Wildlife Acoustics is a leading provider of bioacoustics monitoring technology, and since its founding in 2003 its products have been widely used by biologists, researchers, and government agencies around the world. Through a comprehensive range of recorders, bat detectors, and sound analysis software, the company has enabled the recording and analysis of thousands of hours of acoustic data, helping ecological professionals deepen their understanding of wildlife and ecosystem health.
Ahead of the release of the new flagship SM5 recorders, we have put together a brief guide to the passive recorder range, highlighting the some of the key differences and new functionality.
Key Improvements at a Glance
Extended Battery Life
The SM5 now accepts 18650 lithium-ion batteries, delivering up to 1,710 hours of recording. This is a substantial improvement over the SM4, which achieved approximately 440 hours in comparable configurations — making the SM5 far better suited for long-term and remote deployments.
Built-in GPS & Time Synchronisation
GPS and time synchronisation are now integrated directly into the SM5, eliminating the need for external receivers or antennas. This ensures precise metadata tagging and simplifies field setup.
Bluetooth Configuration
Configuration is now faster and more intuitive thanks to Bluetooth connectivity and a companion app, allowing users to manage settings in the field without opening the unit.
Expansion & Future Proofing
The SM5 includes an expansion port designed to support future accessories, including cellular remote access and data transfer, currently expected in 2027. This ensures the SM5 remains relevant as monitoring requirements evolve.
SM5 Bat vs SM Mini Bat 2: Which Should You Choose?
Why Choose the SM5 Bat?
The SM5 Bat is designed for demanding, long-term monitoring projects where flexibility and robustness are essential. Key advantages include:
Four channel recording (2 ultrasonic + 2 acoustic)
Simultaneous ultrasonic and acoustic monitoring
Exceptional battery life
Flexible power options, including solar compatibility
Increased storage capacity via dual SD cards
These features make the SM5 Bat ideal for multi-taxa monitoring, reducing the need for multiple devices in the field.
SM Mini Bat 2
The SM Mini Bat 2 remains a strong option for shorter term surveys or projects requiring a larger number of deployed units. It offers:
Acoustic or ultrasonic recording (not simultaneous)
A compact, lightweight design
A lower price point
Excellent flexibility for targeted studies
For users balancing budget, portability, and deployment scale, the Mini Bat 2 continues to be a practical and capable solution.
SM5 Bat vs SM4 Bat: What’s Changed?
The SM5 Bat takes everything users value in the SM4 Bat and enhances it further.
Key Differences:
Four independent channels (2 ultrasonic + 2 acoustic) for simultaneous monitoring of acoustic and ultrasonic calls
All the core SM5 upgrades, including:
Improved battery performance
Built-in GPS and time sync
Bluetooth configuration
Expansion port for future connectivity
For users currently running SM4 Bat units, the SM5 offers clear advantages in deployment duration, metadata accuracy, and future expansion.
Why Choose an SM5 Acoustic Recorder?
The SM5 Acoustic is the ideal solution for users requiring multichannel acoustic recording or deploying recorders in remote, hard to access locations. Its long battery life, integrated GPS, and precise time synchronisation make it particularly well suited to:
Longterm biodiversity monitoring
Remote ecological surveys
Projects where accurate metadata is essential
Like the SM5 Bat, it also includes the expansion port for upcoming cellular remote access.
Other Recorders in the Range
Song Meter 2
A good balance between functionality and affordability ships with one acoustic microphone but another can be added. Ideal for shorter term ecological surveys in less remote areas or where a larger number of recorders are used.
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Song Meter Micro 2
The most affordable and compact unit in the range, offering single channel recording. Although not as high fidelity as the SM5 or Mini 2 it an ideal choice for short term deployments where weight and budget are more of a considering that the highest quality audio.
Choosing the Right Recorder
Whether you need long-term, multi-taxa monitoring or a lightweight solution for short-term surveys, Wildlife Acoustics’ passive recorder range offers a solution to match almost any project requirement. The SM5 stands out as the most powerful and future ready model to date — delivering longer deployments, easier configuration, and expanded monitoring potential in a single, flexible platform.
