The Winter Hare – An Interview with Wildlife Artist Andrew Haslen

The Winter Hare Jacket ImageWhat first inspired you to begin painting wildlife?

I have always been interested in the countryside. As a young boy I was always out in the woods and fields, watching wildlife, climbing trees or building dams across streams. As far back as I can remember I always liked to draw and paint, the two just naturally seemed to merge. I like to think I started like everyone else by colouring in, and just carried on.

How would you describe your style as it features in The Winter Hare?

I seem to have developed several different styles or ways of producing pictures, I think they have come about because I get bored easily and want to try new things. Also I am never really happy with my work, I tend to see all the things that are wrong rather than right and this makes me move on. The book shows most of the ways I work, from linocuts which are hand-coloured to drawings, watercolours and oil paintings.

Could you briefly tell the story behind this book and how it came about?

Image from The Winter HareSeveral people have been encouraging me to do a book for several years now. I have always liked the idea but put it on the back burner… When my dog found and brought home some orphaned leverets, which I reared to adulthood, it gave me the theme around which I could build the book. The young hares were only orphaned because of my dog! I think she was trying to mother them – when they arrived on the kitchen floor one Sunday morning they were quite wet from several good licks.  Because I had no idea where she had found them I was faced with the problem of looking after them. This proved quite eventful and took up much of my time over the following months but did give me the unique opportunity of drawing them at close quarters.

In the course of running The Wildlife Art Gallery I have designed books for other people but putting one together of my own work gave me fresh problems. In the past I just worked with the material I had available but with this book I was able to paint new pictures to fit a particular spaces which slowed things up considerably.

Image from The Winter HareHares, tortoises, dogs and cats, and many different birds, including a kingfisher and a green woodpecker – feature in this book.  Are there any pictures of which you are particularly proud?

I like to paint animals that are around me and sometimes that includes domestic animals or pets. As for pictures I am proud of I guess it would be the next one I am about to paint – it is always perfect until I start putting marks on the paper.

Your paintings are full of character and intimacy – how did you get the animals to sit still for so long?!

I always try to paint or draw the individual animal rather than to just produce the standard version of it. With the hares I was in an ideal position to do this as they were around me all the time allowing me every opportunity to capture them. Getting animals to sit still is always a problem – I think the secret is not to try and to just start drawing. If the animal moves before your sketch is complete then turn the page and move on. A half-completed drawing is better than one you have tried to complete from memory if you are unfamiliar with the animal.

Hares have such an important place in English folklore. Were you conscious of this during the process of raising the orphans, or was the experience rather more prosaic?

I have always been interested in hares, including all the folklore that surrounds them. At one time the idea for the book was revolving around this. In the end it never came about, but it may form the basis for another book in the future.

Image from The Winter HareWhat were some of the highlights of the experience? Any funny stories?

Rearing the hares was not always easy and they caused a lot of disruption to my life, but it was certainly a privilege. I don’t think there are many people who can say they have been boxed by a hare.  On several occasions I would be drawing one of them and he would jump onto my drawing pad and chew the end of my pencil.

You founded the Wildlife Art Gallery in Lavenham, Suffolk – what could people expect to see there?

The gallery was first opened in 1988 to show the work of contemporary wildlife artists. From the start the gallery seemed to take on a life of its own and over the last 22 years we have staged some exceptional exhibitions. During that time the type of work we show has evolved and if people visit the gallery today they will find a cross section of artists both past and present; painters, printmakers and sculptors working in the field of wildlife art or countryside-related subjects.

Who are your heroes in the wildlife art world?

‘Heroes’ is probably the wrong description because in most cases it is the work they produce which I admire. Many, like R. B. Talbot Kelly and Eric Ennion (Eric Ennion: One Man’s Birds; Eric Ennion: A Life of Birds), are no longer with us. I never had the opportunity to meet them so all I have is their work to look at and be inspired by. There are two living artists who have made an impact on how I look at painting. The first was back in the mid 80’s when I went to an exhibition of watercolours by Lars Jonsson. The second was Kim Atkinson who ran a painting holiday on Bardsley Island in which I took part in the early 90’s. In addition there are several members of the Society of Wildlife Artists to whom I have enjoyed talking, and whose work I enjoy.

I am also influenced by individual pictures and I particularly like work by book illustrators and printmakers from the first half of the 20th Century.

How do you feel about the current state of wildlife in Britain today, and what can people do to help?

I think the best way to help is to protect and increase habitat. I have tried at home in a small way to plan the garden with wildlife in mind, with areas left to go wild, and by planting trees and digging ponds.

Buy The Winter Hare now.

Visit the Wildlife Art Gallery website.


NHBS Country Guide: Costa Rica – June 2010

Colourful Costa Rica! From the dramatic cloud forests and volcanoes of the Andean-Sierra Madres to the Northern Lowlands and the spectacular coasts, Costa Rica remains one of the most popular destinations for ecotourism in the world today.

