Jonathan Mitchell – Hoopoe

Recently added to our range, the Rigid 20w Skóros Moth Trap is a lightweight portable moth trap, comparable to the successful Heath moth trap in design. Featuring a compact, rigid base that requires no preassembly, Skóros (from the Greek word for moth) is ideal for children, beginners or the seasoned lepidopterist looking for a portable, no-fuss trap.

We tested the Skóros in a small, suburban garden towards the end of the peak-trapping season in late August.

Use in the field

The first thing I was struck by while setting up the trap is how robust it feels. Despite weighing a mere 1.7kg, all the plastic parts are sturdy and indicate the trap could withstand many years of use. It’s relatively small in size when compared to Skinner moth trap designs, for example, making storage and transport easy.

The supplied 20w bulb is bright enough to have a successful attraction rate while not being overly intrusive to any immediate neighbours.

As previously mentioned, the rigid base requires no preassembly so set up is a straightforward affair; simply slot the three plastic vanes into the cone and place the lid on top. Finally, screw the supplied bulb into its fitting, taking care to handle it by its base rather than the fragile glass envelope. Remember to place egg boxes on the base underneath the cone so that any moths that fly into the trap have somewhere dry and dark to settle until they are released the next morning.

Checking the weather for favourable trapping conditions (preferably a calm, warm and dry night), the trap was deployed on a muggy, overcast August evening around dusk. This timing increases the chances of catching some of the crepuscular or day-flying species.

We left the trap tucked in the corner of the garden, taking advantage of the white garden wall to reflect some of the light and the 5m mains cable was suitably long enough to run alongside the wall through a nearby open window to be plugged in. The Skóros was left running from just before dusk to a little after sunrise.

What we found

Returning to the trap early in the morning we were greeted with a decent sized catch, perhaps smaller than some of the larger-based traps in our range but still enough to keep us busy examining and ID’ing for an hour or two!

Accessing the catch itself is also very straightforward; the plastic cone pops easily out of the base, allowing easy access to the egg boxes laid down the night before.

Many of the moths caught were starting to look a little ragged, but using a copy of Field Guide to the Moths of Great Britain and Ireland and some magnifying pots for the smaller micro-moths, we recorded the following list of species:

Knot grass (Acronicta rumicis)

Purple bar (Cosmorhoe ocellata)
- Brimstone
- Lesser broad-bordered yellow underwing
- Bird cherry ermine
- Lime speck pug
- Blood vein
- Large yellow underwing
- Flame shoulder
- Square-spot rustic
- Purple bar
- Vines rustic
- Mullein wave
- Small square spot
- Common carpet
- Double-striped pug
- Pale mottled willow
- Several hard-to-definitively-ID micro-moths!
Brimstone moth (Opisthograptis luteolata) and mullein wave (Scopula marginepunctata)

It’s also worth noting several species perched themselves on the walls and foliage around the trap, so we would recommend searching the immediate area surrounding the trap where it has been running overnight.

Our opinion

The Skóros strikes a good balance between portability and affordability. Its no-fuss assembly, compact size and affordable price point makes it an ideal first moth trap for beginners or children.

I did feel that the cylindrical base meant that there was less floor space on which to place egg boxes than some of the rectangular Heath traps, but considering the relatively small urban garden the trap was deployed in, it had a respectable catch and retention rate and the slight disadvantage of small floor space is easily offset by its ease-of-use and ergonomic design.

The Rigid 20W Skóros Moth Trap can be found here. Our full range of moth traps can be found here.

If you have any questions about our range or would like some advice on the right product for you then please contact us via email at customer.services@nhbs.com or phone on 01803 865913.

In recent years, advances in portable recording equipment have led to an increase in the exploration of listening as a method of engaging with as well as studying the natural world. This blog looks at a number of different equipment options across a range of budgets and objectives while briefly outlining some of the main technical considerations.

Equipment and Technical considerations

For those interested in having a go at sound recording, a handheld recorder is a great starting point and Tascam have some great entry-level options such as the DR-05X and DR-40X both of which allow you to record uncompressed audio. The advantage of this method is that the recorders are highly portable and require very little set up – invaluable if you’re out and need something that can be used at a moment’s notice.