Julian Cremona sampling plankton using a NHBS plankton net. Image by Julian Cremona.
As an island nation, the shoreline around the British Isles has a special significance for many of us. Whilst we might feel at home combing rockpools or wandering the shoreline, the world of plankton remains far more elusive.
In Seashore Plankton, Julian Cremona, author, educator, and naturalist, reveals the fascinating microscopic life found in our coastal waters. Perfect for naturalists, ecologists, and students, Seashore Plankton is the first practical, shore-based guide to collecting and identifying marine plankton. Packed with over 400 vivid photographs and clear advice on sampling and microscopy, the book opens an unseen world while highlighting the ecological importance—and vulnerability—of these tiny organisms.
Ahead of the publication, we had the opportunity to talk with Julian about the book’s development.
Firstly, can you tell us a little bit about your background and the reasons for writing this book?
I have always had a fascination with biodiversity in all ecosystems, and have been collecting marine and freshwater plankton since the late 1970s. After nearly sixty years of educating people in seashore ecology, I know how important plankton knowledge is to fundamentally understand the complexity of the shore. There are a few good books and papers about identifying offshore planktonic species, but they are scientific works and do not look at collecting, studying, or interactions between organisms. Most importantly, there are none dedicated to the seashore.
Plankton collected directly from the seashore is different from that taken offshore. There is some overlap and so the identification books that exist are useful, but there is nothing out there that is specific. The water lapping over the seashore has a more biodiverse variety of organisms compared to offshore samples. This is because the plankton arrives from three or four different sources: rivers and estuaries, invertebrate larvae released from the seashore, organisms washed by wave action into the plankton and life brought in by wind and tides from the ocean. I felt a whole new approach was needed to make seashore plankton accessible and try to unravel its complexity. In particular, I wanted to describe how to collect samples from the shore rather than a boat, explain how to look at them, and introduce the huge array of organisms found on the shore and how they link with the life that we can more easily observe.
I have written a number of books on the seashore, but this was the most difficult. Part of the problem is that you are writing about creatures that few people have seen or can comprehend, especially because most do not have common names. It is surprising how many people can be expert on seashores but still be unclear on the microscopic plankton that is an essential part of the ecology.
In the introduction, you discuss how difficult it is for us as terrestrial creatures to understand the ocean as a complex ecosystem. How has your understanding of the seashore as an ecosystem changed throughout your study?
Whenever I stop near the coast and look out at a vast expanse of blue, I invariably think of the trillions of organisms out of our sight, to which most people would not give a thought.
Over the years there have been subtle changes in how I study the seashore. In the last decade or so I have tried to bridge the gap between the organisms we see with the naked eye, like, say, sea anemones, and the microscopic detail of the plankton. For example, small pieces of glass and other materials placed on the shore will quickly become colonised by spores and larvae from the plankton over time. By removing these pieces to observe the developing biofilms under low magnification and photographing changes, it has given me a better insight into the relationship between substrate, tides and the organisms. The change in the first few weeks is amazing with the growth of bacteria, forming long chains, enabling diatoms and protists to begin colonisation. The more I observe, the more I realise how little we understand.
You point out the assumption that specialist or expensive gear is required to observe seashore plankton. How does someone interested in coastal plankton get started?
Collecting from the shore requires different considerations. Trawling from a boat is easier, for one thing. To collect a sample, a large volume of water needs to be filtered for microscopic life, and there are different ways to do that. Buying a good net to pull through the water is the best option, but then finding a suitable place for sampling can be a challenge. All this is covered in the book: where to sample, and how to choose and use the net. An expensive microscope is unnecessary, and the book tries to give some suggestions for observation, but you will need some way of magnifying the creatures found. Most other items you need are inexpensive and may well be in your home already.
I was recently amazed to learn the role that phytoplankton play in oxygen production. What else has the study of plankton revealed about oceanic and planetary systems, and how are plankton linked to human and planetary well-being?
Pleurobranchia Stack. Image by Julian Cremona.
