NHBS at Birdfair 2010

We’ll be out and about next weekend selling books and wildlife equipment in the heart of rural England at the British Birdfair at Rutland Water. If you’re going we look forward to seeing you on the NHBS stand in Marquee 2.

As usual we will be hosting some authors at the NHBS stand – here’s a list of who will be signing copies of their books with us this year:

Friday 20th
11am Dominic Couzens Atlas of Rare Birds

Saturday 21st
11am Nils Van Duivendijk Advanced Bird ID Guide: The Western Palearctic
3pm Alan Davies and Ruth Miller The Biggest Twitch: Around the World in 4,000 Birds

Sunday 22nd
2pm Adrian Thomas RSPB Gardening for Wildlife: A Complete Guide to Nature-friendly Gardening

Atals of Rare Birds jacket imageAdvanced Bird ID Guide: The Western Palearctic jacket imageThe Biggest Twitch: Around the World in 4,000 Birds jacket imageRSPB Gardening for Wildlife jacket image

Reed – an expert’s view

A Book of Reed jacket image

Dr S. M. Haslam is a field botanist and researcher with the Department of Plant Sciences at the University of Cambridge, who has made intensive studies of reed sites in Britain and Malta, and less intensively across eastern and western Europe, Israel and North America. Her studies on plant growth have made her familiar with various plants from Africa and Australia. Her new book, A Book of Reed, is published by Forrest Text. We asked Dr. Haslam for some insight into her subject…

“Reed occurs in all five continents. It is concentrated in Europe, Asia and Africa, but is most variable and abundant in eastern Europe and into Asia (much in China), in temperate climes. Here it is the commonest wetland dominant, the commonest (non-bog) peat former, and the commonest sparse species in other wetland types. Reed peat is of course a fen peat, formed under water from old plant peats. Reed beds, before much human impact, often lived for several thousand years, colonising flooded areas and building up peat until dry land vegetation could invade or land or sea level changed to increase surface water again. The plants have large rhizome systems growing at the front and dying at the back. It is thought, but without evidence, that the same plants live throughout the life of a stable bed (one that is not subject to constant disturbance and disruption).

“Before main drainage, the next most important habitat (still seen, though sparsely) is in bands along lowland streams, outside a fringing band of trees or bushes. Small dominant stands occur in other wet places, and sparse reeds are in most fens, rich and poor, in estuaries and beside some rivers.

“Reed is extraordinarily sensitive to most environmental impacts, natural and human. These variations make reed a fascinating study in plant behaviour.

“There has been a deplorable decline and loss of river plants which is quite possibly worst in Britain, among the larger countries. This has occurred over the past 30 years or so, although some decline was recorded from the 1930s through to 1980 (principally in fine-leaved Potamogetons). Among small countries, Malta seems to be approaching total loss in a few decades time, there having been a good and common aquatic flora in 1850. This loss, however, is primarily due to water loss from abstraction.”

The dedication in Dr. Haslam’s next book, “The Waving Plants of the River”, is to “the botanists of the future who dedicate their lives to reverse the present decline and devastation of river plants.”

A Book of Reed is available now from NHBS

Butterflies: Nets, Kits, Hints & Tips

Crushable Butterfly NetWhen it comes to investigating the wonderful world of butterflies the first thing you’ll need is a butterfly net.  When choosing a net, the most important thing is being able to use it!  Practice makes perfect when it comes to safely and successfully netting butterflies.  Not only do you want to avoid injuring yourself and others around you, but it is very important not to injure the butterfly.  Butterfly wings are delicate and cannot heal themselves if they are damaged.  Similarly, squashing the butterfly with the edge of your net is equally damaging!

Small (Children's) Butterfly NetThere are two things you can do to avoid hurting butterflies.  Firstly, choose a net with a lightweight mesh material which will not damage the wings.  All the butterfly nets available at NHBS feature such a lightweight mesh.  Secondly, practise your swing on a small object; place a stone on the ground and practice swinging the net over the stone, ensuring the stone ends up in the centre of the net.  Once you’re happy with your aim, then you’re ready to go.  Ideally your net should be suited to your size.  A large net in the hands of a small person may be too difficult to control.  The handle length should be long enough for you to net the butterfly without spooking it, but not too long to make the net too difficult to control.  Some nets come with adjustable handles, allowing you to customise your net to your preference.

