Tag: Ornithology

Mary Colwell is an award-winning writer and producer who is well-known for her work with BBC Radio producing programmes on natural history and environmental issues; including their Natural Histories, Shared Planet and Saving Species series.

Her new book, Curlew Moon, documents her 500-mile journey from the west coast of Ireland to the east of England to raise awareness and funds for the Curlew, now one of the UK’s most threatened birds. Part travel diary and part natural history, the book is also a beautiful exploration of the way in which the Curlew appears in local myths, culture and language.

We were delighted to chat with Mary about the book and about her fight to save the UK Curlew population before it’s too late.

I guess I’ll start with the obvious question – why Curlews? What is it about them that captivates you and has made you dedicate so much time and energy to raising awareness for their conservation?

That’s perhaps the most difficult question. I honestly don’t know why Curlews in particular, other than I love the way they look, how they sound and where they live. Those calls over wetland and meadow or over mountain slopes are soul-grabbing. W S Graham described the Curlew’s call as a ‘love-weep’ a melancholic, yearning, beautiful sound. I grew up in the Staffordshire Moorlands and back then, in the 70s, they were common, so perhaps they infiltrated my brain! What I found on the walk is that many people feel the same. To know them is to love them. And over the last few years, as I became aware of what was happening not out on the savannah or in a rainforest, but right here under our noses, I decided to try to help. A contract with the BBC Natural History unit came to an end and the next day I started to plan the walk.

Where I live in North Wales, on the banks of the Menai Straights, the sight and sound of curlew are very common. Living somewhere like this, you could easily believe that they are both abundant and thriving here in the UK. Do you think that this, along with a lack of understanding of their complete natural history (e.g. the types of habitat they require to breed, food sources and predator pressures) contributes to masking the problems they face?

For sure that is the case. The UK and Ireland population of Curlew are boosted by winter visitors. From August to March as many as 150,000 Curlews rest up and feed ready for the breeding season. But come the warmer months most disappear back to N Germany, Scandinavia or Finland, leaving our own breeding birds thinly scattered. Also, as Curlew don’t breed until they are at least 2 years old, juveniles may well spend all year on the coast. The story of loss is in the fields and meadows. A Curlew’s life is complicated, and we are only just getting to grips with that. It needs whole landscapes to feed, roost, nest and over-winter. They bind the coast to the mountains and country to country. It’s hard to understand, but worth the effort. They really are fascinating.

Poetry features heavily in the book and I absolutely loved how you explore the myriad ways in which the curlew features in the myths, legends and cultures of the areas you passed through. (I am currently in the process of moving to Clynnog Fawr so I was particularly thrilled with the tale of St. Beuno!). Why did you choose to style the book in this way rather than writing a more prosaic natural history and travel diary?

I think being a producer on Radio 4’s Natural Histories for two series deepened my understanding of just how much the life around us has contributed to art, literature, poetry, science, folklore and spirituality. For all of our time as humans on earth we have looked at the natural world and forged connections. We still do that today. Part of the reason for the walk was to discover how curlews have inspired us. I had known about the lovely story of St Beuno and the Curlew for a long time – enchanted by it – so I knew there must be more out there. And there certainly is!

Particularly at a time where it seems that we are encouraged to value wildlife primarily for how it can benefit us, and ‘ecosystem services’ type approaches aim to put a monetary value on our wild spaces and creatures, do you think the arts have an important role in highlighting and championing those species that might otherwise fade away without notice?

Yes of course, anything that helps us to re-engage with nature is vital, be that through arts or science or economics. People are complicated – each of us has so many facets, rolled into one being. We are consumers, parents, children, lovers, friends. We are both rational and irrational, emotional and calculating, loving and full of division. Spiritual, religious, atheist, agnostic, often all at the same time. The arts understand this complexity and great art touches all those facets. The role of the arts in our lives is incalculable, so it isn’t surprising it doesn’t appear on a financial spreadsheet. I’m not sure I could write a straight natural history of any animal, bird or plant. I will always want to delve into its connection to our lives.

With any conservation work, it can sometimes feel as though you are swimming against the tide, with every move forward followed by two moves back. Especially with a species such as the Curlew, where there seem to be so many challenges to overcome, how do you maintain the hope required to keep fighting and how do you prevent yourself from succumbing to despair?