The built-in microphones will not compete with a professional external microphone and if recording becomes more than a passing interest dedicated microphones, such as a parabolic, can be a great way to optimise your setup for specific recordings. The right recorder should have a logical menu system and inputs that allow for a suitable upgrade path via the connection of external microphones.

A common type of field microphone makes use of a parabolic dish, effectively acting as a kind of audio zoom lens making them useful for focusing in on a particular sound source. Some of these systems require a different type of power known as plug-in power so you’ll need a recorder able to supply this via a 3.5mm mic/line input as found on the Tascam DR-05X.

Telinga PRO-X Parabolic Microphone System

The Hi-sound and Telinga PRO-X systems are good examples of plug-in powered parabolic systems. If your recorder does not have plug-in power, you can use an XLR to PiP adaptor. This connects to the XLR outputs on your recorder and converts the phantom power produced by the recorder to plug-in power which can run the microphone.

Before heading out make sure you have adequate wind protection for your microphones, as even a slight breeze can ruin a recording if it’s not what you’re after! – Parabolic windshields – Tascam DR-05 windshield .

We also feature static recording devices such as the SM4 Acoustic from Wildlife Acoustics and the Bar-LT from Frontier Labs. These waterproof units feature built-in omnidirectional microphones and can be secured to any suitable surface. The long deployment times and scheduling functions make these ideal for long-term bioacoustic studies.

Over the past few years, a number of smaller, more lightweight passive recorders have been developed. These include the Song Meter Mini Acoustic, Song Meter Micro, and the Titley Chorus. Such models are very similar in purpose to the larger static recorders however sacrifice some battery life for their reduced size. Their size and affordability make them very suited for large-scale mass deployments.

Titley Chorus & Song Meter Mini Acoustic

In the field

To test a small cross-section of equipment, I headed to a small forest within the Dartmoor National Park to capture the distinctive call of the Common Cuckoo, armed with a Tascam DR-40, XLR to PiP adaptor, Hi-Sound Stereo Parabolic system, and a Wildlife Acoustics SM4 Acoustic recorder.

I initially walked a narrow path that cut through a steep section of woodland, at this point the cuckoos could be heard faintly calling from lower down in the valley. Locating a suitable tree easily accessible from the path, I decided to deploy the SM4. The SM4 has been designed to be exceptionally quick to set up straight out of the box and for this field test, I set it to ‘always record’ and secured it in place with a Python Mini Cable Lock.

Static recorder in place, I then used the Tascam DR-40 whilst walking through the woodlands to capture the changing soundscapes as I moved away from the sound of the river and closer to the open moor.

The DR-40 has a clear front-facing screen that is easy to read in all light levels, pressing the record button once arms the unit allows you to see and hear the recording levels. A good pair of headphones is recommended for use with this unit as they are susceptible to a certain amount of handling noise.

I then connected the parabolic to the Hi-Sound parabolic to the Tascam using the XLR to PiP adapter.

Dropping off the path I headed towards the middle of the wood where the Cuckoos could be heard calling in the distance. The high directionality of the parabolic microphone was excellent allowing me to pick out individuals among the woodland birds present.

Late in the evening whilst preparing to pack up I was rewarded with a fantastic display as several cuckoos alighted on the trees around me, a recording of which is included below.

Summary

I highly recommend getting out and exploring natural soundscapes in your local area, especially at this time of year. As with any piece of equipment, it takes a few trips to really get a feel of what they’re capable of, but any one of these items could become a reliable piece of gear for your sonic explorations.

To view our full range of sound recording equipment please visit www.nhbs.com. If you have any questions on our sound recording range or would like some advice on the best set-up for your project please contact us via email at customer.services@nhbs.com or phone on 01803 865913.

Further Reading:

Listening In The Field: Recording and the Science of Birdsong
Hardback | May 2018
£29.99

Joeri Bruyninckx traces the development of field recording and its use in field ornithology. Drawing on expertise from experimental music to serious science, it provides a thorough and wide-ranging investigation into the power of sound and listening.