Starter Butterfly KitFor those wanting to get closer to butterflies, NHBS has two butterfly kits; a Starter and Advanced kit.  The Starter kit will allow you to net butterflies, examine them in a magnifying pot and use the beautifully illustrated guide to identify common species.  The Advanced Kit features our most popular net, the crushable butterfly net.  This folds up to fit in your pocket – a handy feature especially when travelling.  The free standing bug cage will allow you to study individuals for greater lengths of time, whilst minimising stress to the butterfly.  If you plan to keep the butterflies in the cage for a significant amount of time, ensure you provide some vegetation for sustenance and shelter.  A supply of fresh-cut flowers in water or a dish containing a sponge filled with diluted honey solution work well.  You can even use fruit juice or fresh- cut melon, although it must be fresh so should be replaced each day.

Remember to release all individuals back into the wild.  Many butterfly species are under threat and some are very rare.  We can all enjoy butterflies without impacting on wild populations by this approach.

NHBS stocks a complete range of beginners, professional, economy, deluxe, small, large and folding butterfly nets.

Starter Butterfly Kit

Advanced Butterfly Kit

Getting into mangroves – an interview with Mark Spalding

World Atlas of Mangroves jacket imageWhat is a mangrove, what sort of habitat does it provide, and what might you find living there?

The term mangrove covers both a group of plants, and the habitats they build. The plants are a broad group which consists of about 70 species and hybrids, including a palm and 3 large ferns, the rest being trees. They have all evolved to live in the intertidal zone, and many have some quite dramatic adaptations – physiological mechanisms to keep out or to remove salt; strange roots which hold them up in soft soils, and others to allow air to the roots in the waterlogged muds; even reproductive tricks, like vivipary, to give young plants a headstart in a tough environment.
And wherever they grow they form a very distinctive habitat which is sometimes just a few small patches in a narrow intertidal zone, but sometimes extends for hundreds of kilometers around deltas and along estuaries.

The World Atlas of Mangroves, published by Earthscan, is a huge undertaking with you at the helm as lead author. What are your credentials? Who were your colleagues?

I think it’s taken about 5 years. Leadership of the whole project was run by the wonderful International Society for Mangrove Ecosystems, a small but very active NGO based in Japan, with funds from the International Tropical Timber Organization. Mami Kainuma, one of the co-authors, works with ISME. Also, at its heart, it’s a book rich with maps – and that work fell to two other organisations: FAO in Rome and UNEP-WCMC in Cambridge – and many fantastic colleagues in both organisations.

I wrote an earlier mangrove atlas with ISME which came out in 1997. In fact the two works are almost incomparable. The 1997 work was the best we could do with limited resources. It’s not bad, but this work is so much more than just a new edition – we’ve got globally consistent, detailed maps; we reviewed 1400 references for the text; we have the first ever range maps for all species…

With mangroves disappearing three to four times faster than land-based forests, what is being done to address the situation?

I think the issue is largely a product of where they are situated. The coastal zone has faster-growing populations and mangroves are on a sort of front line, on valuable land which can be readily and easily converted for agriculture, aquaculture or urban development.
But quite a lot is being done. We estimate that a quarter of all remaining mangroves are in protected areas, while additional areas are in places where there is sustainable management. The realization of just how valuable mangroves are has also driven huge efforts at mangrove restoration and plantation in many countries – over 2% of the world’s mangroves are restored.

What are the main problem or priority areas for mangrove conservation?World Atlas of Mangroves page detail

Communication. I think the case for mangrove conservation is rock-solid. More so than for some other habitats where direct dollar values for goods and services can sound a little tortured or unconvincing. But many still don’t know it, so mangroves are still suffering from a poor press as unproductive wastelands, and from poor accounting, as short-term profits are being used to persuade losses with often dire long-term consequences.

But it’s not all bad news? What are some of the success stories?