I touch on this a bit in the book – in the section where I walk though the middle of England with a friend who is an ex- Dominican friar, a gay activist and a writer, Mark Dowd.  He helped put my feelings into context. This wasn’t a walk that will necessarily produce tangible proof of more Curlews on the ground within 5 years. Rather it is in the realm of hope –  that something good will emerge at some point. It was a walk of trust, that if you put yourself on the line, people will respond. And so I didn’t walk with the aim that there would be a 20% increase in curlews in the UK and Ireland by 2020 (although that would be great), rather it was underpinned by a hope that people will be more aware of what needs to be done and will act on it. The series of workshops I organised with help from so many good people also gave me hope. We may fail, we may yet lose curlews from large areas, but, as David Attenborough once said, “As long as I can look into the eyes of my grandchildren and say I honestly did what I could, then that is all I can do.” I agree with that.

My final question is of a more practical nature, as I’m fascinated by people who take time out of their lives to undertake challenging journeys. Are you a seasoned long-distance walker or is this the first walk of this length you have undertaken? How did you prepare for it, both physically and mentally?

I used to do a lot of walking, but then children came along and life changed. So for 20 years I didn’t do much. But determination takes you a long way – and going to the gym. I just felt ready for the challenge and was so sure it was the right thing to do. But I did suffer from blisters! Still, a small price to pay and a good excuse to buy new boots for my most recent long distance walk – 230 miles through the Sierra Nevada in California along the John Muir Trail. That was tough, it made 500 miles along footpaths look like a stroll in the park.

Curlew Moon by Mary Colwell is published by William Collins and is available from NHBS. You can read more about Mary and her work at www.curlewmedia.com.

Signed copies of the book are available while stocks last.

The Flight Lines Project is a collaboration between the British Trust for Ornithology (BTO) and the Society of Wildlife Artists (SWLA). Using a unique combination of art, stories and science, this project aims to explore the lives of migrant birds and to highlight the challenges they face in a rapidly changing world.

In this interview with Flight Lines author, Mike Toms, we talk about the relationship between art and science, the importance of volunteer ornithologists and cultural differences in our attitudes to birds.

I’m curious about the perceived division between the arts and the sciences. While it’s true that many artists portray images of the natural world in their work, there are not many situations where artists and scientists are required to work together towards a common aim. Flight Lines is obviously a wonderful example of this – where did the idea for the project come from and what do you consider to be the most important thing that came out of it?

There is growing evidence that audiences exposed to science and conservation messages through the creative arts are more likely to show meaningful change in their understanding, which suggests that those of us working in research should seek now opportunities to communicate the impact of our work. Flight Lines was made possible by the generous legacy left by Penny Hollow and the kindness of her executors. Penny, a long-standing BTO member was a regular at the Society of Wildlife Artists (SWLA) exhibitions, a great supporter and a lay member of the SWLA. The bringing together of artists and scientists to raise the profile of our migrant birds was a fitting tribute to her interests and something that we had been looking do alongside our programme of research into migrant birds. Not only has the project enabled us to tell the stories of our summer visitors to new audiences but it has also helped to underline how art and science can work together to effect change.

Our knowledge of where our migrant birds disappear to each year has vastly increased with the development of ever smaller and more advanced tracking devices and locators. What do you think will be the next big technological advancement in the study of bird migration?

It is the arrival of smaller and smaller devices that has revolutionised our understanding of the movements of migrant birds. The level of information that can now be collected through the use of GPS-tags and satellite-tags means that we can identify the sites and habitats used by migrant birds throughout the year. In some cases, such as with those tags that communicate via the mobile phone or satellite network, the information collected can be presented to the public in near real time, greatly adding to wider engagement with the science that is being undertaken. For the smallest birds, the tags used have to be retrieved the following year in order to download the data. As miniaturisation continues, we will soon be able to track the movements of Swallows, House Martins, Whitethroats and other small migrants in near real time. That will be a significant advancement for our understanding.

In the UK I think it would be fair to say that we have an above average obsession with birds and their welfare. This is in stark contrast to many of the countries you discuss in the book, where birds are often viewed mainly as food or hunting trophies. What do you think is responsible for this difference in attitudes?

It is incredibly important to recognise the cultural differences that exist between countries in terms of how birds are viewed. Many of these are deeply rooted and extend back through generations, each shaped by local beliefs and opportunities, by living conditions and by trade. The hunting of migrant birds in North Africa, for example, is shaped by at least three different drivers: some are hunted for food by people living in very poor communities; others are hunted because of cultural beliefs, and many are hunted because there is a sizeable market for such commodities within the Middle East. It is important that we recognise how attitudes towards birds differ across the globe so that we can deliver approaches to conservation that are sensitive and appropriate.

