott, Mark Cocker, John Fanshawe and Tim Birkhead – four big thinkers who, in Jeremy’s words ‘shared the conviction that wildlife had a far richer role to play in the human experience than that defined by science or economics alone.’ They decided to try and reach more like-minded, creative souls and rapidly realised that an event offering both inspiration and social connection was a powerful way to build a network. By 2019, pre-COVID, that initial one-day event with 44 attendees had grown to a two and a half-day version with 30–40 contributors and an audience exceeding 250. This is about as big as we can manage on a voluntary basis with a minuscule budget funded purely by ticket sales. It’s rewarding but exhausting for the organisers, and the risk of burnout is very real. So the next phase for us as an organisation has to be sourcing funds that will allow us not only to offer an ever more diverse and accessible event but also to pay for some of the services that currently push us to our limits. It may be we offer a Friends of NNN subscription, seek carefully vetted sponsorship, or grant funding that doesn’t compromise our ethos or creative freedom.

One of your main aims is to challenge the low political priority that is placed on the natural world. Why do you think that there is so little importance placed on wildlife and nature nationally?

As a society we’ve come to take nature for granted, living lives so removed from the true sources of everything that sustains us we forget we’re not only dependent on nature, but part of it. That disconnect means that when we encounter problems, we often come up with solutions that target symptoms rather than the root cause. And the cause, almost every time, is that vast rapacious monster of global capitalism, to which politicians are wedded. Among the most toxic spawn of capitalism is a media that has reduced politics to a frantic minute-by-minute battle over the next headline. How can politicians possibly tackle the big issues when they’re doing that? In the current system, taking time to engage deeply with nature has become an almost subversive act, because it leads, inevitably, in my experience, to a recognition that we need a wildly different path.

Silk demonstration with arachnologist Sara Goodacre © Nick Williams

Your upcoming event, Nature Matters, is an annual creative celebration of nature. How important do you think the creative arts are for exploring and raising awareness about the environment?

The creative arts have a critical role to play in bringing us home to nature. And I say that as a former scientist who ‘jumped the fence’. Creativity was an aspect of my education that was horribly neglected. It’s all well and good to absorb information – to document and analyse and theorise. But in order to know what to do with all that, we need wisdom, emotional intelligence. We need stories, and we need huge amounts of love because love motivates and emboldens us like nothing else. Art makes sense of knowledge. Art asks questions science cannot and is free to go where science cannot see its way. Art lights up some of the dark. And wow, it’s getting dark right now.

This event has a huge varied list of sessions, from nature writing courses to panels on plastics in the environment and a session on nature and spirituality. What are the main goals that you want to achieve through Nature Matters?

Folk singer Sam Lee performing at New Networks for Nature © Nick Williams

New Networks for Nature does what the name suggests. It is mycelial activism. It connects people, with nature and with each other. The events are entertaining but they are not entertainment. Attendees come to listen to and admire amazing people, but also to meet and link to them. We like to think that everyone in the room at a NNN event will go away inspired but also having inspired others. I started attending about 8 years ago, very shyly, but through a few mutual friends was introduced to others and now every year I go along with the express purpose of meeting more people. As the Irish saying goes – a stranger is a friend you haven’t met yet. At NNN, a stranger is a link to many more people, more voices for nature, more opportunities to disseminate, mobilise. Many of my NNN connections have become deep friendships – but they are also highly intentional and purposeful relationships. I cultivate them because, if we can take any lesson from the current political castes, we desperately need a chumocracy for nature.

For any readers interested in your charity and its aims, what are the best ways that people can get involved?

New Networks for Nature audience © Robert Fuller

Come along! The attendees are as much part of the network as those on stage at any event. We bust a gut to keep the cost of attending to a minimum and make it accessible. There are always opportunities to ask questions, to socialise and to connect. As a rule, we don’t invite applications to perform or speak. Each event is organised by a different team and the programmes are themes and very organic. There are always a few big names in the mix but increasingly we tend to feature up-and-coming contributors or less exposed specialists – and to be honest, those more niche sessions are often where the real ‘wow’ moments happen. Unlike other festivals, we’re not really part of the promotion round – no one will get rich or famous or achieve a bestseller by appearing, or achieve social media celebrity. But we hope that everyone will go away with fresh fire in the belly, new light in the mind, and a list of names and allies to add to their personal network for nature.

Nature Matters 2021 will be held in Bath on 19th-21st November and will feature an exciting list of contributors, including ecological activist Satish Kumar, popular ornithologist David Lindo, breakthrough nature writer Nicola Chester, musician and curlew campaigner David Gray and young environmental campaigners Kabir Kaul, Holly Gillibrand and Bella Lack. To see the programme and book a ticket visit https://www.newnetworksfornature.org.uk/2021-event/


You can find out more about New Networks For Nature from their website and by following them on Facebook and Twitter.