Wildlife of Costa Rica Jacket ImageThis compact new guide to the wildlife of Costa Rica is the perfect general field guide for spotting wildlife in this haven of biodiversity.

Featuring all the mammals, birds, reptiles, amphibians, and arthropods that one is likely to see on a trip to the rainforest (as well as those secretive creatures such as the jaguar that are difficult to glimpse), The Wildlife of Costa Rica is the guide to have when encountering trogons, tapirs, and tarantulas. In addition to providing details for identifying animals along with interesting facts about their natural history, this guide offers tips for seeing them in the wild. Costa Rica, a peaceful nation with many and diverse animal species, is one of the best places in the world for wildlife watching and nature study.

View book details

Browse our new Costa Rica country guide

Essential Ornithology – A Reader’s Review

A review of Essential Ornithology by Birdbeginner (UK)

Reader Rating: Essential Ornithology Jacket Image

Your Comment:

“Fabulous & essential reading.”

Your Review:

“Well presented and easy to understand, yet packed with knowledge and without the jargon. Essential text for anyone wanting a greater understanding of birds and bird behaviour. Just buy it to see what I mean – I love it!”

Which one word best describes what you think about this product?

“Brilliant.”

Insectopedia – An Interview with Hugh Raffles

Insectopedia Jacket Image

We asked Hugh Raffles, author of Insectopedia, to give us a glimpse into the intriguing  subject matter of his new book. Here’s what he had to say:

What inspired you to write about insects?

Insects are fascinating. They exist in vast numbers and extraordinary diversity, and they’re ecologically and economically vital. They elicit intense and intensely ambivalent feelings from us – do they think? Do they feel? We’re not sure. Yet, as Elias Canetti put it, they’re “outlaws” and we kill them not just with impunity but, often, satisfaction. They’re mysterious, powerful, and our relations with them are very complicated. I find that a pretty inspiring combination.

What is your earliest insect memory?

When I was little, we used to go to Norfolk for a few weeks every summer. My mum would put a jam jar part-filled with water on our kitchen windowsill. Attracted by the jam, the wasps would land on the rim and fall into the trap. I’d watch for hours, fascinated but immobilized – too scared to rescue them but horrified by their struggles. I’m sure I had happier insect encounters, but that’s the one that’s stayed with me all these years!

Tell me about ‘mushi-eyes’ and ‘konchu-shonen’ – do you now have them, and are you one?

‘Konchu-shonen’ (insect-boy) and ‘mushi (insect)-eyes’ are terms I learned in Japan while researching the chapter on Japanese beetle collecting. I was fascinated to discover that so many celebrated Japanese artistic figures, including pioneers of anime and manga such as Tezuka Osamu and Hayao Miyazaki, had been obsessive insect-lovers as children. Once you know that, you see it clearly reflected in their work. Yoro Takeshi, a well-known neuroanatomist and popular writer in Japan, was also a ‘konchu-shonen.’ He told me that spending time with insects gives you ‘insect-eyes’ – an enhanced sensitivity to small differences, to the individuality of plants, animals, and people, and to the existence of multiple, intersecting worlds. I came to a love of insects pretty late in life but like to think I developed a little mushi-vision over the course of writing this book.

The chapters in Insectopedia are as much about people as they are about insects. Do you draw any parallels?

I’m wary of drawing these kinds of parallels. It’s too easy to project our dreams and ideologies onto animals and find the lessons that suit our purpose. I’m an anthropologist, not an entomologist and I like to explore the worlds that humans and insects create together in our entwined lives on this planet. There’s a lot to learn about both people and insects from looking closely at these connections. One of the things I’ve loved about writing this book has been meeting people who are deeply connected to insects, maybe as artists, musicians, farmers, scientists, or collectors, and learning about insects through their experience. That’s been very inspiring.

Which is your favourite story from the book?

My favorite fieldwork was in Shanghai, meeting people who trained crickets to fight and going to the casino to watch the battles. My favorite story though is about Yajima Minoru, a prominent and innovative designer of Japanese insect zoos. Mr. Minoru was present during the bombing of Tokyo in 1945. As we know, the destruction was immense, more people were killed in the raids and the firestorm they generated than in the nuclear explosions at Hiroshima and Nagasaki. Mr. Minoru describes wandering dazed through the smouldering city among the traumatized population, in deep shock and despair. Then, in a crater, half-filled with water, he sees a dragonfly perched on a floating twig, laying her eggs. He takes it as a sign of rebirth amidst the rubble. The sight of this insect tells him that there’s a possibility of overcoming the nightmare and that there’s still a future to live for. This was a dramatic and moving story, but it wasn’t unusual to meet people who found in insects similar emotional strength and also refuge from difficult personal experiences.

