The RSPB Big Garden Birdwatch 2024

Blue Tit on a branch

For the past 45 years, the RSPB has been running one of the largest citizen science projects in the world, the Big Garden Birdwatch. Every January more than half a million people take to their gardens, parks and balconies to count the birds they see. This huge dataset has allowed the RSPB to create a comprehensive picture of how our local birds are faring, and to examine changes in both abundance and distribution over time.

This year’s Big Garden Birdwatch will take place from the 26th to 28th January and anyone can sign up to take part – all it takes is an hour of your time to record the birds you see in your area and send these results to the RSPB. They will then collate all of the data and publish the results in spring.

How to take part in the Big Garden Birdwatch

    • Sign up on the RSPB website 
    • Find a good spot to watch the birds in your garden or a local park and choose an hour between between Friday 26th and Sunday 28th January. 
    • Have fun identifying the species visiting your garden during that hour and count the maximum number of each species you see at any one time. For example, if you see a group of three House Sparrows together and after that another one, the number to submit is three. This method means it is less likely you will count the same birds more than once and makes data analysis easier. Make a note of any other wildlife that you spot as well. 
    • Submit your results on the Big Garden Birdwatch website. Even if you don’t see anything, that’s still useful information. (If you can’t submit your results online, you can print off the form from the free guide and send it by post). 
    • Join in the conversation on RSPB social channels throughout the weekend to see what other nature lovers are spotting across the UK and upload your own pictures and comments using #BigGardenBirdWatch 
    • Look out for the results in April and take pride in having contributed data from your patch.

What did we learn in the 2023 Big Garden Birdwatch?

In 2023, over half a million people took part in the Big Garden Birdwatch, submitting records of more than 9.1 million birds. The most frequently reported species was the House Sparrow which received 1.4 million sightings, however counts of this bird have notably decreased by 57% when compared to the first Birdwatch in 1979. The second and third spots were held by Blue Tits and Starlings respectively. 

Last year’s results highlighted the vulnerability of some of our smaller garden birds and the environments they live in. Long-tailed Tit sightings increased by 39% in 2023, however they are very susceptible to harsh weather conditions and as a result of this, population numbers have fluctuated since the Big Garden Birdwatch began. Meanwhile, Greenfinches and Chaffinches continued to be affected by a disease known as Trichomonosis, which has led to a 34% decline in UK Chaffinch populations and 65% decline in Greenfinches over the last decade.
It is hoped that this year’s Birdwatch will help to give a better picture of how these population are faring a year on.

How can I encourage more birds and other wildlife to my garden?

 

Participating in the Big Garden Birdwatch is the perfect opportunity to observe how wildlife is using your garden and to give you some insights into how you could make your outdoor space even more attractive to wildlife. 

Improving your garden for wildlife can be as simple as leaving a patch of long grass; providing native trees or plants that are good for pollinators such as lavender, buddleja and verbena; or leaving a woodpile for insects to shelter in. You can also supply nest boxes for birds, bat boxes for summer roosting bats, access panels and shelters for hedgehogs, shelter for frogs and toads, and of course bird feeders, which will bring a multitude of species to your garden.

Recommended books and equipment

 

Collins Bird Guide book coverCollins Bird Guide: The Most Complete Guide to the Birds of Britain and Europe 

With expanded text and additional colour illustrations, the third edition of the hugely successful Collins Bird Guide is a must for every birdwatcher. The combination of definitive text, up-to-date distribution maps and superb illustrations makes this book the ultimate field guide, essential for every birdwatcher and field trip. 

 

RSPB Handbook of British Birds cover

RSPB Handbook of British Birds 

This easy-to-use book is a complete guide to the UK’s most familiar birds and, having been revised for its fifth edition, the RSPB Handbook of British Birds now includes new artwork, additional rarities, extra comparison spreads and a fully updated taxonomic order, in addition to a detailed maps reflecting current UK distributions. 

 

 

Europe’s Birds: An Identification Guide coverEurope’s Birds: An Identification Guide 

Covering more than 900 species, and illustrated with over 4,700 photographs, this is the most comprehensive, authoritative and ambitious single-volume photographic guide to Europe’s birds ever produced. The images are stunning to look at, making this a beautiful book to enjoy, as well as an up-to-date and essential source of identification knowledge.

 

Park and Garden Birds coverPark and Garden Birds 

This newly updated fold-out guide covers the top 50 birds of gardens and parks, including ponds and rivers. Designed for speedy bird identification with living birds in the garden, the guide features beautiful colour paintings by Chris Shields. Accompanying text on the reverse side covers body size, food, key identification notes and conservation status. 