The subject of supplementary feeding is currently a hot topic with the recent publication of an article in Science showing how great tits’ beaks have changed size due to the use of garden feeders. However, the messages we receive about feeding our garden birds are very mixed. Do you think the amount of supplementary feeding that occurs in the UK is a good thing overall?

The provision of supplementary food is one of the most common deliberate interactions between people and wild birds, supporting a wild bird care industry within the UK worth an estimated £210 million each year. Despite the huge amount of supplementary food provided in gardens we know surprisingly little about its impacts, which is one of the reasons why the BTO has been funding research into this topic over many years. Supplementary feeding may increase the overwinter survival of small birds, shape the communities of birds living alongside us and alter migration patterns and behaviour. It may also change the dynamics of competition between species or aid the spread of new and emerging diseases. Before we can say whether or not it is a good thing we need to improve our understanding of the associated costs and benefits, and look at these in relation to other human-bird interactions, such as climate and habitat change.

Citizen science schemes are an incredibly powerful force in terms of obtaining large quantities of data and you frequently mention in your book how much of our knowledge about bird populations comes from the tireless efforts of volunteers. Do you think that being involved with a citizen science project is also empowering to the individual and can help to break down some of the boundaries between “professional” scientists and amateurs, making science and research more accessible to them?

The terms ‘professional’ and ‘amateur’ are often used incorrectly, suggesting that staff are professionals while volunteers are amateurs, when what is really meant is that staff get paid and volunteers don’t . Many volunteers are experts in their field, sometimes the expert, and the right approach to citizen science should recognise this. We know from various research studies that volunteers participate in citizen science for a whole host of different reasons, some linked to internal values – such as feeling good about yourself – and some to external – such as sharing expertise, contributing towards charitable objectives. A well run citizen science project should make the science being carried out more accessible to participants, enabling them to see how their contribution is being used to answer a particular research question and empowering them to recognise the impact that their involvement is facilitating.

Do you feel that your art is influenced by your love of birds and wildlife and, conversely, do you feel that your art affects your appreciation of the natural world?

Some of my writing – the prose and poetry – is influenced by the natural world and by the sense of place. This feeling for the natural world is equally evident when I am participating in BTO surveys, especially the Nest Record Scheme, where significant time is spent immersed in nature, watching birds and their behaviour in order to find and monitor nesting attempts.

Flight Lines is published by the British Trust for Ornithology and is available to buy from NHBS.

Bowland Beth dramatises the short life of an English hen harrier between 2011 and 2012 and immerses the reader in the day-to-day regimen of her life. Interweaved with her story is the larger tale of the species fight for survival under the constant threat of persecution. In this article our book specialist, Nigel Jones, talks to the author, David Cobham, about the plight of the hen harrier and his hopes for the future of this glorious bird.

There are numerous organisations and NGOs in the book who want the same outcome for the hen harrier, but who seem to be in conflict as to how to achieve their aims. What strategy do you think would enable all these groups to speak with one voice; do you think this would help when confronting powerful lobby groups such as the landowners and their connections in government?

The problem lies in some organisations wanting an outright ban on driven grouse shooting. That is not going to happen as has already been demonstrated. What we all have to work for is a system of licensing driven grouse moor shooting. Controlled by DEFRA a driven grouse moor would be licensed to operate and granted the subsidies that are substantial.  If a case of illegal killing was proven in court the license for driven grouse shooting would be revoked for 3 years. I believe this would get a majority backing.

The hen harrier in your book is named Beth. I encounter some people who disapprove of naming animals, they claim this is anthropomorphism and inappropriate to conservation.  What would you say to those people?

Mark Avery in his review of my book saw exactly what I was trying to do. Ring numbers or tag numbers are impersonal. By giving them names it makes us feel closer to the birds. The news that Bowland Beth has died is much more heart wrenching than that 834759 has died.

Sadly, I have never seen a hen harrier. Your description of them is written with such a passion akin to awe that I am now determined to see one of these birds for myself. What chance does an everyday person like myself have of seeing a hen harrier in the wild?

A survey last year reported that there were 4 breeding pairs of hen harriers in England – none of them on grouse moors. The best time to see hen harriers is in the winter when there is a considerable influx of hen harriers from the Scandinavian countries. They pitch up from October on the east of England and can be seen as they come into roost in reed beds on the coast or in damp areas with shelter from silver birches inland. They return north to breed in mid-March.

