“Best, most user-friendly moth ID guide on the market”

Doug Mackenzie Dodds, from the UK, reviews the Concise Guide to the Moths of Great Britain and Ireland by Martin Townsend and Paul Waring, illustrated by Richard Lewington

Concise Guide to the Moths of Great Britain and Ireland jacket image

“Best, most user-friendly moth ID guide on the market:

This book might not catch your eye on the shelf – small, paperback and easily hidden between larger, more attractively-designed moth ID books, but if you are into your moths, I’d thoroughly recommend it.

It’s perfect for the bookshelf but comes into its own in the field. It’s small, light, covered in a waterproof layer, the moths are well-ordered in the book, lifesize and in the two years I’ve owned it it’s not let me down once.

Its very comprehensive – ie. if you trap a moth (or find one!) – you will find it in this book – and so much easier than other, larger, showier, less waterproof, less well-ordered books.

I thoroughly recommend this book if you own a moth trap or even if you don’t.”

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Book of the Week: The Natural History of Hoverflies

Continuing our weekly selection of the very best titles available through NHBS:

The Natural History of Hoverflies

by Graham E. Rotheray and Francis Gilbert

What?

A groundbreaking new publication on the Syrphidae.
The Natural History of Hoverflies jacket image

Why?

This is the first book of its kind to present an in-depth examination of the natural history of this diverse and fascinating insect family. Both authors have a long-standing academic interest in the subject (see below), and have delivered a volume that makes a comprehensive assessment of current research and understanding of the Syrphidae, which surely can be considered an essential addition to the entomologist’s library.

Who?

Graham E. Rotheray In 1976, after completing a joint honours Biology/Philosophy degree at Keele University, Graham moved to Cardiff University where he completed a PhD on hoverfly parasitoids under Professor Mike Claridge. In 1979 he moved to Liverpool Museum as Assistant Curator of Invertebrates and in 1981, went to the University of Maryland, USA to undertake a post doctoral position researching natural enemies of the Gypsy Moth. On return to the UK, in 1984 he became Head of the Entomology Section at the National Museums of Scotland, a position he has held ever since.

He is a founder member of the Malloch Society, the Scottish diptera society that specialises in undertaking research on rare flies and was a founder member of the Initiative for Scottish Invertebrates, a federation of Scottish based invertebrate biologists concerned with the biodiversity and conservation of invertebrates in Scotland. He is Honorary Lecturer in the Division of Environmental Sciences, Glasgow University and a Fellow of the Royal Entomological Society.

Francis Gilbert completed his undergraduate and PhD degrees at St John’s College, Cambridge between 1975 and 1981. For his PhD he studied the morphology and foraging behaviour of adult hoverflies in natural and garden habitats, and particularly the possibility that competition structures hoverfly communities. After finishing his PhD, he went to the USA for two years as a Harkness Fellow, again studying the morphological structure of communities of adult hoverflies in Maine, Florida, Arizona and Oregon. He returned to a Junior Research Fellowship at Gonville & Caius College, Cambridge, but within a year had obtained a lectureship at the University of Nottingham, where he has remained ever since.

His research concentrates on the evolutionary biology of hoverflies, and the impact of habitat fragmentation on communities and conservation, studying the latter with both model ecosystems in the laboratory and real ecosystems in the Sinai in Egypt.

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Field Guide and Checklist to the Birds of Colombia reviewed in IBIS

Martin Kelsey reviews the best-selling Field Guide to the Birds of Colombia, and its companion volume, the Checklist of the Birds of Colombia – both of which are distributed by NHBS.

“This book will be indispensable for anyone interested in Colombia and will be an essential companion in the field.”


Field Guide to the Birds of Colombia jacket imageField Guide to the Birds of Colombia