 

Challenger Plastic Seed Feeder Challenger Plastic Seed Feeder 

This seed feeder is ideal for small spaces due to its size and is made from durable, long-lasting plastic. The feeder includes perching rings which have been designed to allow birds to feed in their natural facing forward position and is available in two different sizes. 

 

 NHBS Wooden Bird Nest Box NHBS Wooden Bird Nest Box 

Installing a nest box in your garden is one of the easiest ways to support local bird populations, providing them with a warm, sheltered environment with protection from most types of predators. Our own range of wooden bird nest boxes have been custom designed and manufactured from substantial 2cm thick FSC-certified wood, are available with either a 25mm or 32mm entrance hole and can be expected to last for 5–10 years. 

 

Discovery Plastic Window Seed FeederDiscovery Plastic Window Seed Feeder

The Discovery Plastic Window Seed Feeder is ideal for those with small gardens or balconies and who are new to bird feeding. It has two feeding ports with ring perches to allow the birds to feed in a natural position and the high-suction pads securely fix the feeder to glass which offers a fantastic way to watch garden birds up close.

 

Hawke Optics Nature-Trek Binos in greenHawke Optics Nature-Trek Binoculars

The Hawke Optics Nature-Trek Binoculars are great value and ideal for fieldwork. They have a shock-resistant polycarbonate body, making them robust yet lightweight, and are waterproof and fog-free. The inner-focus optical design and BAK 4 roof prism produces high resolution images and ensures no detail is lost when viewing at long or short distances, while they also have effortless focusing and impressive depth of field which makes these binoculars quick and easy to use.

 

Kite Ursus Binoculars in black.Kite Ursus Binoculars

The Kite Ursus binoculars are an easy to use, entry-level pair of binoculars with all-round performance. They have been designed for everyday use and have a robust, fully waterproof housing, rubber touch points, and are lightweight and well balanced with a short hinge and a large ribbed focus wheel so changing focus is easy. As with other Kite binoculars, the Ursus also have a great field of view and, combined with their image quality, this makes them great for panning while watching fast moving subjects.

 

GPO PASSION 10x32 ED Binoculars in green.GPO PASSION 10×32 ED Binoculars

These binoculars combine a sleek design with high-quality features, including a Schmidt-Pechan prism, 10× magnification, ED multi-coated lenses and matched optics, which deliver exceptional clarity and colour transmission. They also offer a wide field of view, high edge-to-edge sharpness and a close minimum focus, which makes them unique among models in this price range, and come in five colours: green, brown, black, sand and orange.

Author Q&A with David Seamer: A Beginners Guide to Freshwater Microscopic Life

David Seamer book coversA Beginners Guide to Freshwater Microscopic Life is a practical, spiral-bound guide written by David Seamer which offers a fantastic introduction to the multitude of microscopic organisms found in freshwater. For those with a more specific interest, An Illustrated Guide to the Freshwater Protozoa provides an extensive review of taxonomic information and detailed descriptions of 400 genera of Amoebae, Flagellata and Ciliata, all of which have a worldwide distribution.

David Seamer looking at the camera smiling while sat at a table with a pencil in his hand and a large white microscope on his left and a partially complete drawing of a microorganism on his right.In 1993, David Seamer bought an old school bus and converted it into a mobile home and laboratory. He spent the next 20 years travelling around south-east Australia and Tasmania collecting, cataloguing and drawing the biodiversity of the micro-world. David has now settled in a county town in Australia where he has access to a great range of environments from semidesert springs to alpine ponds and lakes and continues to sketch, study and identify microscopic life.

David took the time out of his busy schedule to discuss how he first got into studying microscopic life, the biggest challenges he’s had to overcome while creating these books and more.


Can you tell us about how you first developed an interest in studying microscopic life? 

Ever since I was a small child, the natural world has fascinated me and my bedroom became a study place for caterpillars, tadpoles, lizards, insects of any description and anything else that I could keep in jars, boxes or old abandoned aquariums. But it wasn’t until I was about 15 and in high school that I discovered the micro-world, during a double biology lesson in which the teacher was using amoebas collected from a local pond as examples of an animal cell. While I was drawing an amoeba I noticed other ‘wigglers’ and drew them as well. After the lesson I approached the teacher and asked what these other things were. He pointed to a copy of Ward and Whipple’s Freshwater Biology and once I opened it and saw drawings of what I had seen, I was instantly hooked. I saved my money from a couple of lawn mowing jobs to buy my first microscope and it has become a lifelong passion ever since.  