If you could be an insect for a day, which would you be?

One of the 24-hour adult mayflies. I could live my entire life in the time allotted!

You obviously have a great love of diversity – have you always been a collector of specimens?

I do love the diversity of insects but I’m not actually a collector of specimens. I have a low-level kleptomania that makes it hard for me not to pick up stones, shells, dead insects, and other little things, and I have a desk cluttered up with that kind of stuff. But I’m not attracted to the killing and manipulation that’s involved in collecting. And, in fact, I’m not really attracted to collections. As I say somewhere in the book, they remind me of mausoleums – the transformation of living beings into aestheticized objects makes me a bit uneasy.

I was speaking metaphorically. The book is like a cabinet of curiosities and your interests so far-reaching…

Oh, that kind of collector! Yes, I do have some of that early modern curiosity. Happily, insects are everywhere and I had a lot of fun following them into unexpected and obscure places, and along the way learning about all kinds of topics about which I knew very little.

Does Insectopedia have an overall message?

It may sound clichéd, but I think of the book as a journey. It’s an exploration into our deep and varied connections with one part of the natural world. More than anything, I hope it creates reflection and helps people look at insects with slightly different eyes and slightly different feelings. If there is a message, it’s one that we already know: We’re all in this together!

What are your favourite natural history books?

I have a fondness for 19th-century naturalists which I developed when I was writing my first book, In Amazonia: A Natural History. I especially like Henry Walter Bates’ A Naturalist on the River Amazons and Alfred Russel Wallace’s Travels on the Amazon and Rio Negro. Both books offer such a strong sense of first-hand experience and the unfolding struggle to understand the totality of a world so different from the one these two men left behind in England.

Who are your heroes in your field?

I hope this doesn’t sound arrogant but I don’t have heroes. However, I’ve come away from this book full of admiration for many of the people I spent time with. One of them is Cornelia Hesse-Honegger, a Swiss artist who, for more than 30 years, has been painting tiny insects she’s collected close to nuclear power plants around the world and is convinced that the high incidences of deformities she’s found are the result of low-level radiation. Her paintings are beautiful and disturbing and her discoveries should make us hesitate in the current rush to embrace nuclear power as a “green” energy source.

If you could spend a month working in another field, which would you choose?

I’d have to say marine biology. It’s always been my fantasy to spend time in the deep ocean. It might be the only landscape on this planet even more alien than the land of insects!

What will you be working on next?

I’m starting research on a book about rocks and stones. It’s a big project and I’m looking forward to getting going. Last summer I began some fieldwork in China and in a few weeks I’ll be going to the UK to visit a few megalithic sites. I’m very excited about it!

Buy Insectopedia now.

Visit Hugh Raffles’ Insectopedia site.

Silent Summer: Editor Interview

Norman Maclean, editor of the best-selling Silent Summer Jacket ImageSilent Summer, talks to NHBS about his career, early home-grown experiments with nature conservation and the state of wildlife policy in Britain today.

What first inspired you to pursue your field of study, and how old were you?

I have been interested in wildlife since my earliest years (aged 6), being brought up amongst fields and farms on the outskirts of Edinburgh. I was equally interested in insects, birds, mammals and fish. My parents were very tolerant of my rearing caterpillars, beetles, field mice and newts at home, mostly in my bedroom.

What were the books that inspired you when you were young?

The books of Richard and Cherry Kearton on Nature Photography in St. Kilda and elsewhere.

“Direct From Nature: The Photographic Work of Richard and Cherry Kearton” by John Bevis.

Later, “Silent Spring” by Rachel Carson.

What is your all time favourite natural history book?

Gilbert White’s “Natural History of Selborne”.

Who are your heroes in the field?

Gilbert White, Charles Darwin, Gregor Mendel, David Attenborough.

How do you split your time between the field and your writing projects?

You might call me a polymath. Academically, I am Professor in Molecular Genetics, but I have strong hobby interests in wildlife, trout fishing, playing tennis, gardening, antiquities and travel.

How has your core understanding of the subject changed since you began your research?

Enormously. As a geneticist I have lived through 50 years of amazing discovery and change. In terms of wildlife, ecology and conservation I have always been a keen field biologist and have taught on student field courses in Southern Spain for over 20 years. I have also been witness to the alarming decline in insects and some birds and mammals. I have studied wildlife in over 50 countries worldwide, seeing the destruction of so much natural habitat, yet savouring the riches of what is left.

What has been the highlight of your career so far?

My main research topic is gene regulation, and I and my research group have made some signicant discoveries in this area. Maybe my proudest moment in youth was discovering the first breeding of the Golden Plusia moth in Scotland when I was twelve – confirmed by letter from the Edinburgh Museum of Natural History.

What do you consider to be the most interesting current developments in your field of study?