The landowners say they need to make an income from the moors, and driven grouse shooting is the only way they can do this. They will put the case for local employment and, like the debate around foxhunting, accuse opponents of not understanding ‘the countryside.’ Do you think a ban on driven grouse shooting is the only way to force the landowners hand, or do you think working alongside landowners to assist with techniques such as brood management and diversionary feeding is the best way to proceed?

Brood management is just one of six measures in DEFRA’s save the hen harrier project. It is a concession to the grouse moor owners. This is how it will work. First, when a nest is found on a grouse moor, diversionary feeding must be tried. This involves feeding day old chicks during the six week period when hen harriers take grouse chicks. They are placed on a plank supported by trestles about 30 metres from the nest. Trials at Langholm showed that this method reduces chick predation by 86%. If another hen harrier nests within 10 km of the original nest then brood management comes into play. The clutch of eggs is removed and hatched in an incubator. They are taught to feed. When they can feed themselves they are placed in an aviary out on the moor. Monitored by experts they will be given a “soft” release and continue to be fed until they are self sustaining.

If the trial is shown to fail due to illegal killing it will cease immediately.

I’m quite cynical about this. I think a lot gamekeepers won’t allow a hen harrier to nest on their moor and furthermore there are not enough hen harriers breeding on grouse moors in England to justify this procedure.

There are some conservationists that advocate adopting a more laissez-faire approach to extinction, moving priorities to bio-abundance rather than biodiversity and accepting that extinction and invasive species are part of the evolutionary process. What are your thought regarding this way of thinking?

I quote directly from my book. An extract from The Diversity of Life by Professor Edward O. Wilson: “We should not knowingly allow any species or race to go extinct. There can be no purpose more enspiriting than to begin the ages of restoration, reweaving the wondrous diversity of life that still surrounds us”. The hen harrier was extinct as a breeding bird in England in 2013. Its fate lies in our hands now.

Despite the hen harrier being a totem and emblematic of a battle between conservationists and those wishing to preserve a ‘rural way of life;’ a quick straw-poll I conducted indicated little knowledge of the bird. However, with more knowledge, I believe the majority would care about the hen harrier. How can the plight of the hen harrier compete in a media blizzard of often superficial and meaningless content?

When Bowland Beth was shot we believe she had just found a mate. Her femur was fractured, six of her tail feathers cut through and her femoral artery nicked. She picked herself up and flew unsteadily off, streaming blood behind her. Her vision blurred and she crashed into heather. Don’t tell me that birds don’t feel pain. She must have been in exquisite pain. I know about pain. I broke my femur last October, and lay there for six hours before I was found. That is the bond I have with Bowland Beth.

Do you believe satellite tagging is a good way to monitor hen harriers, and if so why?

Illegal killing of hen harriers continues. There is an arms race – sophisticated satellite tagging versus state of the art weaponry. Since 2007 36 hen harriers satellite tagged by Natural England have “disappeared”. Bowland Beth was one of them. The Hawk and Owl Trust satellite tagged two hen harriers last year. The male, Rowan, was shot last October in the north of England. His leg was smashed and he was able to fly some distance before collapsing in the heather. Sorrel, a female, is alive and well and flourishing in Scotland.

Protecting the hen harrier requires dedication, passion and commitment to the cause of conservation, often from volunteers working long hours in all weathers. What would you say to inspire a future generation of conservationist to take up the baton?

To watch a young hen harrier successfully fledge from her nest and set out into the unknown is the start of a Great Adventure. Sharing this knowledge with other weary volunteers who have probably not seen anything all day re-invigorates them, gives them the impetus to go out again and search for that elusive V-shaped image of a hen harrier, searching up and down, for its favourite prey, short-tailed field voles.

Bowland Beth: The Life of an English Hen Harrier, written by David Cobham and illustrated by Dan Powell, is published by William Collins and is available in hardback.

Orison for a Curlew takes us on a pilgrimage in search of the slender-billed curlew; once a common sight in its breeding grounds of Siberia, but now diminished to a handful of unconfirmed sightings. In this article, one of our book team Nigel Jones, talks to the author, Horatio Clare, about conservation, environmentalism and his hopes for the future of the titular bird.