Black and white pen sketches of microorganisms in David Seamer's book A Beginners Guide to Freshwater Microscopic Life.

Which techniques would you advise a beginner in this field of study to use? 

My advice to beginners is to be aware that these organisms are real creatures and should be treated with the same respect as any other animal. Collect your samples and examine them as soon as possible. Ideally, they should still be alive for once dead many of them decompose and break down very quickly. Preserved specimens often change shape and distort so live is always best. A good microscope is essential and the use of a measuring slide or an eye-piece micrometer, as well as phase contrast, is of great help. There are thousands of species so don’t try and identify organisms to that level. Genus or even family are as far down as one should go to start with.

I found it really fascinating looking at your illustrations of microbes and the incredible detail you’ve included. Can you explain the process of drawing from live microscopic observations and the challenges of this method? 

David Seamer's progressive drawing of sketching a microorganism, from basic outlined sketch on the left to a detailed 3D representation on the right.

Drawing from life requires patience and lots of it. Starting with basic measurements to get proportions is the first step. This illustration (see above) is fairly typical of my technique. I draw the initial outline and basic details in 2B pencil and then when I am satisfied that all is correct, I use various grades of felt tipped pens to complete the drawing. Of course one must have knowledge of the subject so as to point out specific identification pointers.

What does your essential field kit include? 

David Seamer stood on a lakes edge in a pink shirt and blue trousers collecting samples while holding a conical net over the water.My basic field kit apart from my wellington or gumboots, comprises a 30µm plankton net as seen in this photo, a basting pipette for mud surface collection, several numbered, widemouth jars with screw on lids, and a notebook for the recording of date, location, temperature and any other variable details – all packing into a large knapsack type bag in case a bit of a hike is involved.  

What’s the biggest challenge you’ve had to overcome while creating these books? 

The biggest challenge one faces is reference material. It is essential to get not only the identification correct, but also the internal structure of these tiny organisms. Because taxonomy is constantly changing and developing, keeping up with name changes can be a challenge. While the internet can be invaluable, it is full of incorrect information and one must be very cautious when using it.  

When I started out, I was constantly frustrated by not only the lack of availability of reference material on this subject but also the language. So many books were written by scientists for scientists, or were so simple that they were pretty well useless, that finally I decided to write a number of comparatively comprehensive but simple guides aimed at the amateur, student and enthusiast. These guides have proved quite popular and have currently been despatched to 50 countries around the world.  

How have environmental changes as a result of climate change affected the distribution of and variation in microorganism species? 

Environmental changes resulting from climate change affect the distribution and variation of microorganisms in very subtle ways. Whilst many species are incredibly robust, others are very delicate and can easily be affected by things like water temperature. Some protists need very specific environmental conditions in order to exist. Freshwater is a fluid (no pun intended) environment and every change has its ramifications. For example, droughts can obviously dry out ponds, streams and even small lakes as well as change the oxygen levels and pH of water bodies and this can result in a change in biodiversity. Likewise, floods will have the same effect with an increase in additional nutrients such as nitrates and phosphates from farmers’ paddocks causing algal blooms. 


 

 

 

 

 

 

 

David Seamer has privately published his collection, two of which are available at www.nhbs.com/david-seamer

Author Q&A with Michelle Sole: Antarctica: A Bird’s-eye View

Antarctica: A Bird's-Eye View hardback book cover showing an aerial view of the edge of a cliff covered in snow and penguins.This stunning photographic book, written in collaboration with penguinologist Dr Tom Hart, offers a unique view of Antarctica from above and captures the wonders of this magical place, from vast icebergs to penguin colonies in their thousands. Each chapter includes an array of incredible captioned images, taken from both land and air, and describes the resident wildlife and conservation efforts in this remote area.

Black and white photograph of Michelle Sole, author of Antarctica: A Bird's-Eye View, holding a Canon camera and facing the camera.

Michelle Sole grew up living between the rolling hills of England and the alpine wilds of Andorra. In 2011 she moved to South Africa, spending the following six years working as a Safari Guide and nurturing her passion for photography, before becoming a photography guide on expedition ships in Antarctica and the Arctic where she continues to challenge her photography in extreme conditions today. Michelle’s thrill for adventure, nature and the outdoors is evident throughout her photography and writing, and since her career began her work has been published worldwide in papers including Africa Geographic and The Daily Mail.