“When I first visited Colombia, A Guide to the Birds of Colombia (Hilty & Brown 1986; reviewed in Ibis 130: 136) had just been published. Not being able to afford a hardback edition, but worried about how its 800+ pages would survive as a paperback in the field, I followed local advice and got it hard-bound in Bogotá. Thereafter I carried my 1.45 kg treasure, wrapped in a plastic bag, in a special shoulder bag along forest trails. It was invaluable. The new guide, however, fully deserves its epithet ‘Field’. A full kilogram lighter than Hilty and Brown and less than 250 pages long, this remarkable book will fit in a pocket. Unlike the former, it illustrates in colour all of the species (nearly 1900) recorded in Colombia. This it achieves in 225 plates, which despite also fitting in distribution maps and brief notes for each species, appear far less crowded than in Hilty and Brown, especially for groups such as hummingbirds (Trochilidae), antbirds (Thamnophilidae) and tyrant flycatchers (Tyrannidae). There are coloured maps showing relief, political boundaries, vegetation types, rainfall, Endemic Bird Areas and Protected Areas, as well as lists of endemics, ‘near-endemics’, threatened species and species lists for Colombia’s offshore islands in the Caribbean and Pacific. Unlike Hilty and Brown, there is no separate text section. To meet this book’s rigorous requirements for economy, species notes are restricted to the few words that can be fitted onto the plates, highlighting information to help identification: habitat, status, diagnostic behaviour, perhaps one or two plumage features to separate from confusion species and, for some groups only, voice. It is a practical compromise which works extremely well to meet the stated objective of the book: to be easy and quick to use in the field, with the emphasis on identification. Its compact design is based on an extensive consultation with birders. There will, of course, be times when you need to refer back to the more extensive and comprehensive coverage of Hilty and Brown, but I recall that even with that work, which was my starting point in those days, I still needed to consult additional literature and museum skins from time to time. This book will be indispensable for anyone interested in Colombia and will be an essential companion in the field. There is also another important reason why I warmly recommend it. It is published by the pioneering Colombian NGO ProAves and all profits from sales will go towards their work in bird conservation and education. In just over 10 years since its formation, this group of energetic young fieldworkers and conservationists have made many exciting discoveries, helped to establish two national parks and currently own and manage a network of 18 bird reserves, as well as implementing integrated conservation and rural development projects and promoting bird tourism. The authors intend to publish a Spanish edition soon, which should have great appeal to both students and the general public in Colombia. As the country becomes safer to travel in, there is a growing interest in getting to know its extraordinary biodiversity through visits to reserves and national parks offering access and good infrastructure. ”

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Checklist of the Birds of Colombia jacket imageChecklist of the Birds of Colombia

“The bilingual Checklist to the Birds of Colombia serves as a companion volume to the Field Guide. It is the most up-to-date list for Colombia, which has more bird species recorded than for any other country. Subspecies are given (with an indication of where they are found) and endemic species are highlighted in bold. A further column indicates whether the species carries a threatened status and in which ProAves bird reserves it is known to occur (no fewer than 1130 species have been recorded in these 18 reserves, a remarkable 12% of the world’s total!). There are eight blank columns for personal use. The inside back cover carries a coloured map showing the location of these reserves, as well as national parks and other protected areas. Much as I still treasure my copy of Hilty and Brown, I wish that these publications had been around as well during my early travels in Colombia, to complement the former and save on considerable wear and tear! I will certainly be using this new field guide and the checklist on my next trip and I unreservedly recommend others to do the same.”

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Martin Kelsey,

IBIS The International Journal of Avian Science

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Book of the Week: New Naturalist 117 – Plant Galls

Continuing our weekly selection of the very best titles available through NHBS:

Plant Galls

by Margaret Redfern

What?

The latest volume in the New Naturalists series takes on one of the more enigmatic aspects of botany.Plant Galls jacket image

Why?

Oak apples, robin’s pincushions, marble galls and witches’ brooms. Margaret Redfern’s expertise on the curious subject of plant galls, presented in this new volume in the New Naturalist series, opens a window onto a less considered aspect of botany. What are they? How are they formed? Here you will find insight into the organisms that cause plant galls, the structure and ecology of the galls themselves, and the effect these complex and diverse phenomena have on the host plants, as well as broader evolutionary and historical perspectives.

Margaret Redfern is an authority on plant galls who has written numerous books on the subject.

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Book of the Week: Gorillas

Continuing our weekly selection of the very best titles available through NHBS:

Gorillas: Living on the Edge

by Andy Rouse

What?

Another brilliant photo-story, introducing the critically endangered mountain gorillas of the Virunga Volcanoes of East Africa.Plant-Animal Communication jacket image

Why?