In genetics the sequencing of the genomes of many species including humans, and in conservation biology the return to the UK of breeding cranes, red kites, otters, pine martens and others.

Which current issues in conservation do you feel have the biggest impact on your field, and how would like to see these dealt with?

The realization that you cannot effectively conserve wildlife in the UK by making fences round reserves and letting nature take its course.  Ecologically speaking, almost all of Britain and Ireland has been moulded by human interference and activity so our future responsibility lies in the active management of wildlife, including judicious culling where necessary.

How would you like to see your field develop in the future?

With increased political prioritization of wildlife conservation and the preservation of what remains of the countryside. We must urgently control further human population increase and resist further demands on space, water supplies, energy supplies and contributions to global warming. We should all be prepared to reduce our own standards of living in order to improve those of the other species with which we share the planet.

Where will you be taking your next study trip?

Ethiopia.

What will your next book be?

I don’t know. Any ideas welcome!

If you could spend a month working in another field, which would you choose?

Ancient History.

How would you encourage young people who might be interested in pursuing a career in your field?

Get a degree in biology or genetics at a reputable university and learn your own fauna and flora.

Get your copy of Silent Summer today

Guide to Robinson Moth Traps

Robinson Moth Traps are the preferred choice amongst many serious entomologists because they offer the highest attraction and retention rates. There are various models available and NHBS offers a comprehensive range – we’ve put together this guide to Robinson Moth Traps to help you choose the right model. We have also included our top tips to improve the efficiency of your Robinson Trap in use.

Robinson Moth Traps are the preferred choice amongst many serious entomologists because they offer the highest attraction and retention rates.  There are various models available and NHBS offers a comprehensive range – we’ve put together this guide to Robinson Moth Traps to help you choose the right model. We have also included our top tips to improve the efficiency of your Robinson Trap in use.

Similarities

NHBS sells a variety of Robinson moth trap types, varying in both price and specifications.  However, before we get into the differences, let’s consider their similarities.  All our Robinson traps are;

  • Supplied fully wired so you can start using them straight away
  • Fitted with an IP56 waterproof control box housing the appropriate chokes and capacitors
  • Supplied with a bulb (either mercury vapour (MV) or actinic depending on the trap chosen)
  • Supplied with 240V electrics (including 3-pin plug) or 12V battery powered electrics
  • Fitted with a rain guard for the mercury vapour bulb (MV Robinsons only)
  • Fitted with flight interception baffles
  • Complete with drainage hole in centre of base (holes are either too small to allow moths to escape or fitted with gauze)

Differences

Before we analyse each trap individually, remember that any one of these traps will attract moths in large numbers.  Robinson moth traps fitted with mercury vapour bulbs are the most successful traps for attracting and retaining moths.  On a very good night you can expect 500 – 1000 moths.  So, what are the types of Robinson we offer?

NHBS Robinson moth trap

NHBS Robinson moth trap:  we’ve specially designed this trap to make it as cheap as possible for those on a budget or those new to mothing.  Robinson moth traps aren’t cheap and we’ve done all we can to reduce the price.  That said, the electrics are still the same as the other Robinson moth traps and it will still attract large numbers of moths.

Standard Robinson moth trapStandard Robinson moth trap:  this long-term favourite is our most popular design and combines a superb design with affordability.  It is larger and more robust than the NHBS Robinson but lacks one or two features of the Heavy Duty Robinson.  This trap is an excellent choice for both professionals and enthusiasts.

Heavy Duty Robinson moth trapHeavy Duty Robinson moth trap:  this trap is robust and durable, making it ideal for prolonged use.  It combines many great features of a Robinson trap to provide a durable design.

60W Actinic Robinson Moth Trap

60W Actinic Robinson moth trap: this Robinson moth trap has actinic electrics rather than mercury vapour electrics.  It also has the same components and dimensions as the Standard Robinson moth trap.

Midi Robinson moth trap

Midi Robinson moth trap: the Midi Robinson moth trap is the latest edition to the NHBS range of Robinson moth traps.  It has the smallest dimensions of any Robinson moth trap and is available in either a Mercury Vapour or Actinic version.

Actinic vs Mercury Vapour

When choosing between mercury vapour and actinic electrics, there are several general rules to consider.  Mercury vapour bulbs will attract the largest amount of moths.  However, they are also quite bright.  If using the trap in a small back garden, you may want to opt for actinic electrics.  These produce less light and so are less likely to annoy the neighbours.  Mercury vapour bulbs run hot and so need to be protected from the rain to avoid shattering.  All our mercury vapour Robinson traps come with a rain guard as standard.  Actinic bulbs do not run hot and so do not need protecting from the rain. 