Matang forest in Malaysia, and the Sundarbans in Bangladesh and India, are among the longest-running tropical forestry operations in the world. They are plantations of a sort, though much reafforestation is just natural growback. But in both places for well over a century thousands or even tens of thousands of people have benefitted from timber products and fisheries, while the wildlife remains abundant, showing that we can work  alongside nature.

Mangroves are also robust survivors. Given half a chance they’ll recover. They don’t appear to be stressed by warming temperatures, and if they can migrate inland then sea level rise might not stress them too much either.  Get things right and they are going to help us to adapt to climate change AND keep local communities going with other goods and services.

The World Atlas of Mangroves is a global overview, and this is a focus we see increasingly in conservation and ecology with developments such as remote sensing. What are the benefits and the limitations of this kind of approach?

In an increasingly global world they help us to get things in perspective. For those working at national or local levels they offer a context for that work. They enable arguments to be made, and I’d like to think they also enable connections – that people working South America might realize the bonanza to be made from ecotourism, or sustainable harvesting. They also help those who deal with issues at the international level – in the case of mangroves to make the case for their importance – in climate change adaptation, carbon sequestration, rural livelihoods, offshore fisheries. Of course its not a book to be used for navigation! The maps are good, but not that good, and it’s always important for people like me to remember that books like this are really written by the thousands of experts who live and work “on the ground”.

You have commented on the “extraordinary synergies between people and forests”. How would humanity be affected by a substantial decrease in the world’s remaining mangroves?

Of course, many in the west wouldn’t notice, and the world’s economies might not notice, but mangroves are right there in the front line for many of the world’s poorest. There would be declines in livelihood, and in food and fuel supplies in many of the world’s poorest tropical coastal areas. A more subtle impact would be that of increased vulnerability. These same people, and others, even in coastal towns and cities, would become more exposed to risk from storms, flooding and the more subtle encroachment of sea level rise. Mangroves won’t stop these things, and its hard to pin exact numbers on the services, but the evidence that they help significantly is now very solid.

I assume you have visited many mangroves in your travels – what is it like to experience being in, on or around a mangrove? Any interesting stories from a field marine ecologist?

I just love getting into mangroves, wherever I am. It’s an escape to another world. To scramble, monkey-like through the 3-dimensional landscape of roots, with feet never touching the ground, or to paddle a canoe through apparently endless narrow channels, or even, in some places to snorkel at high tide and to watch fish at home in

World Atlas of Mangroves page detail

an underwater forest. And then to stay still and watch to intense activity across the full spectrum of marine and terrestrial life. There’s a sort of magic about it, it seems to break all our preconceptions of what the coast should be like, or the sea, or a forest!!!

What part do you see the Atlas playing in highlighting the cause of mangrove conservation?

There’s a lot of information out there about the importance and value of mangroves, but perhaps it’s suffered from being piecemeal. The case might have been made that each story was a one-off. This time we’ve read 1400 sources and had review comments from over 100 people. It’s no longer possible to ignore the patterns and I hope that it might be used, by academics, teachers, policy experts and NGOs, to really make the case. Mangroves are critical resources.

What would you suggest as the most important next action the world’s conservation organisations and political leaders should take if we are to see our mangroves flourish and to secure a happy future for their inhabitants and dependents?

I think for some, conservation organizations embracing habitat restoration and active plantation might be something of a new direction. For others working  to educate local communities on the values of mangroves, or to help them defend their mangrove from clearance or conversion might be new ground. For sure we could always do with more protected areas, but actually in this case the holistic vision might take us beyond that and into thinking about protection in other ways, such that we halt losses completely and start to increase habitat areas.

Another new direction will be seriously planning for climate change. That will mean thinking about what lies behind the mangroves and planning for movements and migrations as sediments move, and new land is inundated.

The World Atlas of Mangroves is available now from NHBS


Reefs and Mangroves Essential for Economic Growth in Dominican Republic

News from BirdLife International

A new report has been published which provides an analysis of the value of mangroves and coral reefs to the tourism and fisheries industry in the Dominican Republic.