A follow-up to his incredibly successful previous project, Tigers: A Celebration of Life, Gorillas: Living on the Edge is full of vivid portraits of episodes in the gorillas’ daily lives. Rouse demonstrates his superb “knack for capturing this great ape doing interesting things”, picking up an extraordinary range of facial expressions and intimate and entertaining moments. As 25% of the profits of Tigers went to tiger conservation projects, so 25% of the profits of Gorillas will go to conservation projects in Rwanda, supporting their continued protection of this characterful ape in its last stronghold.

Who?

Andy Rouse is an inspirational wildlife photographer who is well-known the world over. He is famed for his ability to capture moments from the lives of animals and birds in the wild, getting “up close and personal” with some of the most fascinating and often potentially dangerous animals.

Andy has starred in his own TV series and made numerous TV appearances, has been a pioneering user of digital technology in his work, and he has consistently won awards in the prestigious Wildlife Photographer of the Year Competition. He has also been runner up in the European Wildlife Photographer of the Year and had several winners in the Nature’s Best competition.

Read more on Andy Rouse’s website

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“Best bird book I’ve ever bought…”

A Complete Guide to the Birds of Malta

Maurice Skeggs, NHBS customer from the UK, reviews this “superb” book.

Biebrza Site Guide jacket image

“I bought this book after reading some rather flattering reviews and thought, well, if everybody’s praising it, there must be something about it! And what a pleasant surprise, this book exceeded my very high expectations. First of all, it is so painstakingly well researched yet written in such a brilliant and flawless manner. It must have taken ages to gather all that information. It covers everything related to birds like no book I’ve seen has ever done and really raises the bar. Secondly, it shows how deep the relationship between birds and man is, even in an island which is renowned to be hostile to birds, where things are now hopefully changing for the better.

The book comes from the pen of the author of Fatal Flight: The Maltese Obsession with Killing Birds, which in 1992 had exposed the horrific situation of hunting in Malta. This book now shows a chronicle of change, of shifting attitudes, acknowledging what has been achieved and listing what still needs to be done. It also shows the strong British and Victorian influences on Malta, a former colony which saw a lot of development under British rule but which neglected the protection of birds that was taking place back at home here in Britain. So we Brits have a part of the blame too!

The book shows how birds captured man’s thoughts and imagination, how birds pervaded metaphors, led to coining of expressions and proverbs. It shows brilliant photos of birds in everything from Maltese crockery to crochet, from antique embroidery of sacred vestments to illuminated manuscripts and birds in coats-of-arms of Maltese surnames. Brilliant photos of prehistoric bird models as well as the Medieval bas reliefs of falconry and hunting with cross bows are really unique. The book has what I believe is the first real history of falconry of the Maltese Islands, which goes way beyond the annual falcon that used to be given to Charles V as a token for giving Malta to the Knights of St John. This book documents it all, and in a very pleasant way.

The ornithological section, which makes up the second half of the book, is equally brilliant, with many original records and brilliant photos. The text that goes with each species gives old Maltese names that date back to the Middle Ages. Simply brilliant to see how they changed… or remained the same. This section too is infused with a lot of folklore about birds in Malta. The photos of decorated bird calls as well as those dealing with turtle dove trapping, are really beautiful and recount volumes on their own. I can go on and on about this invaluable tome, for with over 900 images and close to 500 pages, this is a veritable tome, an encyclopaedia about birds and man, primarily to do with Malta but saturated with parallels that each and every reader can find in his neighbourhood… So it’s about birds and us as much as it’s about the birds of Malta.”

A Complete Guide to the Birds of Malta jacket image

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Book of the Week: Plant-Animal Communication

Continuing our weekly selection of the very best titles available through NHBS:

Plant-Animal Communication

by H. Martin Schaefer and Graeme D. Ruxton

What?

A summary of all the latest research on this poorly understood but significant area of ecological and evolutionary research. Plant-Animal Communication jacket image

Why?

The literature on the subject is wide-ranging and of interest to a diverse section of the scientific community, and here Schaefer and Ruxton provide a much-needed synthesis of the latest research in sensory ecology, plant physiology, evolution and the behavioural sciences as applicable to plant-animal communication.

Table of Contents

Preface

  1. Communication and the Evolution of Plant-Animal Interactions
  2. Animal Sensory Ecology and Plant Biochemistry
  3. Animals as Seed Dispersers
  4. Visual Communication in Fleshy Fruits
  5. Evolutionary Ecology of Non-Visual Fruit Traits
  6. Flower Signals and Pollination
  7. The Potential for Leaf Colouration to Communicate to Animals
  8. Plant Crypsis, Aposematism, and Mimicry
  9. Chemical Communication by Plants about Herbivores Sensory Aspects of Carnivorous Plants
  10. Final Thoughts

Glossary
References
Index

Who?