If you decide on actinic electrics, then you can choose between the 60W Actinic Robinson and the Actinic Midi Robinson.  The 60W Actinic Robinson is essentially the same trap as our Standard MV Robinson moth trap, but has 2 x 30W actinic bulbs that run off a mains supply or generator.  The Actinic Midi Robinson is smaller than the 60W Actinic Robinson.  The Midi has 1 x 15W actinic bulb that is designed to run off a 12V battery.  Thus it is much more portable as it does not have to be plugged into mains electrics, but won’t attract as many moths as it’s not as powerful.

If It’s Mercury Vapour You Want…!

If you decide on a Mercury Vapour Robinson moth trap, then NHBS has a range of options to cater for various situations and budgets.

Small is Beautiful

For those wanting the cheapest mercury vapour Robinson trap available, the MV Midi Robinson is the trap for you.  But just because it is the cheapest, it doesn’t mean the quality of the trap has been compromised.  Essentially it is the same trap as our best seller, the Standard Robinson moth trap, but with a few alterations to reduce the price.  Firstly, it’s smaller with a base diameter of 45cm compared to the 60cm base of the Standard Robinson trap.  This makes it more portable but means there’s less space for moths – a potential consideration if trapping on the busiest of nights.  The Midi Robinson has an 80W MV bulb, as opposed to the other MV Robinson traps that all run 125W MV bulbs.  This means the Midi is less powerful and so may attract fewer moths.  However, the build quality and components used are identical to those used on the Standard Robinson moth trap, so the Midi will still provide a durable and effective method of trapping moths.

125W MV Robinson Moth Traps – One of Three to Choose!

If you’ve decided against an actinic Robinson, and consider the Midi Robinson to be too small, or just simply want the most powerful Robinson trap available, then it’s a 125W MV Robinson you’ll be wanting!  There are three 125W MV Robinson traps to choose between; NHBS MV RobinsonStandard MV Robinson, and the Heavy Duty Robinson.  

When choosing between these three types of trap, you may want to consider the following;

Trap Electrics

125W MV moth trap electricsAll three trap designs fundamentally have the same 240V electrics with all the necessary chokes, capacitors, etc included.  As they all run a 125W mercury vapour bulb, there won’t be any noticeable differences in light intensity or attraction rates of moths.  Where they do differ is in the cable lengths.  The NHBS Robinson has a short input cable (that runs from the mains plug to the waterproof control box) of approximately 1.5 metres.  The Standard Robinson has approximately 5 metres of input cable, whilst the Heavy Duty Robinson has 15 metres of input cable.  So, you’ll probably need an extension cable for use with the NHBS Robinson.  The output cable (that runs from the control box to the bulb) is short for all three designs (1 – 2 metres).

Base

The bases of all three traps are made of black plastic and have drainage holes.  The NHBS Robinson has a smaller diameter base (approx. 50 cm) compared to the other two designs (approx. 60 cm).  Therefore, the NHBS Robinson has a smaller area for moth retention.  The base of the Heavy Duty Robinson is particularly durable and has a drainage hole fitted with gauze.  The Standard Robinson also has a drainage hole with gauze covering, whilst the NHBS Robinson has small holes drilled into the base to provide drainage.  All of the bases can be easily repaired in the event of minor cracks and breakages.

Collar

The collar of the NHBS Robinson is made of 3 mm black plastic and cannot be removed from the base.  Therefore, you won’t be able to see into the trap whilst it’s on, but the thick plastic will last for many years.  The collar of the Standard Robinson is made of 3 mm thick clear plastic and can be removed from the base.  You’ll be able to see inside whilst the trap is on.  The collar of the Heavy Duty Robinson is also made of 3 mm thick clear plastic and is removable from the base.  As you can remove the collars on the Standard and Heavy Duty Robinson, you can stack the bases into each other (for bases of the same model) for storage.  The collar of the NHBS Robinson is not removable so traps cannot be stacked inside each other.  The collars on all three traps are made of UV stable plastic and will be more resistant to brittleness; a common complaint for less robust collar designs.

Cone and Rain Guard

Spare cone for Standard Robinson moth trapAll three trap designs have a white cone and rain guard.  The NHBS and Heavy Duty Robinson traps have similar designs of cone with three flight interception baffles and a sturdy rain guard design which screws tight for rigidity.  The Standard Robinson has four flight interception baffles that are slightly more prominent in profile.  The rain guard, whilst having four supports, does not screw down for security.  Therefore, in high winds it may be prone to being blown over; although if high winds are predicted it’s unlikely you’ll be using the trap anyway!

If you’ve got any other questions regarding the three trap types then please contact customer services.

Hints and Tips

Regardless of the Robinson design, there are several ways to improve the efficiency of your Robinson moth trap.