One misnomer, that one sees regularly stated, is that every second breath you take is oxygen from phytoplankton. For sure, 50% of the oxygen produced on earth is from phytoplankton but mostly that stays in the sea and is used by the organisms living there. We are still reliant on terrestrial sources of oxygen. The study of plankton and links to our wellbeing is a huge topic and only briefly discussed in the book. If I choose one example, it is probably how common species within marine plankton have an essential role in sequestering carbon and taking it to the bottom of the oceans. So few people in the world realise how important the sea is in determining our weather patterns, and plankton is part of that – a reason why plankton blooms are monitored by NASA from space.
A large portion of the book is devoted to the dizzying array of organisms that can be found within the plankton. Is there a group you find yourself particularly drawn to?
Marine worms, the polychaetes, have species that permanently live in the plankton that I love finding. Huge numbers of other worm species live in sediment or on rocky seashores and liberate amazing larval forms that develop and grow for weeks in the plankton. Some, like the syllids, have a weird sexual reproduction called epitoky where the worm on the shore grows a special new ‘worm’ (called a stolon) on the end of the body that can be male or female. These swim off into the plankton to find a mate and disperse but eventually die as they have no gut. I love the diversity and beauty of the polychaetes. One of the most common larvae found are those of Polydora, which change dramatically over time and are super to watch, with real character.
The final chapter discusses the human induced stressors on the ocean ecosystems and plankton populations, from pollution to climate change. Can you give us an idea of some of the changes, and have you been able to observe any over the course of your study?
The most obvious issue is that of the warming sea along the coast. We can surmise some of the problems, like the increase in jellyfish, but will the synchrony between copepods (important crustaceans as prey for fish) and the organisms they feed on change? We know this is happening on land, for example where nesting insectivorous birds may produce young before the appearance of insect prey. Acidification of the oceans was predicted many decades ago, but already problems are developing where some mollusc larvae are failing to develop shells properly.
In the last few years, we have seen the sea around Milford Haven, where I sample, reach record high temperatures. There are two noticeablelong-term anecdotal changes I have noticed in the last decade. One is the increase in ‘gelatinous plankton’, not just jellyfish but also small hydromedusae and siphonophores. The most well-known of the latter is the infamous Portuguese Man-o’-war, but there are also many much smaller, completely transparent (and thus difficult to see) forms, that congregate in huge numbers during the summer. The second observation is in the composition of plankton. While many species occur year after year there are steadily more warm water species appearing as distribution ranges move northwards.
Coronate Larva Poss. Image by Julian Cremona.
And finally, do you have any other projects on the horizon?
As I said at the start, I enjoy observing all ecosystems. One that has always fascinated me is the saltmarsh. These are great breeding grounds for microscopic life. Sometimes this can temporarily appear in marine plankton, and I have been drawn to sampling the surface mud in all areas of the marsh as well as the saltpan pools that vary so much in their salinity. This is an area I am developing and intend to spend more time studying.
Seashore Plankton; A Practical Introduction to Biology and Identification
can be ordered here.
NHBS Ltd. Produces and supplies a variety of plankton nets and accessories, to be used from the shoreside or on open water. Browse our catalogue here to find the net to suit your project.
In the recently releasedRocky Shores, Julian Cremona unleashes his passion and expertise on the boulder-strewn shores of the British coastline. Covering the life of rock pools and strandlines, including molluscs, worms, seaweeds, invertebrates, and microbes, this is a must-have for shore lovers.
SeashoresAn Ecological Guide.
A user-friendly, authoritative reference featuring over 400 color photos of common coastal organisms. It explores key species, their adaptations, and how they survive environmental stresses across diverse habitats like rocky shores, sand and mud, estuaries, salt marshes, sand dunes, shingle, and plankton.
Extreme Close-Up Photography and Focus Stacking
A practical guide to capturing detailed macro shots, from butterfly wings to eyes. It covers affordable techniques for photographing terrestrial, marine, and freshwater subjects, with clear instructions for outdoor and studio settings. Special attention is given to focus stacking, software use and enhancements.