Despite the rather gloomy prognosis for the fate of the slender-billed curlew, your book seems to me about hope. Are you optimistic that conservation will gain ground due to stories such as the plight of Numenius tenuirostris, or do you think this story is more of a prelude of things to come?

It is about hope. I do think the hunger for watching nature footage, and writing and reading about the natural world will translate, given the unavoidable nature of climate and environmental awareness as the world changes, into action. My sense of my generation, currently in our forties, is that we came out of an easy time – the nineties – well aware of how lucky we were, and how things were going with the planet and capitalism generally – and that we have not seen the best of us yet. We have been getting it together, I know of great people in powerful positions, and others doing tremendous work, and I hope things will change for the better. Brexit and Trump are shattering reversals for the world and nature, but not insurmountable. Moreover, it seems the slender-billed curlew may not be on the way out! A population may breed in Kazakhstan and the birds may have been seen and filmed a few years ago in Holland.

Being such a delicate and ethereal creature; do you think the slender-billed curlew was always vulnerable to possible extinction, regardless of human activity; was there a more dominant species pushing it out of it’s niche?

No I am sure we are the dominant species which pushed it out, by draining marshes and polluting the water. It was surely vulnerable in that it is highly specialised.

The relentless corrosion of diminishing natural spaces is a strong theme in your book. The argument for development is usually ‘people come first’ and, by definition, wild spaces are mainly unoccupied by people. I would love to see the hundreds of white pelicans, spiralling up to find the thermals that you describe. However, most of us will only see a spectacle such as this on television, or envisage it vicariously. For me this is the paradox of conserving wild spaces for their own sake – how do we get everyone involved with conservation when only a few people ever get to experience what it creates? How do we make wild spaces matter to everybody?

Knowledge of the natural world and knowing what you are looking at can make a walk in the garden, park or road a safari. That is the way you make every space matter: put names and stories on the creatures that inhabit it. Funnily enough I have written two children’s books on the subject! Which makes me think, children’s literature being a kind of menagerie, we all begin as nature-lovers; it’s just that some adults discount the planet’s marvels, and certainly its needs. And of course corporations exist solely to harvest the planet’s riches as quickly as possible, heedless of environmental cost, if they are allowed to be, for the benefit of share-holders. I think some form of cooperativism between individuals and between nations offers the only hope for long-term sustainability.

There are some conservationists that advocate adopting a more laissez-faire approach to extinction, moving priorities to bio-abundance rather than biodiversity and accepting that extinction and invasive species are part of the evolutionary process. What are your thought regarding this way of thinking?

It is a sin to cause the extinction of a species, as Prof Kiss puts it in Orison. To fail to prevent the extinction of a species seems of a different order, if hard to enjoy. If you regard our privilege of dominance as responsibility, then we have a duty to look after all of what used to be called God’s creatures. We should not really accept anything less than bio-abundance and biodiversity, should we?

I really enjoyed meeting all the people in your book; their dedication, passion and commitment to the cause of conservation was wonderfully described, without ever reducing them to parodies or caricatures. For me they represented the ‘hope’ in your book. However, they all seemed at odds with the world, probably viewed by their relative governments as part of an ‘awkward squad’ and their work and funding was often in decline. What would you say to inspire a future generation of conservationist to take up the baton?

With journalism going through tough times, there is no better way to have the fun and the interest of being the awkward squad, travelling the world, getting up the noses of baddies and making the planet a better place than becoming an environmentalist! What a blessed and admirable profession! What adventure it offers! And…the happiest people you meet are naturalists and environmentalists, on the whole, though they deal in tragedy and folly often.

The hunting for sport, the mist nets and the bird markets make for a very threatening environment for migrating birds. However, it’s the drainage of the marshes for agriculture and the encroachment and contamination of heavy industry that you more frequently allude to as the biggest threat. Do you see hunting as a potential partner to conservation, or are those two pursuits always going to be in conflict?

Having just read Bowland Beth: The Life of an English Hen Harrier by David Cobham I feel hunting is unhelpful, if not abominable, but that may be a grouse-centric view. In Greece the numerous hunters are thought of with something like revulsion by some conservationists; the hunting I saw while living in Italy was an absolute disgrace. No doubt many hunters are great and ardent conservationists. Unfortunately many are not.

The slender-billed curlew sightings in recent history are difficult to verify. What are your hunches about their authenticity and when was the last recorded sighting that you believe was accurate?