  1. The majority of adult moths are nectar feeders, so site your trap in areas full of native plants.  Make your garden into a wildlife haven and you’ll hopefully see a big increase in moth numbers.  You may have to accept increased damage to your plants as you should avoid the use of pesticides.
  2. Improve the attractiveness of your garden by using plants that release their strongest scent during the evening, such as nicotinia and night-scented stock or honeysuckle.
  3. Cold, clear nights (especially following a period of milder weather) will reduce the numbers of moths available for trapping.  Cloudy, warm nights are best, especially as it tends to be darker on cloudy nights and so less light pollution will be competing with the trap light.
  4. Avoid trapping on bright nights with a full moon or near other sources of light, e.g. street lamps.
  5. Avoid windy or wet nights as moths are less inclined to fly and to avoid damage to the trap.
  6. If air masses are moving up from the South, southern coastal areas of the UK may see increased numbers of migrants being blown over from the continent.
  7. Peak mothing months are July and August.  However, moths may be seen in substantial numbers at other times of the year, especially in rural areas.

Remember to think about the moths too!  Avoid trapping on consecutive nights in small gardens as you may be trapping the same moths, thus preventing them from feeding and mating.  You can reduce the chance of re-trapping the same moths by releasing moths at least 50 metres from the trap site.  Ideally release the moths into dense vegetation so that they have a daytime refuge from predators.  If leaving the trap overnight, try and check it early in the morning.  Occasionally you may find wasps and hornets in the trap.  Wasps may kill moths and hornets will eat them, but both wasps and hornets are docile in the morning so can be removed with minimal effort.  Avoid trapping near known hornets nests.  If you can’t inspect your trap until later in the day, ensure it is in a shady area and place a damp cloth or sponge in the bottom of the trap to reduce the chances of dehydration.

Trap Components

We also provide trap electrics, bulbs and individual trap component separately.  Not all components are listed on the website, so if you can’t find what you’re looking for then get in touch with customer services.  Similarly, if you have any other questions then please get in touch.

Celebrating 60 years and Counting of the Longworth Mammal Trap

The Longworth mammal trap was invented in 1949 and is celebrating over 60 years of service. As the most widely used and respected small mammal trap in use in Europe, it is familiar to many of us. But how well do you actually know it? Read on for some facts on the Longworth trap you may or may not know!

The Longworth mammal trap was invented in 1949 and is celebrating over 60 years of service.  As the most widely used and respected small mammal trap in use in Europe, it is familiar to many of us.  But how well do you actually know it?  Read on for some facts on the Longworth trap you may or may not know!

Why is it called the Longworth trap?

Longworth TrapUnfortunately it’s not because Mr Longworth invented it.  The Longworth trap was invented by Chitty & Kempson (1949).   At the time they were working at the Department for Zoological Field Studies at the University of Oxford.  They arranged commercial production through another Oxford-based organisation, the Longworth Scientific Instrument Co. Ltd, and the trap took the same name.  The Longworth Scientific Instrument Co. was founded in 1943 by another group of Oxford academics.  Personnel from the Department of Anaesthetics formed the company to manufacture technical medical equipment such as the Macintosh Laryngoscope.  As the Longworth trap required similar manufacturing processes, it made sense for the Longworth Co. to manufacture Chitty & Kempson’s trap.  Due to its strong geographical links, you may also have heard the Longworth trap called the Oxford trap, although a prerequisite for this is a long memory, even longer beard and elbow patches!

Are Longworth traps good for sampling shrews?

Longworth trap with shrew holeTraditionally there has been a belief that pitfalls rather than small mammal traps such as the Longworth should be used for catching small shrews (e.g. Williams & Braun, 1983).  However, recent evidence may suggest that this is not always the case (e.g. Anthony et al., 2005).  Every trap design will introduce some type of bias, so the key is to ensure as fair a test as possible.  Comparing two datasets obtained using different trap designs will obviously introduce error.  If you are particularly concerned about small shrews then consider using Longworth traps in tandem with pitfall traps (using drift fences with the pitfalls will generally increase success).  Remember that vegetation type and even trap age may possibly influence trap success.  The fact that Longworth traps are incredibly durable with many still in use after 30 years of service makes them ideal for repeat long term surveys.  And remember, you won’t catch any small shrews with the Longworth trap with optional shrew escape hole!

How do I bait the trap?

The bait smell will initially attract the mammal to the trap so try to handle the bait as little as possible, especially if you’ve got smLongworth trapelly (perfumed or otherwise!) hands.  Shrews and other insectivorous mammals will need invertebrates; try blowfly pupae available from fishing tackle shops.  Otherwise seeds, raisins, barley, oats or even chocolate will do.  By using fruit or vegetables (apples and carrot can work well), you can also provide an essential source of water for the trapped mammal.  The type of bait used is probably of little importance in trap success (Sealander & James, 1958), and by using the same bait in all traps the effect of bait type will be nullified.