H. Martin Schaefer is Associate Professor in Evolutionary Biology and Ecology at the University of Freiburg. His main research interests are the sensory ecology of plant-animal interactions in the three fields covered in this book, seed dispersal, plant defence and carnivory.

Graeme D. Ruxton is Professor of Theoretical Ecology at the University of Glasgow. His main research interests are in sensory ecology and how one species can exploit the senses of another.


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Introducing Anima Mundi – Adventures in Wildlife Photography

ANIMA MUNDI – Adventures in Wildlife Photography is a FREE quarterly wildlife and nature travel and photography online magazine.

Anima Mundi #2
ANIMA MUNDI – Adventures in Wildlife Photography is available as a FREE fully interactive 100+ page, widescreen pdf and is published over the internet four times a year in January, April, July and October.

ANIMA MUNDI – Adventures in Wildlife Photography is published in cooperation with X-RAY MAGAZINE, the largest and best-ranked dive periodical of its kind in the world.

Each issue of ANIMA MUNDI features extensive, 50-page long, fully illustrated articles about prime wildlife photography locations worldwide, with field-tested, user-friendly information about trip destinations, local facilities, guides and specialized tour operators.

You will also find in-depth features about all sorts of fascinating wildlife – both terrestrial and marine – plus interactive videos and links, wildlife photographers personal galleries, book reviews, field equipment and techniques tips and a lot more.

Anima Mundi is on Facebook

NHBS have worked with Andrea and Antonella Ferrari, the creators of Anima Mundi, for the last few years as distribution agents for their publishing company, Nautilus Publishing. These three great books have been long-term best-sellers, and are available now from NHBS:

A Diver’s Guide to Reef Life
A Diver’s Guide to Underwater Malaysia Macrolife
A Diver’s Guide to the Art of Underwater Photography

Here Andrea talks about the Anima Mundi project, and his passion for wildlife photography:

What inspired you to create Anima Mundi?

Nature and wildlife have always been a great love of mine. Together with my wife Antonella I’ve written a dozen or more coffee-table books and guidebooks about topside and marine life – we have focused on underwater photography during the past 20 years – but gathering material for such endeavours and working on them during our twice-a-year holidays abroad and weekends at home was becoming quite a chore as we both had an office job. So after 30 years we finally quit our jobs and decided to devote ourselves fully to what we love best. ANIMA MUNDI – Adventures in Wildlife Photography allows me to be my own boss, to make my own creative choices and to follow my own path. Besides, it’s free for everybody to download and enjoy and it will stay so in the future, so we don’t have to worry about compromises – we can make our own choices and freely offer our own field-tested opinion. I’m having the time of my life! We’re not aiming to compete with any other magazine in the line as we’re freely following our own creativity – however I felt a hands-on magazine about wildlife photography and travelling could actually fill a void, as most others are glossy and expensive but also rather devoid of practical, independent advice for those interested in following our footsteps. In this respect ANIMA MUNDI – Adventures in Wildlife Photography isn’t only eye candy for the armchair traveller but also offers sensible, practical information regarding local conditions, travel agencies and facilities to the wildlife and nature photographer.

Tell us about your background in wildlife photography and natural history

We started about 30 years ago – we were very young and inexperienced then of course, but we soon realized that to put together a fully exhaustive feature about a National Park, or even a single species, a lot of time was needed – weeks, if not months – and being both with a company job we couldn’t afford such long holidays. It was heartbreaking seeing our hard-earned tiger photos flatly refused by an editor simply because there were no images of them mating, rearing their cubs or taking down their prey.  So we turned our attention to scuba diving and underwater photography, where there was less competition (and also more fun for us!). If one is focused and disciplined enough, the coral reef environment offers fantastic photo opportunities even for the brief duration of a two-week trip, and we were soon able to visit some amazing locations and bring home some very good shots. We built up quite a reputation – I was the first ever to photograph properly both an Oceanic Whitetip and an Oceanic Thresher shark in the wild, and we were awarded the coveted World Grand Prize for the Best Book About the Sea in 2004 at the Antibes International Festival of the Underwater Image with our coffee-table volume Oceani Segreti.