The birds filmed in Holland in 2013 seem genuine but I am no expert. I believe they are seen – and recorded – now and then. I heard a report from Oman, but a confirmed sighting is a tricky thing: it seems you need two or more photos and absolute proof. My friend Istavan Moldovan is cautious about the 2013 footage – as I write he is chasing relict populations of Apollo butterflies in the Carpathians in Romania. Does that not sound like a great career?

The last question is a simple one, but maybe the most difficult to answer. I know you certainly hope so, but do you believe Numenius tenuirostris will ever be seen again?

I absolutely do. I am quite sure they are out there and it is my dream to see one! Thank you so much for your wonderfully intelligent and acute questions, quite the best!

Orison for a Curlew, written by Horatio Clare and illustrated by Beatrice Forshall, is published by Little Toller Books and is available in paperback and hardback.

Little Toller was established in 2008 with a singular purpose: to revive forgotten and classic books about nature and rural life in the British Isles.

Their Nature Classics Library series was established to re-publish gems of natural history writing, with up-to-date introductions by contemporary writers. The success of the series has now developed into a publishing programme which includes a series of monographs by authors like Fiona Sampson, John Burnside, Iain Sinclair and Adam Thorpe as well as stand-alone books – all attuned to nature and landscape and aimed at the general reader.

Each Little Toller writer brings something new to the series – but it’s always characterised by a deep understanding of the subject, combined with wonderful writing.  A sense of the personal reaction to the natural world is imperative. Little Toller also pay a great deal of attention to the aesthetic of their books, using artists to complement the writing to create a beautiful object, befitting Little Toller’s high publishing standards.

Little Toller is now preparing its books for the latter part of the year, notably the first ever biography of the legendary but enigmatic J A Baker, author of The Peregrine, and access to the new Baker archive has led to important new insights into his life. 2018 will see new books from Tim Dee on Landfill, a book about Ted Hughes and fishing called The Catch, and an examination of the landscape of the north of the Irish republic from Sean Lysaght. Little Toller’s sister charity Common Ground is also working on a large exhibition at the Yorkshire Sculpture Park next year, for which there will be a raft of publishing.

The Sensory Ecology of Birds is a fascinating new work that explores the sensory world of birds from an evolutionary and ecological perspective. The author Professor Graham Martin gives us some insights into his inspiration, the incredible diversity of avian sensory adaptations, and how studying sensory ecology can help in developing practical conservation solutions.

How did you first become interested in bird senses?

Through owls. As a child I used to listen to tawny owls calling all through the night in a nearby wood and I wanted to know what they were doing and how they did it. My father took me round the woods at night and that experience led me to wanting to know more about the eyesight of owls.

What inspired you to write the book and what kind of readers do you think would find it useful?

I have been studying bird senses all of my working career. Nearly 50 years ago I started to get paid for looking into bird senses; it has been a strange and exciting way to spend my time. After such a long time of investigating the senses of so many different birds I wanted to bring it all together, to provide an overview that will help people understand birds from a new perspective. I think anyone interested in birds will enjoy the book and find it useful. No matter which group of species intrigues you most, this book will enable you to see them from a new perspective. Understanding bird senses really does challenge what we think birds are and how they go about their lives.

Sensory ecology is a relatively new field of research; could you explain a little about what it is and what makes it particularly relevant today?

Sensory Ecology is basically the study of the information that birds have at their disposal to guide their behaviour, to guide the key tasks that they perform every day to survive in different types of habitats.  Different habitats present different challenges and to carry out tasks animals need different sorts of information. Birds have at their disposal a wide range of different sensory information, they are not just reliant upon vision. However, each species tends to be specialised for the gaining of certain types of information. Just as each species differs in its general ecology, each species also has a unique suite of information available to them. Sensory ecology is also a comparative science. It compares the information that different species use and tries to determine general principles that apply to the conduct of particular behaviours in different places. For example how different birds cope with activity at night or underwater.

Sensory Ecology also looks at why evolution has favoured particular solutions to particular problems.  I think the major result of this kind of approach is that it certainly challenges our assumptions about what birds are and also what humans are. We do not readily realise that our view of the world is very much shaped by the information that our senses provide. We are rather peculiar and specialised in the information that we use to guide our everyday behaviours. My hope is that people will come to understand the world through birds’ senses, to get a real “bird’s eye view”. In doing so we can understand why birds fall victim to collisions with obvious structures such as powerlines, wind turbines, motor vehicles, glass panes, fences, etc. We can then work out what to do to mitigate these problems that humans have thrown in birds’ way.