Acclimatising mammals to the trap is particularly important, especially when sampling more timid species.  The Longworth is ideal for this as it can be set not to trigger when an animal enters.  Bait the trap in the ‘non-trigger’ setting and leave for several days for this acclimatisation to occur.  But remember, by doing this you may attract other individuals from surrounding areas and inflate population density estimates.

Also remember to provide some bedding in the trap; hay or shredded paper work best.  If using leaves (or indeed anything else), make sure they are dry as damp nest material can chill the animal.  Change the bedding after every capture to ensure a dry clean trap for the next unlucky victim.

Where should I place the trap?

Place the trap in a sheltered secluded location, ideally in thick vegetation, but make sure you can find it again.  A bright marker on the trap can aid location of it but can also make it more conspicuous to the public.  Place the leading edge of the trap flush with the ground to encourage animals to enter.  Ensure the nesting box is at a slight angle to encourage urine to drain away.  When placing the trap, look out for signs of mammal activity (droppings, runs through vegetation, chewed food, etc).  These are unlikely to be in the middle of clearings as small mammals tend to prefer margins, hedges, etc.  Usually multiple traps will be deployed.  By deploying in a grid formation you will get a better idea of population density, whilst straight line deployment is useful for covering a cross section of habitats or following linear features (hedgerows, boundaries, etc).

Is there a cheaper alternative?

Mammal Trip-TrapLongworth traps are expensive and the initial cost of buying the traps can be high.  However, it is worth remembering than Longworth traps will last decades if looked after properly so the cost of the trap over its lifetime is actually quite cheap.  Nevertheless, a cheap alternative is the Mammal Trip-Trap.  This is a simpler trap to the Longworth and designed for occasional use.  It is made from robust plastic rather than the Longworth’s aluminium, but also features a trapping tunnel and nest box.  However, as woodmice have on occasion been known to chew through the aluminium on a Longworth trap, the plastic trip-trap may be severely damaged unless checked very frequently.

Longworth trapWhichever trap you use, remember to check them at least every 12 hours (and even less for shrews as they are particularly prone to mortality in traps).  You also need a licence to trap shrews.  If you have any other queries on the Longworth trap or Trip-Trap then please get in touch.

References

Anthony NM et al. (2005) Comparative effectiveness of Longworth and Sherman live traps. Wildlife Society Bulletin 33: 1018-1026
Chitty D & Kempson (1949) Prebaiting small mammals and a new design of live trap. Ecology 30: 536-542
Sealander JA & James D (1958) Relative efficiency of different small mammal traps. Journal of Mammalogy 39: 215-223
Whittaker JC & Feldhammer (2000) Effectiveness of three types of live trap for Blarina (Insectivora: Soricidiae) and description of new trap design. Mammalia 64: 118-124
Williams DF & Braun SE (1983) Comparison of pitfall and conventional traps for sampling small mammal populations. Journal of Wildlife Management 47: 841-845

Five FAQs About Attracting Birds to Your Nest Box

We’ve put together some answers to the most Frequently Asked Questions (FAQs) about bird nest boxes – follow this basic advice to ensure birds take up residence in your nest boxes.  You can browse the full range of nest boxes we sell online and if you’re keen to find out more – check out the BTO Nestbox Guide, it’s packed with essential information.

When is the best time to put up nest boxes?

Barn Owl Nest BoxTraditionally people have put up nest boxes in the early Spring so they are ready for the breeding season.  However, there really is no ‘best’ time to put up nest boxes.  By putting up nest boxes in the Autumn you can provide much needed winter refuges for roosting birds and increase the chance of them staying and nesting.  However, any box erected before the end of February stands a good chance of being occupied.  Even after February there is still a chance of occupancy.  Tits have been known to move in during April and house martins as late as July.  Whatever the time of year the box is erected, it is likely to be used for roosting so shouldn’t stay unoccupied for long.  Therefore, put your nestbox up as soon as it is available rather than leaving it in the shed!

Where should I put my nest box?

When it comes to nest boxes, the ‘where’ is much more important than the ‘when’.  Nest boxes must provide a safe comfortable environment, free from predators and the worst of the weather.  This may be difficult to achieve; a safe location out of reach of predators may also be exposed to the weather, so have a good think before you start bashing nails in.

Tree Creeper Nest BoxNest boxes can be fixed to walls, trees or buildings.  Fixing to artificial surfaces means the growth of the tree does not have to be considered (Schwegler nest boxes last at least 20-25 years; a significant amount of time in the life of a small tree).  If you’re planning any building work, remember that some Schwegler bird and bat boxes can also be built directly into walls and roofs.  Nest boxes placed on poles can be exposed to the weather.  Locating boxes out of reach of predators is virtually impossible (weasels can climb almost anything), but you can make it harder for the predator.  Boxes in gardens must be located where cats cannot get to them, making walls a better option than trees.  Prickly or thorny bushes can also help to deter unwanted visitors.  Some nest boxes also have anti-predator designs (e.g. Schwegler’s Tree Creeper nest box).  Avoid nest boxes that have a combined bird feeder, and even avoid placing your nest box too close to a feeder.  Visitors to the feeder will disturb the nesting birds and the feeder will attract unwanted attention from predators.