Recently added to our range, the Rigid 20w Skóros Moth Trap is a lightweight portable moth trap, comparable to the successful Heath moth trap in design. Featuring a compact, rigid base that requires no preassembly, Skóros (from the Greek word for moth) is ideal for children, beginners or the seasoned lepidopterist looking for a portable, no-fuss trap.
We tested the Skóros in a small, suburban garden towards the end of the peak-trapping season in late August.
Use in the field
The first thing I was struck by while setting up the trap is how robust it feels. Despite weighing a mere 1.7kg, all the plastic parts are sturdy and indicate the trap could withstand many years of use. It’s relatively small in size when compared to Skinner moth trap designs, for example, making storage and transport easy.
The supplied 20w bulb is bright enough to have a successful attraction rate while not being overly intrusive to any immediate neighbours.
As previously mentioned, the rigid base requires no preassembly so set up is a straightforward affair; simply slot the three plastic vanes into the cone and place the lid on top. Finally, screw the supplied bulb into its fitting, taking care to handle it by its base rather than the fragile glass envelope. Remember to place egg boxes on the base underneath the cone so that any moths that fly into the trap have somewhere dry and dark to settle until they are released the next morning.
Checking the weather for favourable trapping conditions (preferably a calm, warm and dry night), the trap was deployed on a muggy, overcast August evening around dusk. This timing increases the chances of catching some of the crepuscular or day-flying species.
We left the trap tucked in the corner of the garden, taking advantage of the white garden wall to reflect some of the light and the 5m mains cable was suitably long enough to run alongside the wall through a nearby open window to be plugged in. The Skóros was left running from just before dusk to a little after sunrise.
What we found
Returning to the trap early in the morning we were greeted with a decent sized catch, perhaps smaller than some of the larger-based traps in our range but still enough to keep us busy examining and ID’ing for an hour or two!
Accessing the catch itself is also very straightforward; the plastic cone pops easily out of the base, allowing easy access to the egg boxes laid down the night before.
Many of the moths caught were starting to look a little ragged, but using a copy of Field Guide to the Moths of Great Britain and Ireland and some magnifying pots for the smaller micro-moths, we recorded the following list of species:
Knot grass (Acronicta rumicis)Purple bar (Cosmorhoe ocellata)
Brimstone
Lesser broad-bordered yellow underwing
Bird cherry ermine
Lime speck pug
Blood vein
Large yellow underwing
Flame shoulder
Square-spot rustic
Purple bar
Vines rustic
Mullein wave
Small square spot
Common carpet
Double-striped pug
Pale mottled willow
Several hard-to-definitively-ID micro-moths!
Brimstone moth (Opisthograptis luteolata) and mullein wave (Scopula marginepunctata)
It’s also worth noting several species perched themselves on the walls and foliage around the trap, so we would recommend searching the immediate area surrounding the trap where it has been running overnight.
Our opinion
The Skóros strikes a good balance between portability and affordability. Its no-fuss assembly, compact size and affordable price point makes it an ideal first moth trap for beginners or children.
I did feel that the cylindrical base meant that there was less floor space on which to place egg boxes than some of the rectangular Heath traps, but considering the relatively small urban garden the trap was deployed in, it had a respectable catch and retention rate and the slight disadvantage of small floor space is easily offset by its ease-of-use and ergonomic design.
The Rigid 20W Skóros Moth Trap can be found here. Our full range of moth traps can be found here.
If you have any questions about our range or would like some advice on the right product for you then please contact us via email at customer.services@nhbs.com or phone on 01803 865913.
In recent years, advances in portable recording equipment have led to an increase in the exploration of listening as a method of engaging with as well as studying the natural world. This blog looks at a number of different equipment options across a range of budgets and objectives while briefly outlining some of the main technical considerations.
Equipment and Technical considerations
Tascam DR-40X
For those interested in having a go at sound recording, a handheld recorder is a great starting point and Tascam have some great entry-level options such as the DR-05X and DR-40X both of which allow you to record uncompressed audio. The advantage of this method is that the recorders are highly portable and require very little set up – invaluable if you’re out and need something that can be used at a moment’s notice.