Coastal Capital: Valuing Coastal Ecosystems in the Dominican Republic, released yesterday by the World Resources Institute (WRI) and Reef Check-Dominican Republic also looks at economic benefits of the Dominican Republic’s Jaragua-Bahoruco-Enriquillo Biosphere Reserve a popular and lucrative tourist destination.

photo: Yolanda León (Hawkbill juvenile at Jaragua-Barhoruco-Enriquillo Biosphere Reserve, Dominican Republic)

Read the full story

Visit the Jaragua-Bahoruco-Enriquillo Biosphere Reserve website – a project run by Grupo Jaragua, the BirdLife Partner in the Dominican Republic.

Visit the BirdLife Caribbean homepage

Buy the World Atlas of Mangroves at NHBS

photo: Ciro Albano; www.nebrazilbirding.com

Plus – good news! – click on the photo  for some more good news about rare birds from BirdLife International

Donation of ibis gives Middle East’s rarest bird renewed hope of survival

Northern Bald Ibis Geronticus eremita

Andy Hultberg; www.rarebirdsyearbook.com

News from BirdLife International

Until recently it was thought that this bird, so significant that it was once represented by its own heiroglyph, was extinct in the wild.

Then in 2002 a population was found in Syria – but last year that amounted to only three individuals raising one juvenile.

Now a unique effort is being made to bring this fascinating species back from the brink…

Read the full story at BirdLife International

Follow the progress of the birds at www.rspb.org.uk

New BirdLife International publication: Important Bird Areas of the Americas available to order from NHBS

The World Atlas of Mangroves

World Atlas of MangrovesThe choice of new books in stock at NHBS this week is inspiring in its variety. Our favourite has to be the World Atlas of Mangroves. The detail in this inventory of biodiversity, habitat area, habitat loss and economic value for mangroves in 124 countries is extraordinary and we salute this beautifully produced feat of data collation. Highly recommended.

Browse the July NHBS Newsletter to see all the latest highlights.

Five reasons you need a RememBird II – the new birding audio guide and wildlife sound recorder in one

Remembird II1. Record bird and wildlife sounds in the field

The RememBird II allows you to record bird sound in the field. It fits snugly below your roof prism binoculars and is easily operated by a simple joystick button contol. The microphone works in a continuous loop recording mode so that your RememBird is ‘always listening’ – so you don’t have to scramble to catch the beginning of the calls you hear.

2. Keep your eyes on the action

The RememBird has a second micropohone which allows you to whisper notes about what you’re watching without stopping to look down at your notebook.

3. Listen to region-specific audio field guides through the built-in speaker or using headphones

Each RememBird comes pre-loaded with a regional audio field guide: European (in English or French), North American or Australian.

Remembird II software4. Manage your wildlife field recordings

The sophisticated software (available for PC and Mac users) allows you to manage your wildlife recordings,  log and identify species heard and build your own audio field guides for use in the field.

5. The RememBird II builds on the huge popularity of the RememBird I – including new features designed with users’ feedback in mind

Praise for Remembird I

For the size of the package, the RememBird provides a remarkably good recording (definitely adequate for identification later) and a convenient way of recording those valuable field notes. – American Bird Association

A marvelous innovation to take us into the next new frontier of birdwatching. – Martin Garner

Its versatility and ease of rapid use will make a real difference both for the professional and for the serious birder… You will quickly come to see how useful this is and will want to make sure it’s always to hand. – Ricard Gutiérrez, www.rarebirdspain.net

Is it worth it? Yes. It’s great for recording on-the-spot details of sightings while at the same time helping you to get to grips with bird sounds. – Dominic Couzens, BBC Wildlife Magazine

Designed 100% for birders, it would also be fantastic on safari, especially at night, for listening to the sounds of the bush. Elephants’ rumbles, bush baby shrieks and leopard coughs would all come through beautifully. Wildlife Extra

Find out more about the RememBird II

The Winter Hare – An Interview with Wildlife Artist Andrew Haslen

The Winter Hare Jacket ImageWhat first inspired you to begin painting wildlife?

I have always been interested in the countryside. As a young boy I was always out in the woods and fields, watching wildlife, climbing trees or building dams across streams. As far back as I can remember I always liked to draw and paint, the two just naturally seemed to merge. I like to think I started like everyone else by colouring in, and just carried on.

How would you describe your style as it features in The Winter Hare?