For many species the height of the box is not crucial.  However, by placing it at least several metres off the ground you can help prevent predators and human interference.  The direction of the entrance hole is not important; it is far better to ensure a clear flight path to the box.  Crucially, the box should be sheltered from the prevailing wind, rain and strong sunlight, so in most UK gardens aim for an aspect of northerly, easterly or south-easterly.  If possible, position the box with a slight downward angle to provide further protection from the rain.  Wherever you position the box, try to ensure that you can still get access to it for maintenance.  And finally, if possible, try to put it somewhere where you can see it so as to maximise your enjoyment of watching wild birds in your garden.

Is there anything else I can do to deter predators?

Forest Nest BoxAs already mentioned, location is the most important factor when trying to deter predators.  Whilst some mammals can climb walls, a blank wall is as safe a place as any.  Ensure that the box cannot be reached by a single jump from a nearby branch or the ground.  Box design can also help deter predators.  An entrance hole reinforced with a metal plate will prevent grey squirrels and some avian predators from enlarging the hole and gaining access to the nest.  Schwegler’s wood-concrete boxes are too hard for any predator to break through.  However, you can also reinforce a nest box yourself with metal and plastic sheeting, or even prickly twigs.  Not only can these prevent predators from getting to or finding purchase on the nest box, but they can also help insulate the box from the weather.  Deep boxes may prevent predators reaching in and grabbing nest occupants, although some tits have been known to fill up deep boxes with copious quantities of nesting material.  An overhanging roof will also help prevent predators reaching in.  If using open-fronted nest boxes, a balloon of chicken wire over the entrance can prevent some predators gaining access, although weasels will still be able to slip through.  If you live in an urban area, cats are likely to be the most common predator.  Gardeners have long since used various methods to exclude these unwanted visitors, such as pellets, electronic scarers and even lion dung (available from your nearest obliging zoo), all with varying degrees of success, so you may want to do some experimenting.

How do I manage the nest box?

A well-designed nest box will only need one annual clean in the Autumn.  Do not clean out nest boxes before 1st August as it is against the law and boxes may still be occupied.  Wait until Autumn and then remove the contents of the box, checking first that the box is definitely unoccupied.  Scatter the contents of the box on the ground some way from the box to help prevent parasites re-infesting the nest box.  Use a small brush or scraper to remove debris from the corners.  Do not wait until the winter to clean out nest boxes as birds may already be roosting in them.

How many nest boxes do I need?

The exact amount of boxes required will depend on the species and the surrounding habitat.  As a very general rule of thumb, start with ten assorted small boxes per hectare (ensure uniform spacing between boxes).  Keep adding several more boxes each season until some remain unused and hopefully you’ll hit on the correct density of boxes.  However, even if you only have space for one box, remember that one box is better than no box (providing it’s suitably located).  Many UK bird populations have plummeted to worryingly low levels and they need all the additional nesting habitat they can get.

Further information about individual nest boxes, including advice on positioning, can be found alongside each nestbox in our range.  If you have any other questions then please get in touch with customer services.

Save 22% on the Latest New Naturalist

For a short time only, save 22% on the latest volume in the legendary New Naturalist series – Books and Naturalists. This volume, number 112 in the series, will be published in early February 2010 – order your copy today.

Natural history, perhaps more than any other pursuit or study, has always relied very heavily on books to help it develop and gain momentum. Without a way of defining and categorizing the many thousands of species of plants and animals, the subject could not exist as it does today. In Books and Naturalists, Dr. David Allen explores the world of nature publishing through the course of history, from its very early days in the dawn of publishing, through various significant new discoveries and into the birth of the New Naturalist series itself, highlighting the extraordinary personal stories behind many seminal works.

We are pleased to offer great savings on this book – order your copy today and save 22%!

Browse the New Naturalist series

Set up a Standing Order for future volumes in the New Naturalist series

Collins Bird Guide – New Edition Now in Stock at NHBS!

The new second edition of the classic Collins Bird Guide has now arrived at NHBS – get your copy today

Covering Britain and Europe, this book provides all the information needed to identify any species at any time of year, with detailed text on size, habitat, range, identification and voice. Accompanying every species entry is a distribution map and colour illustrations (over 3500 in all) to show the species in all the major plumages (male, female, immature, in flight, at rest, feeding).

The Collins Bird Guide is written by Lars Svensson, one of Europe’s leading ornithologists (with translation by David Christie), and illustrated by two of the world’s finest bird illustrators – Killian Mullarney and Dan Zetterstrom.

View internal images from this book