Tascam DR-05X
The built-in microphones will not compete with a professional external microphone and if recording becomes more than a passing interest dedicated microphones, such as a parabolic, can be a great way to optimise your setup for specific recordings. The right recorder should have a logical menu system and inputs that allow for a suitable upgrade path via the connection of external microphones.
A common type of field microphone makes use of a parabolic dish, effectively acting as a kind of audio zoom lens making them useful for focusing in on a particular sound source. Some of these systems require a different type of power known as plug-in power so you’ll need a recorder able to supply this via a 3.5mm mic/line input as found on the Tascam DR-05X.
Telinga PRO-X Parabolic Microphone System
The Hi-sound and Telinga PRO-X systems are good examples of plug-in powered parabolic systems. If your recorder does not have plug-in power, you can use an XLR to PiP adaptor. This connects to the XLR outputs on your recorder and converts the phantom power produced by the recorder to plug-in power which can run the microphone.
Before heading out make sure you have adequate wind protection for your microphones, as even a slight breeze can ruin a recording if it’s not what you’re after! – Parabolic windshields – Tascam DR-05 windshield .
Parabolic windshields
We also feature static recording devices such as the SM4 Acoustic from Wildlife Acoustics and the Bar-LT from Frontier Labs. These waterproof units feature built-in omnidirectional microphones and can be secured to any suitable surface. The long deployment times and scheduling functions make these ideal for long-term bioacoustic studies.
Song Meter SM4 Acoustic Recorder
Over the past few years, a number of smaller, more lightweight passive recorders have been developed. These include the Song Meter Mini Acoustic, Song Meter Micro, and the Titley Chorus. Such models are very similar in purpose to the larger static recorders however sacrifice some battery life for their reduced size. Their size and affordability make them very suited for large-scale mass deployments.
Titley Chorus & Song Meter Mini Acoustic
In the field
To test a small cross-section of equipment, I headed to a small forest within the Dartmoor National Park to capture the distinctive call of the Common Cuckoo, armed with a Tascam DR-40, XLR to PiP adaptor, Hi-Sound Stereo Parabolic system, and a Wildlife Acoustics SM4 Acoustic recorder.
I initially walked a narrow path that cut through a steep section of woodland, at this point the cuckoos could be heard faintly calling from lower down in the valley. Locating a suitable tree easily accessible from the path, I decided to deploy the SM4. The SM4 has been designed to be exceptionally quick to set up straight out of the box and for this field test, I set it to ‘always record’ and secured it in place with a Python Mini Cable Lock.
Static recorder in place, I then used the Tascam DR-40 whilst walking through the woodlands to capture the changing soundscapes as I moved away from the sound of the river and closer to the open moor.
Tascam DR-40 in the field
The DR-40 has a clear front-facing screen that is easy to read in all light levels, pressing the record button once arms the unit allows you to see and hear the recording levels. A good pair of headphones is recommended for use with this unit as they are susceptible to a certain amount of handling noise.
I then connected the parabolic to the Hi-Sound parabolic to the Tascam using the XLR to PiP adapter.
Dropping off the path I headed towards the middle of the wood where the Cuckoos could be heard calling in the distance. The high directionality of the parabolic microphone was excellent allowing me to pick out individuals among the woodland birds present.
Late in the evening whilst preparing to pack up I was rewarded with a fantastic display as several cuckoos alighted on the trees around me, a recording of which is included below.
Summary
I highly recommend getting out and exploring natural soundscapes in your local area, especially at this time of year. As with any piece of equipment, it takes a few trips to really get a feel of what they’re capable of, but any one of these items could become a reliable piece of gear for your sonic explorations.
To view our full range of sound recording equipment please visit www.nhbs.com. If you have any questions on our sound recording range or would like some advice on the best set-up for your project please contact us via email at customer.services@nhbs.com or phone on 01803 865913.
Joeri Bruyninckx traces the development of field recording and its use in field ornithology. Drawing on expertise from experimental music to serious science, it provides a thorough and wide-ranging investigation into the power of sound and listening.