An understanding of how a species perceives its environment can be very useful in designing practical conservation measures. Could you give us some examples?

Yes, I have been involved in trying to understand why flying birds apparently fail to detect wind turbines and power lines, or diving birds fail to detect gill nets.  These investigations have led to a number of ideas about what is actually happening when birds interact with these structures and what we can do to increase the chances that birds will detect and avoid them.

How do you think that studying avian sensory ecology can enhance our understanding of our own sensory capabilities and interaction with the world?

It gives a fresh perspective on how specialised and limited our own view of the world is. We make so many assumptions that the world is really as we experience it, but we experience the world in a very specialised way. Sensory ecology provides lots of new information and facts about how other animals interact with the world, what governs their behaviour, but equally importantly sensory ecology questions very soundly our understanding of “reality”, what is the world really like as opposed to what we, as just one species, think it is like. This is quite challenging but also exhilarating. We really are prisoners of our own senses, and so are all other animals. Sensory ecology gives us the opportunity to understand the world as perceived by other animals, not just how we think the world is. That is really important since it injects a little humility into how we think about the way we exploit the world.

Could you give us some insight into how birds can use different senses in combination to refine their interpretation of the world around them?

Owls provide a good example. Their vision is highly sensitive but not sufficiently sensitive to cope with all light levels that occur in woodland at night, so owls also rely heavily upon information from hearing to detect and locate moving prey. The nocturnal behaviour of owls requires these two key sources of information but even these are not enough. To make sense of the information that they have available to them the woodland owls need to be highly familiar with the place in which they live, hence their high degree of allegiance to particular sites.  Other birds, such as ducks, parrots and ibises rely heavily upon the sense of touch to find food items. The degree to which this information is used has a knock on effect on how much the birds can see about them. So a duck that can feed exclusively using touch, such as a mallard, can see all around them, while a duck that needs to use vision in its foraging cannot see all around. This in turn has implications for the amount of time birds can spend foraging as opposed to looking around them, vigilant for predators. In many birds the sense of smell is now seen as a key source of information which governs not just foraging, but also social interactions.

Are there interesting examples of species that are specialists in one particular sense?

Usually birds rely upon at least two main senses that have become highly specialised and which are used in a complementary manner. For example, in ibises it might be touch and vision, in kiwi it is smell and touch, in some of the waders it is touch and taste, but in other waders touch and hearing.

Probably the most obvious single sense specialisations are found among aerial predators such as eagles and falcons, they seem to be highly dependent upon vision to detect prey at a distance and then lock on to it during pursuit. However, we really don’t know anything about other aspects of their senses and there is a lot left to learn about them.

Can you tell us about any species that you have studied that you find particularly fascinating?

Oilbirds; they are really challenging to our assumptions about what birds are, how they live and what information they have available to them.

Oilbirds are the most nocturnal of all birds, roosting and breeding deep in caves where no light penetrates, emerging only after dusk and then flying over the tropical rain forest canopy to find fruit. But they are a form of nightjar! In the complete darkness of caves they use echolocation to orient themselves and calls to locate mates. When searching for food in the canopy they use their sense of smell to detect ripe fruits, they have long touch sensitive bristles around the mouth. And their eyes have sensitivity close to the theoretical limits possible in vertebrate eyes.  They seem to rely upon partial information from each of these senses, and use them in combination or in complementary ways. They really are marvellous, but in truth the senses of any birds, and how they are used, are fascinating and intriguing, it is a matter of delving deep enough, and asking the right questions.

In what kind of direction do you think future sensory ecology research is headed?

We now have available a lot of techniques to find out about the senses of birds, from behavioural studies, to physiology and anatomy. Armed with these techniques, and also with ways of thinking and measuring the perceptual challenges of different tasks and different environments, there are so many questions to investigate. We have some fascinating findings but we have only just scratched the surface with regard to species and it does seems clear that senses can be very finely tuned to different tasks. I like to compare the diversity of the bills that we find in birds with the same diversity in the senses in those species.

Every bill tells a story about form and function, about evolution, ecology and behaviour. The senses of birds show the same degree of diversity and tuning. So to me sensory ecology is a wide open field with lot of questions to investigate. To appreciate the world from a bird’s perspective will, of course, give us a much better understanding of how to mitigate the problems that humans have posed to birds by shaping the world for our own convenience.

The Sensory Ecology of Birds is available now from NHBS