Michelle recently took the time out of her Antarctica expedition to Snow Hill Island to talk to us about the inspiration behind the book, the challenges she faced photographing such a challenging environment and more.


You began getting into photography when you moved to South Africa in
2011. What encouraged you to take the leap from the sunny African
plains to Antarctica, and how does photography compare from one
environment to another?

I worked as safari guide in South Africa and one of my guests just so
happened to be the president of a polar expedition company and he offered
me a job! The opportunity was too good to pass up and in 2017 I started
working as a photography guide in Antarctica and the Arctic regions.

The photography varies drastically between Africa and Antarctica. In Africa
you are often hiding from the sun and in Antarctica the elements are against
you. The light in Antarctica is a lot harsher than in Africa and photographing black and white penguins on bright white snow takes some practice.

Aerial photograph of the sea withicebergs scattered over it and snowy mountains in the distance taken from a helicopter flying over Cape Tuxen, Antarctica.

On the north side of Zavodovski Island in the South Sandwich Islands, a quarter of a million Chinstrap Penguins are lashed by the Southern Ocean at the base of a snowy mountain with the top covered by fog and big waves at the foot of the slopes.

What was it that inspired you to create this book and capture Antarctica
from the sky rather than focusing solely on more conventional, land-
based photography?

I was approached by Dr Tom Hart from Oxford University to collaborate and
make this book. Tom had over 40,000 drone images from penguin and seal
surveys. These are used to try and gather population trends across different
locations in Antarctica and the Southern Ocean. I had a similar number of
images from the ground and a collection from helicopters. The aerial shots really add a different dimension and together with the images from the ground tell a grander and more unique story of the landscapes and wildlife of this remarkable place.

Aerial photograph of Gentoo Penguins making paths between their nests and the water on Useful Island, Antarctica.

Did you face any significant challenges that you had to overcome while
taking photographs in such a remote, harsh and often unpredictable
environment?

Yes! The weather in Antarctica can be brutal. Some days you are battered by
the winds and you can’t feel your finger tips, or you could be in a snow storm with snow collecting on the top of your camera as you shoot. I always carry a towel in my bag to protect my gear. Salt water takes a major toll on photographic equipment and throughout the years I’ve tried to salvage numerous cameras, sadly they didn’t all survive. On top of that, I am often photographing from an unsteady platform a zodiac (a type of rigid inflatable boat) that I am driving on the ocean.

Were you concerned over any possible impacts on the wildlife
that you photographed even though you used drones to capture some images?

Special permission was given to the researchers from the Penguin Watch
team to fly drones for scientific purposes to conduct penguin and seal surveys. The drones were flown at a non disturbance height. This is evident in the aerial wildlife photographs by the behaviour of the animals the seals continue to sleep and the penguins continue to walk on their highways without so much as looking at the drone.

Aerial photograph of a beach with the sand on the right, covered in King Penguins, and a big wave breaking on the right of the photo, with Elephant Seals led sleeping on the waters edge in Gold Harbour, South Georgia.

I was really surprised to see such a wide variety of habitats and species
in your photographs as I, like many, often think of Antarctica and the
surrounding areas as enormous ice-shelves rather than steaming
volcanoes and vibrant pumice rocks. Was there anything that took you
by surprise while you were out taking photographs for this book?

At the time of putting together this book I had six years of experience in Antarctica, so I was familiar with many of the different landscapes. However, on my first trip to Antarctica, like many others visiting for the first time, I was taken aback by the variety of landscapes on the seventh continent. As a guide in this environment, this initial wonder and surprise is something that I see in other people experiencing this for the first time on nearly every trip.

Are you currently planning to undertake any other photography projects
next year that we can hear a sneak-preview about?

As I write this I am currently onboard an expedition ship south bound to the most northerly Emperor Penguin colony in the world Snow Hill Island,
Antarctica. I also work in the Arctic each summer and spend a significant
amount of time out in Africa. Although I have no current plans to produce
books on these areas, my photography portfolio continues to grow.

Three Gentoo Penguins walking towards the camera with their wings spread using a 'penguin highway' track in the snow on Danco Island, Antarctica.


Antarctica: A Bird’s-Eye View has been privately published by author Michelle Sole and is available at www.nhbs.com/Antarctica: A Bird’s-Eye View.

25% of profits from the sale of this book is donated to Penguin Watch.

You can also visit Michelle’s website and follow her adventures on Facebook, Instagram and Twitter.