I seem to have developed several different styles or ways of producing pictures, I think they have come about because I get bored easily and want to try new things. Also I am never really happy with my work, I tend to see all the things that are wrong rather than right and this makes me move on. The book shows most of the ways I work, from linocuts which are hand-coloured to drawings, watercolours and oil paintings.

Could you briefly tell the story behind this book and how it came about?

Image from The Winter HareSeveral people have been encouraging me to do a book for several years now. I have always liked the idea but put it on the back burner… When my dog found and brought home some orphaned leverets, which I reared to adulthood, it gave me the theme around which I could build the book. The young hares were only orphaned because of my dog! I think she was trying to mother them – when they arrived on the kitchen floor one Sunday morning they were quite wet from several good licks.  Because I had no idea where she had found them I was faced with the problem of looking after them. This proved quite eventful and took up much of my time over the following months but did give me the unique opportunity of drawing them at close quarters.

In the course of running The Wildlife Art Gallery I have designed books for other people but putting one together of my own work gave me fresh problems. In the past I just worked with the material I had available but with this book I was able to paint new pictures to fit a particular spaces which slowed things up considerably.

Image from The Winter HareHares, tortoises, dogs and cats, and many different birds, including a kingfisher and a green woodpecker – feature in this book.  Are there any pictures of which you are particularly proud?

I like to paint animals that are around me and sometimes that includes domestic animals or pets. As for pictures I am proud of I guess it would be the next one I am about to paint – it is always perfect until I start putting marks on the paper.

Your paintings are full of character and intimacy – how did you get the animals to sit still for so long?!

I always try to paint or draw the individual animal rather than to just produce the standard version of it. With the hares I was in an ideal position to do this as they were around me all the time allowing me every opportunity to capture them. Getting animals to sit still is always a problem – I think the secret is not to try and to just start drawing. If the animal moves before your sketch is complete then turn the page and move on. A half-completed drawing is better than one you have tried to complete from memory if you are unfamiliar with the animal.

Hares have such an important place in English folklore. Were you conscious of this during the process of raising the orphans, or was the experience rather more prosaic?

I have always been interested in hares, including all the folklore that surrounds them. At one time the idea for the book was revolving around this. In the end it never came about, but it may form the basis for another book in the future.

Image from The Winter HareWhat were some of the highlights of the experience? Any funny stories?

Rearing the hares was not always easy and they caused a lot of disruption to my life, but it was certainly a privilege. I don’t think there are many people who can say they have been boxed by a hare.  On several occasions I would be drawing one of them and he would jump onto my drawing pad and chew the end of my pencil.

You founded the Wildlife Art Gallery in Lavenham, Suffolk – what could people expect to see there?

The gallery was first opened in 1988 to show the work of contemporary wildlife artists. From the start the gallery seemed to take on a life of its own and over the last 22 years we have staged some exceptional exhibitions. During that time the type of work we show has evolved and if people visit the gallery today they will find a cross section of artists both past and present; painters, printmakers and sculptors working in the field of wildlife art or countryside-related subjects.

Who are your heroes in the wildlife art world?

‘Heroes’ is probably the wrong description because in most cases it is the work they produce which I admire. Many, like R. B. Talbot Kelly and Eric Ennion (Eric Ennion: One Man’s Birds; Eric Ennion: A Life of Birds), are no longer with us. I never had the opportunity to meet them so all I have is their work to look at and be inspired by. There are two living artists who have made an impact on how I look at painting. The first was back in the mid 80’s when I went to an exhibition of watercolours by Lars Jonsson. The second was Kim Atkinson who ran a painting holiday on Bardsley Island in which I took part in the early 90’s. In addition there are several members of the Society of Wildlife Artists to whom I have enjoyed talking, and whose work I enjoy.

I am also influenced by individual pictures and I particularly like work by book illustrators and printmakers from the first half of the 20th Century.

How do you feel about the current state of wildlife in Britain today, and what can people do to help?

I think the best way to help is to protect and increase habitat. I have tried at home in a small way to plan the garden with wildlife in mind, with areas left to go wild, and by planting trees and digging ponds.

Buy The Winter Hare now.

Visit the Wildlife Art Gallery website.