We also did a Reef Life and a Sharks guide, and then of course we published our best-sellers, A Diver’s Guide to Underwater Malaysia Macrolife, A Diver’s Guide to Reef Life and a Diver’s Guide to the Art of Underwater Photography. To be honest I’ve lost count of the books we’ve done or the translations they received – but now I’ve finally been unable to resist the call of digital publishing! Make no mistake, I consider myself a glorified amateur – I’ve never attended a formal course in photography or biology, but I take what I do very seriously, and I’m proud to say our writings and images are considered quite valuable by some very serious biologists and taxonomists. Some were even used to name new species. It’s all about passion, and being happy with what one is doing!

What are some of your favourite places to visit?

We find beauty and interest everywhere. For scuba diving, the Red Sea 30 years ago used to be marvelous, and then we moved to Borneo first and Raja Ampat in West Papua later. These I would say are the underwater destinations we love most. Borneo and Raja Ampat in particular are at the heart of the Coral Triangle, the epicenter of marine biodiversity – it’s pretty amazing what one sees there, but it’s also heartbreaking seeing the damage which is being done to the marine environment. During the past 30 years we’ve seen marine life plummet everywhere. That – and the onslaught of age! – has convinced us to go back to topside photography. South East Asia, India and Sri Lanka, Central and Southern America, Eastern and South Africa and even poor battered old Europe can offer some fantastic encounters, but of course one must know where to look and with whom to go.With the end of the civil war now Sri Lanka can be safely visited again at last, North-Eastern Poland was a fantastic surprise for us and now Costa Rica and Ecuador are beckoning, not to mention Africa, of course. There’s a whole world out there, and to those who know how to look it’s still full of beauty and surprises. ANIMA MUNDI – Adventures in Wildlife Photography was created for exactly that – to freely share beauty and information with those who care, at no cost at all. Sustainable ecotourism – such as that for wildlife photography – can really help locally, and I’m firmly convinced the free global sharing of information would solve a lot of the world’s problems. Then again, I have always been a lover of science fiction and fantasy…

What advice do you have for keen wildlife photographers who are interested in breaking into the professional market?

Well, I don’t really feel I am in the best of positions to offer advice – as I have never considered myself a true full-time professional. Anyway, I am firmly convinced that the first and most important thing to do is to learn about one’s subjects, being thoroughly conversant with their life habits, their behaviour, their habitat and so on.  So my advice is read and read, and learn as much as you can – know your subjects, become your subjects, this will double the chances of a good  shot and will also double the enjoyment. I’m also a keen proponent of strictly disciplined behaviour in the field – silent stalking, perfect camouflage, absolutely no manipulation or staging and so on. It’s like playing at cowboys and indians again, but it does work! But seriously – if you know what you are doing and you are disciplined and motivated enough – you’ll be able to publish something sooner or later, if that is what you really consider important. Of course you also have to be a good photographer, and that is half practice and half sheer instinct, a natural quality. But reading and learning constantly helps a lot in getting better!

And who/what have been your greatest inspirations, in terms of photographers, or books you have read?

Oh, my idols – when I was young I desperately wanted to learn diving and explore the oceans after the late Jacques-Yves Cousteau and his incredibly influential television documentary series, The Man and the Sea…the man started it all, all my underwater work I owe to him. I can still hear the title music ringing in my years – after 40 years! Later on I also found inspiration in the works by David Doubilet, Doug Perrine and Howard Hall, among others. In topside photography I have always greatly admired the work of Frans Lanting, Steve Bloom, David Hemmings and Nick Brandt – but they’re in an alltogether different league, pure artistic genius at work! I also like a lot of Andy Rouse‘s recent work – but there’s so many incredibly good nature and wildlife photographers out there nowadays, the digital age has opened so many doors – just think of ANIMA MUNDI – Adventures in Wildlife Photography, it’s a channel open to anybody which would have been simply unthinkable until a few years ago.

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Related titles:

Great Barrier Reef by David Doubilet
Successful Underwater Photography by Brian Skerry and Howard Hall
Life: A Journey Through Time by Frans Lanting and Christine Eckstrom
Spirit of the Wild by Steve Bloom
A Shadow Falls by Nick Brandt
Tigers: A Celebration of Life by Andy Rouse

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